Jacopo Sansovino Paintings & Artwork for Sale | Jacopo Sansovino Art Value Price Guide

May. 04, 2024
Jacopo Sansovino
Est: €1,400 - €2,800
(1486 Florenz - 1570 Venedig) nach Statue der Pallas Athena Bronze, in nuancierten dunklen, grünen bis braunen Tönen patiniert. Guss wohl des 19. Jhs. als Grand Tour-Objekt. Vollplastische Darstellung der griechischen Göttin der Weisheit, der Strategie, des Kampfes und der Künste in einer Rüstung mit Helm, das Schild mit dem reliefierten Haupt der Medusa haltend. Verkleinerte Version nach der berühmten, großen Renaissance-Bronze an der Loggetta zu Füßen des Glockenturms am Markusplatz in Venedig, erbaut und mit Figuren ausgeschmückt 1538-1546 durch den Architekten und Bildhauer Jacopo Sansovino. H. 73,5 cm. After Jacopo Sansovino (1486 - 1570). Patinated bronze, cast probably 19th C. after the large Renaissance bronze statue at the Logetta del Sansovino in Venice.
Kunstauktionshaus Schloss Ahlden
Apr. 25, 2024
A Rare, Large Italian Renaissance Frame,
Est: €8,000 - €12,000
Venice c. 1560/80 in the style of JACOPO SANSOVINO (1486-1570), a three-piece removable softwood frame, stained dark brown and carved with ornamental and floral motifs and caryatids, gilt, vegetal decoration, surmounted by a carved angel’s head (cherub) in the centre, external measurements c. 250 x 180 cm, inside measurements c. 230 x 150 cm, lower strip missing, professionally conserved condition with some paint losses due to age and small missing wooden parts. (DOC) Exquisite workmanship. Provenance: formerly Collection of Dr. Wolfgang Hofstätter, Vienna The present frame, which gets its radiant charm from its contrasting brown and gold carved decoration, corresponds to the Mannerist taste of the Italian Renaissance from the 1550s onwards. JACOPO SANSOVINO (1486-1570) is one of its most prominent representatives. He is responsible for the development of the frame’s function from a mere architectural aid to a work of art in its own right. Frames would subsequently play an important role in the overall appearance of the interior for sacred objects or a painting. From richly decorated churches to the prestigious entrances of city palaces, the aim was to impress guests and visitors. The most important features of these frames include symmetry on both axes, rocailles, volutes, mascarons, caryatids and putti. The figural and vegetal decoration on the present frame is strikingly reminiscent of a frame illustrated in Augusto Pedrini's book "Il Mobilio" (see reference) Cf Lit.: - Nicholas Penny, Peter Schade, Harriett O'Neill, The Sansovino Frame, cat. 10, National Gallery Company, London 2015 - Franco Sabatelli, La Cornice Italiana, p. 154, Mondadori Electa, Milan 1992 - Augusto Pedrini, Il Mobilio, p. 161, ill. 409, Stringa Editore Genova 1969 - Liechtenstein Museum Vienna, exhibition "Halt und Zierde. Das Bild und sein Rahmen", ill. 53, 15.5.2009 - 12.1.2010
Dorotheum
Mar. 08, 2024
Jacopo Sansovino zugeschrieben, Großer figurativer Türklopfer, wohl Venedig um 1550, Bronze
Est: €3,500 - €4,000
Jacopo Sansovino zugeschrieben, Großer figurativer Türklopfer, wohl Venedig um 1550, Bronze Jacopo Sansovino (eigentlich Jacopo Tatti bzw. Jacopo d’Antonio Tatti ) 1486 Florenz - 1570 Venedig, italienischer Bildhauer und Architekt der Renaissance, zugeschrieben. Hier: Zwei Putten halten ein Wappen aus siebenstrahligem Stern auf einem senkrecht geteilten Schild über barbusiger weiblicher Figur im Akanthuskranz. Das darüber montierte Maskenrelief stammt wohl von anderer Hand, H 36 cm/ 53 cm, Bronze mit grünbrauner Patina, montiert auf samtbezogenen Staffelei -Träger des 19. Jhs. Zum Künstler: Auf Empfehlung des Kardinals Grimani erhielt Jacopo Sansovino 1527 vom Dogen Andrea Gritti den Auftrag zur Restaurierung der Hauptkuppel von San Marco.Bereits zwei Jahre später wurde er zum proto, zum obersten Baumeister an San Marco ernannt. Er gestaltete den Chor mit zwei Kanzeln um. Im gleichen Jahr begann er mit der umfassenden Neugestaltung des Marktplatzes: Umgestaltung und Fertigstellung der Alten Prokuratien, Neubau der Zecca, der Loggetta del Campanile und der Biblioteca Marciana (Libreria di San Marco). Das Gewölbe eines Saales der Libreria stürzte ein, was Sansovino einen Aufenthalt im Gefängnis einbrachte. Gleichzeitig bekam er zahlreiche Aufträge für Skulpturen und Reliefs vor allem aus Bronze, die in seiner großen Werkstatt ausgeführt wurden. Durch die Freundschaft mit Aretino und mit Tizian erhielt er Zugang zum venezianischen Patriziat. Sansovino war bis zu seinem Tod der am höchsten angesehene und einflussreichste Architekt und Bildhauer Venedigs. Attributed to Jacopo Sansovino, large figurative door knocker, probably Venice c. 1550, bronze Attributed to Jacopo Sansovino (actually Jacopo Tatti or Jacopo d'Antonio Tatti ) 1486 Florence - 1570 Venice, Italian sculptor and architect of the Renaissance. Here: Two putti hold a coat of arms consisting of a seven-pointed star on a vertically divided shield above a bare-breasted female figure in an acanthus wreath. The mask relief mounted above is probably by another hand, height 36 cm/ 53 cm, bronze with green-brown patina, mounted on a 19th century velvet-covered easel support The artist: On the recommendation of Cardinal Grimani, Jacopo Sansovino was commissioned by Doge Andrea Gritti in 1527 to restore the main dome of San Marco, and just two years later he was appointed proto-master builder of San Marco. He remodelled the choir with two pulpits. In the same year, he began the comprehensive redesign of the market square: remodelling and completion of the Old Procuratie, construction of the Zecca, the Loggetta del Campanile and the Biblioteca Marciana (Libreria di San Marco). The vault of a room in the Libreria collapsed, which led to Sansovino spending time in prison. At the same time, he received numerous commissions for sculptures and reliefs, mainly in bronze, which were executed in his large workshop. Through his friendship with Aretino and Titian, he gained access to the Venetian patriciate. Until his death, Sansovino was the most highly respected and influential architect and sculptor in Venice.
K&K – Auktionen in Heidelberg
Nov. 22, 2023
After Jacopo Sansovino (1486-1570) Bacchus
Est: €200 - €300
After Jacopo Sansovino (1486-1570) Bacchus Bronze Yellow veined black marble base XIXth century H 33 cm Total height 35 cm D'après Jacopo Sansovino (1486-1570) Bacchus Epreuve en bronze Contre-socle en marbre noir veiné jaune XIXème siècle H 33 cm Hauteur totale 35 cm
Piasa
Oct. 25, 2023
Venetian School 16th century Possibly Circle of Jacopo Sansovino (Italy 1486-1570) "Saint Peter and Saint Paul" Pair of figures in gilt bronze with delicate chiseling evident above all in the different textures, very typical of the Venetian works of
Est: -
Venetian School 16th century Possibly Circle of Jacopo Sansovino (Italy 1486-1570) "Saint Peter and Saint Paul" Pair of figures in gilt bronze with delicate chiseling evident especially in the different textures, very typical of the Venetian works of the 16th century. Each one carrying his attribute, the keys of Saint Peter and the sword of Saint Paul. With red porphyry base. Origin: Sotheby's "European Sculpture and Works of Art", July 9, 2008, London. Height: 18.5 cm. (without base) Total height: 25 cm.
Subastas Segre
Nov. 25, 2021
□ A BRONZE PLAQUETTE OF THE MADONNA AND CHILD, SCHOOL OF JACOPO SANSOVINO (1486-1570), 16TH CENTURY
Est: £400 - £600
A BRONZE PLAQUETTE OF THE MADONNA AND CHILD, SCHOOL OF JACOPO SANSOVINO (1486-1570), 16TH CENTURY circular, the Madonna supporting the Holy Child seated on her lap, His hand on her shoulder, initial F. on reverse 8cm diameter excluding remains of a suspension loop Provenance: Collection of Alfred Spero (1886-1973), London, from whom acquired by Bernard Kelly between 1967-1969. *See lot 309 for Introduction to the Bernard Kelly Collection and Selected Bibliography* Bange 941
Matthew Barton Ltd
Feb. 23, 2021
After Jacopo Sansovino (Italian, 1486-1570)
Est: $2,000 - $3,000
After Jacopo Sansovino (Italian, 1486-1570) 19th Century Bacchus terra cotta Height 53 inches.
Hindman
May. 31, 2019
Jacopo Tatti detto Sansovino (Firenze, 1486 - Venezia, 1570) TOMMASO RANGONE DI RAVENNA medaglia in bronzo, diam. mm 38 TOMMASO RANGONE DI RAVENNA bronze medal, diameter 38 mm Sul fronte busto barbato verso dest
Est: €500 - €800
Jacopo Tatti detto Sansovino (Firenze, 1486 - Venezia, 1570) TOMMASO RANGONE DI RAVENNA medaglia in bronzo, diam. mm 38 TOMMASO RANGONE DI RAVENNA bronze medal, diameter 38 mm Sul fronte busto barbato verso destra, con l’iscrizione THOMAS PHILOLOGVS RAVENNAS. Sul retro Giove in forma di aquila porta il piccolo Ercole a Giunone, che giace sdraiata sopra la via lattea, in basso una pianta di gigli e tre uccelli, con l’iscrizione A lOVE ET SORORE GENITA Bibliografia Renaissance medals from the Samuel H Kress Collection at the National Gallery of Art, Londra 1967, pp. 78-79 n. 417b
Pandolfini Casa d'Aste
May. 05, 2019
An Early Italian Bronze of the Virgin and Child
Est: $3,000 - $5,000
An Early Italian Bronze of the Virgin and Child height: 19 in. Provenance: A Cambridge, Massachusetts Gentleman. Other Notes: This work relates closely in form, style, and size to a Jacopo Sansovino (Italian, 1486-1570) bronze of the Virgin and Child in the Cleveland Museum of Art (1951.316).
Grogan & Company
Jun. 06, 2018
AFTER JACOPO SANSOVINO (ITALIAN, 1486-1570): AN 18TH CENTURY ITALIAN BRONZE FIGURE OF MARS the standing figure wearing a plumed helmet, his drapery in his left hand and a shield beside the draped tree trunk, on a square base, mid brown patination, 30cm high This finely executed bronze statuette is a reduction of Sansovino's large Renaissance statue of Mars on the Giants' Staircase entrance to the Doge's Palace in Venice, Italy.
Est: £1,000 - £1,500
AFTER JACOPO SANSOVINO (ITALIAN, 1486-1570): AN 18TH CENTURY ITALIAN BRONZE FIGURE OF MARS the standing figure wearing a plumed helmet, his drapery in his left hand and a shield beside the draped tree trunk, on a square base, mid brown patination, 30cm high This finely executed bronze statuette is a reduction of Sansovino's large Renaissance statue of Mars on the Giants' Staircase entrance to the Doge's Palace in Venice, Italy.
Chiswick Auctions
Jul. 08, 2015
JACOPO SANSOVINO (1486-1570) ITALIAN, VENICE, CIRCA 1550 | Relief with the Madonna and Child
Est: £400,000 - £600,000
polychromed and gilt cartapesta on wood board, within a partially gilt wood frame
Sotheby's
May. 22, 2013
BACCHUS À LA COUPE D'après un modèle de Jacopo SANSOVINO
Est: €8,000 - €10,000
BACCHUS À LA COUPE D'après un modèle de Jacopo SANSOVINO (1486-1570) Italie, début du XVIIIe siècle MATÉRIAU H. 31 cm, L. 18 cm, P. 12 cm Socle : H. 5 cm AN EARLY 18TH CENTURY PATINATED BRONZE OF BACCHUS 12.20 in. high, 7.08 in. wide, 4.72 in. deep Bacchus se tient debout, le mouvement de son buste et de ses jambes décrivant un élégant contrapposto. Son visage, ceint d'une couronne de feuilles de vigne, se tourne vers la coupe qu'il brandit. Il tient une grappe de raisins contre sa cuisse. La qualité de la fonte et de la patine indique une oeuvre du tout début du XVIIIe siècle, inspirée par la célèbre sculpture en marbre exécutée par Jacopo Sansovino en 1514, devenue un véritable chef-d'aeuvre de la Renaissance (Florence, Musée du Bargello). Celle-ci inspira de nombreux artistes au cours des deux siècles suivants et notamment les bronziers comme Massimiliano Soldani-Benzi (1656-1740) et son atelier qui, à la fin du XVIIe et au début du XVIIIe siècle, réalisèrent plusieurs statuettes en bronze de ce Bacchus, conservés au Bargello ou à Chatsworth. BACCHUS à€ LA COUPE D'après un modèle de Jacopo SANSOVINO (1486-1570) Italie, début du XVIIIe siècle MATÉRIAU H. 31 cm, L. 18 cm, P. 12 cm Socle : H. 5 cm AN EARLY 18TH CENTURY PATINATED BRONZE OF BACCHUS 12.20 in. high, 7.08 in. wide, 4.72 in. deep Bacchus se tient debout, le mouvement de son buste et de ses jambes décrivant un élégant contrapposto. Son visage, ceint d'une couronne de feuilles de vigne, se tourne vers la coupe qu'il brandit. Il tient une grappe de raisins contre sa cuisse. La qualité de la fonte et de la patine indique une oeuvre du tout début du XVIIIe siècle, inspirée par la célèbre sculpture en marbre exécutée par Jacopo Sansovino en 1514, devenue un véritable chef-d'Âaeuvre de la Renaissance (Florence, Musée du Bargello). Celle-ci inspira de nombreux artistes au cours des deux siècles suivants et notamment les bronziers comme Massimiliano Soldani-Benzi (1656-1740) et son atelier qui, à la fin du XVIIe et au début du XVIIIe siècle, réalisèrent plusieurs statuettes en bronze de ce Bacchus, conservés au Bargello ou à Chatsworth.
Marc Arthur Kohn Paris
May. 21, 2013
After Jacopo Sansovino, Italian (1486-1570)
Est: -
his hair adorned with grapes, holding a dish in his left hand, on a rectangular base, dark brown patination, raised on a later stained wood, stepped plinth, 39cm high overall
Bonhams
Nov. 07, 2012
BAS-RELIEF EN TERRE CUITE REPRESENTANT LA VIERGE A L'ENFANT
Est: €15,000 - €20,000
BAS-RELIEF EN TERRE CUITE REPRESENTANT LA VIERGE A L'ENFANT ENTOURAGE DE JACOPO SANSOVINO (1486-1570), ITALIE, VERS 1520-1550 La Vierge tenant de sa main droite un linge reposant sur un panier; enchâssé dans un cadre en bois sculpté partiellement doré d'époque Renaissance Hauteur: 81 cm. (31 7/8 in.); Largeur: 57 cm. (22½ in.); Hauteur totale: 123 cm. (44 3/8 in.); Largeur totale: 106 cm. (41¾ in.)
Christie's
Apr. 17, 2012
BAS-RELIEF EN TERRE CUITE REPRESENTANT LA VIERGE A L'ENFANT
Est: €40,000 - €60,000
BAS-RELIEF EN TERRE CUITE REPRESENTANT LA VIERGE A L'ENFANT ENTOURAGE DE JACOPO SANSOVINO (1486-1570), ITALIE, VERS 1520-1550 La Vierge tenant de sa main droite un linge reposant sur un panier; enchâssé dans un cadre en bois sculpté partiellement doré d'époque Renaissance Hauteur: 81 cm. (31 7/8 in.); Largeur: 57 cm. (22½ in.); Hauteur totale: 123 cm. (44 3/8 in.); Largeur totale: 106 cm. (41¾ in.)
Christie's
May. 28, 2011
STANDING HERCULES
Est: Kč50,000 - Kč75,000
Bronze, H 21 cm, after 1550.A high quality example of early Venetian Renaissance bronzes.
Arcimboldo Auctions
Dec. 04, 2010
Sansovino-Rahmen
Est: -
Sansovino-Rahmen. Italien 16. Jh. Holz, geschnitzt und gefasst. Mit ausdrucksstarken Rocaillen, Blüten und Girlanden gezierter Rahmen. Leichte Altersspuren. Innenmaß H. 105,5, B. 79 cm. Diese Art von Rahmen wurde nach dem führenden venezianischen Bildhauer Jacopo Sansovino (1486 - 1570) benannt, welcher als großer Architekt den Rahmenschnitzern seiner Zeit als Orientierung für Ornamentik und Architekturelemente diente. (ENGLISH TEXT) Sansovino frame. Italy 16th c. Carved and painted wood. Minor signs of age.
Auktionshaus Kaupp GmbH
Oct. 22, 2009
FIGURE EN BRONZE REPRESENTANT BACCHUS
Est: €4,000 - €6,000
FIGURE EN BRONZE REPRESENTANT BACCHUS D'APRES JACOPO SANSOVINO (1486-1570), ITALIE, XVIIEME SIECLE Se tenant debout, en contrapposte, portant une coupe à sa bouche; patine brun foncé à rehauts brun clair; reposant sur une base d'époque tardive en marbre vert Hauteur: 31 cm. (12 in.), Hauteur totale: 33 cm. (13 in.)
Christie's
Mar. 31, 2009
ZWEI OVALE PLAKETTEN, Italien, 17./18. Jh. Im Stil
Est: CHF500 - CHF800
ZWEI OVALE PLAKETTEN, Italien, 17./18. Jh. Im Stil von Jacopo Sansovino (1486-1570). Bronze. Beide gegossen mit der Darstellung der Rosenkranz-Maria. Die thronende Maria überreicht dem vor ihr knienden Heiligen Dominikus den Rosenkranz. Eine mit durchbrochenem Kartuschenrahmen (H 14 cm), die andere mit Profilrahmen (H 11 cm). Literatur: Wilson C. , Renaissance Small Bronze Sculpture and Associated Decorative Arts at the National Gallery of Art, Washington, 1983. S. 142, No. 7. Mit der Abbildung einer ähnlichen Plakette.
Koller Auctions