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Alexander Rzewuski Sold at Auction Prices

b. 1893 - d. 1983

Alexander descended from a long line of Poles who had played a prominent part in the history of their country. At the last partition of Poland in 1795, they passed over to the service of the Russian Empire. Rzewuski's grandfather was in the personal suite of four Tsars, and his father, General Adam Rzewuski, born in Ukraine, was military Governor of the Caucasus region at the time of Alexander's birth there in 1893.

Alexander's mother was a Russian from the St Petersburg aristocracy. He was baptised into the Russian Orthodox Church and spent his childhood partly in the Caucasus (with forays into Azerbaijan and Chechnya) and partly in Ukraine, where a series of French and English governesses educated him and his sisters at home.

As an adolescent of 14, he was sent north, far from the mountains of the Caucasus, to school in St Petersburg at the Imperial Alexander Lycée. Schooling completed, he passed on to the University there. As an undergraduate, he was profoundly, if imperceptibly, affected by the philosophy lectures. A cast of mind which was to stay with him until his student days as a Dominican, was introduced.

Rzewuski served during the war as an officer in command of organising fleets of ambulances for the wounded.

Two events, one public and universally cataclysmic, the other personal and hidden, set the pattern for his future career. The personal event was his sudden reception into the Catholic Church. One night, towards the end of the war, he knocked at the door of Italian Capuchins in Trebizond demanding to be received into the Catholic Church on the spot.
October Revolution

The Italian friar was startled at the demand so peremptorily put by the Russian Imperial Officer. Strictly speaking it was against the law for a Russian Orthodox subject of the Tsar to become a Catholic. To accede to the request could have unhappy repercussions for the small Italian mission. However, Rzewuski must have been persuasive as he left the friary that same night as a member of the Catholic Church.

In 1918, just as the Alexander Kerensky government was about to fall, and be succeeded by Vladimir Lenin's coup d'état, Rzewuski undertook a dangerous journey to St Petersburg to recoup some of the family's money from the floundering banks. Successful in this, he threaded his way back south to Kiev, where his family had sought refuge.
Conversion to Roman Catholicism

At a family council it was decided that they all should flee to the Italy, where they had members of their wide family. Three weeks later, after criss-crossing through Poland, Czechoslovakia and Austria, they were all ensconced in the Palazzo Caetani in Rome.

However, Alexander was starting his painting career and for this Paris promised greater opportunity than Rome. He moved there and soon had won a reputation as a portrait painter and illustrator.

This whirl of success came to a sudden halt when he was introduced to the Catholic philosopher Jacques Maritain. One day in conversation with him Maritain said quite simply: "I think that you should see a priest, and I recommend Msgr Vladimir Ghika."

Convinced of the validity of the Catholic position, he was waiting his mother's agreement to his leaving the Church of his birth: an event she dreaded. This time, unlike Trebizond 10 years before, the effect was thorough and definitive.

The novitiate and course of studies completed, Rzewuski was ordained in 1932.

His first assignment was to Albertinum at Fribourg in Switzerland as spiritual director to the 200 international seminarians, sent here by their bishops from around the world to study under the Dominicans].

Rzewuski was extremely unimpressed with their lack of intellectual passion and their professional ambition to become important in the clerical field of Church politics. He suffered here for 13 years, but he did make some friends, among them the theologian Charles Journet, and frequently sought some refreshment at the Charterhouse of Valsainte. He always considered solitude to be his true calling, and had friends among the Carthusians.

When World War II ended, he returned to France to become novice-master for six years in Toulouse, followed by a time on the Ste Baume, a bare mountain overlooking the Mediterranean, and a place of pilgrimage in honour of St Mary Magdalen. At last some measure of solitude was his in this place of retirement. The final decades of his life were passed caring for the contemplative Dominican nuns at Prouilhe, and in other parts of the world before his death in 1983.

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    • Rzewuski, Aleksandr - Il tira de ses guenilles le …
      Nov. 11, 2022

      Rzewuski, Aleksandr - Il tira de ses guenilles le …

      Est: €600 -

      Rzewuski, Aleksandr Il tira de ses guenilles le même bijou. Gouache, silberne und goldene Farbe, auf Canson & Montgolfier. Links unter der Zeichnung in Gouache signiert. Nicht datiert. Unten rechts in Blei (später?) bezeichnet. Erste Hälfte der 1920er Jahre (1922?). Bildgröße: ca. 41 x 26 cm. Blattgröße: ca. 44,5 x 32,5 cm. Wohl der Entwurf für den Umschlagtitel einer Zeitschrift, der Künstler lieferte Cover für "Tatler", "Femina", "Sketch" u.a. - A. Rzewuski (1893-1983) entschloss sich nach Empfehlung, trotz seiner Herkunft nicht Militär, sondern Künstler zu werden. Er erhielt eine private Ausbildung im Umfeld der "Welt der Kunst", u.a. bei M. Dobuzhinskij. Folgend übersiedelte er nach Paris und fand dort Förderer seiner Talente, wurde zum Porträtisten der russischen Aristokratie. Er entwarf zugleich Kostüme für das "Moulin Rouge" und war mit Damen wie Maria Radziwill befreundet. Veränderungen im Leben des Künstlers nicht nur des sozialen Umfelds, des Wohnorts und der Staatsbürgerschaft, sondern auch der Konfession und des Lebenswandels führten schließlich zur Absage an die Kunst. Im Jahr 1926 entschloss sich Rzewuski zur Abkehr vom weltlichen Leben, wurde 1932 zum Priester geweiht. - Einige kleine Farbflecken im Blattrand, der rechte und der untere Rand des Blatts etwas unregelmäßig, verso mit zwölf kleineren Montageresten.

      Nosbüsch & Stucke GmbH
    • Aleksander Rzewuski Drypoints
      Jan. 25, 2020

      Aleksander Rzewuski Drypoints

      Est: $400 - $600

      Three signed lithographs by Aleksander Rzewuski (1893 - 1983), one depicting the Grand Duchess Maria Pavlovna of Russia, each measuring 22 1/2 high x 15 3/4 wide framed.

      Turner Auctions + Appraisals
    • Aleksander Rzewuski Drypoints
      Oct. 19, 2019

      Aleksander Rzewuski Drypoints

      Est: $400 - $600

      Three signed lithographs by AleksanderRzewuski(1893 - 1983),one depicting the Grand Duchess Maria Pavlovnaof Russia, each measuring 22 1/2 high x 15 3/4 wide framed.

      Turner Auctions + Appraisals
    • Three early 20th century Drypoint by Aleksander Rzewuski
      Jul. 14, 2019

      Three early 20th century Drypoint by Aleksander Rzewuski

      Est: $1,000 - $1,500

      Three signed lithographs by Aleksander Rzewuski (1893 - 1983), one depicting the Grand Duchess Maria Pavlovna of Russia, each measuring 22 1/2 high x 15 3/4 wide framed.

      Turner Auctions + Appraisals
    • Aleksander Rzewuski (1893 - 1983) Portrait of a Lady on Recamier, 1925
      Oct. 15, 2015

      Aleksander Rzewuski (1893 - 1983) Portrait of a Lady on Recamier, 1925

      Est: zł1,200 - zł2,500

      Aleksander Rzewuski (1893 - 1983) Portrait of a Lady on Recamier, 1925 dry point on paper, 19,8 x 25,5 cm (imprint), 27,7 x 25,5 cm (sheet)

      Desa Unicum SA
    • Alexander Rzewuski (polonais, 1893-1983)
      May. 24, 2013

      Alexander Rzewuski (polonais, 1893-1983)

      Est: €300 - €400

      Alexander Rzewuski (polonais, 1893-1983) Femme à l'ombrelle. Vers 1930. Pointe sèche. 400 x 492. Très belle épreuve sur chine volant, signée à la mine de plomb. Quelques rousseurs claires. Marges. Cadre

      Ader
    • Aleksander RZEWUSKI (1893-1983) "Les élégantes à
      Apr. 11, 2013

      Aleksander RZEWUSKI (1893-1983) "Les élégantes à

      Est: €1,000 - €1,500

      Aleksander RZEWUSKI (1893-1983) "Les élégantes à Saint-Petersbourg. Dessin à l?encre et la gouache. Signé en bas à gauche. 16,5 x 23,5 cm. Bibliographie: Reproduit au sommaire du magazine Femina... "

      Ader
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