Adriaen van (1587) Nieulandt Sold at Auction Prices

Adriaen van Nieulandt: The Christening of Christ in the Jordan

VAN NIEULANDT, ADRIAEN 1586 Antwerp - 1658 Amsterdam Title: The Christening of Christ in the Jordan. Date: Ca. 1657. Technique: Oil on wood. Measurement: 77.5 x 61.5cm. Notation: Left signature with dating lower left: "R(?)...os 1657". Frame: Framed. Provenance: Private ownership, Germany. In a letter dated 11th March 1999, Christina Wansink, RKD, Den Hague, places the attribution in the late creative phase of Adriaen van Nieulandt. We are grateful to Angela Jager, RKD, Den Hague, who confirmed the attribution from 1999 aon the basis of a high-resolution digital photograph. Estimated shipping costs for this lot: Arrangement after the auction. Explanations to the Catalogue Adriaen van Nieulandt The Netherlands Dutch School 16th C. Old Masters Framed New Testament Painting

Adriaen van NIEULANDT Anvers, vers 1586 - Amsterdam, 1658 Vénus et Adonis Huile sur toile

Adriaen van NIEULANDT Anvers, vers 1586 - Amsterdam, 1658 Vénus et Adonis Huile sur toile Signée et datée 'VAN NIEULANT / FECIT 1627' au centre (Restaurations) Venus and Adonis, oil on canvas, signed and dated, by A. van Nieulandt h: 109 w: 162 cm Provenance : Vente anonyme ; Stockholm, 7 décembre 2011, n° 2102 ; Vente anonyme ; Londres, Sotheby's, 2 mai 2012, n° 16 ; Collection particulière, château de Bournazel, Aveyron Bibliographie : Eric Jan Sluijter, De 'heydensche fabulen' en de schilderkunst van de Gouden Eeuw. Schilderijen met verhalende onderwerpen in de schilderkunst uit de klassieke mythologie in de Noordelijke Nederlande, circa 1590-1670, Leyde, 1986, p. 374-375, fig. 70 Estimation 20 000 - 30 000 €

Van Nieulandt, Adriaen

Van Nieulandt, Adriaen 1587 Antwerpen - 1658 Amsterdam. Orientalischer Reiterzug. Öl auf Holz. Unten rechts signiert und datiert 1647. Verso nummeriert. Größe ca. 54 x 38 cm, Rahmen ca. 75 x 58 cm. Holzplatte horizontal gerissen, ehemals fixiert. Malschicht auf der linken Seite mit Bläschen und teils mit Farbverlust. (Nr. 39) Van Nieulandt, Adriaen 1587 Antwerpen - 1658 Amsterdam. Orientalischer Reiterzug. Öl auf Holz. Unten rechts signiert und datiert 1647. Verso nummeriert. Größe ca. 54 x 38 cm, Rahmen ca. 75 x 58 cm. Holzplatte horizontal gerissen, ehemals fixiert. Malschicht auf der linken Seite mit Bläschen und teils mit Farbverlust.

NIEULANDT, ADRIAEN I VAN

(Antwerpen 1587–1658 Amsterdam) Simon und das Jesuskind. 1629. Öl auf Holz. Oben rechts signiert und datiert. 41x35 cm.

ADRIAEN VAN NIEULANDT

ADRIAEN VAN NIEULANDT (Anversa 1587 - Amsterdam 1658) Landscape with wayfarers and village Oil on canvas, cm. 121 x 168 Monogram at the bottom at the height of the broken trunk in the foreground Conditions of the painting Recent re-lining. Restoration points among the leafy branches aloft to the left, lines of restoration bottom right and left. Accumulations of fat Frame Frame in partially white lacquered wood, with fluted edges of the 17th century ADRIAEN VAN NIEULANDT (Anversa 1587 - Amsterdam 1658) Paesaggio con viandanti e villaggio Olio su tela, cm. 121 x 168 Monogramma in basso all'altezza del tronco spezzato, in primo piano Condizioni del dipinto Rintelo recente. Punti di restauro fra le fronde in alto a sinistra, linee di restauro in basso a destra e sinistra. Accumuli di grasso Cornice Cornice in legno sverniciato parzialmente a lacca bianca, con bordi scolpiti a baccelli, del XVII secolo

VAN NIEULANDT Adriaen (Anvers 1587-Amsterdam 1658) - Huile sur panneau de c

VAN NIEULANDT Adriaen (Anvers 1587-Amsterdam 1658) - Huile sur panneau de chêne "La Sainte Famille et Sainte Anne". Attribué à Adriaen Van Nieulandt. Ecole anversoise. (On y joint une documentation). Dim.:21.5x21cm.

Adriaen van Nieulandt (Antwerp 1585-1658 Judah and Tamar oil on p

Adriaen van Nieulandt (Antwerp 1585-1658 Judah and Tamar oil on panel 54.6 x 82.9 cm.

NIEULANDT, ADRIAEN VAN the elder.

NIEULANDT, ADRIAEN VAN the elder. (Antwerp 1587 - 1658 Amsterdam) Suffer the little children to come unto me. Oil on panel. 80.6 x 129.2 cm Provenance: - Christie's, Amsterdam, 17.11.1994, Lot 14 (signed). - European private collection. --------------- NIEULANDT, ADRIAEN VAN d. Ä. (Antwerpen 1587 - 1658 Amsterdam) Lasset die Kindlein zu mir kommen. Öl auf Holz. 80,6 x 129,2 cm. Provenienz: - Auktion Christie's, Amsterdam, 17.11.1994, Los 14 (dort signiert). - Europäische Privatsammlung.

Circle of Adriaen van Nieulandt (Antwerp 1587-1658 Amsterdam) A

Circle of Adriaen van Nieulandt (Antwerp 1587-1658 Amsterdam) A battle scene from the Old Testament

Adriaen v. Nieulandt, Rachel hides the Teraphim, early 17th C

Oil on panel Netherlands, early 17th century Adriaen van Nieulandt I (1587-1658) - Dutch painter, draughtsman and engraver Signed and dated on the stone lower right 'adriaen van nieulandt 160(?)' Overall dimensions, framed: 87 x 109 cm Provenance: Collection Tenor Michele Tiziano, Germany Fine depiction of a rare subject from the Old Testament The present painting was made by the Antwerp painter Adriaen van Nieulandt I and dates back to the early 17th century. It depicts a large-scale, figurative scene of the dispute between Jacob and Laban which goes back to the first book of Genesis, chapters 30 to 35. Laban and his brothers chased after Jacob, because he had kidnapped Laban's daughters Rachel and Lea. In the mountains of Gilead, they caught up with him. Since God had previously ordered Laban to be friends with Jacob, Laban finally offered the latter the bond of friendship. The present work combines several parts of the ongoing story. In the background, Rachel is meanwhile depicted inside the tent hiding the missing teraphim from her father quickly under the saddle of a camel. The painting is in good overall condition considering its age. The impasto is still fresh in the lighter areas and the fine details are also still in good order. The work is signed and dated 'adriaen van nieulandt 160(?)' lower right. It is composed of two panels, which are slightly detached. There are some abrasions along the edges, caused by the rubbing frame. The paint surface is slightly thin in the darker areas and some discolored retouching is visible to the sky. Inspection under UV light reveals further areas of retouching to much of the sky and lines of strengthening to the darker details of the vegetation and architecture. Besides, there are scattered small areas of restoration affecting mainly the darker pigments. The wooden frame shows clear traces of age and use and measures 87 x 109 cm. The size of the panel is 70 x 92 cm. Adriaen van Nieulandt I (1587-1658) Adriaen van Nieulandt I was the son of a Dutch family of artists of Flemish origin, whose activity can be traced back to the period around 1561. He was trained under the painters Pieter Isaacsz (1569-1625) and Frans Baden (1571-1618) in Antwerp. Van Nieulandt I was active as a painter and engraver primarily devoted his oeuvre to landscape painting, which was animated by profane and biblical themes. In addition, he was also interested in the depiction of interiors. Adriaen van Nieulandt I was however not only an artist, but also acted successfully as mediators and broker of artworks. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

Adriaen van Nieulandt (Antwerp 1585/7-1658 Amsterdam)

Adriaen van Nieulandt (Antwerp 1585/7-1658 Amsterdam) A panorama of Rome with the Pantheon, seen across the Tiber from the Janiculum black chalk, watercolour, pen and black ink framing lines, watermark foolscap, countermark LP 7¼ x 16½ in. (18.5 x 42 cm.)

Attributed to Adriaen van Nieulandt (Antwerp 1585/7-1658 Amsterdam) Saint Thomas Becket surrounded by monks and being heralded by putti oil on panel 14¼ x 10½ in. (36.1 x 26.6 cm.)

Painting, Circle of Adriaen Van Nieulandt, An Angel Saving Hagar and Ishmael

Framed oil on canvas, An Angel Saving Hagar and Ishmael, Circle of Adriaen Van Nieulandt (Dutch, 1587-1658), inscribed indistinctly lower right (on jug), canvas: 43.25"h x 35.5"w. Ref. Bonhams, May 2012 (lot 6047)

ADRIAEN  VAN  NIEULANDT

ANTWERP  1587  -  1658  AMSTERDAM MARS  AND  VENUS oil  on  canvas 109  by  162  cm.;  42  7/8    by  63  3/4    in.

ADRIAEN I VAN NIEULANDT, Antwerp 1587-1658

ADRIAEN I VAN NIEULANDT, Antwerp 1587-1658

Adriaen van Nieulandt (Antwerp 1585/7-1658 Amsterdam)

Adriaen van Nieulandt (Antwerp 1585/7-1658 Amsterdam) Tulips, roses, Turk's cap lilies, columbines, carnations and other flowers in a ceramic vase, with tulips in a glass vase, on a wooden ledge, with a peacock butterfly, a grasshopper and a lizard signed and dated 'Adriaen van Nieulandt Fecit . 160[?]4.' (lower left) oil on panel 27¾ x 22¾ in. (70.5 x 57.8 cm.)

Adriaen van Nieulandt (Antwerp 1585-1658 Amsterdam)

Adriaen van Nieulandt (Antwerp 1585-1658 Amsterdam) Judah and Tamar signed and dated 'A.nieulandt fecit 1641' (lower right) oil on panel 54.6 x 82.9 cm.

Attribué à Adriaen van Nieulandt Anvers, 1587 - Amsterdam, 1658 Vue d'un village animé avec un pont Huile sur panneau de chêne

Attribué à Adriaen van Nieulandt Anvers, 1587 - Amsterdam, 1658 Vue d'un village animé avec un pont Huile sur panneau de chêne h: 18 w: 28 cm

Circle of Adriaen van Nieulandt (Antwerp 1587-1658 Amsterdam) Joseph sold by his brothers

Joseph sold by his brothers oil on panel 12.9 x 17cm (5 1/16 x 6 11/16in).

ADRIAEN I VAN NIEULANDT (ANVERS 1587-1658 AMSTERDAM)

ADRIAEN I VAN NIEULANDT (ANVERS 1587-1658 AMSTERDAM) Fleurs dans deux vases, l'un en pierre et l'autre en verre, sur un entablement en bois Signé et daté 'Adriaen Van Nieulant Fecit.1614' (en bas à gauche) huile sur panneau 70 x 58 cm.

Adriaen van Nieulandt d. J. (1587 Antwerpen - 1658

Adriaen van Nieulandt d. J. (1587 Antwerpen - 1658 Amsterdam) Joseph mit dem Weib des Potiphar, signiert unten Mitte: "Nieulandt f(ecit)", Öl auf Kupfer, 25,4 x 36, 7 cm, gerahmt, (Wo)

Attribué à Adriaen van NIEULANDT (1587-1658) Saint

Attribué à Adriaen van NIEULANDT (1587-1658) Saint Thomas Beckett entouré de moines Panneau de chêne, une planche, non parqueté 36 x 27 cm Au revers trois cachets de cire dont un de la douane de Boulogne. (fente) Le tableau représenterait saint Thomas Beckett, chancelier du royaume d'Angleterre et archevêque de Cantorbéry, en tenue d'officiant, poignardé et tenant le calice de l'Eucharistie, entouré de moines dominicains et de moines franciscains. Il illustrerait l'opposition de Thomas Beckett à la politique du roi Henry II contre l'Eglise et son assassinat orchestré par le roi. Sans cadre

Diana and her nymphs in a cave

Adriaen van Nieulandt I (Antwerp 1585/7-1658 Amsterdam) Diana and her nymphs in a cave signed and dated 'Adriaen van Nieuland: Fecit: a .1657.' (lower centre) oil on panel 82.7 x 113.4 cm.

Adriaen van Nieulandt I (Antwerp 1585/7-1658)

The Adoration of the Shepherds oil on panel 27 7/8 x 21 3/4 in. (70.5 x 55.2 cm.)

ADRIAEN VAN NIEULANDT ANTWERP 1587 - 1658 AMSTERDAM VIEW OF ROME, SEEN ACROSS THE TIBER FROM THE

ADRIAEN VAN NIEULANDT ANTWERP 1587 - 1658 AMSTERDAM VIEW OF ROME, SEEN ACROSS THE TIBER FROM THE MONTE GIANICOLO pen and dark grey ink and watercolour, over traces of black chalk PROVENANCE Paul Brandt, Amsterdam EXHIBITED Utrecht, Centraal Museum, Nederlandse Tekeningen 16e & 17e Eeuw uit de Collectie Paul Brandt, 1963, cat. no. 61; Dordrecht, Dordrechts Museum, Nederlandse Tekeningen uit de Collectie Paul Brandt, 1968, cat. no. 78; Apeldoorn, Gemeente Van Reekum Galerij, Landscappen en Stadsgezichten uit 4 Eeuwen, 1972 CATALOGUE NOTE Adriaen van Nieulandt the Elder was one of an extensive Antwerp artist family, and was the brother of Willem van Nieulandt the Younger (see lot 137). Few signed drawings by him are known, but the present example is very close in execution to the landscape formerly in the Butôt Collection (sold, Amsterdam, Sotheby's 16 November 1993, lot 106), and to an Italianate landscape of 1649, published by Bernt as a definitive example of the artist's style (see W. Bernt, Die niederländischen Zeichner des 17. Jahrhunderts, Munich 1958, vol. II, no. 443). Two other comparable drawing by the artist, both signed, are in the Boijmans van Beuningen Museum, Rotterdam, (inv. MB 315), and the De Grez Collection at the Royal Museum, Brussels (1913 catalogue, no. 2703).

Adriaen van Nieulandt (Antwerp 1587-1658 Amsterdam)

The Annunciation signed and dated 'ADRIAEN VAN NIEULAND Fecit A o 1647' (lower right) oil on panel 41 3/4 x 29 3/8 in. (106 x 74.6 cm.)

Attribuito a Adriaen van Nieulandt (Anversa 1587-1658 Amsterdam)

Ratto di Proserpina olio su tavola 44 x 63 cm. sul retro della tavola antiche etichette di collezione 'No 33 A. Nieuland, [...]/Proserpina'; e '120'

Attribuito a Adriaen van Nieulandt (Anversa 1587-1658 Amsterdam)

Ratto d'Europa olio su tavola 43.5 x 62 cm. sul retro della tavola antiche etichette di collezione 'No 33 A. Nieuland, [...] Europa'; e 'N.121'

Adriaen van Nieulandt I (Antwerp 1587-Amsterdam 1658)

The Flight into Egypt signed and dated 'A VaN/Nieulandt 1612/Antwerp' (on rock, lower right) oil on panel 82.5 x 114 cm. (32 1/2 x 44 7/8 in.)