Cornelis van (1638) Dalen Paintings & Artwork for Sale | Cornelis van (1638) Dalen Art Value Price Guide

Jul. 03, 2024
"Female Representation of Geography in a cart and …
Est: -
"Female Representation of Geography in a cart and its containers" Engraving by Cornelis Van Dalen (II) (Amsterdam 1638-1664) following original painting by Govert Flinck (Amsterdam 1615-1660) New Spanish five-leaf screen painted in oil on canvas with wooden frame h. 1670-1720. In the five leaves that it preserves of the six that it would have, the four continents are represented based on the Iconology of Cesare Ripa, articulated through the central figure of the Goddess Cybele in her chariot pulled by the two lions, carrying her usual attributes , crown in the shape of city walls, a symbol of protection and power of the city and the key in the hand that gives access to all the riches of the earth and that the artist has assimilated to the feminine representation of geography. The continents have been represented following Cesare Ripa's Iconology published in Rome in 1593 as a great encyclopedia of emblems and allegories, to help artists represent virtues, vices, feelings and human passions and which became in iconographic reference. From left to right, the first one represented is America as a semi-naked woman with feathers on her head and a bow in her hand. At his feet, according to Van Dalen's original engraving, there would be an armadillo instead of a crocodile, which is the animal associated with America according to Ripa. At his side is a bearded male figure with a fur-trimmed hat and cape whose identity we do not know. Next, the Geography chariot and walking beside it, the representation of Europe carrying royal attributes such as the crown and the scepter and holding the reins of its distinctive animal: the horse. Behind the chariot you can see an elephant that would be the characteristic animal of the following figure, a black woman with a horn of plenty who would personify Africa and finally Asia, represented with a crown of flowers, a bouquet of pepper in one hand and a censer in her hand. another and behind it its distinctive animal: the camel, which in this case is a dromedary typical of Africa since the painters relied on engravings or descriptions of these animals that were made without having seen them in nature. The theme of the Four Continenetes developed from the 17th century through several series of engravings and spread throughout the viceroyalty of New Spain, giving rise to canvases and screens. The most important screen on the theme of the Four Continents is the one owned by the Soumaya Museum in Mexico, attributed to the painter Juan Correa, and another of the same authorship and theme owned by the National Bank of Mexico. The University of Navarra also has a screen with this theme, dated to the end of the 17th century but introducing the novelty of the triumphant version of the continents. The screen has restorations and some additions such as the red bird that flies over the heads of the lions. Van Dalen's engraving appears reproduced in color in "Geographia Blaviana" by Joan Blaeu, Amsterdam 1665 Volume !: Arctic, Norway and Denmark. This work, a jewel of modern cartography, is one of the most important books in the history of this discipline. Its eleven volumes are published first in Latin and later in other languages. Regarding the engraver of the work Van Dalen "The Younger" (Amsterdam 1638-1664) was the son and disciple of an engraver and publisher of prints with the same name and signed several engravings on works by Rubens and Govert Flinck (Cleveris 1615 -Amsterdam 1660) the latter the true author of the theme of the screen, who gained the recognition of political and royal figures of the time by first painting with a style inspired by Rembrandt that leads to Rubenian forms. Measurements: 204 x 325 cm
Subastas Segre
Sep. 22, 2022
Pieter Paul Rubens, Cornelis van Dalen - The four church fathers
Est: €420 - €620
The Four Fathers of the Church; St Jerome in cardinal robes and holding a book which the others read with him, St Augustine and St Ambrose wearing mitres and St Gregory a papal tiara; figures three-quarter length; against dark background. in lower margin in one line Latin "In Effigiem Quatuor-Vivorum ... Christi optime meritorum", below four verses Latin twice "Adspice, Posteritas ... perire negat. P.", left "P. P. Rubens pinxit", right "C. van Dalen Junior / sculpsit. / A. Blotelingh Exc.". Engraving and etching by Cornelis van Dalen II after Pieter Paul Rubens. With the publishers address of Abraham Blooteling. Exquisite provenance of Count Guiseppe Archinto from Milan.
Old Master Print
Dec. 13, 2021
CORNELIS VAN DALEN II (AMSTERDAM 1638 - 1660/1664)
Est: €800 - €1,200
The Rape of Ganymede Signed lower left Black chalk, washed, on paper, 26.9 x 21.3 cm Provenance: - Private collection, the Netherlands - Auction Sotheby's London, 4 July 2007, lot 197 (as Attributed to Lucas van Uden) - Private collection, the Netherlands Note: Bears unidentified collector's initials and numbering Nº 402 verso. The Rape of Ganymede was a popular subject in art and painted by many great artists such as Michelangelo, Rembrandt and Rubens, among others. The myth tells the story of Ganymede; a beautiful Trojan prince who caught the eye of Zeus. This drawing by Cornelis van Dalen II depicts the legendary account of an eagle (either the Aetos Dios or a manifestation of Jupiter himself) kidnapping the handsome Ganymede and taking him to Mount Olympus to serve as Jupiter's lover as well as cupbearer to the gods. Please note: condition reports and additional photos are available upon request. For more information please visit our website: www.aagauctioneers.com.
AAG Auctioneers
Nov. 21, 2019
Cornelis VanDalen The Younger Engraving [Portrait]
Est: $30 - $60
Cornelis van Dalen the Younger (Dutch 1638 - 1664) first state noted on verso of engraving. Measures 11.875 in. x 11 in. image size and 18.125 in. x 13.375 in. sheet size. In G/VG condition with tape residue, right side verso. Unframed, loose and not mounted or glued down. If lot is absent of a condition report a condition report may be requested via email. Condition report is provided as an opinion only and is no guarantee as grading can be subjective. Provenance: Formerly the collection of a New York print dealer and collector, then by descent through family, Seattle, Washington. We ship most items in this auction in house and gladly combine shipping if possible of multiple items.
Grant Zahajko Auctions, LLC
Sep. 10, 2015
Cornelis van Dalen, (aft. Titian), Portrait
Est: $150 - $250
Cornelis van Dalen, Dutch, 1638-1664 (aft. Titian), Portrait Sebastiano del Piombo Property Title Property from a NYC Collection. Description Cornelis van Dalen, Dutch, 1638-1664 (after Titian, Italian, 1488/90-1576), Portrait of Sebastiano del Piombo, 17th century, engraving, "Sebastiano del Piombo" in graphite at bottom center {AM} (DWOR4415) Measurements sight 16" x 11.5"; framed 23" x 19.5" Please view our Terminology page to learn how we define terms such as Attributed to, In the manner of, Style, etc.
Litchfield Auctions
Mar. 15, 2014
After an engraving by Cornelis Dalen (Flemish; 1638-1664) allegorical scene; Neptune rising from the sea;
Est: $200 - $400
After an engraving by Cornelis Dalen (Flemish; 1638-1664) allegorical scene; Neptune rising from the sea; on wove paper, trimmed. Dark staining with surface wear, creasing and small tears. 14 1/8" x 17 3/8".
Ripley Auctions
Jan. 18, 2014
After an engraving by Cornelis Dalen (Flemish; 1638-1664) allegorical scene; Neptune rising from the sea;
Est: $200 - $400
After an engraving by Cornelis Dalen (Flemish; 1638-1664) allegorical scene; Neptune rising from the sea; on wove paper, trimmed. Dark staining with surface wear, creasing and small tears. 14 1/8" x 17 3/8".
Ripley Auctions
Nov. 29, 2012
Dalen, Cornelis van d. Ä. Eigentlyke Afbeeldinge
Est: - €600
Dalen, Cornelis van d. Ä. Eigentlyke Afbeeldinge van Hondert ... Statuen und Cornelis van Dalen d. J. (1638 - 1664, Amsterdam). Eigentlyke Afbeeldinge van Hondert ... Statuen ... 100 Radierungen zzgl. Titelbl., nach François Perrier. (1638). Hollstein 37-106 1. (von 3) Ausgaben. Wz. Wappen von Amsterdam, Kronenwappen von Löwen gehalten. Die Folge zeigt eine umfassende Sammlung der bedeutendsten Statuen der Antike in Rom, darunter die Laokoongruppe, den Herkules Farnese, das Reiterstandbild des Marc Aurel, den Dornauszieher, den Apoll von Belvedere sowie als einzige moderne Statue den Moses von Michelangelo. Die Folge wurde erstmal von François Perrier gestochenen (Le Blanc 38-137). Die Stiche zu der hier vorliegenden, erstmals 1638 in den Niederlanden verlegten Ausgabe schufen Cornelis van Dalen und sein Sohn. Die komplette Folge in meist prachtvollen bis ganz ausgezeichneten Drucken. Abweichend von der Beschreibung bei Hollstein fehlt auf dem Titelblatt bei der Verlegerangabe die Jahreszahl und ist an dieser Stelle durch den Zusatz Boek Verkoper in t kort Agterom ergänzt. Mit breitem Rand. Dieser meist nur nach außen hin mit leichten Alters- und Gebrauchsspuren, sonst in gleichförmig sehr schöner Erhaltung. Extrem selten.
Galerie Bassenge
May. 31, 2012
[ Prints ]
Est: - €250
Dalen, Cornelis van d. J." Bildnis des Schriftstellers Giovanni Boccacio Bildnis des Schriftstellers Giovanni Boccacio. Kupferstich nach Tizian. 39,3 x 29,4 cm. Hollstein 110. Wz. Bekröntes Lilienwappen mit Nebenmarke. Ausgezeichneter, gleichmäßiger Druck auf die Plattenkante geschnitten, unten teils minimal knapp innerhalb derselben. Leicht fleckig, unauffällig geglättete Mittelfalte, kleine Montierungsreste verso, weitere geringfügige Altersspuren, sonst gut erhalten. Aus der Sammlung Arie Johannes Lamme, Rotterdam (Lugt 138).
Galerie Bassenge
May. 09, 2009
CORNELIS VAN DALEN DER JÜNGERE Brustbild einer Negerin.
Est: - €150
CORNELIS VAN DALEN DER JÜNGERE 1638 - Amsterdam - 1664 Brustbild einer Negerin. Kupferstich nach einem Gemälde von G. Flinck. Hollst. 33, II (von IV). Wurzb. 60, II. "Mit den Namenszügen der Künstler und der Verlegeradresse von A. Blootelingh in der Platte. Wasserzeichen: Bekröntes Fleur-de-Lis-Wappen. 27,2 x 21,6 cm. Mit winzigem Rändchen. Hauptsächlich im Randbereich leicht stockfleckig. Sammlung Kupferstichkabinett Berlin und K. F. F. von Nagler (Lugt 1606 und 2529; beide mit Veräußerungsstempel, vgl. 2482) sowie E. Fabricius (Lugt 847 a und vgl. Lugt 919ter). [ms]
Winterberg-Kunst