Jean Ipousteguy Sold at Auction Prices

IPOUSTEGUY (1920-2006) N.D. de France ravissant une écolière Epreuve en bronze à patine dorée Signée et datée 82 à la base, titrée au dos Cachet du fondeur Bruno Cuffini, numérotée 2/8 et datée 1992 H. 38 cm L. 37 cm P. 14 cm

IPOUSTEGUY (1920-2006) N.D. de France ravissant une écolière Epreuve en bronze à patine dorée Signée et datée 82 à la base, titrée au dos Cachet du fondeur Bruno Cuffini, numérotée 2/8 et datée 1992 H. 38 cm L. 37 cm P. 14 cm

Jean Robert IPOUSTEGUY (1920-2006) Sur l'eau, 1956

Jean Robert IPOUSTEGUY (1920-2006) Sur l'eau, 1956 Aquarelle sur papier, signée et datée en haut à droite 45 x 53 cm

IPOUSTEGUY (Jean Robert dit) (Dun-sur-Meuze

IPOUSTEGUY (Jean Robert dit) (Dun-sur-Meuze 1920-2006) Tête de David, 1959 Sculpture en bronze à patine noire Fonte ancienne de Valscani Signé EPOUSTEGUY numéroté 2/6 Cachet du fondeur Valsuani Paris H 36 cm, L 27 cm

JEAN  ROBERT  IPOUSTÉGUY

SOLD  BY  THE  ART  INSTITUTE  OF  CHICAGO 1920  -  2006 LA  FEMME  AU  BAIN  (WOMAN  IN  THE  BATH) polished  bronze,  in  7  parts Overall:  53  by  78  by  54    in. 134.6  by  198.1  by  137.2    cm. Executed  in  1966,  this  work  is  from  number  5  from  the  edition  of  8.  Published  by  Galerie  Claude  Bernard,  Paris.

Jean IPOUSTEGUY (1920-2006) Main Encre de chine

Jean IPOUSTEGUY (1920-2006) Main Encre de chine Signée en bas à droite, datée 1960 et dédicacée "à Monique" 50 x 65 cm

Jean-Robert Ipoustéguy (French, 1920-2006) Val de Grâce, 1977 86 5/8 x 57 1/8 x 63in (220 x 145 x 160cm)

Val de Grâce, 1977 dimensions: 86 x 57 x 63in (220 x 145 x 160cm) bronze from the edition of 8

JEAN ROBERT IPOUSTEGUY (1920-2006)

JEAN ROBERT IPOUSTEGUY (1920-2006) Le martien signé et daté 'IPOUSTEGUY 61' (en haut à droite); signé deux fois des initiales and daté 'JI 61' (au dos); porte le cachet du fondeur 'A.VALSUANI/CIRE PERDUE' (en bas à gauche) bronze à patine brune 22.9 x 27.3 cm. (9 x 10¾ in.) Réalisé en 1961.

Jean Robert Ipousteguy (1920-2006)

Jean Robert Ipousteguy (1920-2006) Lying figure signed, dated, numbered and with the foundry's stamp 'Ipousteguy/66 2/9, Valsuani cire perdue' (underneath) bronze with dark brown patina 11 x 21 x 14 cm. Conceived in 1966 and cast in an edition of nine.

Jean IPOUSTEGUY (1920-2006) Nu au palmier,

Jean IPOUSTEGUY (1920-2006) Nu au palmier, 13.12.97 Technique mixte sur papier, signé et daté en bas à gauche. 63 x 47,8 cm (à vue)

Jean IPOUSTEGUY (1920-2006) Été, 14.10.83.

Jean IPOUSTEGUY (1920-2006) Été, 14.10.83. Technique mixte sur papier, daté en bas à droite, signé au dos. 61 x 46 cm

JEAN ROBERT IPOUSTÉGUY

1920-2006 MYCÈNES signed, stamped with the foundry mark and numbered 2/6 bronze with brown-black patina, in three parts overall: 16 by 16 by 8 in. 40.6 by 40.6 by 20.4 cm. EXECUTED IN 1960, THIS WORK IS FROM AN EDITION OF 6 PLUS 3 ARTIST'S PROOFS.

Jean IPOUSTEGUY (1920-2006) AU DESSUS DU MUR, 1948 Huile sur toile

Jean IPOUSTEGUY (1920-2006) AU DESSUS DU MUR, 1948 Huile sur toile signée et datée en bas à droite h: 97 w: 130 cm Provenance : Succession Ipousteguy

Jean IPOUSTEGUY (1920-2006) BRAS, 1967 Sculpture en marbre

Jean IPOUSTEGUY (1920-2006) BRAS, 1967 Sculpture en marbre Taillé directement dans les Ateliers Nicoli à Carrare, Italie signé et daté "67" à la base Pièce unique h: 71 w: 10 d: 10 cm Provenance : Collection particulière Belgique Collection particulière, Paris Bibliographie : Jean Ipousteguy, Catalogue Raisonné, Editions de La Différence, reproduit sous le n°248 p.156. Commentaire : Une bille d'acier est placée à l'intérieur.

- Jean Ipousteguy , b. 1920 Val de Grâce bronze

stamped with the signature and foundry mark, dated 77 and numbered 3/8 on the base bronze

Jean IPOUSTEGUY (1920-2006) MAITRESSE A TIZI OUZOU, 1997 Bronze à patine noire b5...

m - Jean Ipousteguy , b. 1920 Dans un coin Mandarine bronze with green patina

signed, stamped with the foundry mark Blanchet Fondeur and dated 84 bronze with green patina

Jean IPOUSTEGUY (1920-2006) SUR L'EAU, 1956 Aquarelle sur papier

Jean IPOUSTEGUY (1920-2006) LA CAVE, 1946 Huile sur toile

Jean IPOUSTEGUY (1920-2006) GISANT, 1947 Huile sur toile

Jean IPOUSTEGUY (1920-2006) CALMONS-NOUS, 1949 Huile et encre sur papier

JEAN IPOUSTEGUY B. 1920

LE FOND DU RIRE measurements height: 21 3/4 in. alternate measurements 55.2 cm inscribed IPOVSTEGUY 1966 1/9 (on top of base to head, IPOUSTEGUY 966 (on back of base to head) bronze with dark brown and varigated brown patina, in two sections Condition Note: overall good condition, minor wear to patina at extremities, a few scattered minor dings We are pleased to provide you with a general report of the condition of the property described in our catalogue. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSION CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE CATALOGUE. executed in 1966 in an edition of nine plus three artist's proofs PROVENANCE Galerie Claude Bernard, Paris Acquired from the above by the present owner LITERATURE Dominique Croiset-Veyre, Ipoustéguy, L'Ouevre Sculpté, Paris 2001, no. 184, p. 120, another cast illustrated p. 121

JEAN IPOUSTEGUY B. 1920

DEUX TÊTES SUPERIMPOSÉES measurements height: 16 1/2 in. alternate measurements 42 cm. inscribed 3/6 IPOUSTEGUY 60, with Valsuani foundry mark (on back of neck) bronze with varigated brown patina, in two sections Condition Note: Overall good condition, moderate rubbing to patina at extremities We are pleased to provide you with a general report of the condition of the property described in our catalogue. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSION CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE CATALOGUE. conceived in 1959 and cast in an edition of six plus three artist's proofs PROVENANCE Albert Loeb Gallery, New York Acquired from the above by the present owner LITERATURE Dominique Croiset-Veyre, Ipoustéguy, L'Ouevre Sculpté, Paris 2001, no. 73, p. 54, another cast illustrated p. 55

f - JEAN IPOUSTEGUY 1920

CRÂNE h: 18,5 cm; 7 1/2 in. signé et numéroté 5/6, porte le cachet E. Godard fondeur Paris bronze, patine noire

f - JEAN IPOUSTEGUY 1920

DU GUESCLIN DU GUESCLIN hauteur: 24 cm; 9 1/2 in. signé et numéroté I; signé, daté 59, numéroté 3/6 et porte le cachet Valsuani fondeur bronze, patine noire en trois parties Exécuté en 1959.

f - JEAN IPOUSTEGUY 1920

CRÂNE DE GOLIATH (TÊTE CASQUÉE) hauteur: 41,5 cm; 16 3/8 in. signé, numéroté 5/6, daté 1958 et porte le cachet Valsuani fondeur bronze, patine noire Exécuté en 1958.

u - JEAN IPOUSTEGUY B. 1920

PROPERTY FROM THE METROPOLITAN MUSEUM OF ART DAVID AND GOLIATH measurements installation dimensions variable. david: 47 5/8 by 23 1/4 by 24 3/8 in. 121 by 59 by 62 cm. alternate measurements goliath: 48 3/4 by 30 3/4 by 33 in. 124 by 77 by 84 cm. David with incised signature Ipousteguy and numbered 5/6 (near the base); the largest element of Goliath with incised signature Ipousteguy, numbered 1/6 and with the foundry mark Susse Fondeur PARIS (near the base) bronze, black patina Condition Note: In generally very good condition. We are pleased to provide you with a general report of the condition of the property described in our catalogue. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSION CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE CATALOGUE. Executed in 1959; the different elements appear to have been issued separately and only one or two complete sets are known. PROVENANCE Estate of Mr. & Mrs. Charles Zadok (acquired in 1983) EXHIBITED Paris, Salon de Mai (possibly another cast) Paris, Galerie Claude Bernard, Ipousteguy, 1962 (possibly another cast illustrated in catalogue) Mountainville, New York, Storm King Art Center, Twentieth Century Sculpture: Selections for the Metropolitan Museum of Art, May 18, 1984 - May 4, 1987

u - JEAN IPOUSTEGUY B. 1920

PROPERTY FROM THE PHILIP AND MURIEL BERMAN FOUNDATION VAL DE GRÂCE measurements 86 1/2 by 57 by 63 in. alternate measurements 220 by 145 by 160 cm. bronze, brown-black patina cast in an edition of 8 plus 4 artist's proofs, beginning in 1977 LITERATURE Dominique Croiset-Veyre, Ipoustéguy, l'Oeuvre Sculpté, Catalogue Raisonné 1938-2000, 2001, page 216, no. 345 (illustraion of another cast, page 217) NOTE This sculptural work was the artist's response to a commission from the French military, in 1977, for a monument on the theme of aid to the wounded soldier, to be installed in central Paris. However, the panel charged to review the commission rejected the work in a meeting in December of that year. Five years later, during which period Ipousteguy's international reputation grew dramatically, the authorites reversed themselves and authorized the installation of the work on the base which had already been erected for it back in 1977. The present lot will not be exhibited at Sotheby's. For further information, including shipping, please contact the department.

u - JEAN IPOUSTEGUY B. 1920

PROPERTY FROM THE METROPOLITAN MUSEUM OF ART DAVID AND GOLIATH measurements installation dimensions variable. david: 47 5/8 by 23 1/4 by 24 3/8 in. 121 by 59 by 62 cm. alternate measurements goliath: 48 3/4 by 30 3/4 by 33 in. 124 by 77 by 84 cm. David with incised signature Ipousteguy and numbered 5/6 (near the base); the largest element of Goliath with incised signature Ipousteguy, numbered 1/6 and with the foundry mark Susse Fondeur PARIS (near the base) bronze, black patina Condition Note: In generally very good condition. We are pleased to provide you with a general report of the condition of the property described in our catalogue. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSION CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE CATALOGUE. Executed in 1959; the different elements appear to have been issued separately and only one or two complete sets are known. PROVENANCE Estate of Mr. & Mrs. Charles Zadok (acquired in 1983) EXHIBITED Paris, Salon de Mai (possibly another cast) Paris, Galerie Claude Bernard, Ipousteguy, 1962 (possibly another cast illustrated in catalogue) Mountainville, New York, Storm King Art Center, Twentieth Century Sculpture: Selections for the Metropolitan Museum of Art, May 18, 1984 - May 4, 1987

PROPERTY FROM THE COLLECTION OF DR. AND MRS. JOHN A. COOK JEAN IPOUSTEGUY BORN 1920 L'HOMME QUI

PROPERTY FROM THE COLLECTION OF DR. AND MRS. JOHN A. COOK JEAN IPOUSTEGUY BORN 1920 L'HOMME QUI RIT bronze, black patina, in two parts Condition Note: scratches to the patina We are pleased to provide you with a general report of the condition of the property described in our catalogue. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSION CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE CATALOGUE. cast in 1960, and possibly unique LITERATURE AND REFERENCES Albert Loeb Gallery, Ipousteguy, (catalogue of an exhibition, March 17-April 18, 1964) New York, 1964, n.p., (illustration of this or possibly another cast)

PROPERTY FROM THE COLLECTION OF DR. AND MRS. JOHN A. COOK JEAN IPOUSTEGUY BORN 1920 COEUR

veined red Carrara marble (4 pieces) Condition Note: in generally good condition apart from some surface scratches and a small chip missing from one of the plate elements. We are pleased to provide you with a general report of the condition of the property described in our catalogue. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSION CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE CATALOGUE. executed in 1968, this work is unique PROVENANCE Galerie Claude Bernard, Paris; acquired from the above by the present owner in 1970 LITERATURE AND REFERENCES André Glucksman, Ed., Marbres / Ipousteguy, Paris, 1968

PROPERTY FROM THE COLLECTION OF DR. AND MRS. JOHN A. COOK JEAN IPOUSTEGUY BORN 1920 SKULL OF

PROPERTY FROM THE COLLECTION OF DR. AND MRS. JOHN A. COOK JEAN IPOUSTEGUY BORN 1920 SKULL OF GOLIATH (HELMETED HEAD) incised signature and number 5/6 at the top; impressed with the stamp of the founder, C. Valsuani Cire Perdu at the back bronze, dark brown patina Condition Note: In very good overall condition. We are pleased to provide you with a general report of the condition of the property described in our catalogue. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSION CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE CATALOGUE. cast in an edition of 6 in 1958

PROPERTY FROM THE COLLECTION OF DR. AND MRS. JOHN A. COOK JEAN IPOUSTEGUY BORN 1920 SKULL

incised with the artist's name and number 5/6 and also incised with the founder's name E. Godard / Fondr. Paris , around the base bronze, brown patina Condition Note: In very good overall condition. There is a felt pad ahered to the bottom. We are pleased to provide you with a general report of the condition of the property described in our catalogue. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSION CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE CATALOGUE.

PROPERTY FROM THE COLLECTION OF DR. AND MRS. JOHN A. COOK JEAN IPOUSTEGUY BORN 1920 L'HOMME QUI

PROPERTY FROM THE COLLECTION OF DR. AND MRS. JOHN A. COOK JEAN IPOUSTEGUY BORN 1920 L'HOMME QUI RIT bronze, black patina, in two parts Condition Note: scratches to the patina We are pleased to provide you with a general report of the condition of the property described in our catalogue. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSION CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE CATALOGUE. cast in 1960, and possibly unique LITERATURE AND REFERENCES Albert Loeb Gallery, Ipousteguy, (catalogue of an exhibition, March 17-April 18, 1964) New York, 1964, n.p., (illustration of this or possibly another cast)

PROPERTY FROM THE COLLECTION OF DR. AND MRS. JOHN A. COOK JEAN IPOUSTEGUY BORN 1920 COEUR

veined red Carrara marble (4 pieces) Condition Note: in generally good condition apart from some surface scratches and a small chip missing from one of the plate elements. We are pleased to provide you with a general report of the condition of the property described in our catalogue. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSION CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE CATALOGUE. executed in 1968, this work is unique PROVENANCE Galerie Claude Bernard, Paris; acquired from the above by the present owner in 1970 LITERATURE AND REFERENCES André Glucksman, Ed., Marbres / Ipousteguy, Paris, 1968

PROPERTY FROM THE COLLECTION OF DR. AND MRS. JOHN A. COOK JEAN IPOUSTEGUY BORN 1920 SKULL OF

PROPERTY FROM THE COLLECTION OF DR. AND MRS. JOHN A. COOK JEAN IPOUSTEGUY BORN 1920 SKULL OF GOLIATH (HELMETED HEAD) incised signature and number 5/6 at the top; impressed with the stamp of the founder, C. Valsuani Cire Perdu at the back bronze, dark brown patina Condition Note: In very good overall condition. We are pleased to provide you with a general report of the condition of the property described in our catalogue. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSION CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE CATALOGUE. cast in an edition of 6 in 1958

PROPERTY FROM THE COLLECTION OF DR. AND MRS. JOHN A. COOK JEAN IPOUSTEGUY BORN 1920 SKULL

incised with the artist's name and number 5/6 and also incised with the founder's name E. Godard / Fondr. Paris , around the base bronze, brown patina Condition Note: In very good overall condition. There is a felt pad ahered to the bottom. We are pleased to provide you with a general report of the condition of the property described in our catalogue. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSION CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE CATALOGUE.

JEAN IPOUSTEGUY FRENCH BORN 1920 LEADERS ET INFANT NUS

the multiple containing nine plaques, all signed and numbered 11/135, executed in 1969 and a booklet, Le soleil noir, aluminium

JEAN IPOUSTEGUY, B. 1920

signed and dated 62 ink on paper laid down onto board

JEAN ROBERT IPOUSTEGUY (né en 1920)

VIENS, 1966 Bronze à patine brune signé, daté, titré et numéroté 5/9 Valsuani fondeur 24 x 16 x 5 cm

JEAN-ROBERT IPOUSTEGUY (NE EN 1920)

Sculpture en bronze Hauteur: 45 cm. (17 3/4 in.)

l - JEAN IPOUSTEGUY B. 1920

impressed with the stamp of the founder C. Valsuani Cire Perdu

JEAN IPOUSTEGUY B. 1920

inscribed with signature IPOUSTEGUY, date 1959 and numbered 2/6; also impressed with the stamp of the founder, A. Valsuani Cire Perdu