Charmion VonWiegand Sold at Auction Prices

CHARMION VON WIEGAND (NY/IL, 1896-1983)

CHARMION VON WIEGAND (NY/IL, 1896-1983) Untitled Abstract, watercolor on paper, pencil signed 'CvW' lower right, mounted in white mat under glass, in white painted poplar box frame, OS: 32 3/4" x 21 1/2", SS: 21 1/2" x 10 1/2", a few scattered spots of foxing.

Charmion von Wiegand (American, 1896 - 1983)

Charmion von Wiegand (American, 1896 - 1983) Untitled Mixed Media Gouache and Pencil, Pencil Signed. Image Size 10.75 x 8 in. Overall Framed Size: 16 x 13.5 in. Framed behind glass.

Charmion Von Wiegand Oil and Paper Collage on Canvas Modernist Abstract Art

Charmion Von Wiegand Oil and Paper Collage on Canvas Modernist Abstract Art, signed lower left corner

Charmion Von Wiegand (1896 - 1983) oil on canvas, NEW LIGHTS-1960/61. painting size 16 x 11. Signed and dated on stretcher; Good Condition; Provenance: Marilyn Pearl Gallery; Noah Goldowsky Inc. labels, Private Collection Key Biscayne

Charmion Von Wiegand (1896 - 1983) oil on canvas, NEW LIGHTS-1960/61. painting size 16 x 11. Signed and dated on stretcher; Good Condition; Provenance: Marilyn Pearl Gallery; Noah Goldowsky Inc. labels, Private Collection Key Biscayne

Charmion Von Wiegand, Gouache on Paper

Charmion Von Wiegand (American, 1896-1983), gouache on paper, "Pillar of Zen #124", 1959. Sheet size approx. 21" x 22". Inscribed at lower right, Charmion von Wiegand. Andre Zarre Gallery sticker on backing board. Mounted within a whitewood frame box. This lot is being offered on behalf of the New York County Public Administrators office from the Estate of Andre Sowulewski (220267)

Charmion von Wiegand Gouache Painting

Labels to reverse: Howard Wise Gallery | Hammer & Block Auctioneers, Miami, Florida, 9.6.2011 auction, lot 104 | Art Dealer Miami, Miami, Florida. Lot is accompanied by a copy of the purchase receipt issued by Hammer & Block Auctioneers, Miami, Florida, dated 9.6.2011, which shows a handwritten bill of sale between Art Dealer Miami and private collector, dated Nov. 2021. Provenance: In-house estate sale of Pina Laurent, Boynton Beach, Florida (per receipt) | Hammer & Block Auctioneers, Miami, Florida | Art Dealer Miami, Miami, Florida | Private Collection, Miami, Florida.

Charmion Von Wiegand (American, 1896-1983) #116, 1959

Charmion Von Wiegand (American, 1896-1983) #116, 1959 oil on paper initialed C. VW (lower right); titled and dated (lower left) 8 1/2 x 7 3/4 inches. Provenance: Stuttman Gallery, New York Acquired from above by Elisabeth French, Washington D.C.

Charmion von Wiegand, Untitled (#153)

Charmion von Wiegand Untitled (#153) 1961 mixed media on panel sight: 10 h x 6.5 w in (25 x 17 cm) Signed, dated and inscribed to lower edge 'Charmion von Wiegand #153 1961'. Provenance: Collection of Robert Kulicke | Private Collection This work will ship from Lambertville, New Jersey.

Charmion Von Wiegand (1896-1983), "The Lotuses," 1960 , Oil on canvas, 60" H x 12" W

Charmion Von Wiegand (1896-1983) "The Lotuses," 1960 Oil on canvas Unsigned; titled and dated on a gallery label affixed verso

Charmion von Wiegand, Untitled

Charmion von Wiegand Untitled 1961 gouache and paper collage on board 8.875 h x 7.5 w in (23 x 19 cm) Signed and dated to lower edge '1961 Charmion von Wiegand'. This work will ship from Chicago, Illinois.

Charmion von Wiegand, Untitled

Charmion von Wiegand Untitled 1961 gouache and paper collage on board 8.875 h × 7.5 w in (23 × 19 cm) Signed and dated to lower edge '1961 Charmion von Wiegand'. This work will ship from Wright in Chicago, Illinois.

CHARMION VON WIEGAND Collage #264 The Mountain Way.

CHARMION VON WIEGAND Collage #264 The Mountain Way. Paper collage with acrylic on card, 1963. 255x235 mm; 10x9 1/4 inches. Signed, titled, and dated in ink, lower edge recto and signed, titled and dated in ink, verso. Provenance: Marilyn Pearl Gallery, New York, with the label; private collection, New Jersey. Exhibited: "Charmion von Wiegand Collages," Noah Goldowsky, Inc., New York, March 25- May 3, 1975, number 23. Von Wiegand (1896-1983) was a New York based abstract painter, writer, collector, benefactor and art critic. She started to paint in 1926 while receiving psychoanalytic therapy and encouragement from her friend and painter, Joseph Stella. Wiegand was in Moscow as a journalist from 1929 to 1932, where the Fauve paintings in the Morosof Collection inspired her imagination and desire to paint seriously. When she returned to New York in 1932, she became part of the cultural avant-garde and developed a close circle of friends including John Graham, Carl Holty, Hans Richter, Joseph Stella and Mark Tobey, all artists who similarly shared a belief that art should be made from physical beauty and spirituality. She became an associate member of the American Abstract Artists in 1941, a full member in 1947, exhibited with them from 1948, and later even became its president from 1951 to 1953.

CHARIMON VON WIEGAND Collage #107 Ascending.

CHARIMON VON WIEGAND Collage #107 Ascending. Paper collage and acrylic on card, 1954. 269x107 mm; 10 1/2x4 1/4 inches. Signed in pen and ink, lower left recto and signed, dated, titled, and inscribed in ink, verso. Provenance: Private collection, New Jersey. Wiegand (1896-1983) was a New York based abstract painter, writer, collector, benefactor and art critic. She started to paint in 1926 while receiving psychoanalytic therapy and encouragement from her friend and painter, Joseph Stella. Wiegand was in Moscow as a journalist from 1929 to 1932, where the Fauve paintings in the Morosof Collection inspired her imagination and desire to paint seriously. When she returned to New York in 1932, she became part of the cultural avant-garde and developed a close circle of friends such as John Graham, Carl Holty, Hans Richter, Joseph Stella and Mark Tobey, all artists who similarly shared a belief that art should be made from physical beauty and spirituality. She became an associate member of the American Abstract Artists in 1941, a full member in 1947, exhibited with them from 1948, and later even became its president from 1951 to 1953.

Charmion von Wiegand, Untitled

Charmion von Wiegand Untitled 1956 oil on board 6.75 h × 5.5 w in (17 × 14 cm) Signed and dated to lower edge 'C.W. H. SS 1956'. This work will ship from Rago in Lambertville, New Jersey.

Charmion Von Wiegand, (American, 1896-1983), "Untitled: Abstraction", oil on canvas, 6-1/4" x 9", framed 17" x 20"

Charmion Von Wiegand (American, 1896-1983) "Untitled: Abstraction" oil on canvas unsigned. Artist identified and a "DuBose Gallery, Houston, Texas" label en verso. Framed. 6-1/4" x 9", framed 17" x 20" Provenance: DuBose Gallery, Houston, Texas; Private collection, Houston, Texas.

Charmion Von Wiegand, American (1896-1983), Five Mountains, 1964, gouache on silk, 9 1/4"H x 11 1/2"W (sight), 15 1/2"H x 18 3/4"W (frame)

Charmion Von Wiegand American, (1896-1983) Five Mountains, 1964 gouache on silk faded signature, title and date lower right and left. Provenance: From a private collector, Indianapolis. Collection of the artist #211, Exhibited Bass Museum of Art, Miami Beach, Charmion Von Wiegand: Her Art and Life, 1982, Howard Wise Gallery, NY, #2220, and Marilyn Pearl Gallery, New York. From the Archives of AskArt: A leading mid-20th century Geometric Abstract painter, Charmion Von Wiegand was born in Chicago and attended Barnard College and the Columbia School of Journalism. She then worked as a newspaper reporter in New York City, being a correspondent for the Hearst newspapers in Moscow. She returned to New York where she had become associated with the Avant Garde art movement and had started painting in 1926. By 1929, she was devoting herself full time to painting and to writing about art for national magazines. She married novelist Joseph Freeman. She was a close friend of Piet Mondrian and until his death in 1944, worked with him on essays relating to his principles of abstract Neo-Plastic art. In fact, she wrote the first American published work about him. She was a member of the American Abstract Artists, a group formed to protest Social Realism, and served as President from 1950 to 1953. After 1960, she became much more expressive or emotional in her work and moved away from her former tight grid painting of color squares. She exhibited regularly until her death in 1983. Source: "American Women Artists" by Charlotte Streifer Rubinstein

Charmion Von Wiegand (American, 1896-1983) The Dream Form, c. 1945-47

Charmion Von Wiegand (American, 1896-1983) The Dream Form, c. 1945-47 oil on canvas signed Charmion Wiegand and titled (verso) 19 7/8 x 25 inches. Property belonging to the JFM Foundation Collection, Denver, Colorado Lot note: Charmion von Wiegand is best known as a leading American practitioner of neoplasticism, an abstract style developed by Dutch avant-garde painter Piet Mondrian. Born in Chicago, von Wiegand worked as a journalist in New York and as a foreign correspondent in Moscow in the 1920s and 1930s. After returning to New York in 1932, she wrote art criticism for New Masses, Federal Art Project, and ARTnews, and acted as editor for Art Front. Her work as a journalist allowed her to interview Mondrian in 1941, after his immigration to New York. The two subsequently formed a close relationship. Von Wiegand translated key texts on neoplasticism into English for Mondrian, making it more accessible to the American population. Von Wiegand initially found Mondrian's grid-like compositions cold and sterile, but she eventually embraced his spiritual approach to abstraction. She originally began to paint in 1926, impelled by intense visual memories she experienced while under psychoanalysis and painted expressionist-style landscapes after she re-settled in New York. Mondrian introduced von Wiegand to the concept that abstract painting could be a pathway to a "higher consciousness." The older artist was seeking compositions that crystallized the invisible harmonies of the spirit. Already drawn to Theosophy and its hybrid of Asian and ancient Middle Eastern religions, von Wiegand came to share this fascination. However, von Wiegand did not strictly adhere to the constraints of neoplasticism. Her experimental sensibility led her to create an oeuvre that is a hybrid of geometric abstraction and multiple European avant-garde movements, such as suprematism and surrealism. Especially during the mid- to late 1940s, von Wiegand explored her own personal style of abstract art. In a letter from Alice Trumbull Mason to sculptor Ibram Lassaw, while he was serving in the armed forces during World War II, Mason recounts "...'discussing biamorphic [sic] forms' with Charmion von Wiegand or perhaps, Mason corrects herself, with Balcomb and Gertrude Greene. Mason is puzzled. The dictionary yields nothing "˜except the word amorphous, which means without form. . . Does the bi have the sense of double? The Greek root bio means life, but there a new confusion enters. Is the word spelled biomorphic? In which case it would mean life forms. Charmion did say she felt biomorphic meant the true body rhythms, as distinct from obviously sexual forms'" (The Onward of Art: American Abstract Artists 80th Anniversary Exhibition, p. 11). The Dream Form likely dates from this period of biomorphic experimentation. Von Wiegand once stated, "The curve belongs to organic and natural life and rests us." The curved and sinuous shapes, executed in contrasting blues and yellows, whites and black against a bold red field, reveal the artist's concerns with the interaction of positive and negative space and the resulting tensions. She appears to have created several works featuring amoebic-like shapes from 1945-47, including Ominous Form, 1946 (Seattle Art Museum), The Nuptial Form, 1946-47 (Michael Rosenfeld Art, New York), and Telescopic Forms, 1945 (Kraushaar Galleries, New York). All feature the artist's clean, smooth style and careful, methodical application and layering of oil paint, which reflect the continuing influence of Mondrian. However, the vibrating, organic forms are unlike anything Mondrian might have done and reveals von Wiegand's search for her own artistic mode. Von Wiegand's profound understanding of European avant-garde styles can be seen in the present work, with its understanding of the formal and visual principles as well as the concepts and theories of these movements. Yet her unique strain of abstraction, which gradually incorporated an increasing use of Buddhist forms and intentions with the aesthetic purity of neoplasticism, reflects the complexities of the many varieties of abstract art that emerged in early 20th century United States. This is what makes her work from this period so captivating and opens a window into the development of the many iterations of American abstraction in the post-war era.

Charmion von Wiegand, (American, 1896-1983), #112, 1954, mixed media collage, 8 1/4" x 10 1/4"

signed lower left, titled and dated lower right

Charmion von Wiegand, Untitled

Charmion von Wiegand Untitled 1953 oil and paper collage on board 5.625 h × 2.625 w in (14 × 7 cm) Signed and dated to lower edge '53 C.V.W.'. Provenance: Sotheby's, American Paintings, Drawings and Sculpture, 10 October 2007, Lot 29 Condition of the item is not included in this description. Condition reports are available from Rago upon request. Rago strongly recommends that you review a condition report for each item on which you plan to bid. Email condition@ragoarts.com to request a condition report.

Charmion von Wiegand, Untitled

Charmion von Wiegand Untitled 1947 collage and acrylic on paper board 11.75 h × 15.5 w in (30 × 39 cm) Signed and dated to lower edge '1947 Charmion Wiegand'. Provenance: Acquired directly from the artist | Collection of Gertrude Stein, New York Exhibited: Charmion von Wiegand: In Search of the Spiritual, 1993, Joseloff Gallery, University of Hartford, CT | ACA Gallery, New York condition: Few collaged elements have dog-eared corners and are slightly lifting, a natural result over time and obscured in the composition. Fine condition overall. Framed behind acrylic measuring 20 x 23 x 2 inches.

Charmion von Wiegand, Untitled

Charmion von Wiegand Untitled c. 1945 gouache on paper 14 h × 11 w in (36 × 28 cm) Provenance: Acquired directly from the artist | Collection of Gertrude Stein, New York Literature: Charmion von Wiegand: Spirituality in Abstraction, 1945-1969, Michael Rosenfeld Gallery, pg. 24 illustrates related work condition: Sheet showing a pale timestain with minor discoloration. Verso showing older hinges and some minor waviness. Framing should be updated. Framed behind acrylic measuring 14 x 11 x 2 inches.

Charmion von Wiegand, Untitled

Charmion von Wiegand Untitled 1955 gouache on paper 15 h × 11 w in (38 × 28 cm) Signed and dated to lower edge '1955 CvW'. condition: Sheet is mounted with archival materials along upper edge. Two thin surface marks near center of work. Verso shows small points of foxing to paper which have not affected overall appearance. Very good condition. Framed behind glass measuring 20 x 16 x 1 inches.

Charmion von Wiegand, Tibetan Holiday

Charmion von Wiegand Tibetan Holiday 1954-55 collage, ink and acrylic on paper 15 h × 12 w in (38 × 30 cm) Signed, titled and dated to verso 'Tibetan Holiday Collage #121 Charmion von Wiegand New York City December 1954'. Signed and dated to lower edge ‘Charmion von Wiegand 1955'. Provenance: Zoe Dusane Gallery, Seattle | Private Collection Condition of the item is not included in this description. Condition reports are available from Wright upon request. Wright strongly recommends that you review a condition report for each item on which you plan to bid. Email condition@wright20.com to request a condition report.

Charmion Von Wiegand American, 1896-1983 The Chinese Drug Store, 1955

Charmion Von Wiegand American, 1896-1983 The Chinese Drug Store, 1955 Initialed CvW and dated NY 1955 (lr), numbered 137 (ll), signed Charmion von Wiegand, dated Sunday Night, May 15, 1955 and inscribed as titled on the reverse Gouache and mixed paper collage on illustration board 10 x 7 inches Provenance: Irma B. Jaffe, NY The Estate of Irma B. Jaffe C 

Charmion VON WIEGAND (1896-1983) American

Charmion VON WIEGAND (1896-1983) ; B NY CITY ; 1949-50 ; oil on canvas / framed ; dimensions 51,2 x 40,2 cm (20.15 x 15.82 in.) ; frame size 60,5 x 49,5 cm (23 3/4 x 19 1/2 in.) ; signed and dated at the bottom ; artists inscriptions on verso ; Shipping to USA - DHL $250 , National post with tracking service $120 / Shipping to EU, Russia, Middle Assia - DHL $150 , National post with tracking service $65

CHARMION VON WIEGAND (1896-1983)

The Han Seal signé ‘Charmion von Wiegand’ (en bas à gauche), daté et numéroté ‘November 1954 #118’ (en bas à droite) huile, collage et xylogravure sur papier 27.5 x 21 cm. (à vue) Exécuté en novembre 1954 SIGNED LOWER LEFT; DATED AND NUMBERED LOWER RIGHT; OIL, COLLAGE AND WOODCUT ON PAPER; 11.7/8 X 8.1/4 IN. (SIGHT); EXECUTED IN NOVEMBER 1954. PROVENANCE Michel Seuphor, Paris (don de l’artiste). Collection privée, France.

Charmion Von Wiegand, American (1898-1983) Circa 1958 Untitled Gouache Collage on Paper

Charmion Von Wiegand, American (1898-1983) Circa 1958 Untitled Gouache Collage on Paper, Signed and Numbered. Includes Sotheby's auction catalogue which features the artwork. Measures 9-1/2" H x 8" W. Frame measures 16-1/2" H x 15" W. Shipping $95.00 (estimate $4000-$6000)

Charmion von Wiegand, (American, 1896-1983), The Persian Court, 1956

Charmion von Wiegand (American, 1896-1983) The Persian Court, 1956 collage signed Charmion von Wiegand and dated (lower left) 6 x 5 inches.

Charmion von Wiegand American, 1896-1983 Untitled Signed C.V.W (lr) Oil on canvas laid to masonite 28...

Charmion von Wiegand American, 1896-1983 Untitled Signed C.V.W (lr) Oil on canvas laid to masonite 28 x 14 inches Provenance: Estate of Fong Chow, New York C 

(4) Postwar works on paper from Ciba Geigy Coll.

(4) Postwar works on paper from Ciba Geigy Coll., Incl. Camille Graeser (1892-1980, Swiss), Untitled, 1970, (2) silkscreens, signed, ed. 27/100 and 29/100, 23.5" x 23.5" (sheet); Clinton Hill (b. 1922, American), Untitled, 1968, acrylic on fiberglass, 24" x 24" (sheet); Charmion von Wiegand (1900-1983, American), "Magic Squares", 1960, gouache, signed and inscribed verso, 18" x 14" (sheet), all unframed Provenance: The Ciba-Geigy Art Collection

Charmion von Wiegand American, 1896-1983 (i) Witching Hour, 1963 Signed Charmion von Wiegand (lr) and date...

Charmion von Wiegand American, 1896-1983 (i) Witching Hour, 1963 Signed Charmion von Wiegand (lr) and dated 1963 (ll) Gouache and mixed paper collage on paper Image 7 3/4 x 6 1/8 inches, support 11 1/4 x 8 inches Provenance: Marilyn Pearl Gallery, New York Exhibited: Montclair, NJ, The Montclair Museum, Collage: American Masters, Part II, May 13 - Jun. 24, 1979 Miami Beach, FL, Bass Museum of Art, Charmion von Wiegand: Her Art and Life, Feb. 18 - Mar. 28, 1982 (ii) Birth of a Planet #212, 1958 Signed Charmion von Wiegand and dated 1958 on the support, inscribed For Fong Chow/Xmas 1981 (ll) Gouache and collage on paper laid to matboard Sheet 9 x 12 inches C Estate of Fong Chow

Charmion Von Wiegand American, 1896-1983 The Peacock Valley, 1960

Charmion Von Wiegand American, 1896-1983 The Peacock Valley, 1960 Signed CVW and dated 1960 (lr) Gouache on paperboard 17 3/4 x 16 1/4 inches (45.1 x 41.3 cm) Provenance: Andre Zarre Gallery, New York C 

Charmion von Wiegand Chicago 1896 - 1983 New York

Charmion von Wiegand Chicago 1896 - 1983 New York Aus einer Privatsammlung in den USA Basilique. Center of the China Road Gouache über Bleistift. 1958. 34,0 : 25,4 cm. Signiert, datiert u. mit Werknr. »63« bezeichnet. Abstrakte Komposition der amerikanischen, zunächst von Mondrian beeinflußten Künstlerin. Die Beschäftigung mit Theosophie u. Buddhismus führte sie zu einer écriture automatique. - Auf Velin, auf Karton montiert. - Ausstellungen: Helen Serger, New York. - Rose Fried Gallery, New York (auf der Rahmenrückwand mit dem Etikett). (143)

Charmion von Wiegand American, 1896-1983 Birth of a Planet #212, 1958

Charmion von Wiegand American, 1896-1983 Birth of a Planet #212, 1958 Signed Charmion von Wiegand and dated 1958 on the support, inscribed For Fong Chow/Xmas 1981 (ll) Gouache and collage on paper laid to matboard Sheet 9 x 12 inches Estate of Fong Chow

Charmion von Wiegand American, 1896-1983 Witching Hour, 1963

Charmion von Wiegand American, 1896-1983 Witching Hour, 1963 Signed Charmion von Wiegand (lr) and dated 1963 (ll) Gouache and mixed paper collage on paper Image 7 3/4 x 6 1/8 inches, support 11 1/4 x 8 inches Provenance: Marilyn Pearl Gallery, New York Exhibited: Montclair, NJ, The Montclair Museum, Collage: American Masters, Part II, May 13 - Jun. 24, 1979 Miami Beach, FL, Bass Museum of Art, Charmion von Wiegand: Her Art and Life, Feb. 18 - Mar. 28, 1982 Estate of Fong Chow

Charmion von Wiegand (AMERICAN, 1896-1983) Dance of the Elements No. I signed, dated, titled and inscribed 'Charmion Wiegand Property of Mr + Mrs William Feinburg 2 HORATIO ST NY Dance of the Elements 1945 No I' (on the reverse) oil on canvas 16 x 12 in. (40.6 x 30.5 cm.), unframed Painted in 1945.

40: CHARMION VON WIEGAND (1896-1983)

CHARMION VON WIEGAND (1896-1983) Untitled "Collage" initialed CvW. dated 1955 l/r, and numbered #126 l/l. Pigment and paper collage on paper. Measuring 9 1/4 by 8 inches.

CHARMION VON WIEGAND (1896-1983)

166. CHARMION VON WIEGAND (1896-1983) Untitled "Collage" initialed CvW. dated 1955 l/r, and numbered #126 l/l. Pigment and paper collage on paper. Measuring 9 1/4 by 8 inches.

Charmion von Wiegand American, 1899-1983 #126, 1955

Charmion von Wiegand American, 1899-1983 #126, 1955 Signed CVW and dated 1955 (lr); inscribed as titled (ll) Oil and paper collage on paper 10 x 8 1/2 inches (25.4 x 21.6 cm) C 

Charmion von Wiegand (American, 1896-1983) "#112,"

Charmion von Wiegand (American, 1896-1983) "#112," 1954, collage, 8.25" x 10.25", signed lower left, titled and dated lower right, framed

Charmion von Wiegand (American, 1899-1983) The Silk Domino, 1961 11 13/16 x 11 13/16in (30 x 30cm)

The Silk Domino, 1961 signed with initials and dated 'CVW. / 1961' (lower right) pencil and gouache on paper board 11 13/16 x 11 13/16in (30 x 30cm)

Charmion Von Wiegand (1899-1983)

Charmion Von Wiegand (1899-1983) Offering to the Universe signed with initials twice and numbered 'CVW. #204' (lower right) gouache over pencil on paper 21¾ x 20 3/8 in. (55.2 x 51.8 cm.) Executed in 1964

Charmion Von Wiegand (1899-1983)

Charmion Von Wiegand (1899-1983) Sanctuary of the Four Directions signed with initials, numbered and dated 'CV.W #195 1963' (lower center) gouache over pencil on paper laid down on board 18¾ x 16¾ in. (47.5 x 42.6 cm.) Painted in 1963

Charmion Von Wiegand Yellow Pagoda, 1959

Charmion Von Wiegand Yellow Pagoda, 1959 Signed Charmion von Wiegand (lr), dated and inscribed Feb.15.59 - #101 (ll) Gouache on paper 18 1/4 x 9 inches Provenance: Howard Wise Gallery, New York Barbara Mathes Gallery, New York

Charmion von Wiegand 1900-1983 , Transfiguration oil on canvas

inscribed Charmion von Wiegand, titled and dated 1959-60, on the backing oil on canvas

Charmion von Wiegand 1900-1983 , Untitled: Two works the first oil on paper, the second oil on paper collage (2 works)

both signed with initials C.V.W., l.l, the first dated 1954 and dedicated For Manuel.../ 1974, the second dated 1954 the first oil on paper, the second oil on paper collage (2 works)

Charmion von Wiegand 1900-1983 , #162 Prismatic Lattice: Tragic square gouache on card

signed Charmion von Wiegand, l.r., titled and dated 1962, l.l; titled, signed and dated April 11, 1962, verso gouache on card

Red, Yellow and Blue

Charmion von Wiegand (1899-1983) Red, Yellow and Blue signed with initials and dated 'C.V.W. 1959' (lower left) gouache over pencil on paperboard 13 x 13 in. (33 x 33 cm.) Painted in 1959