John Hayls Sold at Auction Prices

ENGLISH SCHOOL THREE-QUARTER-LENGTH PORTRAIT OF CAROLEAN-ERA LADY

Framed oil on canvas painting, Portrait of a Lady, in the manner of John Hayls (English, 1600-1679), apparently unsigned, three-quarter-length, in an oyster-colored silk dress, wearing a pearl necklace, earrings and hair ornament, holding a red mantle, a landscape beyond, verso frame with ink stamp Fairhurst (Fairhurst Gallery, Norwich, England), sight: approx 44.25"h, 38.75"w, overall: approx 52"h, 46.25"w, 34lbs

ENGLISH SCHOOL THREE-QUARTER-LENGTH PORTRAIT OF CAROLEAN-ERA LADY

Framed oil on canvas painting, Portrait of a Lady, in the manner of John Hayls (English, 1600-1679), apparently unsigned, three-quarter-length, in an oyster-colored silk dress, wearing a pearl necklace, earrings and hair ornament, holding a red mantle, a landscape beyond, verso frame with ink stamp Fairhurst (Fairhurst Gallery, Norwich, England), sight: approx 44.25"h, 38.75"w, overall: approx 52"h, 46.25"w, 34lbs

Hales (John) Golden Remains, 3 parts in 1, first edition, for Tim. Garthwait, 1659.

Hales (John) Golden Remains, 3 parts in 1, first edition, engraved frontispiece and pictorial title by W. Hollar, part 3 ([A]-[F]4) misbound between Y2 & Z1 of part 1, but all present, bookplate of Earl of Rosebery, bookplate of Christopher Rowe to front free endpaper, small ink letters to title, Z4 loss to lower blank corner, some browning and slight fraying to margins of first and last few leaves (affecting imprint to frontispiece), the odd spot or light surface soiling, but generally good, contemporary calf, chipping to spine, quite worn, joints cracked but holding, [Wing H269], small 4to, for Tim. Garthwait, 1659.

John Hayls (British 1600-1679), Portrait of Michael Warton and Portrait of Susanna Warton with Enslaved Servant: Two Works, Each oil on canvas. Each framed: 47 x 36-3/4 in (119.4 x 93.3 cm)

John Hayls (British, 1600-1679) Portrait of Michael Warton and Portrait of Susanna Warton with Enslaved Servant: Two Works Each oil on canvas The first, inscribed Susanna daughter of John/ first Lord Poulett and wife/ of Michael Warton Esqr. of/ Beverly [sic] in Yorkshire/ Hales pinxt l.r., also inscribed indistinctly u.l.; and the second, inscribed Michael Warton Esqr. son in law/ of John first Lord Poulett/ Hales pinxt l.l. Provenance: Ahlers & Ogletree, Atlanta, March 6, 2016, lot 738 Estate of Henry G. Muecke, Jr., Atlanta, GA

ATTRIBUTED TO JOHN HAYLS (BRITISH Fl. 1645-1679), PORTRAIT OF A GENTLEMAN

ATTRIBUTED TO JOHN HAYLS (BRITISH Fl. 1645-1679) PORTRAIT OF A GENTLEMAN, TRADITIONALLY IDENTIFIED AS JOHN EVELYN (1620-1706), DIARIST AND WRITER Oil on canvas 126.5 x 101.5cm (49¾ x 39¾ in.)

SIR JOHN HAYLS Ritratto di nobildonna

SIR JOHN HAYLS (Gran Bretagna 1600 - Londra 1679) Ritratto di nobildonna Olio su tela in cornice coeva. Provenienza: Nobile famiglia siciliana. cm 70 x 59 .

Attributed to John Hayls (1600-1679)

Attributed to John Hayls (1600-1679) PORTRAIT OF COLONEL JOHN PENRUDDOCK, SON OF SIR JOHN PENRUDDOCK OF COMPTON CHAMBERLIN, BUST LENGTH, IN ARMOUR Inscribed 'Colonel Penruddock was beheaded for his loyalty' on label verso, oil on canvas 60 x 51cm Provenance: The Property of a Prominent West Country Collector; Sotheby’s, 12 March, 1986, lot 29; the sitter’s daughter Anne, who married Thomas Chafin of Chettle, Devon; thence by descent.

John S. Hales, 'Curtis St, North Adelaide',

1979, ink and watercolour, signed, titled & dated, 35.5 x 42.5cm

John S. Hales, 'Curtis St, North Adelaide',

1979, ink and watercolour, signed, titled & dated, 35.5 x 42.5cm

CIRCLE OF JOHN HAYLS (1600-1679): PORTRAIT OF A CHILD IN A WHITE DRESS WITH A DOG

CIRCLE OF JOHN HAYLS (1600-1679): PORTRAIT OF A CHILD IN A WHITE DRESS WITH A DOG Oil on canvas, unsigned, lined, with an indistinct label on the back of the stretcher. 28 1/2 x 24 1/2 in., 35 x 29 1/2 in. (frame). Note: John Jayles (also known as Hailed and Hales) was an English Baroque portrait painter contemporary to, and rival of, Sir Peter Lely and Samuel Cooper. He was also known as a good copyist of Van Dyck. Provenance: Sold Christie''s, New York, January 10, 1995, Lot 54. Property from the Estate of Paula Peyraud

Hales, John

Korte Historie van het Synode van Dordrecht, Vervatende eenige aenmerkelijke en noyt voor-henen ontdekte bysonderheden, begrepen in brieven van Mr. John Hales, en Dr. Walter Balcanqual, Van den Koning van Groot-Brittannie gesonden op de gemelde Synode. Geschreven aen den Heere Dudley Carlton. Vertaelt uyt het Engelsch.

CIRCLE OF JOHN HAYLS (1600-1679): PORTRAIT OF A CHILD IN A WHITE DRESS WITH A DOG

CIRCLE OF JOHN HAYLS (1600-1679): PORTRAIT OF A CHILD IN A WHITE DRESS WITH A DOG Oil on canvas, unsigned, lined, with an indistinct label on the back of the stretcher. 28 1/2 x 24 1/2 in., 35 x 29 1/2 in. (frame). Provenance: Sold Christie's, New York, January 10, 1995, Lot 54. Property from the Estate of Paula Peyraud

Pair of 17th C. John Hayls Portraits of British Nobility

John Hayls (British, 1600-1679). Pair of 17th century portraits "Michael Warton Esq. Son in Law of John first Lord Poulett" and "Susanna daughter of John first Lord Poulett and Wife of Michael Warton Esq. of Beverly in Yorkshire", oil on canvas, each inscribed to lower right or left "Hales pint". A pair of formal portrait paintings each depicting one of a couple from the noble class of 17th and 18th century Great Britain comprising Susanna standing turned slightly to left wearing a deep blue and pale blue silk gown off the shoulder with a string of large pearls to her throat, drop earrings to each ear, and a jeweled headpiece in her dark curled hair, the figure reaching one hand to grasp a fruit on tray carried by a finely dressed black girl at left adorned in rich red silk dress with golden jewels to her neck and ears; and Michael standing turned slight to right in mirrored stance to his wife and wearing light armor and tied lace collar with his left hand perched on a stone and right arm bent forward with hand clutching a cylindrical wooden handle, the figure set before a dark rocky outcropping covered in moss with colorful landscape in view to right. Female portrait inscribed lower right "Susanna daughter of John first Lord Poulett and Wife of Michael Warton Esq of Beverly in Yorkshire Hales Pint". Male portrait inscribed lower left "Michael Warton Esq Son in law of John first Lord Poulett Hales Pint". Each portrait in a finely carved and gilt wood frame with beaded, gadrooned, and egg & dart bands. Each framed approximately 53" x 42.5". Unframed approximately 47.75" x 36.5". Provenance: From the Estate of Henry G. Muecke Jr., Atlanta, Georgia. Note: Susanna (b. pre-1649), daughter of John 1st Baron Poulett (1585-1549) and Elizabeth (daughter of Christopher Ken of Ken-Court) married Michael Warton Esquire (1623-1688) circa 1646, Michael being the son of Sir Michael Warton (1593-1645) (who died in the Great Siege of Scarborough Castle) and Catherine Maltby, co-heiress of Christopher Maltby of Maltby-in-Cleveland.

Circle of John Hayls (active England, circa 1600-1679) Portrait of a lady,

Circle of John Hayls (active England, circa 1600-1679) Portrait of a lady, bust-length, in a blue dress and brown wrap

Circle of John Hayls (active England, circa 1600-1679) Portrait of Lady Ali

Circle of John Hayls (active England, circa 1600-1679) Portrait of Lady Alice Moore (d. 1677), three-quarter-length, with a landscape beyond

Circle of John Hayles (fl. 1651-1679 London) . A 1

Circle of John Hayles (fl. 1651-1679 London) . A 17th Century Oil on Canvas: Half length portrait of a lady, 30 ins x 25 ins (76 cms x 63.5 cms), in a carved giltwood frame, 37 ins x 32 ins (94 cms x 81.5 cms).

Attributed to John Hayls (British, 1600-1679)

Attributed to John Hayls (British, 1600-1679), "Portrait of Elizabeth Ashburnham, nee Poulett", oil on canvas, unsigned, 45-1/4" x 36". Presented in an antique carved giltwood frame. Provenance: Ex-collection, the Earl Poulett, Hinton House, Somerset, England; Walter F. Du Verrier, New York, New York; Private collection, Natchez, Mississippi.

Follower of John Hayls (active England, circa 1600-1679)

Portrait of a gentleman, half-length, in armour, before a red curtain oil on canvas 77 x 64cm (30 5/16 x 25 3/16in).

Attributed to John Hayles (fl. 1651-1679 London) Portrait of a young man, bust-length, in a rust and blue slashed doublet with a lace collar oil on canvas 24 x 19½ in. (61 x 49.5 cm.)

Attributed to John Hayles (fl. 1651-1679 London)

Attributed to John Hayles (fl. 1651-1679 London) Portrait of a young woman, half-length, in a blue dress and an embroidered shawl oil on canvas 25½ x 21¼ in. (64.5 x 53.6 cm.)

Circle of John Hayls (active England, circa 1600-1679) A gentleman wearing a black coat with a white collar

A gentleman wearing a black coat with a white collar oil on canvas, oval 74 x 58.5cm (29 1/8 x 23 1/16in).

Circle of John Hayls (active England, circa 1600-1679) Portrait of a lady with ringlets

Portrait of a lady with ringlets oil on canvas, oval 74.5 x 58.5cm (29 5/16 x 23 1/16in).

Attributed to John Hayls (active England, circa 1600-1679)

Portrait of a gentleman, bust-length, in a black tunic and white collar inscribed 'Aetatis Suae 43;1662' (lower right) oil on canvas 76 x 63.4cm (29 15/16 x 24 15/16in).

Circle of John Hayls (active England, circa 1600-1679) Portrait of Mr Shallcross, bust-length, in a brown coat and a white jabot

Portrait of Mr Shallcross, bust-length, in a brown coat and a white jabot bears inscription 'Mr. Shallcross/Father of Dame/Sarah Curzon' (centre right), oil on canvas, an oval 74.4 x 60.3cm (29 5/16 x 23 3/4in).

Attributed to John Hayls (circa 1600-1679) Portrait of a lady in a silver dress

Portrait of a lady in a silver dress oil on canvas, in a painted oval 75 x 63cm (29 1/2 x 24 13/16in).

Circle of John Hayls (active England, circa 1600-1679) Portrait of Mr Shallcross, bust-length, in a brown coat and a white jabot

Portrait of Mr Shallcross, bust-length, in a brown coat and a white jabot bears inscription 'Mr. Shallcross/Father of Dame/Sarah Curzon' (centre right), oil on canvas, an oval 74.4 x 60.3cm (29 5/16 x 23 3/4in).

ATTRIBUTED TO JOHN HAYLS (1600-1679) HALF LENGTH PORTRAIT OF A YOUNG MAN IN ARMOUR AND WHITE CRAVAT 76cm x 63.5cm (30in x 25in)

ATTRIBUTED TO JOHN HAYLS (1600-1679) HALF LENGTH PORTRAIT OF A YOUNG MAN IN ARMOUR AND WHITE CRAVAT Oil on canvas 76cm x 63.5cm (30in x 25in)

Attributed to John Hayles (fl. 1651-1679 London)

Attributed to John Hayles (fl. 1651-1679 London) Portrait of a young woman, half-length, in a blue dress and an embroidered shawl oil on canvas 25½ x 21¼ in. (64.5 x 53.6 cm.)

JOHN HAYLS

JOHN HAYLS UNKNOWN C.1600 - 1679 LONDON PORTRAIT OF A LADY oil on canvas 76 by 63.5 cm.; 30 by 25 in.

ATTRIBUTED TO JOHN HAYLS

ATTRIBUTED TO JOHN HAYLS UNKNOWN C.1600 - 1679 LONDON PORTRAIT OF A LADY, SAID TO BE JANE LANE, LADY FISHER indistictly inscribed on an old label, verso: Miss Jane Lane / that went of with Prince / Charles after the fatal (sic) battle at / Worcester oil on canvas 75.5 by 63.5 cm.; 29 3/4 by 25 in.

Circle of John Hayles c.1600-1679- Portrait of a

Circle of John Hayles c.1600-1679- Portrait of a young woman, bust-length, with dark curled hair, wearing a brown dress with white lace and pearl sash; Portrait of a young gentleman, bust-length, long dark hair worn natural, wearing possibly elements of a military uniform with tied white lace stock, white satin doublet and short golden cape with leather and brass belts and buckles; oil on canvas, ovals, a pair, in matching carved and gilded oval frames, with beaded sight-edge, fluted hollow, egg-and-dart course schematic outer-edge, (2) Note: John Hayles, relative of the miniaturist Samuel Cooper, competitor of Sir peter Lely and respected by his contemporaries for his replicas of the portraits of van Dyke. These paintings show all the elements expected of a fashionable portrait painter of the day in particular Michael Dahl 1659-1743, Mary Beale 1632-1697,and Willem Wissing 1656-1687 all these working from the ideals laid down by such painters as van Dyke, and the larger studios of Kneeler 1646-1723 and lely 1618-1680. His famous work being the portrait of the diarist Samuel pepys; Extract from Pepys diary, 17 March 1666: ...at noon, home to dinner, and presently with my wife out to Hales's, where I am still infinitely pleased with my wife's picture. I paid him 14l for it, and 25s for the frame, and I think it is not a whit too dear for so good a picture. It is not yet quite finished and dry, so as to be fit to bring home yet. This day I begin to sit, and he will make me, I think, a very fine picture. He promises it shall be as good as my wife's, and I sit to have it full of shadows, and do almost break my neck looking over my shoulder to make the posture for him to work by.

JOHN HAYLS

PORTRAIT OF THE HON. CHARLES BERTIE (C. 1635-1711) inscribed on the re-lining; The Honorable Cha. Bertye Envoye/ Extraordinary to Christian/ 5th King of Denmark Ano/ Domini 1671

Circle of John Hayls , 1600 - 1679 Portrait of a Lady, possibly Margaret Waller, Wife of Sir William Courtenay, 1st Bt. (1628-1702) oil on canvas

Circle of John Hayls (British, 1600-1679) Portrait of a gentleman

Portrait of a gentleman oil on canvas laid to board 75 x 62cm (29 1/2 x 24 7/16in).

John Hayls

John Hayls fl.1651-1679 portrait of lady mary bertie half length, wearing a grey dress with red robes inscribed u.r.: Lady Mary Bertie/1675 oil on canvas, in a carved wood frame 74 by 62 cm., 29 by 24 1/2 in. The sitter was the daughter of Montagu, 2nd Earl of Lindsey and his first wife Martha, daughter of Sir William Cokayne. The artist John Hayls worked extensively for the Bertie family. Provenance: By descent from Baptist Noel, 3rd Viscount Campden and his fourth wife, Lady Elizabeth Bertie, daughter of Montagu, 2nd Earl of Lindsey, to Charles, 3rd Earl of Gainsborough (1850-1926), by whom sold, Christie's, 19th April 1902, lot 99, bt. Kennedy for £5.4.0