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Antonio Zucchi Sold at Auction Prices

Painter, b. 1726 - d. 1795

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  • Painting, Attributed to Antonio Zucchi
    Jan. 17, 2025

    Painting, Attributed to Antonio Zucchi

    Est: $1,500 - $2,500

    Attributed to Antonio Zucchi (Italian, 1726-1795), "L'Europa," oil on canvas, unsigned, canvas: 41.5"h x 32"w, overall (with frame): 44"h x 34"w. Literature: Daniel Heartz, "Music in European Capitals," Norton, 2003, p. xxiii.

    Clars Auctions
  • Antonio Zucchi 1726 Venezia-1795 Roma, attribuito a Le jeux de cross
    Jun. 13, 2024

    Antonio Zucchi 1726 Venezia-1795 Roma, attribuito a Le jeux de cross

    Est: €600 - €800

    .

    Cambi Casa d'Aste
  • Zucchi Antonio
    Jun. 01, 2024

    Zucchi Antonio

    Est: CHF320 - CHF400

    Spielende Amorini mit Blumentöpfen Für Schweizer Kunstfreunde ist es wissenswert, dass es sich bei Antonio Zucchi um den Gatten von Angelica Kauffmann handelt. Bonhams, London Gerahmt Ausrufdatum: 01.06.2024 Ungefähre Ausrufzeit: 19:06

    Auktionshaus Zofingen
  • ANTONIO ZUCCHI (VENISE 1726-1796 ROME) Quatre projets de décor: Deux fileus
    Mar. 20, 2024

    ANTONIO ZUCCHI (VENISE 1726-1796 ROME) Quatre projets de décor: Deux fileus

    Est: €6,000 - €8,000

    ANTONIO ZUCCHI (VENISE 1726-1796 ROME) Quatre projets de décor: Deux fileuses; Deux hommes au moulin à grains;... pierre noire, sanguine, plume et encre noire, lavis de sanguine, filigrane ou traces de filigrane blason fleur-de-lys surmonté d'une couronne Diamètre 22,5 cm (8 7⁄8 in.) chaque (4)

    Christie's
  • Antonio Zucchi (attrib.), ink drawing
    Mar. 08, 2024

    Antonio Zucchi (attrib.), ink drawing

    Est: $300 - $500

    Attributed to Antonio Zucchi (Italian, 1726-1795), Man sacrificing a goat, graphite and ink wash on laid paper, no signature detected, attribution and inventory number on verso of frame, 3.25"h x 5.5"w (sheet), 10"h x 12"w (frame)

    Millea Bros Ltd
  • ANTONIO PIETRO FRANCESCO ZUCCHI, A.R.A. (VENICE 1726-1795 ROME) Bathers by
    Feb. 01, 2024

    ANTONIO PIETRO FRANCESCO ZUCCHI, A.R.A. (VENICE 1726-1795 ROME) Bathers by

    Est: $3,000 - $4,000

    ANTONIO PIETRO FRANCESCO ZUCCHI, A.R.A. (VENICE 1726-1795 ROME) Bathers by a pool before a classical ruin pen and black ink, brown wash, heightened with white, graphite framing lines 16 ¼ x 11 in. (41.3 x 27.9 cm)

    Christie's
  • Andrea Zucchi Nascita: 1964 Milano L'imperatrice Teodora con ancelle
    Dec. 19, 2023

    Andrea Zucchi Nascita: 1964 Milano L'imperatrice Teodora con ancelle

    Est: €2,000 - €3,000

    firmato, datato e intitolato al retro

    Cambi Casa d'Aste
  • Antonio Zucchi (attrib.), ink drawing
    Oct. 12, 2023

    Antonio Zucchi (attrib.), ink drawing

    Est: $300 - $500

    Attributed to Antonio Zucchi (Italian, 1726-1795), Man sacrificing a goat, graphite and ink wash on laid paper, no signature detected, attribution and inventory number on verso of frame, 3.25"h x 5.5"w (sheet), 10"h x 12"w (frame)

    Millea Bros Ltd
  • Antonio Pietro Francesco, okruh Zucchi (1726-1795)
    Dec. 10, 2022

    Antonio Pietro Francesco, okruh Zucchi (1726-1795)

    Est: €1,653 -

    ALLEGORY OF PAINTING 2nd half of the 18th century Monumental painting with a seated figure of St. Luke with a brush in his right hand and a just completed icon of Madonna in his left hand and with his attribute - a book of the Gospel. The painting is based on the traditions of Italian neoclassicism, the characteristic scheme of the face refers to the work of the above-mentioned master. The allegory of painting was a popular motif. After all, Angelika Kauffmann (artist`s wife) was a member of the National Academy of St. Luke in Rome and painting societies and guilds all over Europe bore the name of Saint Luke. Oil on canvas, 112x144 cm - canvas, total dimensions with frame 159x191 cm. Condition C. Framed in rich, carved and gilt frame. Traces of later retouches, re-stretched.

    Auction House Zezula
  • Antonio Pietro Zucchi (1726-1795), Capriccio
    Nov. 28, 2022

    Antonio Pietro Zucchi (1726-1795), Capriccio

    Est: $6,000 - $8,000

    Antonio Pietro Zucchi (1726-1795), Capriccio Oil on canvas 79.8 x 58.2 cm Condition: For a detailed condition report, please contact us at info@hammersite.com

    Hammersite
  • ANTONIO ZUCCHI
    Oct. 04, 2022

    ANTONIO ZUCCHI

    Est: €1,500 - €2,500

    ANTONIO ZUCCHI (Venezia, 1726 - Roma, 1795) Paesaggio Olio su tela, cm 60X90 Formatosi in ambito familiare, la cui bottega era dedita all'incisione e alla scenografia, Antonio Zucchi iniziò la sua carriera collaborando con i principali protagonisti della pittura veneziana delle sua epoca, tra cui Francesco Fontebasso e Jacopo Amigoni, ma altrettanto evidente fu l'influenza di Francesco Guardi che detterà il suo gusto paesistico e scenografico. Le prime opere del pittore testimoniano uno stile perfettamente in linea con il rococò veneziano, ricordiamo la pala con i Santi Bonaventura, Pietro d'Alcantara e sante clarisse, realizzata per la chiesa di San Giobbe, o l'Educazione della Vergine della chiesa di San Nicola a Komiza sull'isola di Lissa, che presuppongo uno sviluppo senza strappi nel solco della tradizione lagunare. Tuttavia, Zucchi intraprese un preciso mutamento di gusto dopo il viaggio a Spalato con Robert Adam e Charles Louis Clérisseau per visitare le rovine del Palazzo di Diocleziano, viaggio che produsse un evidente mutamento di maniera, come documenta l'Incredulità di San Tommaso dipinta per la chiesa di San Tomà, considerata già da Moschini più prossima a Mengs che non alle sue origini veneziane. Questa nuova visione artistica subirà un ulteriore sviluppo con il trasferimento a Roma e il matrimonio nel 1781 con Angelica Kauffmann, che condussero il pittore a dedicarsi prevalentemente al genere del paesaggio e del capriccio riscuotendo un notevole successo. Infatti, tra i suoi maggiori collezionisti annoveriamo artisti e letterati come Goethe, Tischbein, Canova, Herder e Hackert, mentre osservando la tela qui presentata, torna quanto mai puntuale il giudizio di Pallucchini, che vedeva nelle opere dell'artista 'i ruderi di monumenti antichi che si sposano felicemente all'elemento paesistico, sempre animato da macchiette campagnole: si potrebbe dire che esse rammentano il gusto di Piranesi, allietato dalle pastorellerie dello Zuccarelli'. Bibliografia di riferimento: L. Salerno, I pittori di vedute in Italia, Roma 1981, p. 234 R. Pallucchini, La pittura veneziana del Settecento, Milano 1996, ad vocem

    Wannenes Art Auctions
  • ZUCCHI, ANTONIO: Spielende Amorini mit Boot.
    May. 05, 2022

    ZUCCHI, ANTONIO: Spielende Amorini mit Boot.

    Est: CHF375 - CHF750

    ZUCCHI, ANTONIO (Venedig 1726 - 1795 Rom) : Spielende Amorini mit Boot; Feder in Grau; 10x15,6 cm (BG), gerahmt

    Dobiaschofsky Auktionen AG
  • J.WAGNER (*1706) after ZUCCHI (*1726), Allegorical representation, Europe, around 1750, Etching
    Nov. 20, 2021

    J.WAGNER (*1706) after ZUCCHI (*1726), Allegorical representation, Europe, around 1750, Etching

    Est: €300 - €500

    Joseph Wagner (um 1706 Thalendorf - um 1780 Venedig) after Antonio Zucchi (1726 Venedig - 1795 Rom), Allegorical representation, Europe, c. 1750, Etching Technique: Etching on Handmade Paper Inscription: At the lower part signed in the printing plate: "Antonio Zucchi inv. / Wagner sc. Venezia C. P. E. S.". General information: Inscribed in ink lower right: "A. Mittendorff". Date: c. 1750 Description: Scene with allegorical figures in a park. Keywords: Allegory, Music, Painting, Globe, 18th century, Baroque, People, Italy, Size: 50,5 cm x 33,5 cm, Plate: 49,0 cm x 31,8 cm Condition: Defective Condition. Lightly foxed, sheet horizontally creased and with a glued tear at the right margin on verso. Overall slightly creased.

    Fichter Kunsthandel
  • PITTORE ATTIVO A ROMA NEL XVIII SECOLO
    Jun. 15, 2021

    PITTORE ATTIVO A ROMA NEL XVIII SECOLO

    Est: €2,000 - €3,000

    Cefalo e Procri Olio su tela cm 47X37 (2) Già attribuite ad Angelica Kauffman (Coira, 1741 - Roma, 1807), le tele trovano adeguati confronti con le opere di Antonio Zucchi (Venezia, 1726 - Roma, 1795). L'artista, formatosi in ambito familiare, la cui bottega era dedita all'incisione e alla scenografia, iniziì la sua carriera collaborando con i principali protagonisti della pittura veneziana della sua epoca, tra cui Francesco Fontebasso e Jacopo Amigoni, ma altrettanto evidente fu l'influenza di Francesco Guardi che detterà il suo gusto paesistico e scenografico. Le prime opere del pittore testimoniano uno stile perfettamente in linea con il rococì veneziano, ricordiamo la pala con i Santi Bonaventura, Pietro d'Alcantara e sante clarisse, realizzata per la chiesa di San Giobbe, o l'Educazione della Vergine della chiesa di San Nicola a Komiza sull'isola di Lissa, che presuppongo uno sviluppo senza strappi nel solco della tradizione lagunare. Tuttavia, Zucchi intraprese un preciso mutamento di gusto dopo il viaggio a Spalato con Robert Adam e Charles Louis Clérisseau per visitare le rovine del Palazzo di Diocleziano, viaggio che produsse un evidente mutamento di maniera, come documenta l'incredulità di San Tommaso dipinta per la chiesa di San Tomà, considerata già da Moschini più prossima a Mengs che non alle sue origini veneziane. Questa nuova visione artistica subirà un ulteriore sviluppo con il trasferimento a Roma e il matrimonio in Inghilterra nel 1781 con Angelica Kauffmann, che condussero il pittore a dedicarsi prevalentemente al genere del paesaggio e del capriccio in chiave arcadica riscuotendo un notevole successo. Infatti, tra i suoi maggiori collezionisti annoveriamo artisti e letterati come Goethe, Tischbein, Canova, Herder e Hackert, mentre osservando la tela qui presentata, torna quanto mai puntuale il giudizio di Pallucchini, che vedeva nelle opere dell'artista 'i ruderi di monumenti antichi che si sposano felicemente all'elemento paesistico, sempre animato da macchiette campagnole: si potrebbe dire che esse rammentano il gusto di Piranesi, allietato dalle pastorellerie dello Zuccarelli'. Bibliografia di riferimento: R. Pallucchini, La pittura veneziana del Settecento, Milano 1996, ad vocem

    Wannenes Art Auctions
  • ANTONIO PIETRO FRANCESCO ZUCCHI (VENICE 1726-1796 ROME) - Virgil Reading the Aeneid
    Apr. 23, 2021

    ANTONIO PIETRO FRANCESCO ZUCCHI (VENICE 1726-1796 ROME) - Virgil Reading the Aeneid

    Est: $20,000 - $30,000

    ANTONIO PIETRO FRANCESCO ZUCCHI (VENICE 1726-1796 ROME) Virgil Reading the Aeneid oil on canvas 37 x 50 in. (94 x 127 cm.)

    Christie's
  • Painting, Attributed to Antonio Zucchi
    Apr. 17, 2021

    Painting, Attributed to Antonio Zucchi

    Est: $2,000 - $4,000

    Attributed to Antonio Zucchi (Italian, 1726-1795), "L'Europa," oil on canvas, unsigned, canvas: 41.5"h x 32"w, overall (with frame): 44"h x 34"w. Literature: Daniel Heartz, "Music in European Capitals," Norton, 2003, p. xxiii.

    Clars Auctions
  • Painting, Attributed to Antonio Zucchi
    Mar. 21, 2021

    Painting, Attributed to Antonio Zucchi

    Est: $4,000 - $6,000

    Attributed to Antonio Zucchi (Italian, 1726-1795), "L'Europa," oil on canvas, unsigned, canvas: 41.5"h x 32"w, overall (with frame): 44"h x 34"w. Literature: Daniel Heartz, "Music in European Capitals," Norton, 2003, p. xxiii.

    Clars Auctions
  • Painting, Attributed to Antonio Zucchi
    Feb. 21, 2021

    Painting, Attributed to Antonio Zucchi

    Est: $7,000 - $10,000

    Attributed to Antonio Zucchi (Italian, 1726-1795), "L'Europa," oil on canvas, unsigned, canvas: 41.5"h x 32"w, overall (with frame): 44"h x 34"w. Literature: Daniel Heartz, "Music in European Capitals," Norton, 2003, p. xxiii.

    Clars Auctions
  • Attributed to Antonio Zucchi (Italian, 1726-1795)
    Jan. 19, 2021

    Attributed to Antonio Zucchi (Italian, 1726-1795)

    Est: $400 - $600

    Attributed to Antonio Zucchi (Italian, 1726-1795) The Music Party ink, watercolor and gouache signed (verso) 9 x 13 inches. Note: Maestro Raymond Leppard's scholarship led him to Italy in the late 1950s, resulting in his highly acclaimed realizations of Baroque operas by Monteverdi (L'Incoronazione di Poppea) and Cavalli (L'Ormindo, L'Egisto and La Calisto). It is likely that Leppard acquired this work during this period in Italy. Property from the Collection of Maestro Raymond Leppard, Indianapolis, Indiana Maestro Raymond Leppard (1927-2019), Commander of the British Empire, was an internationally recognized composer, conductor and scholar of Baroque music, as well as a Grammy-winning recording artist. Born in London, Leppard grew up in Bath where he was educated at the City of Bath Boys’ School, now the Beechen Cliff School. He studied harpsichord and viola at Trinity College, Cambridge, where he would go on to become Lecturer and Fellow before making his debut at Wigmore Hall in London in 1952. He also helped establish and was long associated with the English Chamber Orchestra. Leppard’s realizations of 17th century operas by Italian composers Claudio Monteverde and his disciple, Francesco Cavalli, re-introduced the world to these and other Baroque operas. His brilliant arrangements for their modern stage productions in the 1960s and 1970s were widely acclaimed and, thus, forged his imprint on the classical music industry. He conducted Benjamin Britten’s Billy Budd at the Metropolitan Opera in New York City, the world premiere of Nicholas Maw’s Rising of the Moon at Glyndebourne Opera, and composed film scores for, among others, Peter Brook’s Lord of the Flies, based on the novel by William Golding. As a prolific recording artist, Leppard recorded more than 200 albums. He has appeared at the Royal Opera House, Covent Garden, the New York City Opera, the Metropolitan and San Francisco Operas, and in Paris, Hamburg, Santa Fe, Stockholm and Geneva. Leppard was principal conductor for the BBC Northern Symphony Orchestra for over seven years, and, more recently, led the Indianapolis Symphony Orchestra (ISO) from 1987 to 2001. Leppard is credited with transforming the ISO into an internationally recognized ensemble, becoming the organization’s first and only Conductor Laureate. Beyond Leppard’s musical genius, his warm character, generous heart and good humor endeared him to the likes of Queen Elizabeth, the Queen Mother, Princess Margaret, Benjamin Britten, Frederica Von Stade, Dame Janet Baker and members of the infamous Bloomsbury Group. WFMT, Chicago’s classical music radio station, dedicated every August 11, his birthday, as Raymond Leppard Day, on which they broadcast several of his recordings. Leppard amassed an eclectic collection of works of art, music and 18th and 19th century furniture, many of which are featured throughout this auction.

    Hindman
  • ANTONIO ZUCCHI
    May. 28, 2019

    ANTONIO ZUCCHI

    Est: €5,000 - €8,000

    (Venezia, 1726 - Roma, 1795) Paesaggio arcadico con rovine di templi classici Olio su tela, cm 185X235 Formatosi in ambito familiare, la cui bottega era dedita all'incisione e alla scenografia, Antonio Zucchi iniziò la sua carriera collaborando con i principali protagonisti della pittura veneziana delle sua epoca, tra cui Francesco Fontebasso e Jacopo Amigoni, ma altrettanto evidente fu l'influenza di Francesco Guardi che detterà il suo gusto paesistico e scenografico. Le prime opere del pittore testimoniano uno stile perfettamente in linea con il rococò veneziano, ricordiamo la pala con i 'Santi Bonaventura, Pietro d'Alcantara e sante clarisse', realizzata per la chiesa di San Giobbe, o 'l'Educazione della Vergine' della chiesa di San Nicola a Komiza sull'isola di Lissa, che presuppongo uno sviluppo senza strappi nel solco della tradizione lagunare. Tuttavia, Zucchi intraprese un preciso mutamento di gusto dopo il viaggio a Spalato con Robert Adam e Charles Louis Clérisseau per visitare le rovine del Palazzo di Diocleziano, viaggio che produsse un evidente mutamento di maniera, come documenta 'l'incredulità di San Tommaso' dipinta per la chiesa di San Tomà, considerata già da Moschini più prossima a Mengs che non alle sue origini veneziane. Questa nuova visione artistica subirà un ulteriore sviluppo con il trasferimento a Roma e il matrimonio nel 1781 con Angelica Kauffmann, che condussero il pittore a dedicarsi prevalentemente al genere del paesaggio e del capriccio riscuotendo un notevole successo. Infatti, tra i suoi maggiori collezionisti annoveriamo artisti e letterati come Goethe, Tischbein, Canova, Herder e Hackert, mentre osservando la tela qui presentata, torna quanto mai puntuale il giudizio di Pallucchini, che vedeva nelle opere dell'artista 'i ruderi di monumenti antichi che si sposano felicemente all'elemento paesistico, sempre animato da macchiette campagnole: si potrebbe dire che esse rammentano il gusto di Piranesi, allietato dalle pastorellerie dello Zuccarelli'. L'opera è corredata da una scheda critica di Egidio Martini. Bibliografia di riferimento: L. Salerno, 'I pittori di vedute in Italia', Roma 1981, p. 234 R. Pallucchini, 'La pittura veneziana del Settecento', Milano 1996, ad vocem

    Wannenes Art Auctions
  • Antonio Pietro Zucchi (Venice 1726-1795 Rome) Bacchus and Ariadne, within a feigned octagon
    Apr. 10, 2019

    Antonio Pietro Zucchi (Venice 1726-1795 Rome) Bacchus and Ariadne, within a feigned octagon

    Est: £4,000 - £6,000

    Antonio Pietro Zucchi (Venice 1726-1795 Rome) Bacchus and Ariadne, within a feigned octagon oil on canvas78.8 x 78.8cm (31 x 31in).

    Bonhams
  • ZUCCHI ANDREA (n. 1964) Untitled (Studio di contaminazioni neoplastiche sui rinoceronti).
    Feb. 20, 2019

    ZUCCHI ANDREA (n. 1964) Untitled (Studio di contaminazioni neoplastiche sui rinoceronti).

    Est: €400 - €600

    ZUCCHI ANDREA (n. 1964). Untitled (Studio di contaminazioni neoplastiche sui rinoceronti).. At the back title, signature and year. Cm 40,00 x 55,00.

    Capitolium Art
  • Antonio Pietro Zucchi (Venice 1726-1795 Rome) Bacchus and Ariadne, within a feigned octagon
    Dec. 05, 2018

    Antonio Pietro Zucchi (Venice 1726-1795 Rome) Bacchus and Ariadne, within a feigned octagon

    Est: £8,000 - £12,000

    Antonio Pietro Zucchi (Venice 1726-1795 Rome) Bacchus and Ariadne, within a feigned octagon oil on canvas78.8 x 78.8cm (31 x 31in).

    Bonhams
  • Antonio Zucchi (Venezia 1726 - Roma 1795), Festa contadina in cortile
    Oct. 26, 2017

    Antonio Zucchi (Venezia 1726 - Roma 1795), Festa contadina in cortile

    Est: €1,500 - €1,800

    disegno a penna e inchiostro, mm 290x406

    Cambi Casa d'Aste
  • Antonio Zucchi (Venice 1726-1795 Rome) - A ruined triumphal arch with figures conversing on path, a bridge beyond
    Jul. 07, 2017

    Antonio Zucchi (Venice 1726-1795 Rome) - A ruined triumphal arch with figures conversing on path, a bridge beyond

    Est: £25,000 - £35,000

    Antonio Zucchi (Venice 1726-1795 Rome) A ruined triumphal arch with figures conversing on path, a bridge beyond oil on canvas 63 3/8 x 51 ½ in. (160.8 x 130.8 cm.)

    Christie's
  • Antonio Zucchi (Venezia 1726 - Roma 1795), Festa contadina in cortile
    Nov. 15, 2016

    Antonio Zucchi (Venezia 1726 - Roma 1795), Festa contadina in cortile

    Est: €2,000 - €2,500

    disegno a penna e inchiostro, mm 290x406

    Cambi Casa d'Aste
  • Antonio Zucchi (Venezia 1726 - Roma 1795), Preparazione di sacrificio a una dea
    Nov. 15, 2016

    Antonio Zucchi (Venezia 1726 - Roma 1795), Preparazione di sacrificio a una dea

    Est: €2,000 - €2,500

    disegno a penna inchiostro e tempera bianca, mm 29mx406

    Cambi Casa d'Aste
  • ZUCCHI, ANTONIO PIETRO
    Mar. 22, 2016

    ZUCCHI, ANTONIO PIETRO

    Est: CHF3,500 - CHF5,000

    ZUCCHI, ANTONIO PIETRO (Venice 1726 - 1795 Rome) Roman ruins with an angler at a waterway and another figure. Pen and brush and brown ink, black chalk. The framing line in brown pen. Signed and dated in brown pen lower right: ant:Zucchi 1788. 41 x 52.5 cm. Framed. --------------- ZUCCHI, ANTONIO PIETRO (Venedig 1726 - 1795 Rom) Römischen Ruinen mit Angler an einem Wasserlauf und weiteren Personen. Feder und Pinsel in Braun, schwarze Kreide. Die Einfassungslinie mit brauner Feder. Unten rechts mit brauner Feder signiert und datiert: ant:Zucchi 1788. 41 x 52,5 cm. Gerahmt.

    Koller Auctions
  • ANTONIO PIETRO ZUCCHI (Venice 1726-1795 Rome) Ruins of classical baths with figures bathing
    Apr. 29, 2015

    ANTONIO PIETRO ZUCCHI (Venice 1726-1795 Rome) Ruins of classical baths with figures bathing

    Est: -

    ANTONIO PIETRO ZUCCHI (Venice 1726-1795 Rome) Ruins of classical baths with figures bathing

    Bonhams
  • Antonio Zucchi (Venice 1726-1795 Rome)
    Dec. 02, 2014

    Antonio Zucchi (Venice 1726-1795 Rome)

    Est: £120,000 - £180,000

    Antonio Zucchi (Venice 1726-1795 Rome) An Italian capriccio with figures making a sacrifice to Cybele in a ruined temple, others dancing on the shore beyond signed and dated 'Ant: Zucchi / 1778. ' (lower left) oil on canvas 48½ x 82¼ in. (123.3 x 209 cm.)

    Christie's
  • Attribué à Antonio Zucchi Venise, 1726 - Rome, 1795 Deux hommes dans un paysage classique, dans un rond Plume et encre brune
    Oct. 03, 2014

    Attribué à Antonio Zucchi Venise, 1726 - Rome, 1795 Deux hommes dans un paysage classique, dans un rond Plume et encre brune

    Est: €400 - €600

    Attribué à Antonio Zucchi Venise, 1726 - Rome, 1795 Deux hommes dans un paysage classique, dans un rond Plume et encre brune Sans cadre h: 23 w: 22,50 cm

    Artcurial
  • Antonio Zucchi, Italian Landscape with Figures
    Sep. 14, 2014

    Antonio Zucchi, Italian Landscape with Figures

    Est: $2,000 - $4,000

    Antonio Zucchi (Italian, 1726-1795), Italian Landscape with Figures, oil on canvas, signed lower right, canvas: 23.5''h x 47.5''w, overall: 32.5''h x 56.5''w. Provenance: From the collection of Mr. Jay Le Clerq (Fair Oaks, California); given to current owner by Mr. Gregory Renouf

    Clars Auctions
  • ATTRIBUTED TO ANTONIO ZUCCHI
    Jul. 05, 2013

    ATTRIBUTED TO ANTONIO ZUCCHI

    Est: £3,000 - £5,000

    VENICE  1726  -  1795  ROME THREE  MONKS  AND  OTHER  FIGURES  AMONG  RUINS,  SAID  TO  BE  THE  VILLA  OF  DOMITIAN Pen  and  brown  ink  and  wash  over  black  chalk,  within  brown  ink  framing  lines; bears  inscription,  possibly  by  the  artist,  in  black  chalk:  Conserva  d'aqua  appartenente  alla  Villa  di  Domiziano  in  Albano 465  by  615  mm  (sheet  size);  385  by  543  mm  (image)

    Sotheby's
  • ANTONIO ZUCCHI
    Jul. 03, 2013

    ANTONIO ZUCCHI

    Est: £4,000 - £6,000

    VENICE  1726  -  1795  ROME CAPRICCIO  WITH  A  BRIDGE  OVER  A  RIVER  WITH  FIGURES  AND  A  FISHERMAN Pen  and  brown  ink  and  wash  heightened  with  white  over  black  chalk,  within  brown  framing  lines; signed  in  pen  and  brown  ink  lower  left:  Ant.  Zucchi.  1784 424  by  284  mm

    Sotheby's
  • Antonio Zucchi, Italian Landscape with Figures, oil on canvas
    Apr. 14, 2013

    Antonio Zucchi, Italian Landscape with Figures, oil on canvas

    Est: $3,000 - $5,000

    Antonio Zucchi (Italian, 1726-1795), Italian Landscape with Figures, oil on canvas, signed lower right, canvas: 23.5''h x 47.5''w, overall: 32.5''h x 56.5''w. Provenance: From the collection of Mr. Jay Le Clerq (Fair Oaks, California); given to current owner by Mr. Gregory Renouf

    Clars Auctions
  • Antonio Pietro Francesco Zucchi, A.R.A., (Venice 1726-1795 Rome)
    Jan. 31, 2013

    Antonio Pietro Francesco Zucchi, A.R.A., (Venice 1726-1795 Rome)

    Est: $1,500 - $2,000

    Antonio Pietro Francesco Zucchi, A.R.A., (Venice 1726-1795 Rome) A scene from the Antique: A priest presenting a sword to a youth beneath a statue of Hercules traces of black chalk, pen and brown ink, brown and grey wash, heightened with white (partly oxidized) 10½ x 16 1/8 in. (26.8 x 41 cm.)

    Christie's
  • ATTRIBUTED TO ANTONIO PIETRO ZUCCHI (1726-1795)
    Mar. 13, 2012

    ATTRIBUTED TO ANTONIO PIETRO ZUCCHI (1726-1795)

    Est: £50 - £80

    ATTRIBUTED TO ANTONIO PIETRO ZUCCHI (1726-1795) WATERCOLOUR DRAWING Rural scene with church ruin and figures unsigned 9 x 7 (22.8cm x 17.8cm) EST 50-80

    Capes Dunn & Co.
  • ATTRIBUTED TO ANTONIO PIETRO ZUCCHI (1726-1795)
    Nov. 15, 2011

    ATTRIBUTED TO ANTONIO PIETRO ZUCCHI (1726-1795)

    Est: £50 - £80

    ATTRIBUTED TO ANTONIO PIETRO ZUCCHI (1726-1795) WATERCOLOUR DRAWING Rural scene with church ruin and figures unsigned 9" x 7" (22.8cm x 17.8cm)

    Capes Dunn & Co.
  • Antonio Pietro Francesco Zucchi (Venice 1726-1795 Rome)
    Jan. 26, 2011

    Antonio Pietro Francesco Zucchi (Venice 1726-1795 Rome)

    Est: $4,000 - $6,000

    Antonio Pietro Francesco Zucchi (Venice 1726-1795 Rome) A landscape with a bridge and classical ruins in the distance, a family fishing by a stream in the foreground signed and dated 'ant. zucchi-1787.' black chalk, pen and brown ink, grey wash, black ink framing lines 16 3/8 x 20¾ in. (41.5 x 52.7 cm.)

    Christie's
  • Attributed to Antonio Pietro Francesco Zucchi, A, R.A. (Venice 1726-1795 Rome)
    Dec. 02, 2008

    Attributed to Antonio Pietro Francesco Zucchi, A, R.A. (Venice 1726-1795 Rome)

    Est: £600 - £800

    Attributed to Antonio Pietro Francesco Zucchi, A, R.A. (Venice 1726-1795 Rome) Four men in an interior, one pointing at a passage in a book black chalk, pen and brown ink, brown wash, heightened with white, on buff paper 16¼ x 11 in. (414 x 294 mm.)

    Christie's
  • - Angelica Kauffman, R.A. , 1741-1807 Portrait of Antonio Pietro Francesco Zucchi (1726-1795) oil on canvas
    Jun. 05, 2008

    - Angelica Kauffman, R.A. , 1741-1807 Portrait of Antonio Pietro Francesco Zucchi (1726-1795) oil on canvas

    Est: £50,000 - £70,000

    half length, seated holding a pen in his right hand, an extensive landscape beyond oil on canvas

    Sotheby's
  • Antonio Zucchi, A.R.A. (Italian, 1726-1796, active
    May. 03, 2008

    Antonio Zucchi, A.R.A. (Italian, 1726-1796, active

    Est: $25,000 - $35,000

    Antonio Zucchi, A.R.A. (Italian, 1726-1796, active in England, 1766-1781) , "Virgil Reading the Aeneid to Augustus and Octavia" and "A Classical Scene with a Young Man and Young Woman Mourning the Death of a Songbird", a pair of oval oils on canvas, both

    Neal Auction Company
  • Sappho with the lyric poet Alcaeus; Lesbia with the poet Catullus; and [possibly] the poet Callimachus
    Apr. 25, 2008

    Sappho with the lyric poet Alcaeus; Lesbia with the poet Catullus; and [possibly] the poet Callimachus

    Est: -

    Attributed to Antonio Zucchi (Venice 1726-1796 Rome) Sappho with the lyric poet Alcaeus; Lesbia with the poet Catullus; and [possibly] the poet Callimachus oil on paper laid on board, the corners made up 20¾ x 26 in. (60.3 x 66 cm.); 22¼ x 27¼ in. (56.5 x 69.3 cm.); and 21 x 25 in. (53.5 x 63.5 cm.) a set of three (3)

    Christie's
  • Attribué à Antonio ZUCCHI (Venise 1726 - Rome
    Apr. 10, 2008

    Attribué à Antonio ZUCCHI (Venise 1726 - Rome

    Est: €8,000 - €10,000

    Attribué à Antonio ZUCCHI (Venise 1726 - Rome 1795) - Paysage animé...

    Piasa
  • Antonio Zucchi Venice 1726 - 1795 Rome , landscape with peasants by a roadside fountain gouache
    Jul. 04, 2007

    Antonio Zucchi Venice 1726 - 1795 Rome , landscape with peasants by a roadside fountain gouache

    Est: £4,000 - £6,000

    signed and dated: Antonius Zucchi del 1761 gouache

    Sotheby's
  • ANTONIO ZUCCHI It. 1726 -1796
    Aug. 05, 2005

    ANTONIO ZUCCHI It. 1726 -1796

    Est: $12,000 - $18,000

    ANTONIO ZUCCHI It. 1726 -1796 Virgil Reading the Aeneid to Augustus and Octavia Oil on canvas 37 1/2 × 50 1/2 in.(95.3 × 128.3 cm)

    Barridoff Auctions
  • ANTONIO ZUCCHI VENICE 1726-1795 ROME VIEW IN A VAULTED ENTRANCE, WITH VARIOUS FIGURES, AND A
    Jul. 06, 2005

    ANTONIO ZUCCHI VENICE 1726-1795 ROME VIEW IN A VAULTED ENTRANCE, WITH VARIOUS FIGURES, AND A

    Est: £2,500 - £3,500

    ANTONIO ZUCCHI VENICE 1726-1795 ROME VIEW IN A VAULTED ENTRANCE, WITH VARIOUS FIGURES, AND A COURTYARD BEYOND signed and dated in pen and brown ink: ant Zucchi 1793 pen and brown ink and brown and grey wash over traces of black chalk, with touches of white heightening CATALOGUE NOTE This is totally characteristic of Zucchi's compositions of figures in architectural settings, and may well have been made as a set design.

    Sotheby's
  • ANTONIO ZUCCHI A.R.A. AND PIETRO MARIA BORGNIS 1726- 1795 AND CIRCA 1739-1810
    Mar. 26, 2004

    ANTONIO ZUCCHI A.R.A. AND PIETRO MARIA BORGNIS 1726- 1795 AND CIRCA 1739-1810

    Est: £30,000 - £40,000

    A SERIES OF ALLEGORICAL SCENES FROM THE ANTIQUE: MERCURY AND PSYCHE; APOLLO AND THE CUMAEAN SIBYL; THE TRIUMPH OF GALATEA; THE MARRIAGE OF CUPID AND PSYCHE; MELPOMENE, MUSE OF TRAGEDY; ENTERPE, MUSE OF MUSIC; ERATO, MUSE OF LYRIC AND LOVE POETRY; CLIO, MUSE OF HISTORY; TERPSICHORE, MUSE OF DANCE AND SONG; CUPID AND PSYCHE; URANIA, MUSE OF ASTRONOMY; MUSE, BLOWING A HORN; CALLIOPE, MUSE OF POETRY; MUSE, OF LOVE WITH CHERUB; MUSE, IMPLORING CHERUB; MUSE WITH FAIRY; TRIUMPH OF VENUS; ALLEGORY OF THE WIND

    Sotheby's
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