Dierick (1415) Bouts Paintings & Artwork for Sale | Dierick (1415) Bouts Art Value Price Guide

Feb. 21, 2023
BOUTS DIERIC (1415 - 1475 circa) Follower of. Ecce Homo
Est: €700 - €1,000
BOUTS DIERIC (1415 - 1475 circa). Follower of. Ecce Homo. Provenance: Private collection, Genoa.. Cm 34,50 x 40,00.
Capitolium Art
Feb. 07, 2023
Attributed to DIRK BOUTS (Haarlem, c. 1410/1420 - Leuven, 1475), 15th century. "Saint Hieronymus penitent". Oil on panel. Engatillada. It has restorations.
Est: €50,000 - €60,000
Attributed to DIRK BOUTS (Haarlem, c. 1410/1420 - Leuven, 1475), 15th century. "Saint Hieronymus penitent". Oil on panel. Engatillada. It has restorations. Measurements: 77.5 x 59 cm; 94 x 76 cm (frame). In this work the artist reveals an exceptional sense of drawing through which he has described the anatomy of the saint, showing great precision. Particularly successful is the anatomical depiction of the saint's thin but defined chest muscles, which give a glimpse of the saint's life as a hermit. His anatomy shows a certain elongation of the forms, which makes the hands stand out in particular, rounded but at the same time defined and refined. The face also reveals this technical care, which is determined by the treatment of the wrinkles and bags under the saint's expressive eyes. The detail with which the hair has been painted is also noteworthy, with each hair forming part of the beard visible. This shows the artist's interest in capturing an almost microscopic reality. The scene takes place in a landscape conceived in depth, in the right-hand area of which the silhouette of various figures and the lion can be seen, alluding to the legend of the main protagonist in the foreground. Saint Jerome holds a stone in his hand with which he is about to strike his chest, while next to him are the skull, the lion gazing at him attentively, and his hanging red robes, which identify him as a cardinal. This emphasis on detail and quality is a characteristic feature of the Flemish school. This, together with the hieratic and emphatic nature of the figure, suggests aesthetic compositions similar to those of the painter Dirk Bouts. Bouts may have studied with Rogier van der Weyden and his work was influenced by van der Weyden and Jan van Eyck. He worked in Louvain from 1457 (or possibly earlier) until his death in 1475. Little is known of this artist. The biographical note dedicated to him by Carel van Mander (1604) is, by his own admission, very incomplete. In 1468 he was appointed official painter to the city of Louvain, near Brussels. He is famous for his numerous religious paintings, in particular the Virgin and Child. Most of the time he used wooden supports on which he painted in oil. His mastery of perspective is visible in the precise settings in which the figures fit together with perfect coherence. Bouts was one of the first northern painters to demonstrate the use of a single vanishing point.
Setdart Auction House
Dec. 13, 2022
BOUTS DIERIC (1415 - 1475 circa) Follower of. Ecce Homo
Est: €1,200 - €2,200
BOUTS DIERIC (1415 - 1475 circa). Follower of. Ecce Homo. Provenance: Private collection, Genoa.. Cm 34,50 x 40,00.
Capitolium Art
Oct. 26, 2022
Attributed to DIRK BOUTS (Haarlem, c. 1410/1420 - Leuven, 1475). "San Jerónimo allow yourself". Oil on board. seamed, Presents restorations.
Est: €80,000 - €90,000
Attributed to DIRK BOUTS (Haarlem, c. 1410/1420 - Leuven, 1475). "Saint Hieronymus Perpetent. Oil on panel. Engatillada. It has restorations. Measurements: 77.5 x 59 cm; 94 x 76 cm (frame). In this work the artist reveals an exceptional sense of drawing through which he has described the anatomy of the saint, showing great precision. Particularly successful is the anatomical depiction of the saint's thin but defined chest muscles, which give a glimpse of the saint's life as a hermit. His anatomy shows a certain elongation of the forms, which makes the hands stand out in particular, rounded but at the same time defined and refined. The face also reveals this technical care, which is determined by the treatment of the wrinkles and bags under the saint's expressive eyes. The detail with which the hair has been painted is also noteworthy, with each hair forming part of the beard visible. This shows the artist's interest in capturing an almost microscopic reality. The scene takes place in a landscape conceived in depth, in the right-hand area of which the silhouette of various figures and the lion can be seen, alluding to the legend of the main protagonist in the foreground. Saint Jerome holds a stone in his hand with which he is about to strike his chest, while next to him are the skull, the lion gazing at him attentively, and his hanging red robes, which identify him as a cardinal. This emphasis on detail and quality is a characteristic feature of the Flemish school. This, together with the hieratic and emphatic nature of the figure, suggests aesthetic compositions similar to those of the painter Dirk Bouts. Bouts may have studied with Rogier van der Weyden and his work was influenced by van der Weyden and Jan van Eyck. He worked in Louvain from 1457 (or possibly earlier) until his death in 1475. Little is known of this artist. The biographical note dedicated to him by Carel van Mander (1604) is, by his own admission, very incomplete. In 1468 he was appointed official painter to the city of Louvain, near Brussels. He is famous for his numerous religious paintings, in particular the Virgin and Child. Most of the time he used wooden supports on which he painted in oil. His mastery of perspective is visible in the precise settings in which the figures fit together with perfect coherence. Bouts was one of the first northern painters to demonstrate the use of a single vanishing point.
Setdart Auction House
May. 08, 2022
Dieric Bouts
Est: €14,000 - €28,000
Dieric Bouts (Um 1410/20 Haarlem - 1475 Löwen) Umkreis/Nachfolger Ecce homo Halbfiguriges Bildnis Christi mit Dornenkrone und goldenem Scheibennimbus, gewandet in einen roten Mantel, den Kopf leicht zu seiner linken Seite ins Profil geneigt, die rechte Hand zum Segensgestus erhoben. In den oberen Bildzwickeln goldene, arabeskenartige Akanthusranken. Das Andachtsbild zeigt evidente Bezüge zu den zahlreichen, bekannten, gut dokumentierten Schmerzensmann- bzw. Ecce homo-Bildern von Dieric Bouts, seiner Werkstatt und seines Sohnes Albrecht Bouts (um 1451/55 - 1549), welche die Christusikonographie im niederländisch-flämischen Raum bis weit ins 16. Jh. prägten. Öl/Eichenholztafel. 44 cm x 30 cm. Rahmen. Circle or follower of Dieric Bouts (1410/20 - 1475). Oil on oak panel.
Kunstauktionshaus Schloss Ahlden
Apr. 01, 2022
Dieric Bouts, 1415/20 Haarlem – 1475 Löwen, zugeschrieben
Est: €4,000 - €6,000
PORTRAIT EINER BETENDEN HEILIGEN Öl auf Holz, nach oben abgerundet. 34,7 x 24,8 cm. In vergoldetem, nach oben erneut abgerundetem Rahmen. Beigegeben eine Materialanalyse der Pigmente von Prof. Dr. Manfred Schreiner, Wien, vom Juli 2013. Das Bildnis der jungen Frau nach links mit weißem faltenreichem Tuch um das Haupt, von dem aus goldene Strahlen in den rötlichen Hintergrund gehen, zudem trägt sie einen dunklen Mantel, dessen Rand mit Goldstickerei versehen ist. Sie hat sorgsam ihre Hände mit den langen schmalen Fingern zum Gebet vor ihrer Brust gefaltet, hat den Mund leicht geöffnet und schaut mit ihren braunen Augen konzentriert und andächtig seitlich aus dem Bild heraus. Das Interesse an dem Faltenwurf der Kopfbedeckung auf Portraits lässt sich auch bei anderen Künstlern der Zeit finden, so bei Jan van Eyck (um 1390-1441). Teils rest., kleinere Retuschen. Anmerkung: Das Ergebnis der Analyse besagt, dass es keine Zweifel gibt an der Authentizität des Gemäldes im 15. Jahrhundert. (1290279) (18)
Hampel Fine Art Auctions
Dec. 09, 2021
Dieric Bouts, 1415/20 Haarlem – 1475 Löwen, zugeschrieben
Est: €6,000 - €8,000
PORTRAIT EINER BETENDEN HEILIGEN Öl auf Holz, nach oben abgerundet. 34,7 x 24,8 cm. In vergoldetem, nach oben erneut abgerundetem Rahmen. Beigegeben eine Materialanalyse der Pigmente von Prof. Dr. Manfred Schreiner, Wien, vom Juli 2013. Das Bildnis der jungen Frau nach links mit weißem faltenreichem Tuch um das Haupt, von dem aus goldene Strahlen in den rötlichen Hintergrund gehen, zudem trägt sie einen dunklen Mantel, dessen Rand mit Goldstickerei versehen ist. Sie hat sorgsam ihre Hände mit den langen schmalen Fingern zum Gebet vor ihrer Brust gefaltet, hat den Mund leicht geöffnet und schaut mit ihren braunen Augen konzentriert und andächtig seitlich aus dem Bild heraus. Das Interesse an dem Faltenwurf der Kopfbedeckung auf Portraits lässt sich auch bei anderen Künstlern der Zeit finden, so bei Jan van Eyck (um 1390-1441). Teils rest., kleinere Retuschen. Anmerkung: Das Ergebnis der Analyse besagt, dass es keine Zweifel gibt an der Authentizität des Gemäldes im 15. Jahrhundert. (1290279) (18)
Hampel Fine Art Auctions
May. 25, 2021
Studio of Dieric Bouts the Elder (Netherlands b.1415- -d.1475). Titled: “Portrait of a Woman” Medium: Oil on Panel, ornate vintage frame. Image Size: 8-1/2” x 10" (without frame). Condition: Very good for its age.
Est: $100 - $5,000
Studio of Dieric Bouts the Elder (Netherlands b.1415- -d.1475). Titled: “Portrait of a Woman” Medium: Oil on Panel, ornate vintage frame. Image Size: 8-1/2” x 10" (without frame). Condition: Very good for its age.
Bill Hood & Sons Arts & Antiques Auctions
May. 18, 2021
Dirk Bouts (ca. 1410-1475) een Vlaams primitief te Leuven. Ed. M. and K. Smeyers.
Est: €70 - €90
Dirk Bouts (ca. 1410-1475) een Vlaams primitief te Leuven. Ed. M. and K. Smeyers. Louvain, Peeters, 1998, 584,(6)p., num. (full-p.) (col.) ills., orig. cl. w. dustwr., sm. folio. Van Eyck. Een optische revolutie. Ed. M. Martens, T.-H. Borgerts a.o. Ghent, Hannibal/ MSK, 2020, 502,(1)p., num. (full-p.) (col.) ills., orig. cl. w. dustwr., sm. folio. Ainsworth, M.W. Petrus Christus. Renaissance Master of Bruges. NY, The Metropolitan Museum of Art, 1994, XI,(1),232p., 205 (col.) ills., orig. cl. w. dustwr., 4to. Rogier van der Weyden. 1400-1464. Ed. L. Campbell and J. van der Stock. Zwolle/ Louvain, Waanders/ Davidsfonds, 2009, 592p., num. (full-p.) col. ills., orig. cl. w. dustwr., sm. folio. - AND 4 others, i.a. on the Cranach family and Stefan Löchner.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Nov. 17, 2020
BOUTS Dirk (1415 - 1475). Suiveur de. - Huile sur panneau de chêne renforcé "Le Christ en Homme d
Est: €400 - €600
BOUTS Dirk (1415 - 1475). Suiveur de. Huile sur panneau de chêne renforcé "Le Christ en Homme de douleurs". Suiveur de Dirk Bouts. Ecole flamande. Epoque: XVIème. (Un manque). Dim.:+/-56,5x40,5cm.
Vanderkindere
Jun. 06, 2020
BOUTS DIRK/DIERIC (1410/15 - 1475) - NAVOLGER olie…
Est: €6,000 - €15,000
BOUTS DIRK/DIERIC (1410/15 - 1475) - NAVOLGER olieverfschilderij op paneel (eik) : "Christus - Man van Smarten" - 18,2 x 13,6 voorheen toegeschreven aan Rogier van der Weyden in originele (15°/16° eeuwse) gedoreerde lijst gevat in een zeer mooi neogotisch schrijnte (ca 49,5 x 29 cm) met een onleesbaar (atelier)merk 15th/16th Cent. Flemish "Christ" oil on panel (in oak) by a follower of Dirk Bouts - before this painitng was attributed to Rogier van der Weyden - in its original guiled frame - in a neogothic shrine in oak with a mark
DVC
Mar. 31, 2019
AFTER DIERIC BOUTS (C. 1420-1475) WATERCOLOR
Est: $800 - $1,200
Monogrammed lower center. 18th/19th century watercolor. St. Christopher in extensive landscape. In a fine 19th century gilded frame. Possibly old inventory label on backing board. Dimensions: (Frame) H 30.75" x W 19", (Sight) H 24.25" x W 12.50" Condition: Light fading, a few stray spots in the paper. Frame with a couple of losses.
Westport Auction
Mar. 18, 2018
painting old oil on oak wood - Head of Christ - after BOUTS Dierick
Est: €400 - €600
Tableau ancien HSB de chêne -Tête de Christ - d'après *BOUTS D.* (Dierick) (1415/20. 1475) 29x19cm cadre bois sculpté doré néo-gothique painting old oil on oak wood - Head of Christ - after BOUTS Dierick
Monsantic.com
Mar. 25, 2015
BOUTS, DIERICK (NACHFOLGER) (Haarlem um 1410 - 1475 Löwen)
Est: CHF4,000 - CHF6,000
BOUTS, DIERICK (NACHFOLGER) (Haarlem um 1410 - 1475 Löwen) Leidender Christus. Öl auf Holz. 45,2 x 29,9 cm. Provenienz: Schweizer Privatbesitz. Follower of BOUTS, DIERICK (Haarlem circa 1410 - 1475 Löwen) The suffering of Christ. Oil on panel. 45.2 x 29.9 cm. Provenance: Swiss private collection.
Koller Auctions
Jul. 09, 2014
A rare late fifteenth century portable altarpiece
Est: €80,000 - €120,000
A rare late fifteenth century portable altarpiece The painted panels by a Follower of Dieric (Dirk) Bouts. c.1415-1475. The scenes depicted; Left wing(outer) The Temple Right wing (outer) St.Martha. Left wing (inner) The Road to Calvary. Right wing (inner) The Resurrection. The central polychrome carved wood group depicts The Lamentation within a frame of Gothic tracery. The paintings are by an artist of The Flemish Primitive School.This group of artists was active in the 15th and 16th centuries and worked notably in the cities of Bruges,Ghent, and Brussels, in what is now modern-day Belgium.The principal artists were,Jan Van Eyck,Robert Campin,Rogier Van Der Weyden,Dieric Bouts and Hans Memling.Their counterparts,working in Italy,were the artists of The Renaissance. While the subject matter of The Flemish Primitives was,for the most part,religious,other themes included portraits and mythological scenes.Typically, the works convey a deep sense of emotion and spiritual feeling in the faces of the subjects.Furthermore, a feature of many of these works is a naturalistic landscape setting, that displays a sophisticated understanding of aerial perspective,as shown here. The medium used is normally oil on wood.The works being on a single panel or multiple panels-Triptychs,diptychs or polyptychs. The scale of this piece would suggests it was originally commissioned for use in a private chapel or perhaps on a side altar. Overall size,with wings extended 52 ¼ x 39 ½ x 8 ¼ inches 133 x 100 x 21 cm. Size of painted panels: 34 ½ x 9 ½ inches 88 x 24 cm. The central carved wood sculpture: 33 x 23 ¾ inches 84 x 60.5 cm.
Sheppards
Jun. 23, 2010
ENTOURAGE DE DIRK BOUTS (HAARLEM 1415-1475 LOUVAIN)
Est: €40,000 - €60,000
ENTOURAGE DE DIRK BOUTS (HAARLEM 1415-1475 LOUVAIN) La Sainte Face huile sur panneau 36 x 28,5 cm.
Christie's
Apr. 14, 2005
Dieric Bouts (um 1415 Haarlem - 1575) Umkreis
Est: €10,000 - €15,000
Bildnis eines Stifters, Öl auf Papier auf Holz, 30 x 23,5 cm, gerahmt, (Wo) Provenienz: Privatsammlung Wien Ein ähnliches Männerportät von Dieric Bouts um 1462 befindet sich in der National Gallery, London, Kat. 1995, S.70 Abbildung NG 943), ein zweites im Metropolitan Museum, New York, abgebildet bei Max Friedländer, “Von Eyck bis Brussel”, Berlin, 1921, S.38, Abbildg.), beide Abbildungen siehe diesen Katalog. Prof. Dr. Franz Mairinger,Vorstand em. des Instituts für Farbenlehre und Farbenchemie an der Akademie der Bildenden Künste in Wien, hat das Gemälde geprüft und als original aus dem 16. Jahrhundert stammend befunden.
Dorotheum