Tiziano Aspetti Sold at Auction Prices

A PAIR OF BRONZE FIGURES OF VULCAN AND VENUS MARINA, ATTRIBUTED TO TIZIANO ASPETTI (1565-1607)

A PAIR OF BRONZE FIGURES OF VULCAN AND VENUS MARINA, ATTRIBUTED TO TIZIANO ASPETTI (1565-1607) VENICE, LATE 16TH CENTURY black and brown patinas in places, both subjects depicted naked, Vulcan holding a hammer (mallet lacking), standing against a draped column; Venus depicted naked with her left foot resting on a dolphin, both raised on square breche marble pedestals with applied verde antico marble panels Vulcan 43cm high, 65cm overall; Venus 42.5cm high, 64.5cm overall King Leopold of Belgium; Sotheby's, 7 April 1970, lot 96. Comparative Literature: Leo Planiscig, Venezianische Bildhauer der Renaissance, Vienna, 1921, fig. 616;Laura Camins, Renaissance and Baroque Bronzes from the Abbot Guggenheim collection, San Francisco, 1988, pp. 57-59, cat no. 17;Claudia Kryza-Gersch, in Debra Pincus (ed.), Small Bronzes in the Renaissance, Washington, D.C., 2001, p. 150, no. 13 and 14;P. Motture, ‘The Production of Firedogs in Renaissance Venice’, in P. Motture (ed), Large Bronzes in the Renaissance, New Haven and London, 2003, pp. 277 - 307.Tiziano Aspetti (1565-1607) was the leading sculptor in Venice at the end of the 16th century and an important figure in the Italian ‘High Renaissance’. Other versions of these bronzes attributed to Aspetti exist, as identified by Leo Planiscig  and Laura Camins. The earliest compositions depict the figures of Vulcan and Venus, but by modifying their attributes and costumes, the pair could also represent the male figure as Mars, Neptune or Mercury, with the female representing Venus, Minerva or Vigilance (see L. Planiscig, Venezianische Bildhauer der Renaissance, Vienna, 1921, pp. 616-644). The general composition of these figures remains consistent, and corresponds to a mannered pose in contrapposto. Here Vulcan is shown as a beardless muscular young man with curly hair wielding his hammer, and bears similarities to other male figures in Aspetti's bronze reliefs of the Martyrdom of Saint Daniel for the Duomo, Padua and now in the collection of the Metropolitan Museum of Art, New York. Aspetti addressed the subject of Vulcan in a marble relief carved in 1589 for a chimneypiece in the Sala dell'Anticollegio in the Palazzo Ducale, Venice, see M. Benacchio, Tiziano Aspetti, Vol. II, p. 114, fig. 113. The figure of Venus Marina is derived from a stone statue by Girolamo Campagna (1549–1625) on the Libreria Marciana, Venice. Here, Venus is shown naked with her right arm across her bare breast, standing beside a dolphin whose tail she holds in her left hand while resting her bent left leg on its back. The attribute of dolphin references Venus’ birth from the sea, as well as the city of Venice’s lagoon location, nautical prowess, and naval power. Vulcan is significant to both the city and the wider Veneto region, well-known for their bronze foundries, particularly the towns of Padua, Brescia and Verona. The pairing of Vulcan and Venus Marina neatly represents the concept of the triumph of Vulcan’s forge in Venus’ city, a celebration of the mastery of bronze manufacture by the sculptors and founders of the city of Venice based in and around La Serenissima during the late 16th century.Figures of Vulcan and Venus Marina were often used as standing finials on large andirons in Venetian palazzi, and versions that relate to the present pair exist. It is likely though that these statues, with their fine finishing and crisp details, were intended as freestanding, independent sculptures. 

CIRCLE OF TIZIANO ASPETTI (1559–1606): A PATINATED BRONZE SCULPTURE OF SAINT JOHN THE EVANGELIST, ITALY, 17TH C.

Circle of Tiziano Aspetti (1559–1606): A patinated bronze sculpture of Saint John the Evangelist, Italy, 17th C. H.: 22 cm Ref.: Museo Lazaro Galdiano, registration no. 01317, for a quasi identical example, but mounted on a different stand (see additional photos)

Tiziano Aspetti, attributed

Padova, 1559- Pisa 1606, h. 42 cm., pair of bronze sculptures depicting "Minerva and Demeter", resting on square bases in black and white marble, slight defects Provenance: Sotheby's, Gianni Versace Collection, March 2009

Monumentale coppia di alari. Fonditore italiano del XVIII secolo. Nei modi della scultura veneta tardo manierista prossima a Tiziano Aspetti (1559-1606)

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Bronze Figure of Jupiter 17th Century, after a model by Tiziano Aspetti (1557-1606)

On an associated marble and circular wood base. Height 13 1/2 in (34.3 cm), overall height 18 in (45.8 cm) The Arcade Gallery, Ltd., The Royal Arcade, London Purchased from the above, November 3, 1961. Rubbing to patination, chips to edge of marble plinth. Sold for $700 in 1961.

Italian Patinated Bronze Door Knocker, After Tiziano Aspetti (1559-1606)

Italian Patinated Bronze Door Knocker, After Tiziano Aspetti (1559-1606) 19th century in the form of Venus flanked by putti astride dolphins 12 1/2 x 9 1/2 x 6 inches

Italienischer Bildhauer

(Tätig um 1600-1630 in Venedig)  Büste der Göttin Minerva Bronze, goldbraune bis dunkelbraune Patina; moderner Acrylglas-Sockel. Nach römischem Vorbild gestaltete, vollplastische Büste, wohl entstanden im 1. Viertel des 17, Jhs. in Venedig, wo die Kunstgießereien im späten 16. und im 17. Jh. besonders für ihre kleinen Bronzen berühmt waren. Diese wurden oft von den größten Künstlern der Zeit geschaffen und die Gießereien konkurrierten miteinander, um qualitativ hochwertige Bronzen herzustellen. Zu den bedeutenden Bildhauern, die um 1600-1625 in Venedig tätig waren, gehörten auch Tiziano Aspetti (um 1557/59 - 1606) und Girolamo Campagna (1549 - 1625), von denen vergleichbare Minerva-Statuetten bekannt sind. Bronze-H. 7 cm (ohne Dorn). Italian sculptor active in Venice circa 1600-1630. Bronze, golden and dark brown patina. Modern acrylic base.

A late 19th century Elkington & Co. patinated bronze door knocker cast after a Renaissance model by Tiziano Aspetti (Italian, 1559-1606), the original now at the Victoria and Albert Museum

A late 19th century Elkington & Co. patinated bronze door knocker cast after a Renaissance model by Tiziano Aspetti (Italian, 1559-1606), the original now at the Victoria and Albert Museum cast with three putto and two entwined nude figures, 38.5cm high overall For further information on this lot please visit the Bonhams website

A pair of bronze figures of seated mastiff dogs wearing collars possibly in the manner of Tiziano Aspetti (1559 - 1606), on marble bases, 20.5 cm high x 13.5 cm deep x 9cm wide

A pair of bronze figures of seated mastiff dogs wearing collars possibly in the manner of Tiziano Aspetti (1559 - 1606), on marble bases, 20.5 cm high x 13.5 cm deep x 9cm wide

Allegoria della fede. Fonditore rinascimentale tardo manierista. Veneto, XVI-XVII secolo. Ambito di Tiziano Aspetti (Padova 1559 - Pisa 1606)

CFR.:- "Bronzi del Rinascimento : Collezione Vok" D. Banzato, Padova 2004 nn 26-27 pp 78-79- "Guida al Museo Nazionale di Palazzo Venezia" P. Cannata, in M.G. Barberini - M.S. Sconci, Roma 2009 n.74 pag 74"

Tiziano Aspetti (Padova, 1559 - Pisa, 1606) (ambient of) Mars

Tiziano Aspetti (Padova, 1559 - Pisa, 1606) (ambient of) Mars16th-17th century  Bronze,black patina Overall 39,5x15x10,5 cm Bronze 26,5x15x8 cmThis model of Mars is a typical product of Venetian Renaissance foundries. Often used as a monumental firedog, paired with Minerva, or as a studio decoration, it is universally attributed to the foundry of Tiziano Aspetti or that of Girolamo Campagna (Verona, 1552-Venice, 1625). Aspetti did not leave an actual workshop to perpetuate his models. 19th-century catalogues by Bode and Planiscig attributed all statuettes to the master while the current scholarship attributes them to anonymous coeval foundries that imitated the subject. One of the few autograph sculptures of Mars is that in the Frick Collection, Washington (Debra Pinctus, 2001). Our statuette is among the best successful proofs of the subject and it is comparable to that in the Bottacin Museum, Padua (Banzato, Pellegrini, 1989, cat. no. 171-175) and to one in the Hermitage (Androsov, 2008, cat.no.183). See also parallels in the Museo di Arte Medievale, Bologna and Palazzo di Venezia ,Rome. Bibliography:Mark gregory D'Apuzzo, The bronze collection of the Museo Civico Medievale di Bologna, Book Co, San Casciano Val di Pesa (Florence), pp.216-220.Sergej Androsov, State Hermitage Museum, La scultura Italiana dal XIV al XVI, Skira editore, Milano , 2008, pp. 360-361.Pietro Cannata, Museo Nazionale del Palazzo di Venezia, Sculture in Bronzo, Gangemi Editore spa, Rome 2011, pp. 11-112.Donatello and his Time, AAVV, edited by Davide Banzato, Skira editore, Milan 2001, pp. 360-361.Small bronzes in the Renaissance, AAVV. Edited by Debra Pinctus, National Gallery of Art, Washington, Yale University Press, London, 2001, pp. 143-157. 

Italienischer Bildhauer

(Tätig um 1600-1630 in Venedig)  Büste der Göttin Minerva Bronze, goldbraune bis dunkelbraune Patina; moderner Acrylglas-Sockel. Nach römischem Vorbild gestaltete, vollplastische Büste, wohl entstanden im 1. Viertel des 17, Jhs. in Venedig, wo die Kunstgießereien im späten 16. und im 17. Jh. besonders für ihre kleinen Bronzen berühmt waren. Diese wurden oft von den größten Künstlern der Zeit geschaffen und die Gießereien konkurrierten miteinander, um qualitativ hochwertige Bronzen herzustellen. Zu den bedeutenden Bildhauern, die um 1600-1625 in Venedig tätig waren, gehörten auch Tiziano Aspetti (um 1557/59 - 1606) und Girolamo Campagna (1549 - 1625), von denen vergleichbare Minerva-Statuetten bekannt sind. Bronze-H. 7 cm (ohne Dorn). Italian sculptor active in Venice circa 1600-1630. Bronze, golden and dark brown patina. Modern acrylic base.

Ercole Bronzo fuso, cesellato e patinato Fonditore veneto attivo tra XVI e XVII secolo Ambito di Tiziano Aspetti (Padova 1557/59 - Pisa 1606)

altezza cm 64

La temperanza. Bronzo fuso e patinato. Arte tardo manierista italiana del XVI-XVII secolo. Ambito di Tiziano Aspetti (Padova 1565-1607)

Base in marmo (non coeva)

Mars

Attributed to Tiziano Aspetti (1550-1606) Venetian, circa 1590 Mars bronze, black patina; on an ebonised wooden base H. (overall) 54 cm, 21¼ in. ; (bronze) 46 cm, 18⅛ in. ___________________________________________ Attribué à Tiziano Aspetti (1550-1606) Venise, vers 1590 Mars bronze à patine noire ; sur un socle en bois noirci H. (totale) 54 cm, 21¼ in. ; (bronze) 46 cm, 18⅛ in. Bid on Sotheby's

TIZIANO ASPETTI (CA.1559-1606) D’APRES Judith victorieuse Bronze à patine verte monté sur un socle à

TIZIANO ASPETTI (CA.1559-1606) D’APRES Judith victorieuse Bronze à patine verte monté sur un socle à piédouche en marbre rouge veiné. XIXe siècle Hauteur sans le socle 19 6 cm Hauteur totale : 26 cm Judith est représentée debout le pied droit sur la tête tranchée d’Holopherne. Aspetti reprendra la même composition générale pour ses figures de la Paix et de la Fortitude.

Ercole Bronzo fuso, cesellato e patinato Fonditore veneto attivo tra XVI e XVII secolo Ambito di Tiziano Aspetti (Padova 1557/59 - Pisa 1606),

altezza cm 64

A PAIR OF BRONZE ANDIRONS WITH FIGURES OF OMPHALE AND MARS, OR A ROMAN EMPEROR - VENICE, ATTRIBUTED TO TIZIANO ASPETTI (CIRCA 1559-1606) OR HIS WORKSHOP,

A PAIR OF BRONZE ANDIRONS WITH FIGURES OF OMPHALE AND MARS, OR A ROMAN EMPEROR VENICE, ATTRIBUTED TO TIZIANO ASPETTI (CIRCA 1559-1606) OR HIS WORKSHOP, 45 in. (105.5 cm.) high

Tiziano Aspetti attributed

Tiziano Aspetti attributed, A pair of bronze sculptures depicting Minerva and Demetra resting on white and black marble bases slight defects. , Padova 1559- Pisa 1606

JUDITH VICTORIEUSE

JUDITH VICTORIEUSE rare figure d’après le modèle de Tiziano Aspetti (1559-1606). Bronze patiné sur un socle en marbre rouge. XIXème siècle. H. 26 cm. (bronze seul : 20 cm). On remarquera le port de la tête, l’expression du visage, la coiffure, la grâce des mains qui sont autant d’élément repris à la Vierge au long cou de Parmigianino. A patinated figure, after Tiziano Aspetti. XIX th.c. H. 10,23 in. (only the airain : 7,87 in).

ÉCOLE VÉNITIENNE DU XVIIeSIÈCLE, ENTOURAGE DE TIZIANO ASPETTI (1557/1559-1606)Cérès

ÉCOLE VÉNITIENNE DU XVIIeSIÈCLE, ENTOURAGE DE TIZIANO ASPETTI (1557/1559-1606) Cérès Bronze à patine brune (Usures à la patine) A 17thcentury Venetian school, circle of T. Aspetti, a brown-patinated bronze of Ceres. HAUT. 27cm • 10 5/8 IN. €1,200-1,800

Tiziano Aspetti (attr.)

Tiziano Aspetti (attr.) A pair of patinated bronze candlesticks in the shape of a winged putto, 56cm. high (one bobèche with minor defect)

A knocker in molten bronze, chiselled and gilded. 16th century founder from Veneto, close to Tiziano Aspetti (Padova 1557 - Pisa 1606)

Al centro figura che stringe al petto un bouquet di fiori ed ai lati due figure di leoni. L’opera si iscrive alla nota e documentata produzione di analoghi battenti attribuiti all’opera dell’Aspetti e della sua bottega. Sul retro etichetta cartacea con iscrizione: Stewart’s, Inc. Luisville NY. Cm 25x20

TROIS VERTUS THÉOLOGALES Attribué à Tiziano ASPETTI (1557-1606) Padoue,

TROIS VERTUS THÉOLOGALES Attribué à Tiziano ASPETTI (1557-1606) Padoue, fin du XVIe siècle Bronzes patinés Socle de bois noirci mouluré H. moyenne : 36 cm Infimes accidents Ce rare ensemble de trois statuettes en bronze ciselé et patiné représente les vertus théologales, à savoir, la Foi, l’Espérance et la Charité. L’Espérance est appuyée à une ancre, la Charité porte un enfant sur son bras gauche et accueille un autre de la main droite. Enfin, la Foi élève un calice à sa vue. Chacune de ces figures allégoriques présente une grande silhouette allongée, vêtue d’une longue robe à l’antique se développant en de savants drapés. On retrouve dans ces oeuvres tout l’art de Tiziano Aspetti, actif essentiellement à Venise et considéré de son temps comme un des meilleurs sculpteurs. Spécialiste des « petits bronzes », il développa une large production de figures allégoriques et mythologiques comme le Printemps du Musée des Beaux Arts de Budapest ou Vénus et Cupidon de la collection Farnèse . On y retrouve les mêmes gestes, silhouettes et traitement des visages de notre œuvre. Entre 1592 et 1599, Aspetti quitte Venise pour revenir dans sa ville natale de Padoue où il exécute pour la Basilique Saint Antoine les Trois Vertus qui nous occupe. Le Musée de la Chartreuse de Douai conserve une suite des ces trois Vertus théologales exécutée par Tiziano Aspetti au XVIIe siècle présentant de très grandes similitudes avec celles que nous présentons.

ÉCOLE VÉNITIENNE VERS 1600, D''APRÈS DES MODÈLES DE TIZIANO ASPETTI (1565-1606)

ÉCOLE VÉNITIENNE VERS 1600, D'APRÈS DES MODÈLES DE TIZIANO ASPETTI (1565-1606) La Guerre et la Paix Paire de chenets en bronze à patine brune Venitian school circa 1600, after models by Tiziano Aspetti (1565-1606), The War and the Peace, a pair of brown-patinated bronze firedogs. HAUT. 106cm - LARG. 56cm - 41 3/4 X 22 1/16 IN.

ITALIE, D'APRÈS TIZIANO ASPETTI (1559-1606) JUPITER ET JUNON |

bronze

AFTER TIZIANO ASPETTI (ITALIAN, 1559-1606): A 19TH CENTURY VENETIAN BRONZE FIGURAL DOOR KNOCKER modelled as a central figure of Venus Marina standing on a shell and flanked by a pair of dolphins, each ridden by a winged putto,hanging from the backplate modelled as a bearded mask, 37.5cm high A 17th century door knocker of this design was sold at Sotheby's, 7 July 2006, lot 75. A number of other early casts are known to exist including the cast in Palazzo Venezia, Rome and another in the Royal Ontario Museum, Canada. Although previously described as in the style of Alessandro Vittoria by Wilhelm von Bode this model has generally been attributed to Aspetti.

AFTER TIZIANO ASPETTI (ITALIAN, 1559-1606): A 19TH CENTURY VENETIAN BRONZE FIGURAL DOOR KNOCKER modelled as a central figure of Venus Marina standing on a shell and flanked by a pair of dolphins, each ridden by a winged putto,hanging from the backplate modelled as a bearded mask, 37.5cm high A 17th century door knocker of this design was sold at Sotheby's, 7 July 2006, lot 75. A number of other early casts are known to exist including the cast in Palazzo Venezia, Rome and another in the Royal Ontario Museum, Canada. Although previously described as in the style of Alessandro Vittoria by Wilhelm von Bode this model has generally been attributed to Aspetti.

ITALIE, VENISE, VERS 1600, D'APRÈS TIZIANO ASPETTI (1559-1606) JUDITH | Judith

en bronze à patine brune; sur un socle en marbre et bronze doré

ECOLE DE L'Italie DU NORD XVIème siècle d’après Ti

ECOLE DE L'Italie DU NORD XVIème siècle d’après Tiziano ASPETTI ( 1559 – 1606 ) Mars et Minerve Paire de statuettes en bronze H : 50 et 52 cm dont socle en bois noirci : 15 cm Expert : Alexandre Lacroix

Circle of Tiziano Aspetti (Italian, 1557/1559-1606): A 17th century bronze

Circle of Tiziano Aspetti (Italian, 1557/1559-1606): A 17th century bronze figure of Mars

Ecole De l’Italie du nord XVIème siècle d’après Tiziano ASPETTI ( 1559

Ecole De l’Italie du nord XVIème siècle d’après Tiziano ASPETTI ( 1559 – 1606 ) Mars et Minerve Paire de statuettes en bronze H : 50 et 52 cm dont socle en bois noirci : 15 cm Expert : Alexandre Lacroix

A Pair of Italian Bronze Figures of Meleager & his Hound, and Venus & Cupid, after Tiziano Aspetti (1559-1606), 21¼ ins (54 cms) high. The figures with electric light fittings and shades, 39 ins (99 cms) overall in height.

A Pair of Italian Bronze Figures of Meleager & his Hound, and Venus & Cupid, after Tiziano Aspetti (1559-1606), 21¼ ins (54 cms) high. The figures with electric light fittings and shades, 39 ins (99 cms) overall in height.

ÉCOLE ITALIENNE DE LA FIN DU XIXe SIÈCLE-DÉBUT DU XXe SIÈCLE D'après un modèle de Tiziano Aspetti (1559-1606) Minerve et Cérès

ÉCOLE ITALIENNE DE LA FIN DU XIXe SIÈCLE-DÉBUT DU XXe SIÈCLE D'après un modèle de Tiziano Aspetti (1559-1606) Minerve et Cérès Paire de statuettes en bronze, reposant sur des bases rapportées en marbre blanc et noir ; petits accidents et manques Hauteur avec le socle : 42 cm (16 1/2 in.) Provenance : Sotheby's Londres, Collection Gianni Versace, 18 mars 2009, n°32. A PAIR OF BRONZE FIGURES REPRESENTING MINERVA AND CERES, ITALIAN SCHOOL, LATE 19th-EARLY 20th CENTURY, AFTER A MODEL BY TIZIANO ASPETTI (1559-1606)

IMPORTANT MARTEAU DE PORTE en bronze fondu et ciselé de l'atelier de Tiziano Aspetti (1557-1606)

IMPORTANT MARTEAU DE PORTE en bronze fondu et ciselé de l'atelier de Tiziano Aspetti (1557-1606). Il représente une Vénus marine debout dans un large coquillage entouré de deux Amours ailés chevauchant des dauphins dont les queues s'enroulent derrière la tête de Vénus. Il est fixé par un axe en fer qui vient se poser dans la bouche d'un mascaron grimaçant de la même époque qui vient contre la porte. Il a été couvert d'un laque noir qui a été usé sur les parties saillantes. Beau travail Vénitien de la fin du XVIe, ou début du XVIIe siècle. (Quelques petits accidents et usures. Il est présenté sur un cadre en bois postérieur). HAUT. 40 cm

A pair of Venetian 16th century bronze models of lionsCircle of Tiziano Aspetti (1559-1606)

Circle of Tiziano Aspetti (1559-1606) each seated on its hind legs holding an heraldic crest within a strapwork shield, raised on integral circular bases, dark brown patination, on later ebonised plinths, 22cm (8.75") high overall (2)

ATTRIBUTED  TO  TIZIANO  ASPETTI  (1557/1559-1606)ITALIAN,  PADUA,  LATE  16TH  CENTURY

APOLLO  MUSAGETES gilt  bronze,  on  an  ebonised  turned  wood  base bronze:  31.5cm.,  12  3/8  in.;  base:  4.5cm.,  1¾in.

AFTER TIZIANO ASPETTI (C. 1559-1606), ITALIAN, VENICE, LATE 16TH/ EARLY 17TH CENTURY

PROPERTY FROM A PRIVATE COLLECTION MARS cast-in number: XVIII on the rim bronze, on an ebonised turned wood socle bronze: 29cm., 11 3/8 in.; socle: 7cm., 2¾in.

ATTRIBUTED TO TIZIANO ASPETTI (1557-1606), ITALIAN, VENICE, LATE 16TH/ EARLY 17TH CENTURY

PROPERTY FROM THE COLLECTION OF HENRY AND EMMA BUDGE DIANA bronze, on a base composed of coloured marbles bronze: 35cm., 13¾in. base: 13cm., 5¼in.

STATUETTE EN BRONZE REPRÉSENTANT MARS , VENISE, XVIIE SIÈCLE, ATTRIBUÉ À TIZIANO ASPETTI (1550-1606)

STATUETTE EN BRONZE REPRÉSENTANT MARS , VENISE, XVIIE SIÈCLE, ATTRIBUÉ À TIZIANO ASPETTI (1550-1606) A VENITIAN, 17TH CENTURY BRONZE FIGURE OF MARS, ATTRIBUTED TO TIZIANO ASPETTI (1550 - 1606) ON A MARBLE BASE Mars en armure tient une lance de la main gauche, son corps en léger déhanchement ; sur un socle en marbre bronze à patine noire haut. (bronze) 43 cm ; haut. avec socle 47 cm height (bronze) 17 in ; total height with base 18 1/2 in

DÖRRKLÄPP Italien 1700/1800-tal Efter modell av

DÖRRKLÄPP Italien 1700/1800-tal Efter modell av Tiziano Aspetti (1559-1606)

PAIRE DE FIGURES EN BRONZE REPRESENTANT MARS ET VENUS

PAIRE DE FIGURES EN BRONZE REPRESENTANT MARS ET VENUS D'APRES TIZIANO ASPETTI (1559-1606), ITALIE, XIXEME SIECLE Vénus au milieu des vagues, un dauphin et Cupidon dormant à ses pieds; Mars tenant un bouclier orné de la tête de Méduse, debout sur son armure délaissée; reposant sur des socles en marbre noir et porphyre Hauteur des bronzes: 47 cm. (18½ in.); Hauteur des socles: 21,5 cm. (8½ in.) (2)

ATTRIBUTED TO TIZIANO ASPETTI

APOSTLES PETER AND PAUL

PAIRE DE BRONZES FIGURANT MARS ET VENUS

PAIRE DE BRONZES FIGURANT MARS ET VENUS D'APRES TIZIANO ASPETTI (1559-1606), ITALIE, XIXEME SIECLE Vénus parmi des vagues, un dauphin et Cupidon dormant à ses pieds, Mars tenant un bouclier orné de la tête de Méduse, debout sur son armure délaissée; les deux figures reposant sur des socles en marbre noir et porphyre Hauteur des bronzes: 47 cm. (18½ in.); Hauteur des socles: 21,5 cm. (8½ in.) (2)

After models by Tiziano Aspetti (1559-1606) Italian, 19th/ 20th century , pair of andiron figures of Minerva and Ceres bronze

on white and black marble bases bronze

Diane chasseresse Venise, vers 1600, attribuée à Tiziano Aspetti (1557/59-1606) , A fine Venetian 16th century dark brown patinated bronze figure of the Hunting Diana with her dog, attributed to Tiziano Aspetti (1557-1606) bronze à patine brun fonçé;

sa chevelure bouclée attachée sur la tête par deux plumes, Diane est munie d'un carquois, le corps nu enveloppé d'un drapé montrant un léger déhanchement, son chien accroupi à ses pieds bronze à patine brun fonçé; sur socle en marbre vert antique

- Italian, Venice, 17th/18th century After a model by Tiziano Aspetti (1559-1606) , A bronze figure of Wisdom

on brown round wood base

Italian, Venice, late 16th century After a model by Tiziano Aspetti (1559-1606) , A bronze figure of Venus

on marble base

Italian, Venice, 17th century after a model by Tiziano Aspetti(1559-1606) , A bronze figure of Hercules and Nemean Lion