Joris van Son Paintings & Artwork for Sale | Joris van Son Art Value Price Guide

Oct. 23, 2024
Circle of Joris van Son†(Antwerp 1623-1667), A wreath of grapes
Est: £8,000 - £12,000
Circle of Joris van Son (Antwerp 1623-1667) A wreath of grapes surrounding a statue of Bacchus holding a thyrsus with Ceres Oil on canvas With Christie's sticker verso Provenance: Christie's, 28 April 2016 Dimensions: 51 in. (H) x 42 in. (W)
Sloane Street Auctions
Jan. 31, 2024
Joris van Son: Herbstliches Früchte-Gebinde
Est: €600 - €800
VAN SON, JORIS Antwerpen 1622 - 1667 Umkreis Titel: Herbstliches Früchte-Gebinde. Technik: Öl auf Leinwand. Montierung: Doubliert. Maße: 55 x 37cm. Rückseitig Sammlungs-Siegel: "Collection Mr. K. Ooms, Anvers, Vente Mai 1922" Provenienz: Privatbesitz Deutschland. Joris van Son Flanders 17th C. Old Masters Still Life Painting Explanations to the Catalogue Estimated shipping costs for this lot: Germany: 36,97 Euro plus 7,03 Euro VAT EU: 58,82 Euro plus 11,18 Euro VAT Worldwide: 100,84 Euro plus 19,16 Euro VAT additional shipping insurance
Van Ham Kunstauktionen
Dec. 13, 2023
JORIS VAN SON (Anvers 1623-1667)
Est: €20,000 - €30,000
JORIS VAN SON (Anvers 1623-1667) NATURE MORTE AUX CRUSTACÉS ET AGRUMES Panneau de chêne parqueté Trace de signature en bas à gauche sur le parapet Restaurations anciennes Still life with crustacean and citrus fruits, trace of signature lower left, old restorations 56,50 x 91 CM - 22,2 x 35,8 IN.
Tajan
Dec. 07, 2023
Joris van Son, 1623 Antwerpen – 1667 ebenda
Est: €40,000 - €60,000
FRÜCHTESTILLLEBEN Öl auf Eichenholz. 25,5 x 33, 5 cm. Rechts unten auf Tischkante signiert. In mittlerem Format und in höchst feiner Pinseltechnik ausgeführt. In höchster Naturnähe werden die Früchte von links vor schwarzem Hintergrund beleuchtet, vor dem sich noch ein Weinglas abhebt. Die hochgestellte Probierschale mit feinem Relief, aber auch die Früchte selbst erscheinen in perfekter Materialechtheit. Vom Maler sind neben seinen Stillleben zudem auch Fischdarstellungen und allegorische Bankettbilder bekannt, darüber hinaus auch eine Reihe von Vanitas- und Prunkstillleben. Auch sein Sohn Jan Frans van Son (1658-1718) widmete sich der Stilllebenmalerei und hatte besonders in England Erfolg. Werke seiner Hand befinden sich in mehreren bedeutenden Sammlungen und Museen, u. a. in der Alten Pinakothek, München. A.R. (1380921) (11) Joris van Son, 1623 Antwerp – 1667 ibid. FRUIT STILL LIFE Oil on oak panel. 25.5 x 33.5 cm. Signed lower right on table edge.
Hampel Fine Art Auctions
Dec. 06, 2023
Joris van Son (Antwerp 1623-1667) A garland of peaches, damsons, grapes, pears, cobb nuts, maize and other fruits and flowers surrounding a stone cartouche with sculpted angels
Est: £6,000 - £8,000
Joris van Son (Antwerp 1623-1667) A garland of peaches, damsons, grapes, pears, cobb nuts, maize and other fruits and flowers surrounding a stone cartouche with sculpted angels oil on canvas 111.3 x 83.2cm (43 13/16 x 32 3/4in).
Bonhams
Nov. 18, 2023
Joris van Son, attributed to, Still Life with a Parrot and Fruit
Est: €40,000 - €50,000
This magnificent still life shows a garland of fruit on a stone plinth together with a red macaw and a grey parrot in front of a balustrade with a stone vase and columns. The painting is a partial copy, possibly from the artist's own hand, of a composition that also shows flowers in a vase, a monkey, a turtle and a wine cooler in a larger format (139 x 194.5 cm). This painting was sold on the art market in 2016 (Sotheby's New York, 28th January 2016, lot 46; see also the archive of the RKD, image no. 60548).
Kunsthaus Lempertz KG
Sep. 30, 2023
Son, Joris van (1623-1667) „Fruchtgirlande um Reliefbüste“ 1659, Öl/Leinwand doubliert, ehemals oval gerahmt, u.l. sign./dat., Prunkrahmen (kleine Defekte), 72x56,5cm (m.R. 94x76cm), kleine Defekte der Maloberfläche, rest.
Est: -
Son, Joris van (1623-1667) „Fruchtgirlande um Reliefbüste“ 1659, Öl/Leinwand doubliert, ehemals oval gerahmt, u.l. sign./dat., Prunkrahmen (kleine Defekte), 72x56,5cm (m.R. 94x76cm), kleine Defekte der Maloberfläche, rest. Son, Joris van (1623-1667) "Fruit Garland around Relief Bust" 1659, oil/canvas doubled, formerly oval framed, b.l. sign./dat., magnificent frame (small defects), 72x56,5cm (w.f. 94x76cm), small defects of the painting surface, rest.
Kendzia
Sep. 19, 2023
JORIS VAN SON (Antwerp 1623-?, 1667). "Border of flowers with Eros". Oil on canvas. Relined.
Est: €10,000 - €12,000
JORIS VAN SON (Antwerp 1623-?, 1667). Orla de flores con Eros" ("Border of Flowers with Eros"). Oil on canvas. Re-coloured. Size: 96,5 x 76 cm. In the first quarter of the 17th century a new formula was developed in the Flemish medium, within the genre of flower painting, which, recreated by a large group of artists and workshops, would achieve an outstanding success throughout the century in a large part of Europe: the garland of flowers as a framing and enhancing element of a central theme. Brueghel de Velurs was the initiator of this type of composition, particularly linked in his work to the depiction of the Virgin and Child. However, it was his disciple, the Jesuit Daniel Seghers, who was the dominant figure in this specialised production and the creator of a prototype that would serve as a model for the numerous Flemish and foreign continuators and imitators of the genre. This work is of great interest because it replaces the usual floral border with an attractive variety of fruit, including grapes, lemons, pears and pomegranates, which stand out in a wide range of colours against the dark green background of the foliage. Next to this border, inscribed in the centre, is a medallion depicting the figure of Eros with the attributes of Venus. Joris van Son was a Flemish still-life painter who worked in various sub-genres, but is best known for his fruit still lifes. He also painted flowers, banquets, vanitas still lifes and pronkstillevens. He is known to have painted still lifes of fish depicting the Four Elements, and he also collaborated with figure artists on 'garland paintings', which generally depict a devotional image framed by a garland of fruit or flowers. Van Son's still lifes almost always include fruit, often of varieties that are not indigenous but imported. His still lifes are enlivened by branches of cherries or raspberries, which give the composition a great lightness. The objects are arranged on a level table or shelf to create an intimacy with the viewer.
Setdart Auction House
Jul. 05, 2023
Joris van Son (Antwerp 1623-1667) Peaches, grapes and plums with a wanli kraak bowl on a draped tabletop
Est: £6,000 - £8,000
Joris van Son (Antwerp 1623-1667) Peaches, grapes and plums with a wanli kraak bowl on a draped tabletop signed 'J.V.SON' (on ledge, lower left) oil on panel 30.2 x 22.8cm (11 7/8 x 9in).
Bonhams
Jul. 05, 2023
Joris van Son (Antwerp 1623-1667) Still life of oysters, grapes and lemons on a draped table with cherries and a roemer of white wine
Est: £25,000 - £35,000
Joris van Son (Antwerp 1623-1667) Still life of oysters, grapes and lemons on a draped table with cherries and a roemer of white wine signed and dated 'J. VAN. SON/ 1656' (on the table edge, lower left) oil on canvas 30.6 x 43.4cm (12 1/16 x 17 1/16in).
Bonhams
May. 22, 2023
JORIS VAN SON (Antwerp 1623-?, 1667). "Border of flowers with Eros". Oil on canvas. Relined.
Est: €10,000 - €12,000
JORIS VAN SON (Antwerp 1623-?, 1667). Orla de flores con Eros" ("Border of Flowers with Eros"). Oil on canvas. Re-coloured. Size: 96,5 x 76 cm. In the first quarter of the 17th century a new formula was developed in the Flemish medium, within the genre of flower painting, which, recreated by a large group of artists and workshops, would achieve an outstanding success throughout the century in a large part of Europe: the garland of flowers as a framing and enhancing element of a central theme. Brueghel de Velurs was the initiator of this type of composition, particularly linked in his work to the depiction of the Virgin and Child. However, it was his disciple, the Jesuit Daniel Seghers, who was the dominant figure in this specialised production and the creator of a prototype that would serve as a model for the numerous Flemish and foreign continuators and imitators of the genre. This work is of great interest because it replaces the usual floral border with an attractive variety of fruit, including grapes, lemons, pears and pomegranates, which stand out in a wide range of colours against the dark green background of the foliage. Next to this border, inscribed in the centre, is a medallion depicting the figure of Eros with the attributes of Venus. Joris van Son was a Flemish still-life painter who worked in various sub-genres, but is best known for his fruit still lifes. He also painted flowers, banquets, vanitas still lifes and pronkstillevens. He is known to have painted still lifes of fish depicting the Four Elements, and he also collaborated with figure artists on 'garland paintings', which generally depict a devotional image framed by a garland of fruit or flowers. Van Son's still lifes almost always include fruit, often of varieties that are not indigenous but imported. His still lifes are enlivened by branches of cherries or raspberries, which give the composition a great lightness. The objects are arranged on a level table or shelf to create an intimacy with the viewer.
Setdart Auction House
May. 18, 2023
JORIS VAN SON
Est: €8,000 - €12,000
(Anversa, 1623 ; 1667) Natura morta con uva, pesca, noci e fichi Olio su tela, cm 75X62 Provenienza: Vignola, collezione Bizzini Milano, Porro, 27 aprile 2004, lotto 294 (come Joris van Son) Venezia, Finarte-Semenzato, 25 settembre 2005, lotto 30 (come Joris van Son) Bibliografia: Archivio Zeri, n. 90269 (come Joris van Son) Joris van Son divenne maestro della Gilda di San Luca di Anversa nel 1643-1644. Dipinse ghirlande di fiori sulla scia di Daniel Seghers ma soprattutto nature morte, che per carattere possono essere equiparate a quelle di Jan Davidsz de Heem. La pittura di van Son si muove fra la scuola fiamminga e quella olandese, benché negli anni della maturità egli si avvicinasse sempre più a quest'ultima. Sappiamo che De Heem si trasferì ad Anversa nel 1636, rimanendovi fino al 1667 e senza dubbio van Son lo incontrò lì all'inizio della sua carriera. Le sue nature morte di frutta, come questa in esame, ne sono particolarmente debitrici, sebbene quelle di van Son siano caratterizzate da un'illuminazione più morbida rispetto a quelle del suo predecessore. Questo aspetto si coglie molto bene osservando la tela in esame, il cui stile appare oramai affrancato dagli esempi del maestro, mostrando una acquisita autonomia di mestiere e suggerendo di conseguenza una datazione matura al sesto-settimo decennio. Bibliografia di riferimento: E. Greindl, Les peintres flamands de Nature Morte au XVIIe siècle, Sterrebeek 1983, ad vocem
Wannenes Art Auctions
May. 03, 2023
Joris van Son
Est: €30,000 - €40,000
(Antwerp 1623–1667) A vanitas still life with fruit, a gilded goblet, a musical score, a shell and a skull, oil on canvas, 67.5 x 80 cm, framed Provenance: Captain Edward George Spencer Churchill (1876–1964), Northwick Park, Blockley; sale, Christie’s, London, 29 October 1965, lot 98; sale, Christie’s, London, 10 December 2004, lot 59; sale, Dorotheum, Vienna, 18 October 2016, lot 50; Private collection, Germany The present painting is registered in the RKD database under no. 0000049722 (as Joris van Son). The present still-life, with its meticulous rendering of textures, and modelling of forms through the use of subtle lighting, comes from the hand of the Antwerp Baroque master Joris van Son. Famed for his pronkstillevens and less ostentatious depictions of fruit, and vanitas still lifes, van Son’s works exude the strong influence of the pioneering Dutch master Jan Davidsz. de Heem (1606–1684), who ran an accomplished Antwerp workshop. Van Son may have assisted the great master, before being made a master himself of the Antwerp Guild of Saint Luke in 1633. Despite the rich celebration of natural beauty in van Son’s works, his membership of the Jesuit bachelor confraternity Sodaliteit van de Bejaerde Jongmans bears testament to the deep spirituality in his works, with an enduring sense of their being reflections on the transience of life. His popularity is attested to by mentions of his works in inventories of important artists and collectors of his time, such as Victor Wolfvoet. A keen master, his pupils included Frans van Everbroeck, Cornelis van Huynen, Norbert Montalie, Abraham Herderwijn and Jan Pauwel Gillemans the Younger.
Dorotheum
Mar. 30, 2023
Joris van Son, 1623 Antwerpen – 1667 ebenda
Est: €35,000 - €40,000
STILLLEBEN MIT FRÜCHTETABLETT, HUMMER UND AUSTERN Öl auf Leinwand. Doubliert. 49 x 65 cm. Links unten an Tischplatte signiert „J. VAN. SON.“ In dekorativem Rahmen. Das vorliegende Werk ist besonders typisch für die Auswahl und Anordnung bei van Son und zeigt alle seine herausragenden Qualitäten und sollte somit in seiner künstlerischen Blütezeit – also um 1670 – entstanden sein. Vor braunem Hintergrund auf einer hölzernen Tischplatte, die teils mit einem schweren dunkelgrünem Stoff belegt ist, die sorgsam arrangierten Objekte: eine flaches glänzendes Tablett mit Pfirsichen und geöffneten Austern, rechts daneben eine große Languste, die durch ihre leuchtend rote Farbgebung besonders gegenüber den helleren Früchten und dem dunklen Hintergrund hervorgehoben wird und schließlich ein Korb mit mehreren hellen sowie dunkelblauen Weintraubenrispen mit Glanzlichtern, Haselnüssen und einem Zweig mit Pflaumen. Es bestehen viele Ähnlichkeiten zu weiteren gesicherten Werken van Sons, wie zum Beispiel zu einigen Stillleben mit Früchten und Hummer, ausgehend von jenem im Schwedischen Nationalmuseum in Stockholm bis zu dem im Fitzwilliam Museum in Cambridge, dem in der Galerie De Jonckheere – in Brüssel und Paris – oder jenem, das am 4. Juli 2012 bei Christie‘s in London versteigert wurde. Von unserem Gemälde existiert noch eine weitere, etwas kleinere Version, bei der es sich wahrscheinlich um eine sehr gute Atelierarbeit handelt. Joris van Son war einer der begabtesten Anhänger von Jan Davidsz de Heem. Ebenso wie dieser Meister spezialisierte sich van Son auf Stillleben mit Früchten, Blumen, Krustentieren und vielen weiteren typischen Motiven der flämischen und holländischen Bankettmalerei. Seine Werke schildern detailgetreu, die Kompositionen sind sehr aufwendig und überquellend, die Darstellungsweise ist präzise und die Farbgebung reich und einladend. Anmerkung: Joris van Son war einer der begabtesten Anhänger von Jan Davidsz de Heem. Ebenso wie dieser Meister spezialisierte sich van Son auf Stillleben mit Früchten, Blumen, Krustentieren und vielen weiteren typischen Motiven der flämischen und holländischen Bankettmalerei. Seine Werke schildern detailgetreu, die Kompositionen sind sehr aufwendig und überquellend, die Darstellungsweise ist präzise und die Farbgebung reich und einladend. (1351552) (18) Joris van Son, 1623 Antwerp – 1667 ibid. STILL LIFE WITH FRUIT TRAY, LOBSTER AND OYSTERS Oil on canvas. Relined. 49 x 65 cm. Signed on tabletop “J. VAN. SON.” lower left. There are many similarities to van Son’s other verified works, such as some Still Lifes with Fruit and Lobster held at the Swedish National Museum in Stockholm, the Fitzwilliam Museum in Cambridge, and Galerie De Jonckheere – in Brussels and Paris – or one that was offered for sale at Christie’s in London on 4 July 2012. There is another, slightly smaller version of the present painting, which is probably a very good work by the workshop. With minor restorations.
Hampel Fine Art Auctions
Mar. 15, 2023
Joris van Son (1623-1667), Nature morte aux fruits, huile sur toile, signée, 40x29,5 cm
Est: CHF5,000 - CHF8,000
Joris van Son (1623-1667), Nature morte aux fruits, huile sur toile, signée, 40x29,5 cm Joris van Son (1623-1667), Nature morte aux fruits, huile sur toile, signée, 40x29,5 cmProvenance: Lors Radstock, Londres, 1826 Galerie Sanct Lucas, Vienne, 1976 collection privée suisse depuis plus de 40 ans
Piguet Hôtel des Ventes | Genève
Oct. 21, 2022
Tabletop still life, including a herring on a pewter dish, a porcelain bowl of shrimp, a wine glass, and a partially-peeled lemon; Tabletop still life
Est: $30,000 - $40,000
By Land and By Sea, The Collection of Paul Yeou Chichong Joris van Son Antwerp 1623 - 1667 Tabletop still life, including a herring on a pewter dish, a porcelain bowl of shrimp, a wine glass, and a partially-peeled lemon; Tabletop still life, including two oysters on a pewter dish, a wine glass, a partially-peeled lemon, and an assortment of fruit the former signed (partially in ligature) lower right: J.VAN.SON.VA a pair, both oil on panel the former panel: 12 by 16 in.; 32.4 by 42.5 cm. the former framed: 19 by 23 in.; 48.3 by 58.7 cm. the latter panel: 12 by 16 in.; 30.1 by 42.2 cm. the latter framed: 19 by 23 in.; 48.9 by 59.4 cm. (2) Bid on Sotheby's
Sotheby's
Apr. 29, 2022
Joris van Son (1623-1667)-follower
Est: €240 - €480
Joris van Son (1623-1667)-follower, Flower still life with insects, oil on copper, 26x20cm, framed.
Deutsch Auktionen
Feb. 03, 2022
VAN SON Joris (attrib) (1623-1667)
Est: €1,500 - €2,000
Huile sur toile attribuée à Joris van Son "Guirlande de fleurs et fruits avec une image de Sainte Catherine". Une bande de toile d'environ 3 cm a été rapportée sur les 4 côtés (la bordure du chassis a probablement été dépliée). Au revers, le reste d'une étiquette avec le n° 1788. Expert : cabinet Turquin. 88x111 cm
Hotel des vente Legros
Dec. 11, 2021
Son, Joris van (1623 Antwerpen 1667) Nachfolge/Art
Est: €1,000 - €1,200
Stillleben mit Weintrauben, Pfirsichen, Weintrauben, Austern und Wan Li-Schale. Öl/Eichenholztafel (parkettiert). 49x 64 cm. R. im flämischen Barockstil.
Dannenberg
Nov. 10, 2021
VAN SON Joris (attrib) (1623-1667)
Est: €3,000 - €4,000
Huile sur toile attribuée à Joris van Son "Guirlande de fleurs et fruits avec une image de Sainte Catherine". Une bande de toile d'environ 3 cm a été rapportée sur les 4 côtés (la bordure du chassis a probablement été dépliée). Au revers, le reste d'une étiquette avec le n° 1788. Expert : cabinet Turquin. 88x111 cm
Hotel des vente Legros
Oct. 12, 2021
TABLEAUX Huile sur toile marouflée sur toile "Saint Jean-Baptiste dans un entourage de fruits et
Est: €2,000 - €3,000
TABLEAUX Huile sur toile marouflée sur toile "Saint Jean-Baptiste dans un entourage de fruits et de fleurs". Attribué à Joris van Son. Ecole flamande. Epoque: XVIIème. On y joint un certificat de "de Heuvel" à Bruxelles daté 1973. (Un coup). Dim.:+/-108x90cm.
Vanderkindere
Jun. 24, 2021
[GRAPHIC ARTS, PAINTINGS & DRAWINGS 16TH-19TH CENTURY] FOUR DRAWINGS: (1) (PUTTO OR CHERUBIN IN ACTION)
Est: €100 - €200
Drawing in red chalk, 27 x 22.5 cm, under passepartout. Backed; wrinkled. With old attribution in pen verso: "L'école de Milan"; (2) Joris van Son (1623-1667) (attributed). (Study of hands and a male torso from the back). Drawing in black chalk, 22.3 x 15 cm, with illegible signature in lower right corner, mounted at upper margin under passepartout. Sl. browned and stained and smaller defects. And 2 others, including a drawing of Michelangelo's statue of Moses (in reverse, perhaps after a print), dated "1674 in July" verso. (total 4)
Zwiggelaar Auctions
Mar. 23, 2021
TABLEAUX
Est: €4,000 - €6,000
Huile sur toile marouflée sur toile "Saint Jean-Baptiste dans un entourage de fruits et de fleurs". Attribué à Joris van Son. Ecole flamande. Epoque: XVIIème. On y joint un certificat de "de Heuvel" à Bruxelles daté 1973. (Un coup). Dim.:+/-108x90cm.
Vanderkindere
Dec. 17, 2020
JORIS VAN SON (ANTWERP 1623-1667) - Oysters, grapes, lemons, an orange, cherries and a loaf with silverwear, glasses and a delft vase on a draped table
Est: £30,000 - £50,000
JORIS VAN SON (ANTWERP 1623-1667) Oysters, grapes, lemons, an orange, cherries and a loaf with silverwear, glasses and a delft vase on a draped table oil on canvas 23 1/2 x 31 1/4 in. (59.7 x 79.4 cm.)
Christie's
Nov. 17, 2020
VAN SON Joris (1623 - 1667). Attribué à. - Huile sur toile marouflée sur toile "Vierge en grisail
Est: €2,000 - €3,000
VAN SON Joris (1623 - 1667). Attribué à. Huile sur toile marouflée sur toile "Vierge en grisaille dans un entourage de fruits". Attribué à Joris van Son. Ecole flamande, Anvers. Dim.:+/-68,5x56,5cm.
Vanderkindere
Sep. 24, 2020
Joris van Son, 1623 Antwerpen – 1667 ebenda
Est: €30,000 - €50,000
Früchtestillleben Öl auf Leinwand. Doubliert. 36 x 40,5 cm. In profiliertem teilebonisierten Rahmen. Beigegeben eine Expertise von Dr. Jaco Rutgers, Tilburg, 15. Mai 2020. In seinem Gutachten vergleicht Rutgers die Darstellung mit zwei in Privatbesitz befindlichen Gemälden, welche 1654 und 1659 datiert sind. Vor allem die Austern seien gut vergleichbar. Auf einer Steinplatte ein in tiefen Tönen erstrahlendes Fruchtstillleben vor mächtigem Blattwerk und knappen Landschaftsausschnitt auf der rechten Seite. Gezeigt werden nebst Orangen, Trauben, Feigen, Granatapfel und Beeren auch zwei Austern. Joris van Son, der Zeit seines Lebens in Antwerpen wohnte und arbeitete wurde von Jan Davidsz de Heem, Daniel Seghers und Frans Snijders stark beeinflusst. Er war seinerseits Lehrer von Frans van Everbroeck, Jan Pauwel Gillemans d.J., Cornelis van Huynen und Norbert Montalie. (1241861) (1) (13) Joris van Son, 1623 Antwerp – 1667 ibid. Fruit still life Oil on canvas. Relined. 36 x 40.5 cm. In profiled partially ebonized frame. Accompanied by an expert’s report by Dr Jaco Rutgers, Tilburg, 15 May 2020. The report compares the present painting with two paintings held in a private collection dating to 1654 and 1659 respectively. He points out that the oysters, in particular, easily compare.
Hampel Fine Art Auctions
Jun. 09, 2020
Joris van Son
Est: €25,000 - €35,000
Please note the exact Buyer’s Premium charges which can be found in the Conditions of Sale in the Terms below. (Antwerp 1623–1667) Fruit and flowers surrounding a stone bust of the Goddess Flora, signed and dated lower left: J. VAN SON/16.6, oil on canvas, 125 x 95 cm, framed Provenance: sale, Dorotheum, Vienna, 24 March 2004, lot 141; Private collection, Vienna The present painting is registered in the RKD database under no. 0000140953.
Dorotheum
May. 16, 2020
Joris van Son (Antwerpen 1623 - Antpweren 1667), circle of. Table Still Life with Fruits, a Tulip and Insects.
Est: -
Oil/canvas, 52 x 76,5 cm, some rest., relined. - Provenance: Private collection Hamburg. - Flemish still life painter. S. became master of the Antwerp St. Luke's guild in 1643. He specialized in fruit and flower still lifes. Lit.: Thieme-Becker, Bénézit, Bernt.
Auktionshaus Stahl
Mar. 07, 2019
JORIS VAN SON (seguace di)
Est: €4,000 - €6,000
(Anversa, 1623 - 1667) Natura morta con prosciutto, fichi e arancie Olio su tela, cm 41X56 Joris van Son divenne già nel 1643/44 maestro della Gilda di San Luca ad Anversa. Dipinse ghirlande di fiori sulla scia di Daniel Seghers, ma soprattutto nature morte, che per carattere possono essere equiparate a quelle di Jan Davidsz. de Heem. La pittura di Joris van Son si muove fra la scuola fiamminga e quella olandese, benché negli anni della maturità egli si avvicinasse sempre più a quest'ultima.
Wannenes Art Auctions
Feb. 12, 2019
Attribué à Joris van SON Anvers, 1623 - 1667 Melon, pêches et raisins sur un entablement Huile sur toile
Est: €4,000 - €6,000
Attribué à Joris van SON Anvers, 1623 - 1667 Melon, pêches et raisins sur un entablement Huile sur toile h: 48,50 w: 63,50 cm Estimation 4 000 - 6 000 €
Artcurial
Dec. 11, 2018
VAN SON Joris (1623 - 1667) Huile sur toile marouflée sur toile "Nature mor
Est: €25,000 - €35,000
VAN SON Joris (1623 - 1667) Huile sur toile marouflée sur toile "Nature morte aux fruits et aux fruits de mer". Signé en bas à gauche sur l'entablement J. Van Son. Ecole flamande. Dim.:67,5x84cm.
Vanderkindere
Dec. 10, 2018
*JORIS VAN SON (1623-1667) (omgeving) Stenen cartouche met bloemen-en vruchtenguirlande e
Est: €3,000 - €4,000
*JORIS VAN SON (1623-1667) (omgeving) Stenen cartouche met bloemen-en vruchtenguirlande en centraal paar mandarijnen. Doek. Verdoekt. 86.5 x 72.5 *JORIS VAN SON (1623-1667) (entourage) Cartouche en pierre avec guirlande de fruits et de fleurs avec au centre une paire de mandarins. Toile. Rentoilée. 86.5 x 72.5 ENGLISH *JORIS VAN SON (1623-1667) (circle) circle Stone cartouche with flowers and fruit garland enclosing a pair of mandarins. Canvas. Lined. 86.5 x 72.5
Bernaerts Auctioneers
Jul. 05, 2018
JORIS VAN SON | Still life of oysters, cherries, grapes, citrus fruits and a glass roemer on a partially draped wooden table
Est: £60,000 - £80,000
oil on oak panel
Sotheby's
May. 02, 2018
*ANONIEM/ANONYME Nederlanden/Pays-Bas XVII ANONYMOUS Netherlands XVII Wine glass and oyster in a niche enclosed by a fruit garland with insects held by two lion head's with ring.
Est: €8,000 - €12,000
*ANONIEM/ANONYME Nederlanden/Pays-Bas XVII Rijnwijnglas en oester in nis omgeven door fruitguirlande met insecten aan twee leeuwenkopjes met ring. Doek. Verdoekt. De kunstenaar dient mogelijk gezocht in de omgeving van Joris van Son (1623-1667). 105 x 86 *ANONIEM/ANONYME Nederlanden/Pays-Bas XVII Rijnwijnglas en oester in nis omgeven door fruitguirlande met insecten aan twee leeuwenkopjes met ring. Doek. Verdoekt. De kunstenaar dient mogelijk gezocht in de omgeving van Joris van Son (1623-1667). 105 x 86 *ANONIEM/ANONYME Nederlanden/Pays-Bas XVII Roemer et huître dans une niche entourée d'une guirlande de fruits suspendue à deux têtes de lion avec bague. Toile. Rentoilée. 105 x 86 *ANONIEM/ANONYME Nederlanden/Pays-Bas XVII ANONYMOUS Netherlands XVII Wine glass and oyster in a niche enclosed by a fruit garland with insects held by two lion head's with ring. Canvas. Lined. Artist probably to be situated in the circle of Joris van Son (1623-1667). 105 x 86
Bernaerts Auctioneers
Apr. 29, 2018
Joris VAN SON (1623-1667)
Est: €20,000 - €30,000
Joris VAN SON (1623-1667) Nature morte aux raisins, pêches, citron et fruits de mer, aux verres de vin blancs Panneau de chêne, deux planches, non parqueté Signé en bas à gauche : J. VAN SON 38,5 x 50,5 cm Marque d’Anvers au dos et une étiquette de vente des années 1920. Provenance : Dr D-J Mayer à Bruxelles
HVMC - Hôtel des Ventes de Monte-Carlo
Apr. 24, 2018
Huile sur toile marouflée sur toile "Nature morte au homard". Attribué à Joris Van Son. Ecole flamande. Epoque: XVIIème. (On y joint un document du Ministère de l'instruction publique de Bruxelles daté de 1947). Dim.:59x72cm.
Est: €1,200 - €1,600
Huile sur toile marouflée sur toile "Nature morte au homard". Attribué à Joris Van Son. Ecole flamande. Epoque: XVIIème. (On y joint un document du Ministère de l'instruction publique de Bruxelles daté de 1947). Dim.:59x72cm.
Vanderkindere
Dec. 07, 2017
JORIS VAN SON | Still life with fruit in a Wan-Li porcelain bowl, with a crab, fish and shrimps on a table, and a vanitas still life with a skull on the ledge, upper left
Est: £30,000 - £40,000
oil on canvas
Sotheby's
Dec. 15, 2016
Entourage de Joris van Son (1623-1667) Nature morte au homard, huile s
Est: CHF800 - CHF1,200
Entourage de Joris van Son (1623-1667) Nature morte au homard, huile sur panneau signée, 48x63 cm
Geneve Encheres
Apr. 07, 2016
Joris van Son, 1623 Antwerpen - 1677
Est: €30,000 - €40,000
STILLLEBEN MIT FRÜCHTETABLETT, LANGUSTE UND AUSTERN Öl auf Leinwand. Doubliert. 49 x 65 cm. Links unten signiert. Joris van Son war einer der begabtesten Anhänger von Jan Davidsz de Heem. Ebenso wie dieser Meister spezialisierte sich van Son auf Stillleben mit Früchten, Blumen, Krustentieren und vielen weiteren typischen Motiven der flämischen und holländischen Bankettmalerei. Seine Werke schildern detailgetreu, die Kompositionen sind sehr aufwendig und überquellend, die Darstellungsweise ist präzise und die Farbgebung reich und einladend. Das vorliegende vollständig signierte Werk ist besonders typisch für die Auswahl und Anordnung bei van Son und zeigt alle seine herausragenden Qualitäten und sollte somit in seiner künstlerischen Blütezeit - also um 1670 - entstanden sein. Es bestehen viele Ähnlichkeiten zu weiteren gesicherten Werken van Sons, wie zum Beispiel zu einigen Stillleben mit Früchten und Hummer, ausgehend von jenem im Schwedischen Nationalmuseum in Stockholm, bis zu dem im Fitzwilliam Museum in Cambridge, dem in der Galerie De Jonckheere - in Brüssel und Paris - oder jenem, das am 4. Juli 2012 bei Christie’s in London versteigert wurde. Von unserem Gemälde existiert noch eine weitere, etwas kleinere Version, bei der es sich wahrscheinlich um eine sehr gute Atelierarbeit handelt. (10315119) (21) Joris van Son, 1623 Antwerp - 1677 STILL LIFE WITH TRAY OF FRUIT, CRAYFISH AND OYSTERS Oil on canvas. Relined. 49 x 65 cm. Signed lower left. Joris van Son was one of the most talented followers of Jan Davidsz. de Heem. Just as his master, he specialised in still lifes with fruit, flowers, crustaceans and many other typical motifs of Flemish and Dutch banquet painting. The choice and arrangement of the objects in the present signed work is very typical for van Son. It shows all of his excellent qualities and was therefore probably painted during his artistic heyday ca. 1670. The painting shows many similarities with other works conclusively attributed to van Sons, such as several still lifes with fruit and lobsters held, for example, at the National Museum in Stockholm, the Fitzwilliam Museum in Cambridge, the Galerie De Jonckheere, Brussles/ Paris, or the painting sold on 4 July 2012 at Christie’s in London.
Hampel Fine Art Auctions
Jan. 28, 2016
JORIS VAN SON | Still life of a garland of fruits, flowers in a blue and white vase upon a stone plinth, together with vegetables, a wine cooler, a monkey, a tortoise, a macaw and a grey parrot, within an architectural setting
Est: $200,000 - $300,000
oil on canvas
Sotheby's
Dec. 07, 2015
JORIS VAN SON (1623-1667) follower
Est: €25,000 - €30,000
English JORIS VAN SON (1623-1667) follower A still life of flowers and fruit. Oil on canvas. Including roses, irises, columbine, plums, peaches, oranges, grapes, cherries, and various berries, surrounding a cartouche with two oranges (probably a referring to the House of Orange). Provenance: former estate of Alfred Zweig, New York. 86.5 x 72.5 Dutch JORIS VAN SON (1623-1667) navolger van Stilleven met krans van bloemen (rozen, irissen) en fruit (perziken, druiven, pruimen, kersen en bessen) omheen cartouche met centraal twee appelsienen (mogelijk een verwijzing naar de familie van Oranje). Doek. Verdoekt. Herkomst: ex.verz.Alfred Zweig, New York. 86.5 x 72.5 French JORIS VAN SON (1623-1667) suiveur Nature morte avec couronne de fleurs (roses, iris) et fruits (pêches, oranges, raisins, prunes, cerises) autour d'un cartouche avec deux oranges (probablement une référence à la Maison d'Orange. Toile. Rentoilage. Provenance: ex.coll.Alfred Zweig, New York. 86.5 x 72.5
Bernaerts Auctioneers
Jul. 09, 2015
JORIS VAN SON | A 'Pronk' still life of fruits in a basket together with a gilt goblet, wine glass, a ham, a pie, orange, lemon and a crab, all upon a table draped with blue and white cloths
Est: £50,000 - £70,000
oil on canvas, in a carved and gilt wood frame
Sotheby's
May. 15, 2015
Antwerp 1622 - 1667 - attributedFruit Still Life.
Est: €10,000 - €15,000
Oil on canvas. Relined. 65,5 x 89cm. Framed.
Van Ham Kunstauktionen
Mar. 27, 2015
SON, JORIS VAN (and workshop(1622 Antwerp 1667)Stil
Est: CHF10,000 - CHF15,000
SON, JORIS VAN (and workshop (1622 Antwerp 1667) Still life with lobster, lemon and tazza. Oil on canvas. 41 x 64 cm. Expertise: M. Friedländer, 10.12.1950 (as Cornelis de Heem). Provenance: - Fischer auctions, Lucerne, 24.11.1951, Lot 2619 (as Cornelis de Heem). - Swiss private collection. Fred G. Meijer of RKD, The Hague, on the basis of a photograph, attributes this painting to Joris van Son and workshop. SON, JORIS VAN (UND WERKSTATT) (1622 Antwerpen 1667) Stillleben mit Hummer, Zitrone und Tazza. Öl auf Leinwand. 41 x 64 cm. Gutachten: M. Friedländer, 10.12.1950 (als Cornelis de Heem). Provenienz: - Auktion Fischer, Luzern, 24.11.1951, Los 2619 (als Cornelis de Heem). - Schweizer Privatsammlung. Fred G. Meijer vom RKD, Den Haag, schreibt dieses Gemälde anhand Fotografien Joris van Son und seiner Werkstatt zu, wofür wir ihm danken.
Koller Auctions
Dec. 03, 2014
Crabs and shrimp on a pewter platter, with grapes, a partly-peeled orange, peaches and two wine glasses, on a partially draped table
Est: £30,000 - £50,000
Joris van Son (Antwerp 1623-1667) Crabs and shrimp on a pewter platter, with grapes, a partly-peeled orange, peaches and two wine glasses, on a partially draped table signed 'J. VAN. SON ' ('VA' linked, lower left) oil on panel, stamped on the reverse with the coat-of-arms of the city of Antwerp 15 x 20 1/8 in. (38.1 x 51.2 cm.)
Christie's
Nov. 30, 2014
Joris van Son
Est: €13,050 - €14,500
(1623 Antwerpen - 1667 ebenda) Umkreis/Schule Früchtestillleben mit Hummer Kunstvoll auf einem mit Silbergeschirr gedeckten Tisch arrangiertes, opulentes Stillleben aus unterschiedlichen südländischen Früchten und einem großen Hummer. Fein lasierend ausgeführtes Gemälde, das durch seine frappierende Stofflichkeit beeindruckt. Joris van Son, der bedeutende flämische Barock-Maler von Blumen- und Früchtestücken, wurde wesentlich durch Jan Davidsz. de Heem beeinflusst. Hauptsujet van Sons waren sog. BankettstillIeben, in denen oft ein Hummer als zentrales Motiv geschildert wird. Vom RKD in Den Haag sind eine Reihe von Stillleben des Künstlers dokumentiert, die in Motiv, Komposition und Stil evidente Parallelen zu diesem Gemälde aufweisen. Öl/Lwd., doubl.; 73 cm x 100 cm. Rahmen. Circle/school of Joris van Son (1623 - 1667) Still life of fruit with a lobster. Oil on canvas, relined.
Kunstauktionshaus Schloss Ahlden
Nov. 15, 2014
Joris van Son, attributed to, Three Putti with Vanitas Symbols within a Decorated Cartouche
Est: €7,000 - €9,000
The motif of a sculpted Baroque cartouche hung with garlands surrounding a central, usually religious, motif was established by the Antwerp painter Daniel Seghers. The present work is attributed to another Antwerp artist, Joris van Son, and shows heavy garlands of fruit wound around a curved stone cartouche surrounding three central putti. These present typical symbols of vanitas - a skull, soap bubbles and opulently glittering vases as symbols of transient earthly wealth.
Kunsthaus Lempertz KG
Sep. 28, 2014
* Circle of Joris van Son, (Flemish, 1623-1667), Still Life with Grapes and Peaches
Est: $2,000 - $4,000
Circle of Joris van Son (Flemish, 1623-1667) Still Life with Grapes and Peaches oil on canvas 26 x 21 1/2 inches.
Hindman