Auguste Jean-Bapt. Vinchon Sold at Auction Prices

AUGUSTE JEAN-BAPTISTE VINCHON (FRENCH 1789-1855), A TOMB IN THE NAVE OF A BASILICAN CHURCH

AUGUSTE JEAN-BAPTISTE VINCHON (FRENCH 1789-1855)A TOMB IN THE NAVE OF A BASILICAN CHURCH Oil on paper laid down on canvas 25.7 x 38.4cm (10 x 15 in.)Provenance: By descent in the family of the ArtistTheir sale, Hotel des Ventes Michelcolombe, Tours, 11 October 1998, lot 19Private Collection, UK, acquired at the above sale Auguste Jean-Baptise Vinchon was a pupil of Gioacchino Giuseppe Serangeli and Jacques-Louis David. In 1813 he won second place in the Prix de Rome and the Grand Prix the following year. He resided in Rome at the French Academy in the Villa Medici between 1814 and 1816. During his stay, he spent his days copying the Old Masters and making oil sketches of the city and the surrounding countryside. At the time, in Rome, en plein-air sketching was much in vogue, and was practiced by artists who, like Vinchon, were not specialists in the genre. Sketching from nature trained artists in close observation and served them to collect a library of motifs usable for further compositions. Such sketches were usually executed on paper, which was easier to transport, and then laid down on canvas to provide a more stable support.

AUGUSTE JEAN BAPTISTE VINCHON (FRENCH 1789-1855), A FOUNTAIN IN A WOODED LANDSCAPE

AUGUSTE JEAN BAPTISTE VINCHON (FRENCH 1789-1855)A FOUNTAIN IN A WOODED LANDSCAPE, POSSIBLY AT TIVOLI Oil on paper laid down on canvas 21 x 26cm (8¼ x 10 in.)Provenance: By descent in the family of the ArtistTheir sale, Hotel des Ventes Michelcolombe, Tours, 11 October 1998, lot 19Private Collection, UK, acquired at the above sale Auguste Jean-Baptise Vinchon was a pupil of Gioacchino Giuseppe Serangeli and Jacques-Louis David. In 1813 he won second place in the Prix de Rome and the Grand Prix the following year. He resided in Rome at the French Academy in the Villa Medici between 1814 and 1816. During his stay, he spent his days copying the Old Masters and making oil sketches of the city and the surrounding countryside. At the time, in Rome, en plein-air sketching was much in vogue, and was practiced by artists who, like Vinchon, were not specialists in the genre. Sketching from nature trained artists in close observation and served them to collect a library of motifs usable for further compositions. Such sketches were usually executed on paper, which was easier to transport, and then laid down on canvas to provide a more stable support.

JEAN-BAPTISTE-AUGUSTE VINCHON (attr. a)

(Parigi, 1789 - Bad Ems, 1855) Cavallo Olio su tela, cm 77X58,5 Il dipinto trova interessanti spunti di confronto con le opere di Jean-Baptiste-Auguste Vinchon, artista francese dedito alla pittura di storia e di ritratto tra i più celebrati durante la Restaurazione. A confronto si citano le cinque teste di cavallo realizzate tra il 1815 e il 1817 a Roma quando Vinchon vinse il Prix de Rome dell'Académie Royale de Paris nel 1814 (già Sotheby's Londra il 18 giugno 2020, lotto 49). Questi dipinti, come è stato dimostrato, sono tratti dagli affreschi raffaelleschi in Vaticano raffiguranti la Battaglia di Costantino e di Ponte Milvio. Nel nostro caso la tela sembra ispirarsi al celebre ritratto equestre di Filippo IV realizzato intorno al 1635 da Diego Velázquez ed esposto al Museo Nazionale del Prado.

AUGUST JEAN BAPTISTE VINCHON

AUGUST JEAN BAPTISTE VINCHON (Paris 1789 - Bad Ems 1855) MOUNTAIN MARIO Pencil on paper, cm. 12 x 23 Titled to the top left PROVENANCE Antichità Alberto Di Castro, Rome Roman private collection The drawing comes from album of the painter's journey in Italy AUGUSTE JEAN BAPTISTE VINCHON (Parigi 1789 - Bad Ems 1855) MONTE MARIO Matita su carta, cm. 12 x 23 Titolato in alto a sinistra PROVENIENZA Antichità Alberto Di Castro, Roma Collezione privata romana Il disegno proviene dall'album di viaggio del pittore in Italia

Auguste Jean Baptiste Vinchon (French, 1789-1855) A painter and his muse 22 x 18in (56 x 46.5cm)

Auguste Jean Baptiste Vinchon (French, 1789-1855) A painter and his muse oil on canvas 22 x 18in (56 x 46.5cm) Footnotes Provenance The artist's studio; Private collection, Italy (acquired from the above); with W. Apolloni, Rome, Italy; Acquired from the above by the present owner in May 2004.

AUGUSTE-JEAN-BAPTISTE VINCHON | The artist in his room in the Villa Medici, Rome

oil on canvas

Auguste VINCHON (Paris 1787-1855) Portrait de Maurice Cornuau, petit-fils de l'artiste Sur sa toile d'origine ovale On the original ...

Auguste VINCHON (Paris 1787-1855) Portrait de Maurice Cornuau, petit-fils de l'artiste Sur sa toile d'origine ovale On the original oval canvas. Signature traces lower right, unreadable 46,5 x 38cm (18 1/4 IN. X 14 15/16 IN.) Trace de signature en bas à droite, illisible

Edmond Pennequin, Auguste Vinchon (1789-1855)

Edmond Pennequin, Auguste Vinchon (1789-1855) BONAPARTE IN A CROWD. 19th / 20th century. Etching on paper, 293x470 mm, marked 'Vinchon pinx' in print in lower margin, signed 'E Pennequin' in the same place. Edmond Pennequin, Auguste Vinchon (1789-1855) BONAPARTE V DAVU. 19. / 20. stol. Lept na papíře, 293x470 mm, zn. dole v tisku „Vinchon pinx", tamtéž sign. „E Pennequin". Jean Baptiste Auguste Vinchon - francouzský malíř, žák Gioacchina Giuseppe Serangeliho v Paříži. Edmond Pennequin, Auguste Vinchon (1789-1855) BONAPARTE IN DER MASSE. 19. / 20. Jh. Radierung auf Papier, 293x470 mm, unten im Druck „Vinchon pinx", ebenda sign. „E Pennequin".

Auguste Jean Baptiste VINCHON (1787 - 1855) Jeune Italienne sous une Treille Toile 40 x 37 cm Porte en bas à gauche, une étiquett...

Auguste Jean Baptiste VINCHON (1787 - 1855) Jeune Italienne sous une Treille Toile 40 x 37 cm Porte en bas à gauche, une étiquette portant le n° 15 Au revers de la toile, une inscription : Tableau peint par / Auguste Vinchon/ pour M. de Lamartine

Auguste-Jean-Baptiste Vinchon (Paris 1789-1855 Bad Ems) View of the mountains near Tivoli oil on paper laid down on canvas 10½ x 15½ in. (26.6 x 39.3 cm.)

Auguste Jean Baptiste VINCHON (Paris 1789 - Ems

Auguste Jean Baptiste VINCHON (Paris 1789 - Ems 1855) (attribuè à) Portrait d'homme au turban Huile sur toile 45,5 X 37,8 cm Portrait of a Man wi th a turban, Oil on canvas

Auguste Jean VINCHON (Paris 1789 - Ems 1855) Vue

Auguste Jean VINCHON (Paris 1789 - Ems 1855) Vue de la campagne romaine Huile sur papier marouflé sur toile 21 x 32 cm "Provenance : vente anonyme," "Tours, le 11 octobre 1998," partie du n°17

AUGUSTE-JEAN-BAPTISTE VINCHON

AUGUSTE-JEAN-BAPTISTE VINCHON PARIS 1789 - BAD EMS 1855 CHEVAUX EFFRAYÉS, DÉTAIL DE LA BATAILLE DE CONSTANTIN D'APRÈS RAPHAEL. Huile sur toile Auguste-Jean-Baptiste Vinchon ; Scared horses, after Raffaello ; Oil on canvas 72 x 162,5 cm ; 28 3/8 by 64 in

AUGUSTE VINCHON (PARIS 1789-1855 EMS)

AUGUSTE VINCHON (PARIS 1789-1855 EMS) L'enrôlement des volontaires, le 22 juillet 1792 pierre noire, huile sur papier marouflé sur toile et monté sur chassis 355 x 601 mm.

AUGUSTE JEAN-BAPTISTE VINCHON

PORTRAIT OF NENCY DESTOUCHES signed and dated lower right: A. Vinchon./août 1829.

Auguste Jean Baptiste VINCHON (Paris 1789 - Les

Auguste Jean Baptiste VINCHON (Paris 1789 - Les Bains d'Ems 1855) Portrait de Nency Destouches jeune fille Sur sa toile d'origine 81,5 x 65,5 cm Signée et datée en bas à droite : A. Vinchon / août 1829 Dans son cadre d'origine, décor à frise de cathédrale 15000 / 20000

AUGUSTE-JEAN-BAPTISTE VINCHON PARIS 1789 - BAD EMS 1855

LE PONT À CAVA DEI TIRRENI [ AUGUSTE-JEAN BAPTISTE VINCHON, THE BRIDGE AT CAVA DEI TIRRENI, OIL ON CARDBOARD, BEARS INSCRIPTIONS ON THE REVERSE J B VINCHON LE PONT DE CAVA AOÛT 1818 ] LE PONT À CAVA DEI TIRRENI AUGUSTE-JEAN BAPTISTE VINCHON, THE BRIDGE AT CAVA DEI TIRRENI, OIL ON CARDBOARD, BEARS INSCRIPTIONS ON THE REVERSE J B VINCHON LE PONT DE CAVA AOÛT 1818 24.3 x 31.5 cm 10 by 12 2/3 in. Porte une incription au dos JB Vinchon le pont de Cava Août 1818 Huile sur carton

AUGUSTE JEAN-BAPTISTE VINCHON PARIS 1789- 1855 BAD EMS

INTERIOR OF A SCULPTURE GALLERY measurements 9 by 11 1/2 in. alternate measurements 22.8 by 29.2 cm. oil on paper, laid down on canvas PROVENANCE With Simon Dickinson, New York. EXHIBITED New York, Simon Dickinson, Inc. & Newhouse Galleries, Inc., Rome and the Campagna: oil sketches by August Jean-Baptiste Vinchon and other French artists, May 1999, no. 23.

AUGUSTE JEAN-BAPTISTE VINCHON PARIS 1789- 1855 BAD EMS

INTERIOR WITH A DOUBLE STAIRCASE measurements 9 1/4 by 10 5/8 in. alternate measurements 23.6 by 27 cm. oil on paper, laid down on canvas Condition Note: Paint surface appears to be well retained. There is good retention of color and detail throughout. The surface is very slightly undulating at upper right corner. In general, however, the painting presents a very decorative image. Ultra violet light reveals very tiny touches along the extreme right and left edges and a few other small dots here and there. We are pleased to provide you with a general report of the condition of the property described in our catalogue. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSION CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE CATALOGUE. PROVENANCE Simon Dickinson, New York. EXHIBITED New York, Simon Dickinson, Inc. & Newhouse Galleries, Inc., Rome and the Campagna: oil sketches by August Jean-Baptiste Vinchon and other French artists, May 1999, no. 20.

AUGUSTE JEAN-BAPTISTE VINCHON PARIS 1789- 1855 BAD EMS

MOUNTAINOUS LANDSCAPE measurements 11 1/4 by 8 5/8 in. alternate measurements 28.5 by 22 cm. oil on paper, laid down on canvas Condition Note: On paper laid down. overall, there is very nice retention of the paint surface and good impastos. there is an old small repaired tear in mountain upper right, slightly visible to naked eye. ultraviolet light reveals retouching to tear as mentioned above; a few retouches in sky. there is a diagonal line of repaint in landscape at center right and a few tiny dots lower right. In a simple modern gilt wood frame. We are pleased to provide you with a general report of the condition of the property described in our catalogue. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSION CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE CATALOGUE. PROVENANCE Simon Dickinson, New York. EXHIBITED New York, Simon Dickinson, Inc. & Newhouse Galleries, Inc., Rome and the Campagna: oil sketches by August Jean-Baptiste Vinchon and other French artists, May 1999, no. 7. NOTE Vinchon, a pupil of Serangeli and David, entered the Prix de Rome in 1813 and won second prize with The Death of Jacob. The following year he won the Grand Prix with Diagoras Carried in Triumph by his Sons earning him a stay at the Villa Medici in Rome. During his sojourn in Rome Vinchon, like his fellow students, studied the Old Master paintings and antiquities that surrounded him. He also continued the tradition of making plein aire oil sketches of Rome and the Campagna. The rolling hills outside of Rome gave the artist ample subject matter that he could refer to in later years. Upon his return to Paris, he concentrated on fresco painting. Along with Abel de Pujol and Alexandre Guillemot, he decorated the chapels at Saint-Suplice. In addition, he received commissions for the Historical Gallery at Versailles and the Court of Commercial Justice at the Stock Exchange. For further examples see lots 136 and 137.

AUGUSTE JEAN-BAPTISTE VINCHON PARIS 1789- 1855 BAD EMS VIEW OF THE TIBER RIVER

oil on paper, laid down on canvas PROVENANCE With Simon Dickinson, New York. EXHIBITED New York, Simon Dickinson, Inc. & Newhouse Galleries, Inc., Rome and the Campagna: oil sketches by August Jean-Baptiste Vinchon and other French artists, May 1999, no. 4.

AUGUSTE JEAN-BAPTISTE VINCHON PARIS 1789- 1855 BAD EMS VIEW OF THE MOUNTAINS NEAR TIVOLI

oil on paper, laid down on canvas PROVENANCE With Simon Dickinson, New York. EXHIBITED New York, Simon Dickinson, Inc. & Newhouse Galleries, Inc., Rome and the Campagna: oil sketches by August Jean-Baptiste Vinchon and other French artists, May 1999, no. 15.

AUGUSTE JEAN-BAPTISTE VINCHON PARIS 1789- 1855 BAD EMS MOUNTAINOUS LANDSCAPE

oil on paper, laid down on canvas PROVENANCE With Simon Dickinson, New York. EXHIBITED New York, Simon Dickinson, Inc. & Newhouse Galleries, Inc., Rome and the Campagna: oil sketches by August Jean-Baptiste Vinchon and other French artists, May 1999, no. 7. CATALOGUE NOTE Vinchon, a pupil of Serangeli and David, entered the Prix de Rome in 1813 and won second prize with The Death of Jacob. The following year he won the Grand Prix with Diagoras Carried in Triumph by his Sons earning him a stay at the Villa Medici in Rome. During his sojourn in Rome Vinchon, like his fellow students, studied the Old Master paintings and antiquities that surrounded him. He also continued the tradition of making plein aire oil sketches of Rome and the Campagna. The rolling hills outside of Rome gave the artist ample subject matter that he could refer to in later years. Upon his return to Paris, he concentrated on fresco painting. Along with Abel de Pujol and Alexandre Guillemot, he decorated the chapels at Saint-Suplice. In addition, he received commissions for the Historical Gallery at Versailles and the Court of Commercial Justice at the Stock Exchange. For further examples see lots 126-130.

AUGUSTE JEAN-BAPTISTE VINCHON PARIS 1789- 1855 BAD EMS INTERIOR WITH A DOUBLE STAIRCASE

oil on paper, laid down on canvas PROVENANCE With Simon Dickinson, New York. EXHIBITED New York, Simon Dickinson, Inc. & Newhouse Galleries, Inc., Rome and the Campagna: oil sketches by August Jean-Baptiste Vinchon and other French artists, May 1999, no. 20.

AUGUSTE JEAN-BAPTISTE VINCHON PARIS 1789- 1855 BAD EMS INTERIOR OF A SCULPTURE GALLERY

oil on paper, laid down on canvas PROVENANCE With Simon Dickinson, New York. EXHIBITED New York, Simon Dickinson, Inc. & Newhouse Galleries, Inc., Rome and the Campagna: oil sketches by August Jean-Baptiste Vinchon and other French artists, May 1999, no. 23.