Adriaen Isenbrant Paintings & Artwork for Sale | Adriaen Isenbrant Art Value Price Guide

Nov. 12, 2024
ISENBRANT Adriaen (vers 1490-1551). Attribué à. Tableaux Huile sur panneau
Est: €3,000 - €5,000
ISENBRANT Adriaen (vers 1490-1551). Attribué à. Tableaux Huile sur panneau de chêne "Vierge à l'Enfant sur fond de paysage". Attribué à Adriaen Isenbrant. Ecole flamande, Bruges. Dim.:+/-18x14,5cm.
Vanderkindere
Oct. 22, 2024
Adriaen Isenbrant and Workshop
Est: €60,000 - €80,000
(Antwerp circa 1485–1551 Bruges) Virgin and Child with Saint Bernard of Clairvaux, oil on panel, 55.5 x 45 cm, framed Provenance: Private collection, San Sebastian, until 1947; Collection of Maria Esclasans (1875–1947), Barcelona; thence by descent within the family; where recently acquired by the present owner Literature: A. Velasco Gonzales, L'antiquària Maria Esclasans (1875–1947) i el comerç d'art antic a Barcelona in: B. Bassegoda, I Domènech (eds.), Agents del mercat artístic i col·leccionistes. Nous estudis sobre el patrimoni artístic de Catalunya als segles XIX i XX, Barcelona 2017, pp. 216–217, fig. 17 We are grateful to Till-Holger Borchert for confirming the attribution after examining the present painting in the original and for his assistance in cataloguing this lot. The present work is a refined and highly detailed example of Early Netherlandish painting, most likely created in Bruges during the final two decades of the artist’s career, probably for the Iberian market. The composition particularly relates to a comparable work by the master, which depicts the Virgin and Child in a niche, conserved in the Museo Lázaro Galdiano in Madrid (see M. J. Friedländer, Early Netherlandish Painting, Leiden 1974, vol. XI, p. 87, no. 174a, plate 132). Having collaborated with the prominent Bruges painter Gérard David and his workshop, as well as with Ambrosius Benson, Isenbrant regularly drew upon David’s designs for his own compositions, as is evidenced by the figures of the Virgin and Child in the present work, who relate to those in David’s Rest on the Flight into Egypt, conserved in the Prado, Madrid (inv. no. P002643). Isenbrant probably had access to workshop drawings by David or copies thereof which probably were perforated to allow an easy transfer, as Isenbrant’s figures are seen in reverse compared to those by David in the Prado. On the Virgin’s right, kneels Bernard de Fontaine (circa 1090–1153), known as Saint Bernard of Clairvaux. Born into a noble family in Burgundy, Bernard joined the Cistercian order after the death of his mother and is widely known as the founder of the Abbey after which the saint is named. A staunch defender of the Crusades, Bernard played a key role in the spread of the Cistercian order across Europe, bringing it to the forefront of religious influence. Bernard of Clairvaux was canonised in 1174 by Pope Alexander III. Adriaen Isenbrant registered as a free master in the Bruges Guild of painters in November 1510, for which he served nine times as deacon and twice as governor of the Guild. He worked on commission and also produced works for the nascent art markets in Bruges and Antwerp, working for agents who exported his works. In 1520, the City of Bruges commissioned him alongside leading artists in the town to paint the decorations for the triumphal entry of Charles V. Isenbrant ran a productive workshop, and his paintings recall works by Jan van Eyck, Hans Memling and Gérard David, as well as Jan Gossaert and Albrecht Dürer. With David, he was among the first painters in Bruges who used the Leonardesque sfumato for faces and flesh parts, as evident in the present work which also show the typical warm colours preferred by the master. Technical analysis by Gianluca Poldi The support is an oak panel, 1cm maximum thickness, later painted with a dark pigment on the back. It was thinned at the verso along all the four sides, probably since the beginning, to be inserted in its frame, coherently with the unpainted edges at the recto, indicating the painting still preserves its original size. The underlying drawing revealed by IR reflectography is noteworthy: it is not the result of tracing but is done freehand with a black chalk, tracing the contours and in various cases – as in the hands – correcting them in search of the best shape. The outline underdrawing is followed by hatching, to study and place the shadows. The direction of the hatching is typical of a right-handed painter. A necklace (probably a rosary), just sketched, was slipped into the saint’s right wrist, but was not painted. The elaborate drawing that can be found under the figures becomes simpler, linear, under the architecture, and is limited to the incisions in the floor tiles placed in perspective, while it disappears under the landscape, most likely executed directly in painting. Non-invasive pigment analyses, carried out by means of reflectance spectroscopy, allowed to detect azurite – mixed with lead white – in the sky and in the bluish landscape towards the horizon, progressively changing to verdigris (copper acetate) coming closer to the figures, in the trees and meadows, where a flock of sheep grazes, painted with the tip of the brush like a miniature, watched over by a shepherd who leans against the trunk of the tree. A coccid-derived red lake is used in the Virgin’s cloak, while vermillion is mixed with lead white to create the flesh tones, according to tradition. Both these kinds of red are present in the floor tiles. The painter’s skills in making small details realistic are particularly evident in the architecture, with their sculpted elements, including a prophet (top left), highlighted with lead-tin yellow and lead white over the brown underlayers. In addition to the simulation, in these areas, of the golden reflections of light, the painter uses gold itself, shell gold, to create the rich halos of the three figures.
Dorotheum
Sep. 14, 2024
ADRIAEN ISENBRANT (NACHFOLGER) MADONNA MIT KIND MIT BLICK A
Est: €1,800 - €3,600
FOLLOWER OF ADRIAEN ISENBRANT ('Also Isenbrandt, Ysenbrant, Pseudo-Mostaert') 1510 Bruges - July 1551 ibid. MADONNA AND CHILD WITH A VIEW OF A WIDE LANDSCAPE WITH A MONASTERY CHURCH AND PEASANTS HOUSES Oil on softwood panel. 28 x 21 cm (F. 43.5 x 37.5 cm). Part. min. old rest., part. min. old retouching. Frame. Provenance: South German private collection. ADRIAEN ISENBRANT (NACHFOLGER) ('Auch Isenbrandt,Ysenbrant, Pseudo-Mostaert') 1510 Brügge - Juli 1551 ebenda MADONNA MIT KIND MIT BLICK AUF EINE WEITE LANDSCHAFT MIT KLOSTERKIRCHE UND BÄUERLICHEN ANWESEN Öl auf Holztafel. 28 x 21 cm (R. 43,5 x 37,5 cm). Part. min. altrest., part. min. Altretuschen. Rahmen. Provenienz: Süddeutsche Privatsammlung.
Hargesheimer Kunstauktionen Düsseldorf
Mar. 26, 2024
Adriaen Isenbrant (1510-1551) (suiveur de / navolger van / follower) La crucifixion The crucifixion
Est: €2,800 - €3,500
Huile sur panneau cintré. ca. 1550 Oil on arc-shaped panel. ca. 1550
Brussels Art Auctions
Mar. 20, 2024
Adriaen Isenbrant, Umkreis The Penitence of Saint Jerome
Est: €6,000 - €8,000
Adriaen Isenbrant, Umkreis um 1485 Antwerpen - 1551 Brügge The Penitence of Saint Jerome Oil auf panel. 46.9 x 32.3 cm. Restored. Minor damage. Minor damage to frame (63.5 x 49 cm). Die vorliegende Darstellung lässt sich hinsichtlich einzelner Kompositionsmotive mit einem Werk Adriaen Isenbrants vergleichen, das als authentische Arbeit des Meisters im Archiv des Rijksbureau voor kunsthistorische Documentatie (RKD), Den Haag, nachzuweisen ist (RKD Images 3910). Isenbrants Vorbild scheint populär und für die Zeitgenossen sehr inspirierend gewesen zu sein, was u. a. ein Gemälde in der Sammlung Orsini, Rom, belegt, das als "frei nach Adriaen Isenbrant" ebenfalls im Archiv des RKD dokumentiert ist (RKD Images 7821).
Neumeister
Sep. 26, 2023
Adriaen Isenbrant La crucifixion
Est: €4,000 - €6,000
Adriaen Isenbrant (1510-1551) (suiveur de / navolger van / follower) Huile sur panneau cintré. ca. 1550 The crucifixion Oil on arc-shaped panel. ca. 1550 53,5 x 40 cm.
Brussels Art Auctions
Jun. 23, 2023
ISENBRANDT, ADRIAEN
Est: CHF2,400 - CHF3,400
(1490 Brügge 1551) Nachfolger d. 16.Jhs. Ruhe auf der Flucht nach Ägypten. Öl auf Holz. 21,8x21 cm (oval). - In aufwändig geschnitztem Rahmen.
Schuler Auktionen
Jun. 04, 2023
ADRIAEN ISENBRANT (ACTIF À BRUGES DE 1510 À 1551) MARIE-MADELEINE PANNEAU DE CHÊNE, UNE PLANCHE,
Est: €40,000 - €60,000
Adriaen Isenbrant (actif à Bruges de 1510 à 1551) Marie-Madeleine Panneau de chêne, une planche, non parqueté. Haut. 40 Larg. 30,3 cm. (restaurations anciennes) Cadre en placage d'ébène mouluré, travail hollandais du XVIIe siècle (la vue rapportée). Provenance, selon les propriétaires : - collection de Longeville ; - collection Roger Aubert (restaurateur de peintures), rue Megevand, Besançon ; - collection Louis Henri Girard (1881-1973), industriel à Champagnole, Jura ; - par descendance, collection particulière, Tours. A portrait of Saint Mary Magdalene by Adriaen Isenbrant. In a Dutch 17th century ebony frame. Notre tableau était attribué jusqu'à ce jour au Maître des demi-figures, un peintre "maniériste anversois" au style aisément identifiable, à qui l'on doit de nombreuses représentations de Marie-Madeleine à mi-corps (Expertise par G. Delestre et P. de Bayser en date du 29 octobre 1949). Cependant, le style pictural tout en courbes et ondulations, souvent un peu « sec », du maître des demi-figures, ne correspond pas à la force, à la géométrisation par masses ni à la douceur que l'on observe ici. On perçoit l'influence de Gérard David et de Jan Provost dans le rendu des détails, ce qui situe notre tableau à Bruges et non à Anvers, alors que l'ampleur spatiale est influencée par les portraits de la Haute-Renaissance du début du XVIe siècle (Léonard de Vinci, Raphaël). On rapprochera le visage des modèles féminins dans le volet gauche du diptyque Van de Velde d'Isembrant (Bruxelles, musée royaux des beaux-arts) et du Portrait d'une dame avec un chien de l'ancienne collection Thyssen-Bornemisza du même artiste (vente Christie's à Londres, 4 juillet 2019, lot n°1), faisant de notre tableau plus un portrait sous les traits de Marie Madeleine qu'une simple représentation de la sainte. Nous remercions Mr Peter van den Brinck d'avoir confirmé l'attribution de ce tableau à Isembrant, sur photographie numérique.
Rouillac
May. 25, 2023
Isenbrant, Adriaen
Est: €200 - €300
(tätig in Brügge ab 1510 - 1551) Kopie. Maria mit Kind. Öl auf Holzplatte von B. von Wening. 48,6 x 32,7 cm. Unten rechts sign. "B. v. Wening Cp. n. Isenbrant". Gerahmt. Kopie nach dem Original in der Alten Pinakothek in München. Auf der Rückseite mit Namenszug v. Wening u. wohl Geschenkvermerk. - Einige kl. Abplatzungen an d. Rändern. D
Kiefer Buch- und Kunstauktionen
May. 07, 2023
(ambito di)
Est: -
(ambito di) Madonna con Bambino Olio su tavola, 17,3x12,3 cm; entro cornice coeva in legno scolpito, dipinto e dorato.
Meeting Art Casa D'Aste
Mar. 28, 2023
Adriaen Isenbrant (1510-1551) (suiveur de / navolger van / follower) - La crucifixion
Est: €4,000 - €6,000
Huile sur panneau cintré. ca. 1550 English Translation: The crucifixion Oil on arc-shaped panel. ca. 1550 53,5 x 40 cm.
Brussels Art Auctions
Dec. 08, 2022
Adriaen Isenbrant, um 1475/95 Brügge – 1551
Est: €15,000 - €20,000
Der kniende Heilige Hieronymus vor dem Kreuz Öl auf Holz. Parkettiert. 40,5 x 30 cm. Beigegeben ein Gutachten von Dr. Klaus Ertz, Lingen, vom 17. Juni 2022, in Kopie. Im Zentrum, in weiter Landschaft, der vor einem Kruzifix, das an einem Baum befestigt ist, kniende Heilige Hieronymus in einem türkisfarbenen Gewand, den Blick ehrfürchtig auf den Corpus Christi am Kreuz gerichtet. Dargestellt sind auch die typischen Attribute des Heiligen: auf der linken Seite der Löwe, dem er nach der Legende einen Stachel aus der Pfote gezogen hat und der bei ihm geblieben ist; dann das Kreuz, auf das er blickt und schließlich sein Kardinalsmantel und -hut, die rechts hinter ihm über Ästen hängen. In seiner rechten Hand hält er einen Stein, mit dem er sich als Zeichen der Buße auf die Brust schlägt. Im Hintergrund eine idyllische Landschaft mit Häusern am Ufer eines Flusses und ein ansteigendes Gebirge unter hohem hellblauem Himmel. Die Darstellung des knienden Hieronymus ist ein in der Kunstgeschichte beliebtes Motiv, das sich bei Künstlern wie Michele Tosini di Ridolfo Ghirlandaio (1503-1577), Leonardo da Vinci (1452-1519) und bei Albrecht Dürer (1471-1528) wiederfindet. Der Künstler bevorzugt, laut Ertz, wie bei seinen meist christlichen Themen, insgesamt warme Farben mit einem leuchtenden Rot, hier am Beispiel der Kardinalstracht. Zeitlich ordnet Ertz das Gemälde in die 1530er-Jahre ein. (13407137) (18) Adriaen Isenbrant, ca. 1475/95 Bruges – 1551 SAINT JEROME KNEELING BEFORE THE CROSS Oil on panel. Parquetted. 40.5 x 30 cm. Accompanied by an expert’s report by Dr Klaus Ertz, Lingen, dated 17 June 2022, in copy. According to Ertz, the artist prefers in his mostly Christian subjects, an overall warm colour palette with a bright red, here using the cardinal’s costume as an example. Ertz dates the painting to the 1530s. Restored.
Hampel Fine Art Auctions
Jun. 10, 2022
ADRIAEN ISENBRANT (?ANTWERP C. 1500-1551 BRUGES) The Crucifixion oil on pan
Est: $150,000 - $250,000
ADRIAEN ISENBRANT (?ANTWERP C. 1500-1551 BRUGES) The Crucifixion oil on panel, the upper right and left corners made up 16 3/4 x 12 in. (42.5 x 30.7 cm.)
Christie's
Apr. 12, 2022
Manner of Adriaen Isenbrant, circa 1600 The Flight into Egypt unframed
Est: £3,000 - £5,000
Manner of Adriaen Isenbrant, circa 1600 The Flight into Egypt oil on panel, a fragment 37.1 x 21.2cm (14 5/8 x 8 3/8in). unframed For further information on this lot please visit the Bonhams website
Bonhams
Oct. 26, 2021
Manner of Adriaen Isenbrant, 17th Century Pietà
Est: £1,000 - £1,500
Manner of Adriaen Isenbrant, 17th Century Pietà oil on panel 44.6 x 32.1cm (17 9/16 x 12 5/8in). For further information on this lot please visit the Bonhams website
Bonhams
Jul. 07, 2021
Attributed to Adriaen Isenbrant (Bruges 1490-1551) The Crucifixion
Est: £15,000 - £20,000
Attributed to Adriaen Isenbrant (Bruges 1490-1551) The Crucifixion oil on panel 40 x 28.5cm (15 3/4 x 11 1/4in). For further information on this lot please visit the Bonhams website
Bonhams
Jul. 07, 2021
Adriaen Isenbrant (1490-1551)-circle
Est: €900 - €1,800
Adriaen Isenbrant (1490-1551)-circle, The flight into Egypt, oil on wooden panel. 58X68cm
Deutsch Auktionen
Nov. 19, 2020
Isenbrant, Adriaen: The Descent from the Cross
Est: €3,000 - €4,000
Isenbrant, Adriaen ca. 1490 Antwerp - before 1551 Bruges - Workshop / School Fragment (?). Oil and tempera on wood. 30 x 23cm. Framed. Provenance: Art market, England (1930s) Private ownership, Germany. The assignor and the communities of inheritors Nathan and Benjamin Katz have reached an agreement regarding possible existing restitution claims. The communities of inheritors Nathan and Benjamin Katz have not asserted any further claims with regard to this work. The painting is registered in the RKD database under number 44895. The present painting is to be regarded as a fragment of a larger composition, executed in Adriaen Isenbrandt's workshop. The still unknown apprentice probably took Isenbrandt's Descent from the Cross as his model, which is in Oxford at the Ashmolean Museum of Art and Archaeology (oil on wood, 37 x 28 cm). In the Oxford painting, St. John the Evangelist, the Holy Mother of God and Mary Magdalene, holding Christ's left arm, crowd around the figure of Christ. In our fragment the only partly visible arm of Christ is raised: It indicates the missing figure of Magdalene. We are grateful to Guido de Werd, Cologne, for confirming the attribution of the present painting on the basis of a high-resolution digital photograph. Explanations to the Catalogue Adriaen Isenbrant Flanders 16th C. Old Masters Religious Art Devotional painting Life of Christ Estimated Shippingcost for this lot: Germany: 28,57 Euro plus 5,43 Euro VAT EU: 50,42 Euro plus 9,58 Euro VAT Worldwide: 79,83 Euro plus 15,17 Euro VAT additional shipping insurance
Van Ham Kunstauktionen
Sep. 24, 2020
Maler des 20. Jahrhunderts, Kopie nach Adriaen Isenbrant (1490 – 1551)
Est: €30,000 - €40,000
MARIA DER SIEBEN SCHMERZEN VON 1521 Öl auf Holz. 136 x 136 cm. Verso maschinenschriftlicher lateinischer Aufkleber mit mehreren Unterschriften und Datierung „1941“ sowie Aufkleber „Tentonstelling 2002“. Im zugehörigen gotisierenden Goldrahmen. Sehr qualitätvolle Kopie des rechten Altarflügels, wohl in den Abmessungen des Originals, nach dem Diptychon-Altarbild in der Liebfrauenkirche (Onze-Lieve-Vrouwekerk) zu Brügge. Die rechte Tafel befindet sich im Musée Royaux des Beaux-Arts in Brüssel. Das Tafelbild zeigt die „Schmerzreiche Madonna“ in dunklem Mantel mit weißem Kopftuch in einer Thronnische, umgeben von den einzelnen Darstellungen der „Sieben Schmerzen“ in, durch gemalte Rahmungen separierten, Bildszenen. (12414756) (11) 20th century painter, copy after Adriaen Isenbrant (1490 – 1551) OUR LADY OF SORROWS, 1521 Oil on panel. 136 x 136 cm. Typed label in Latin with several signatures and date “1941” and label inscribed “Tentonstelling 2002”. In matching Gothic-style gilt frame. The painting on offer sale in this lot is a high quality copy of the right altar wing, probably in original dimensions, of the diptych altar at the Church of Our Lady (Onze-Lieve-Vrouwekerk) in Bruges. The original right panel is held at the Royal Museums of Fine Arts of Belgium in Brussels. Our Lady of Sorrows is depicted seated on throne, dressed in a dark cloak with a white headscarf and surrounded by individual depictions of the seven sorrows, each separated by painted frames.
Hampel Fine Art Auctions
Jul. 04, 2019
Adriaen Isenbrant (? Antwerp c. 1500-1551 Bruges) Portrait of a lady, half-length, with a dog oil on panel, laid down on panel 19 3/8 x 15 1/8 in. (49.2 x 38.4 cm.)
Est: £70,000 - £100,000
Adriaen Isenbrant (? Antwerp c. 1500-1551 Bruges) Portrait of a lady, half-length, with a dog oil on panel, laid down on panel 19 3/8 x 15 1/8 in. (49.2 x 38.4 cm.)
Christie's
Dec. 09, 2018
Adriaen Isenbrant (1480 - Bruges, 1551): Study for 'Lamentation of Christ', oil on panel
Est: €8,000 - €12,000
Adriaen Isenbrant (1480 - Bruges, 1551): Study for 'Lamentation of Christ', oil on panel Dim.: 27 x 26 cm (incl. the frame)Dim.: 19 x 17 cm (excl. the frame)
Rob Michiels Auctions
Dec. 05, 2018
ADRIAEN ISENBRANT | The Virgin and Child enthroned with Angels before a landscape
Est: £50,000 - £70,000
oil on oak panel, arched top
Sotheby's
Jun. 07, 2018
Portrait of a young man oil on canvas A.Isenbrant 16th
Est: $18,000 - $22,000
Old Master Portrait of a young man, workshop of Adriaen Isenbrant (1490-1551) Netherlands 1513.Oil on panel, double-sided painting. Dimentions : 39 x 28,5
Pasadena Antique Warehouse
May. 22, 2018
ADRIAEN ISENBRANT | The Flight into Egypt
Est: $150,000 - $200,000
oil on panel
Sotheby's
May. 22, 2018
ADRIAEN ISENBRANT | The Temptation of Adam and Eve
Est: $150,000 - $200,000
oil on panel
Sotheby's
May. 02, 2018
ADRIAEN ISENBRANT | The Stigmatisation of Saint Francis
Est: £30,000 - £40,000
oil on oak panel
Sotheby's
Jan. 23, 2018
MANNER OF ADRIAEN ISENBRANT, (FLEMISH 1490-1551), MADONNA AND CHILD
Est: $1,000 - $1,500
MANNER OF ADRIAEN ISENBRANT (flemish 1490-1551) MADONNA AND CHILD Oil on copper 8 x 6 in. (20.3 x 15.2cm) provenance: Private Collection, Vienna, Austria. By descent in the family of the present owner. Private Collection, Pennsylvania.
Freeman's | Hindman
Oct. 16, 2017
Isenbrant: in the garden of Gethsemane
Est: €1,000 - €1,500
- ISENBRANT, Adriaen (South Netherlandish c. 1485 - 1551) - attr. to. In the garden of Gethsemane, probably 16th century. Oil on oak panel, with a stamp 'PARIS BODAES [or BOBADE] CENTRAL' (on the reverse, faded); nicely framed in contemp. decorated frame (some unobtrusive wormholes and small chips along the edges, else good) with a later name plate reading 'Goswin van der Weyden' (earlier attribution). Panel restored and revarnished in the 20th century, small scratch in the lower left corner, else good. Both panel and frame examined by BAAC cultural history research agency (’s-Hertogenbosch) in 2016 (full dendrological research report added).
Adams Amsterdam Auctions
Mar. 22, 2017
ADRIAEN ISENBRANT (? VERS 1480-1551 BRUGES) Sainte Marie-Madeleine lisant h
Est: €40,000 - €60,000
ADRIAEN ISENBRANT (? VERS 1480-1551 BRUGES) Sainte Marie-Madeleine lisant huile sur panneau 40 x 31 cm. (153/4 x 121/4 in.)
Christie's
Nov. 20, 2016
STUDIO OF ADRIAEN ISENBRANT (FLEMISH, 1490-1551), TRIPTYCH, OIL ON OAK PANEL, "CORONATION OF THE VIRGIN"
Est: $250,000 - $350,000
STUDIO OF ADRIAEN ISENBRANT (FLEMISH, 1490-1551), TRIPTYCH, OIL ON OAK PANEL, "CORONATION OF THE VIRGIN" Depicting the Coronation of the Virgin. Unsigned. Mounted in a hinged metal frame attached to gilt wood frame. The center panel measures H. 14" x 10", with the outer panels measuring H. 14" x 3 3/4". Cancelled blue and black stamp on verso as well as an illegible, unidentified incised circular seal (see photo details). Ex. Collection Edward F. Fisher, Detroit Michigan (of Fisher Body). Reference: Max J. Friedlander, "The Antwerp Mannerists Adriaen Ysenbrant", p. 82.
DuMouchelles
Sep. 22, 2016
Adriaen Isenbrant, um 1490 Brügge – 1551, zug./ Schule des
Est: €24,000 - €28,000
MARIA MIT DEM KIND Öl auf Holz. Parkettiert. 106 x 71 cm. Die Holztafel zeigt die nach links in weit ausladendem rotem Kleid und Mantel sitzende Maria, die ihr Kind auf dem Schoß hält, die Köpfe eng aneinander geschmiegt, das Händchen des Kindes an die Brust der Mutter gelegt. Im Hintergrund links helle Baumlandschaft mit Steintreppe zu einem Gewässer. Rechts Schatten unter einer Baumkrone mit aus dem Dunkel aufleuchtenden roten und weißen Rosenblüten. (1070451) (1) (11) Adriaen Isenbrant ca. 1490 Bruges – 1551, attributed/ school of MADONNA AND CHILD Oil on panel. Parquetted. 106 x 71 cm. The panel depicts the seated Madonna in a sweeping red dress and coat to the left holding her child on her thighs, their heads closely snuggled up to each other with the child's little hand resting on his mother's chest.
Hampel Fine Art Auctions
Sep. 14, 2016
ADRIAEN ISENBRANT (? VERS 1480- 1551 BRUGES)
Est: €200,000 - €300,000
ADRIAEN ISENBRANT (? VERS 1480- 1551 BRUGES) Triptyque de la Vierge des Litanies huile sur panneau, chantourné, inscrit dans son cadre 96 x 52,9 cm. (37 ¾ x 20 7/8 in.), au plus haut du panneau central 96,1 x 22,6 cm. (37 7/8 x 8 7/8 in.), au plus haut du volet gauche 96 x 22,1 cm. (37 ¾ x 8 ¾ in.), au plus haut du volet droit
Christie's
May. 27, 2016
Isenbrant, Adriaen - Schule: Die hl. Katharina von Alexandrien
Est: €2,800 - €4,000
Schule. Die hl. Katharina von Alexandrien bei der Lektüre eines Buches. Öl auf Leinwand, auf Holz kaschiert. 60 x 24 cm. Nach Einschätzung von Prof. Justus Müller Hofstede, Bonn, handelt es sich bei dem Werk um eine Arbeit eines flämischen Malers aus der Schule von Adriaen Isenbrant. Insbesondere der Kopftypus der hl. Katharina findet sich bei vielen von Isenbrants Madonnen und weiblichen Heiligenfiguren. Das Gutachten von Prof. Müller Hofstede vom 16. April 1987 liegt in Kopie vor. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Jul. 08, 2015
ADRIAEN ISENBRANT | A triptych: The Adoration of the Magi
Est: £800,000 - £1,200,000
oil on oak panel, within the probably original engaged frame
Sotheby's
Apr. 22, 2015
ADRIAEN ISENBRANT | The Stigmatization of Saint Francis
Est: $150,000 - $200,000
oil on panel
Sotheby's
Jan. 23, 2015
Attributed to Adriaen Isenbrant (Flemish, 1490-1551), Madonna and Child in an Interior, Unsigned., Condition: Scattered retouch, pentim
Est: $25,000 - $35,000
Attributed to Adriaen Isenbrant (Flemish, 1490-1551) Madonna and Child in an Interior Unsigned. Oil on panel, 6 3/4 x 7 in. (17.0 x 17.8 cm), framed. Condition: Scattered retouch, pentimenti, fine craquelure, minor surface grime. Provenance: From a private Maine collection.
Skinner
Jun. 04, 2014
Navolger Adriaen Isenbrant (c. 1490-1551),
Est: €800 - €1,000
Navolger Adriaen Isenbrant (c. 1490-1551), 'Madonna met kind', niet gesigneerd, 17e eeuw, paneel, afm. 25 x 30 cm.
Zeeuws Veilinghuis
Jun. 27, 2013
Adrian Isenbrandt, ca. 1490 - 1551, Umkreis des
Est: €4,000 - €6,000
Adrian Isenbrandt, ca. 1490 - 1551, Umkreis des CHRISTUS AM KREUZ Öl auf Eichenholz. 54 x 40 cm. Der Kreuzstamm im unteren Teil als runder Baumstamm gestaltet, nach oben hin abgeflacht. Der Corpus Christi im Dreinageltypus wiedergegeben, mit nach rechts auswehendem Lendentuch und gesenktem Haupt vor dunklem, nächtlichem Wolkenhimmel, den einige Lichtstreifen durchziehen. Links steht Maria in blauem Mantel mit überkreuzten Armen, den Blick nach oben gerichtet, rechts der Heilige Johannes mit gesenktem Haupt und gefalteten Händen. Am Fuß des Kreuzstammes der Schädel Adams, im Hintergrund nahezu gespenstische Beleuchtung, die Stadt Jerusalem mit zahlreichen, in zartem Weiß aufleuchtenden Gebäuden und dem mit Kuppel überfangenen Tempel. Am linken Bildrand miniaturhaft wiedergegeben einige Personen, die der Stadt zulaufen. Das Gemälde von hoher farblicher Delikatesse. Thematisch wird hier die Einsamkeit der in Trauer am Kreuz Verbliebenen dargestellt. Rest. Schwundriss mit mehreren Befestigungs-Parkettierklötzen verso. (930245)
Hampel Fine Art Auctions
May. 09, 2012
Adriaen Isenbrandt (1480 - 1490) Adoration by the
Est: $15,000 - $20,000
Adriaen Isenbrandt (1480 - 1490) Adoration by the Magi oil on panel 37 x 27.5 cm Letter of Authenticity certified by Galery D'Art Sepia, France, The Barbara Sheridan Donnay and the Late Gilbert J. Donnay Collection
Shapiro Auctioneers
Oct. 28, 2010
CIRCLE OF ADRIAEN ISENBRANT
Est: £6,000 - £8,000
CIRCLE OF ADRIAEN ISENBRANT THE VIRGIN AND CHILD oil on panel 25 by 22 cm.; 9 7/8 by 8 5/8 in.
Sotheby's
Apr. 30, 2010
Circle of Marcellus Coffermans (active Antwerp, 1549-1578)
Est: £6,000 - £8,000
Circle of Marcellus Coffermans (active Antwerp, 1549-1578) The Crucifixion with the Virgin and Saint John oil on panel, circular, on a turned wooden lid 5¼ in. (13.3 cm.) diam.
Christie's
Apr. 13, 2010
Follower of Adriaen Isenbrant (c. 1485-1551 Bruges)
Est: €10,000 - €15,000
Follower of Adriaen Isenbrant (c. 1485-1551 Bruges) The Virgin and Child oil on panel 96.8 x 64.6 cm.
Christie's
Jul. 09, 2009
Workshop of Adriaen Isenbrandt , Bruges circa 1485 - 1551 the virgin and child enthroned, attended by angels before an open window, an extensive fluvial landscape beyond oil on panel
Est: £25,000 - £35,000
oil on panel
Sotheby's
Mar. 13, 2008
ISENBRANT, ADRIAEN
Est: CHF15,000 - CHF25,000
ISENBRANT, ADRIAEN (Antwerp 1490 - before 1551 Bruges), Circle of Jesus on the Mount of Olives Oil on panel. 34.4 x 25.5 cm. ISENBRANT, ADRIAEN (Antwerpen m 1490 - vor 1551 Brügge), Umkreis Jesus am Ölberg. Öl auf Holz. 34,4 x 25,5 cm.
Koller Auctions
Jul. 07, 2006
Adriaen Isenbrandt (Antwerp? c.1500-1551 Bruges)
Est: £50,000 - £70,000
The Temptation oil on panel 14 1/4 x 10 3/4 in. (35.9 x 27.3 cm.)
Christie's
Jun. 24, 2004
ATELIER DE ADRIAEN ISENBRANT (BRUGES VERS 1490-1551)
Est: €8,000 - €12,000
Saint Jérôme dans un paysage Huile sur panneau 27,8 x 24,8 cm. (11 x 9 3/4 in.)
Christie's
Oct. 02, 2002
Adriaen Isenbrandt (c.1490-1551 Brussels)
Est: $10,000 - $15,000
Saint Catherine of Alexandria, with the scene of her martyrdom beyond oil on panel 151/4 x 121/2 in. (38.6 x 31.8 cm.) PROVENANCE Private Collection, Madrid. Anon. Sale, Wallerstein, Berlin, 1929. with Boehler and Steinmeyer, New York, 1930, from whom purchased by Max and Leona Epstein, by whom given to the Museum in 1954. LITERATURE O. von Falke and A.L. Mayer, Pantheon, October 1931, VIII, pp. 436-37. M.J. Friedl„nder, Die Altniederl„ndische Malerei, Berlin, 1933, XI, p. 139, no. 209. M.J. Friedl„nder, Early Netherlandish Paintings, Leiden, 1974, XI, p. 91, no. 209, pl. 146. EXHIBITION Chicago, The University of Chicago, Renaissance Society, Loan Exhibition in Memory of Max Epstein, 29 April-15 May 1955.
Christie's