Thomas Soutelle Roberts Paintings & Artwork for Sale | Thomas Soutelle Roberts Art Value Price Guide

Nov. 21, 2024
Circle of Thomas Sautelle Roberts (Irish 1764 - 1826) Wooded landscape, said to be the grounds of Powerscourt Estate, Co. Wicklow, Ireland
Est: £600 - £800
Circle of Thomas Sautelle Roberts (Irish 1764 - 1826) Wooded landscape, said to be the grounds of Powerscourt Estate, Co. Wicklow, Ireland oil on canvas, 48.5 x 58.5 cm, framed 66 x 79 cm
Dawsons Auctioneers
Mar. 27, 2024
Thomas Sautelle Roberts (c.1760 - 1826) Wooded River Landscape with Waterfall and Ruin Oil on canvas, 101.5 x 127cm (40 x 50) Sautelle Roberts was born into a family of artists, the youngest son of architect John Roberts and his wife Mar
Est: €6,000 - €10,000
Thomas Sautelle Roberts (c.1760 - 1826) Wooded River Landscape with Waterfall and Ruin Oil on canvas, 101.5 x 127cm (40 x 50) Sautelle Roberts was born into a family of artists, the youngest son of architect John Roberts and his wife Mary Susannah Sautelle, who was of Huguenot descent. After the death of his older brother, the renowned painter Thomas, in 1778, he adopted his brothers first name to benefit from his fame as Thomas Sautelle Roberts. Initially trained as an architect, he later enrolled in the School of Landscape and Ornament Drawing where he won a medal for draughtsmanship. Now working as an artist he divided his time between Dublin and London and exhibited at the RA between 1789 and 1811. He was also a regular exhibitor with the Society of Artists of Ireland from 1800. Sautelle Roberts was held in high esteem by his peers and was one of the first three members of the RHA when it was founded in 1823.
Adam's
Mar. 08, 2023
Thomas Sautelle Roberts (1764-1826). Wicklow, 1802
Est: £2,000 - £3,000
Thomas Sautelle Roberts (1764-1826). Wicklow, 1802 * Roberts (Thomas Sautelle, 1764-1826). View of the Golden Spears, County Wicklow with Powerscourt House, 1802, watercolour on heavy wove paper, depicting the Golden Spears in the distance (the Small and Big Sugar Loaves) and Bray Head beyond, in the foreground, the Chief Secretary, the Right Honourable Charles Abbot, mounted on his horse, inspecting the construction of the military road, greeted by a labourer, holding a shovel in one hand and his hat in the other, two workers digging with pickaxe and wheelbarrow, signed and dated 1802 lower right, with an additional outline sketch in pencil by the artist of a panoramic landscape to verso, some marks and surface damage, particularly to the lower left, closed tear to right hand margin (generally without loss), sheet size 49 x 70 cm (19.5 x 27.5 ins) QTY: (1) NOTE: The present work is one of Thomas Sautelle Roberts original watercolour views, which he planned to publish as a series of aquatints (coloured and uncoloured), as a series entitled Illustrations of the Chief Cities, Rivers and Picturesque Scenery of the Kingdom of Ireland, a project that was only partially fulfilled. Forty of these large drawings were exhibited at Dublin's old Parliament House, Dublin, in January 1802. According to Freeman's Journal, the paintings were 'principally taken in the County of Wicklow, including the Gold, Copper and Lead Mines' with the 'most interesting views taken from the new military roads and close scenes of the Dargle'. In the Dublin Castle State Paper Office is a letter from the artist, dated 18th December 1801, to the Chief Secretary, the Right Honourable Charles Abbot, requesting permission to exhibit drawings which he had made of the Lord Lieutenant, Philip Yorke (the 3rd Earl of Hardwicke) and the Chief Secretary whilst accompanying them on their Wicklow Excursion. Following the Irish Rebellion of 1798 the proximity of the Wicklow mountains to Dublin, and their use as a safe retreat for the remnants of the United Irishmen, was of concern to the British administration, and a new military road was proposed to the Lord Lieutenant of Ireland Major Cornwallis in February 1800. Major Cornwallis was replaced in March 1801 by Philip Yorke, 3rd Earl of Hardwicke. Construction of the road began in August 1801 and continued until 1809. A pair of watercolours entitled View of Powerscourt and the Golden Spears and View of The Valley of Glencree, watermarked 1798, unsigned, were sold at Adam's Auctioneers, Dublin, on the 31st May 2017, lot 21, the first of which is taken from the same view point and has a similar overall composition, with Powerscourt House showing in the middle distance.
Dominic Winter Auctions
Sep. 10, 2022
THOMAS SAUTELLE ROBERTS (Irish School, 1764-1826), (attributed), (river village scene), oil on board, 12.5 x 19.5cm, 25 x 32cm overall
Est: $400 - $600
THOMAS SAUTELLE ROBERTS (Irish School, 1764-1826), (attributed), (river village scene), oil on board, 12.5 x 19.5cm, 25 x 32cm overall
Leski Auctions Pty Ltd
Nov. 27, 2018
ATTRIBUTED TO THOMAS SAUTELLE ROBERTS (IRISH, 1760-1826)
Est: €1,500 - €2,500
The Windy Day. Windswept landscape with a drover on horseback and sheep in the foreground Oil on canvas 14 x 18 inches (35.5 x 45.5 cm.) Enclosed in a decorative gilt frame
Sheppards
Aug. 01, 2017
Attributed to Thomas Sautelle Roberts (1764-1826) - Watercolour - "Bray Head and The Little Sugar Loaf", 10ins x 14.5ins, signed and dated '93, framed and glazed
Est: £1,000 - £1,500
Attributed to Thomas Sautelle Roberts (1764-1826) - Watercolour - "Bray Head and The Little Sugar Loaf", 10ins x 14.5ins, signed and dated '93, framed and glazed
Canterbury Auction Galleries
May. 31, 2017
Thomas Sautelle Roberts (1760-1826)View of Powerscourt and the Golden Spears and View of The Valley of Glencree (1798)A pair, pencil and watercolour, 46.3 x 65.4cm (18¼ x 25¾) and 48.2 x 65.1cm (19 x 25½)The first watermarked 'Russell 1798
Est: €12,000 - €16,000
Thomas Sautelle Roberts (1760-1826)View of Powerscourt and the Golden Spears and View of The Valley of Glencree (1798)A pair, pencil and watercolour, 46.3 x 65.4cm (18¼ x 25¾) and 48.2 x 65.1cm (19 x 25½)The first watermarked 'Russell 1798'. (2)Exhibited: Probably Dublin, Parliament House, January 1802; London, The Leger Galleries, English Watercolours, November-December 1980, no. 35.Literature: W.G. Strickland, Dictionary of Irish Artists, Dublin and London, 1913, II, p. 280; Crookshank and The Knight of Glin, The Painters of Ireland, London, 1978, p. 137; Crookshank and The Knight of Glin, The Watercolours of Ireland, London, 1994, p. 87.A View of Powerscourt shows the Golden Spears to the right (the Small and Big Sugar Loaves) and Bray Head beyond, in County Wicklow. In the foreground, the Chief Secretary, the Rt. Hon. Charles Abbot, mounted on his horse, is inspecting work on the military road and is saluted by a soldier wearing a kilt. The 13th Century castle at Powerscourt, County Wicklow, was used as the core of the grand Palladian mansion built by Richard Cassels for the 1st Viscount Powerscourt during the 1730s. Its extraordinary ornamental gardens, inspired by those at the palaces of Versailles and Schönbrunn, were created in the 1860s by Mervyn Wingfield, 7th Viscount Powerscourt. Widely regarded as one of Irelands most beautiful houses of this era, it largely burnt down in 1974.A View of the Valley of Glencree depicts The Lord Lieutenant, The Earl of Hardwicke, in scarlet coat and the Chief Secretary, The Rt. Hon. Charles Abbot, surveying the site of the proposed site of the Military Barracks. The new military road, on which are held numerous horses, climbs to the left crossing the river. The Glencree Barracks and Military Road were built as access to the mountains on account of the Irish Rebellion of 1798. The barracks were vacated in 1915 and used as a German prisoner-of-war camp. The current site is close to the German War Cemetery.We are fortunate to have accompanying documents regarding these magnificent exhibition watercolours. In the Dublin Castle State Paper Office is a letter from Thomas Sautelle Roberts, dated 18th December 1801, to the Chief Secretary, the Rt. Hon. Charles Abbot, requesting permission to exhibit drawings which he had made of the Lord Lieutenant (the 3rd Earl of Hardwicke) and the Chief Secretary. We also know of this exhibition from advertisements which appeared in the Dublin newspaper, Saunders Newsletter and Daily Advertiser, from 12-21st January, 1802 and in Freemans Journal from 12-19th January 1802 and which refer to an exhibition beginning on Wednesday 13th January at Parliament House being Landscapes..Chiefly executed for His Excellency the Lord Lieutenant and The Rt. Hon. Charles Abbot. Some of the views mentioned were of different mineral mines but the most interesting views are taken from the new Military Road.The Royal Irish Academy contains an anonymous diary (MS no.24K14/15) in which the entry for 25th January 1802 states that there are 40 large drawings in the exhibition and that Roberts had accompanied the Lord Lieutenant on his Wicklow Excursion in order to sketch such views for him as he should select.they are yet, striking and valuable pieces - the scenes mostly chosen amongst the more unfrequented parts of Co. Wicklow, through which the inspection of the new via militaria led his Excellency and Suite - There are some fine designs of the Dargle Scenery.Another drawing in this series, Military road, was sold, Whyte's, Dublin, 10th October 2011, lot 83.
Adam's
May. 24, 2016
ATTRIBUTED TO THOMAS SAUTELL ROBERTS, (1764-1826), Classical Landscape, de
Est: €2,500 - €3,500
ATTRIBUTED TO THOMAS SAUTELL ROBERTS, (1764-1826), Classical Landscape, depicting a Capriccio of ruins, figures on a path, another figure angling and two goats fighting by a waterfall, O.O.C., 12.5'' (32cm)h x 17.5'' (45cm). (1)
Mealy's
Oct. 06, 2015
Thomas Sautelle Roberts (1760 - 1826) Watercolour: ''A View of Waterford f
Est: €2,000 - €3,000
Thomas Sautelle Roberts (1760 - 1826) Watercolour: ''A View of Waterford from the West,'' 31cms x 42cms (12'' x 16 1/2'') dark blue mount, hogarth type frame. (1)
Fonsie Mealy Auctioneers
Oct. 30, 2013
Thomas Sautelle Roberts (Irish, 1760-1826)
Est: £200 - £300
Landscape with figures in a path watercolour 41 x 51.5cm (16 1/8 x 20 1/4in).
Bonhams
Oct. 16, 2013
Thomas Sautelle Roberts (Irish, 1760-1826)
Est: £500 - £700
Landscape with figures in a path watercolour 41 x 51.5cm (16 1/8 x 20 1/4in).
Bonhams
Oct. 01, 2013
ATTRIBUTED TO THOMAS SAUTELL ROBERTS (1760-1826)
Est: €1,200 - €1,800
ATTRIBUTED TO THOMAS SAUTELL ROBERTS (1760-1826) Figures Crossing a River in a Landscape with Castle Ruin, oil on canvas, 24.5in (62cm) x 29in (74cm). (1)
Mealy's
Sep. 10, 2013
Thomas Sautelle Roberts (Irish, 1760-1826)
Est: £1,000 - £1,500
Landscape with figures in a path watercolour 41 x 51.5cm (16 1/8 x 20 1/4in).
Bonhams
Oct. 10, 2011
THE MEETING OF THE WATERS COUNTY WICKLOW, 1802
Est: €8,000 - €10,000
THE MEETING OF THE WATERS COUNTY WICKLOW, 1802
Whyte's
Oct. 10, 2011
MILITARY ROAD, 1802
Est: €10,000 - €15,000
MILITARY ROAD, 1802
Whyte's
Sep. 07, 2011
AFTER THOMAS SAUTELLE ROBERTS (1760-1826) College
Est: €800 - €1,200
AFTER THOMAS SAUTELLE ROBERTS (1760-1826) College Green, Dublin Hand coloured Aquatint, 58 x 83cm
Adam's
Jul. 06, 2011
Thomas Sautelle Roberts (Waterford 1764-1826 Portobello)
Est: £8,000 - £12,000
Thomas Sautelle Roberts (Waterford 1764-1826 Portobello) A stormy river landscape, with herdsmen oil on canvas 29 x 42¾ in. (73.6 x 108.6 cm.)
Christie's
Apr. 07, 2011
[ Oil Paintings ]
Est: £600 - £800
ATTRIBUTED THOMAS SAUTELLE ROBERTS (1760-1826) BRITISH Woodland landscape with farm and labourers. Panel 9 x 12ins.
John Nicholson's Fine Art Auctioneers & Valuers
Apr. 21, 2010
Property from the Glazer collection, Scottsdale, Arizona
Est: $4,000 - $6,000
The storm oil on canvas 51 1/4 x 72 1/4in (130.2 x 183.5cm)
Bonhams
Dec. 03, 2008
Roberts (Thomas Sautelle, 1760-1826). Scottish
Est: £600 - £800
Roberts (Thomas Sautelle, 1760-1826). Scottish Highland landscape with horseman greeting a Scottish soldier in the foreground, farmworkers and cottages in the distance, watercolour on thick paper, signed and dated 1802, 49 x 70 cm (19.5 x 27.5 ins), together with a similar watercolour, finely detailed topographical view, probably Scotland, with horseman, farmworkers and dog to lower left, country house and cottages in the distance, approx. 46 x 66 cm (18 x 26 ins), some soiling and surface damage, matching period gilt frames (distressed), the first picture glazed Thomas Sautelle Roberts was a founder member of the Royal Hibernian Academy. His father was the famous architect John Roberts, designer of both cathedrals in Waterford and also the City Hall. (2)
Dominic Winter Auctions
Oct. 12, 2008
ATTRIBUTED TO THOMAS SAUTELLE ROBERTS (1760-1826)
Est: -
ATTRIBUTED TO THOMAS SAUTELLE ROBERTS (1760-1826) 'Landscape, with figures at a farm', oil on panel, 23cm x 30cm, framed.
Lots Road Auctions
Oct. 12, 2008
ATTRIBUTED TO THOMAS SAUTELLE ROBERTS (1760-1826)
Est: £1,000 - £1,500
ATTRIBUTED TO THOMAS SAUTELLE ROBERTS (1760-1826) 'Landscape, with figures at a farm', oil on panel, 23cm x 30cm, framed.
Lots Road Auctions
Sep. 14, 2008
ATTRIBUTED TO THOMAS SAUTELLE ROBERTS (1760-1826)
Est: £1,000 - £1,500
ATTRIBUTED TO THOMAS SAUTELLE ROBERTS (1760-1826) 'Landscape, with figures at a farm', oil on panel, 23cm x 30cm, framed.
Lots Road Auctions
Jun. 06, 2008
- Attributed to Thomas Sautelle Roberts Waterford 1760-1826 Dublin , The Isle of Wight oil on canvas
Est: $1,760 - $1,826
oil on canvas
Sotheby's
Jan. 27, 2005
D'APRES THOMAS SAUTELL ROBERTS (1760-1826)
Est: €800 - €1,200
Dargle, County of Wicklow par Thomas Sutherland Aquatinte, papier insolé, salissures, légères piqûres, autrement en bonne condition générale, non examinée hors de son cadre Image 39,8 x 54,5 cm. (15 3/4 x 21 1/2 in.) On joint une aquatinte d'après Thomas Walmsley, Avon Dale par Hafsell, papier insolé, salissures, légères piqûres, autrement en bonne condition générale, non examinée hors de son cadre, image 41 x 55,5 cm. (16 1/8 x 21 3/4 in.) (2)
Christie's