Markus Dinkel Paintings & Artwork for Sale | Markus Dinkel Art Value Price Guide

Apr. 03, 2025
Markus Dinkel 1762–1832 und Christian Meichelt 1776–um 1840
Est: CHF400 - CHF600
Markus Dinkel 1762–1832 und Christian Meichelt 1776–um 1840 Recueil de portraits et costumes suisses les plus élégants usités dans 22 cantons accompagné d'un supplément. Le supplément exécutés par le célèbre peintre de destinateur Locher. Bern und Basel, J. P. Lamy, um 1817. 4° (32,5 × 26 cm). (32) Bl. Mit 30 kolorierten Aquatinta-Tafeln von Ch. Meichelt nach M. Dinkel. Späterer Halblederband im Stile der Zeit. Lipperheide GA 29. – Erstausgabe, mit den Brustbildern. Auf dem Deckeltitel und im Titel Locher zugeschrieben, jedoch sind sämtliche Kupfer mit Meichel und Dinkel in der Platte signiert. Am Schluss (8. Supplement-Tafel) mit Text für eine Engadinerin, jedoch eine Tessinerin dargestellt. – Die montierten Tafeln stark leimschattig und teilweise mit Einrissen. Die Bindung über einige Lagen gelockert.
Artcurial Beurret Bailly Widmer
Dec. 07, 2024
M. DINKEL (1762-1832), Portrait of a woman, around 1800, Indian ink
Est: €1,800 - €2,400
Markus Dinkel (1762 Oak (Aargau) - 1832 Bern): The presence of antiquity, c. 1800, Indian ink Technique: Indian ink and Pencil on Paper Watermark: Coat of arms - Cross - Fleur-de-Lys with crown - Date: 18th century Inscription: Verso inscribed: "Dinkel Bern". Date: c. 1800 Description: This drawing by Markus Dinkel is an interesting hybrid: With a longing, latently erotic gaze, the young woman looks slightly past the viewer. The loosely tied hair, the loose strands at the nape of her neck and the subtle tilt of her head convey a dreamy liveliness that immediately casts a spell over the viewer. But a second glance at the sheet reveals a certain hardness to the facial features, something chiselled. And indeed, the broad cross-hatching on the cheek and neck look like chisel marks on a marble surface. At this moment, the young woman's gaze is transformed and we recognise the Medicean Venus as the model for this drawing. The right hand, somewhat hidden at the lower edge of the drawing and placed over the left breast, confirms this attribution. However, and this is the special feature of this drawing, it is not a simple copy of an antique, but a transformative approximation. Dinkel breathes life into the marble image in his drawing, literally bringing the cold stone to life. This animation in conjunction with the motif of the venus pudica opens up further possibilities for association, allowing us to recognise the portrait of a human counterpart in the facial features. Dinkel was not alone in using the posture of the statue to create a historical context for a real portrait. Raphael had already made use of this in his Fornarina (1) (2), even if there can hardly be any talk of pudica here, the young woman's hands reveal and emphasise more than they cover. Although this aspect of revealing concealment underlies all these depictions, Raphael expands it through the sitter's self-determined gaze. Dinkel takes a similar approach when he removes any chastity from the drawing through his deliberate gaze. This drawing also oscillates between ideal image and portrait and achieves a fascination precisely through this blurring, which repeatedly directs the viewer's gaze to the woman's facial features, whether she is an antique ideal or a human counterpart. ---- (1) La Fornarina, 1518-19, oil on wood, 87 x 63 cm, Palazzo Barberini, Galleria Nazionale d'Arte Antica, Rome, inv. no. 2333. (2) However, Raphael was not modelled on the Medicean Venus or the similarly designed Capitoline Venus, as both were only discovered in the 17th century. Verso: Pencil drawing of the same motif Keywords: Nude, Woman, Breast, Bust, Portrait, Drawing, View, Antique, Face, Hair, 19th century, Classicism, Portraits, Switzerland, Size: Paper: 40,7 cm x 28,8 cm (16 x 11,3 in)
Fichter Kunsthandel
Oct. 26, 2024
Markus DINKEL (1762-1832)
Est: €200 - €300
Portrait de jeune femme Aquarelle sur papier, signée en bas à gauche H. 17 cm - L. 14 cm (à vue)
OXIO
May. 02, 2024
DINKEL, MARKUS: "Berne".
Est: CHF120 - CHF350
DINKEL, MARKUS (Eiken 1762 - 1832 Bern) : "Berne", Berner Trachtenmädchen; Aquarell über Bleistift; 19x15 cm (LM), gerahmt; sig. "Dinkel fect." u.r.
Dobiaschofsky Auktionen AG
Feb. 17, 2024
M. DINKEL (1762-1832), Portrait of a woman, around 1800, Indian ink
Est: €1,800 - €2,400
Markus Dinkel (1762 Oak (Aargau) - 1832 Bern): The presence of antiquity, c. 1800, Indian ink Technique: Indian ink and Pencil on Paper Watermark: Coat of arms - Cross - Fleur-de-Lys with crown - Date: 18th century Inscription: Verso inscribed: "Dinkel Bern". Date: c. 1800 Description: This drawing by Markus Dinkel is an interesting hybrid: With a longing, latently erotic gaze, the young woman looks slightly past the viewer. The loosely tied hair, the loose strands at the nape of her neck and the subtle tilt of her head convey a dreamy liveliness that immediately casts a spell over the viewer. But a second glance at the sheet reveals a certain hardness to the facial features, something chiselled. And indeed, the broad cross-hatching on the cheek and neck look like chisel marks on a marble surface. At this moment, the young woman's gaze is transformed and we recognise the Medicean Venus as the model for this drawing. The right hand, somewhat hidden at the lower edge of the drawing and placed over the left breast, confirms this attribution. However, and this is the special feature of this drawing, it is not a simple copy of an antique, but a transformative approximation. Dinkel breathes life into the marble image in his drawing, literally bringing the cold stone to life. This animation in conjunction with the motif of the venus pudica opens up further possibilities for association, allowing us to recognise the portrait of a human counterpart in the facial features. Dinkel was not alone in using the posture of the statue to create a historical context for a real portrait. Raphael had already made use of this in his Fornarina (1) (2), even if there can hardly be any talk of pudica here, the young woman's hands reveal and emphasise more than they cover. Although this aspect of revealing concealment underlies all these depictions, Raphael expands it through the sitter's self-determined gaze. Dinkel takes a similar approach when he removes any chastity from the drawing through his deliberate gaze. This drawing also oscillates between ideal image and portrait and achieves a fascination precisely through this blurring, which repeatedly directs the viewer's gaze to the woman's facial features, whether she is an antique ideal or a human counterpart. ---- (1) La Fornarina, 1518-19, oil on wood, 87 x 63 cm, Palazzo Barberini, Galleria Nazionale d'Arte Antica, Rome, inv. no. 2333. (2) However, Raphael was not modelled on the Medicean Venus or the similarly designed Capitoline Venus, as both were only discovered in the 17th century. Verso: Pencil drawing of the same motif Keywords: Nude, Woman, Breast, Bust, Portrait, Drawing, View, Antique, Face, Hair, 19th century, Classicism, Portraits, Switzerland,
Fichter Kunsthandel
Nov. 03, 2022
DINKEL, MARKUS: Paar Trachtenmädchen.
Est: CHF250 - CHF500
DINKEL, MARKUS (Eiken 1762 - 1832 Bern) : Paar Trachtenmädchen, 1. Trachtenmädchen mit Strohhut. 2. "Schafhousen"; Aquarelle, eines über radierter Vorzeichung, sig. "Dinkel fecit" u.l. bzw. im Druck betitelt, bez. "Dinkel pinx" u.l., "à Bern chez I.P. Lamy" u.M. u. "Meichelt geäzt" u.r.; 20,2x16,2 cm (BG) bzw. 26x21 cm (BG)
Dobiaschofsky Auktionen AG
Nov. 03, 2022
* DINKEL, MARKUS, Zugeschrieben - Attributed: Brustbildnis einer Dame im Profil.
Est: CHF50 - CHF100
DINKEL, MARKUS (Eiken 1762 - 1832 Bern); Zugeschrieben - Attributed* : Brustbildnis einer Dame im Profil; Aquarell; ø 13,5 cm, gerahmt
Dobiaschofsky Auktionen AG
Nov. 03, 2022
DINKEL, MARKUS: Konvolut.
Est: CHF175 - CHF350
DINKEL, MARKUS (Eiken 1762 - 1832 Bern) : Konvolut, 3 Blätter: 1. Guggisberger Trachtenmädchen im Dreiviertelprofil. 2. Berner Trachtenmädchen im Dreiviertelprofil. 3. Trachtenfrau im Rückenprofil (zugeschrieben); Aquarelle; je 14,5x12 cm (hochoval) bzw. 12,5x10 cm (hochoval), je gerahmt; zwei sig. "Dinkel pinx." u.l.
Dobiaschofsky Auktionen AG
Sep. 19, 2022
Attribué à Markus Dinkel (1762-1832) Jeune femme en costume de Thurgovie, a
Est: CHF150 - CHF200
Attribué à Markus Dinkel (1762-1832) Jeune femme en costume de Thurgovie, aquarelle et gouache sur papier, 13x10 cm
Geneve Encheres
Feb. 29, 2020
Junge Frau in Schweizer Tracht
Est: -
Junge Frau in Schweizer Tracht /T/von Markus Dinkel (1762-1832). Brustbildnis einer jungen Frau in St. Gallener (?) Tracht vor hellbraunem Hintergrund. Gouache auf Malkarton. Holzrahmen mit Messingblende. 10 cm x 8,5 cm. A Swiss gouache portrait of a young woman with Swiss costume. Schweiz. Bern. Anfang 19. Jh.
Kunstauktionshaus Schloss Ahlden
Sep. 22, 2017
DINKEL, MARKUS
Est: CHF1,000 - CHF1,500
DINKEL, MARKUS (Eiken 1762 - 1832 Bern) Amor and Psyche in a romantic landscape. Watercolour. Signed and dated in pen lower right: Dinkel pinx 1798 27.3 x 21.5cm. Framed. --------------- DINKEL, MARKUS (Eiken 1762 - 1832 Bern) Amor und Psyche in einer romantischen Landschaft. Aquarell. Unten rechts mit der Feder signiert und datiert: Dinkel pinx 1798 27,3 x 21,5cm. Gerahmt.
Koller Auctions
Dec. 06, 2016
Markus Dinkel (1762-1832), les costumes suisses "Vaud, Genève & villageoise de Fribourg".
Est: CHF160 - CHF320
Markus Dinkel (1762-1832), les costumes suisses "Vaud, Genève & villageoise de Fribourg" Gravures rehaussées à l'aquarelle. 17.5x13 cm. Engravings Swiss art Gravures Art suisse
Dogny Auction
Jun. 17, 2015
MARKUS DINKEL, Elizabeth Grossmann, la belle Batélière de Brientz en Suisse
Est: CHF250 - CHF400
MARKUS DINKEL, Elizabeth Grossmann, la belle Batélière de Brientz en Suisse, Eiken 1762-1832 Bern, Auf der Rückseite bezeichnet "Elizabeth Grossmann, la belle Batélière de Brientz en Suisse. Elle n'avait que 18 ans losque son portrait furt fait en 1816".", Aquarell, in gemaltem Oval, mit abgeschnittenen Ecken, 14,8 x 11,7 cm, in gemaltem Passepartout, gerahmt,
Galerie Fischer Auktionen AG
Nov. 28, 2014
MARKUS DINKEL, Eiken 1762-1832 Bern, Portraits des Ehepaares Jean-François de Büren
Est: CHF1,600 - CHF1,800
MARKUS DINKEL, Eiken 1762-1832 Bern, Portraits des Ehepaares Jean-François de Büren, Unten links bzw. unten rechts jeweils signiert "Dinkel" und datiert "pinx. 1803"., Bleistift und Aquarell in Trompe-l'Oeil-Manier in gezeichnetem Oval und gezeichnetem Passepartout, LM je 16,7 x 13,6 cm, gerahmt,
Galerie Fischer Auktionen AG
Dec. 09, 2013
Markus Dinkel (1762-1832) Portrait
Est: CHF400 - CHF600
Markus Dinkel (1762-1832) Portrait de jeunes filles paire d'aquarelles sur papier 14x12 cm
Piguet Hôtel des Ventes | Genève
Mar. 26, 2010
DINKEL, MARKUS (Eicken 1762 - 1832 Bern). Head and
Est: CHF300 - CHF400
DINKEL, MARKUS (Eicken 1762 - 1832 Bern).Head and shoulders portrait of a Swiss girl in costume, circa 1810. Grey brush, with watercolour, heightened in white. 15.7 x 12.7 cm (in oval). Signed lower left: Dinkel pinxs. DINKEL, MARKUS (Eicken 1762 - 1832 Bern). Brustbildnis eines Schweizer Trachtenmädchens, um 1810. Pinsel in Grau, Aquarell, weiss gehöht. 15,7 x 12,7 cm (im Oval). Unten links signiert: Dinkel pinxs.
Koller Auctions
Sep. 30, 2008
Markus Dinkel (Swiss, 1762-1832) A portrait of
Est: £120 - £180
Markus Dinkel (Swiss, 1762-1832) A portrait of Elizabeth Rutter of Grindelwald, Lake of Brientz watercolour, signed lower left and extensively inscribed verso oval, 15 x 12 cm (6 x 4 1/2 in), in a trompe l'oeil mount, 20 x 17 cm (8 x 6 1/2 in) overall
Holloway's
Mar. 18, 2008
Markus Dinkel (Swiss 1762 - 1832) Portrait of a
Est: £200 - £300
Markus Dinkel (Swiss 1762 - 1832) Portrait of a Girl,wearing an upturned straw hat with flowers, white lace blouse signed, watercolour, 15cm x 12cm
Bamfords Auctioneers and Valuers Ltd
Mar. 18, 2008
Markus Dinkel (Swiss 1762 - 1832) Portrait of a
Est: £200 - £300
Markus Dinkel (Swiss 1762 - 1832) Portrait of a Girl, wearing a broad brimmed black laced bonnet signed, watercolour, 15cm x 12cm
Bamfords Auctioneers and Valuers Ltd