Niccoló Vicentino Paintings & Artwork for Sale | Niccoló Vicentino Art Value Price Guide

May. 14, 2024
Giuseppe Niccolò Vicentino [scuola di], La Carità. 1540-1549 ca.
Est: €480 - €960
Chiaroscuro a tre legni, verde oliva chiaro, verde oliva medio, bruno. mm 140x95. Bartsch, XII, 3. Takahatake, pp.157-160. Atlante delle xilografie italiane del Rinascimento (ALU.1005.1). Da una serie di chiaroscuro simili per formato, tecnica e stile, identificati da Bartsch come le Virtù cristiane. Si è a lungo creduto che fossero da disegni del Parmigianino, ma recentemente la vicinanza di un disegno del Louvre attribuito a Perin Del Vaga e vicino alla figura della Fede, ha spostato l'attribuzione dell'invenzione. I sei intagli vengono riferiti alla bottega di Niccolò Vicentino in base a tecnica ed esecuzione. Bellissima prova su carta vergellata sottile. Al verso marchio di collezione impresso in nero con lettere "a.m. in cerchio singolo" (Collezione Masi, Bologna. Non su Lugt). (1)
Gonnelli Casa d'Aste
Mar. 13, 2024
Vicentino (Giuseppe Niccolo, active c.1510-c.1550). Olympus (Surprise), after Parmigianino...,
Est: £300 - £500
Vicentino (Giuseppe Niccolo, active c.1510-c.1550). Olympus (Surprise), after Parmigianino..., * Vicentino (Giuseppe Niccolo, active c.1510-c.1550). Olympus (Surprise), after Girolamo Francesco Maria Mazzola, known as Parmigianino, circa 1540s, chiaroscuro woodcut on laid paper, published by Andrea Andreani (1540/46-1623), Henry Foster Sewall's collector's mark to verso (Lugt 1309), numerous other stamps to verso: 'Duplicate sold by the Museum of Fine Arts, Boston', 'M. F. A. H. D. F. Coll. No, 1700', 'Forbes Library, Northampton, Mass.', minimally tipped-on to backing board, remnants of old tape to verso, a few old creases, some minor discolouration to lower portion of sheet, sheet size 24.4 x 15.7 mm (9 1/4 x 10 ins), framed and glazed (41 x 31.5 cm), together with Prestel (Johann Gottlieb, 1739-1808). Saint Francis, Catherine and Jerome, 1786, chiaroscuro woodcut printed in pale green, blue, brown and black, 25.6 x 19.6 cm (7.75 x 10.1 ins), laid down on old paper, framed and glazed, together with Prestel (Marie Catherine, 1747-1794). Roman Sacrifice (after Abraham Bloemaert), 1780, chiaroscuro aquatint in dark brown, light brown and black, 16 x 12.5 cm (6.3 x 4.9 ins) mount aperture, framed and glazed, plus Kirkall (Elisha, c.1682-1742). Noah's Sacrifice, after Paolo Veronese, circa 1724, etching and mezzotint, overprinted with a woodcut block, old fold, some creases, closed tears to lower margin, plate size 48 x 33 (19 x 13 ins), sheet size 54 x 37 cm QTY: (4) NOTE: Provenance: Estate of Michael Jaffé (1923-1997) art historian and former director of the Fitzwilliam Museum, Cambridge. Olympus (Surprise) is also attributed to Ugo da Carpi (1450/80-1532).
Dominic Winter Auctions
Nov. 29, 2023
Vicentino, Niccolò: Christus heilt die Aussätzigen
Est: €3,000 - €3,500
Christus heilt die Aussätzigen. Clair-obscur-Holzschnitt von drei Platten in Ocker, Braun und Schwarz. 30 x 41,5 cm. B. 15 II, Gnann 97 II, Takahatake 52-44 II. -- -- Mit der Verlegeradresse Andrea Andreani, 1608 Mantua. Ausgezeichneter Druck bis an die Einfassung geschnitten. Vertikale Mittelfalz, diese unten gesprungen und geschlossen, kleine Randläsuren bzw. vereinzelt sorgsam geschlossene Randeinrisse, am linken sowie rechten Rand fachmännisch ausgebesserte Stellen mit dezenten Retuschen, insgesamt etwas angestaubt und zwei winzige Rostfleckchen mittig, sonst schön. -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Dec. 09, 2022
Hercules and the Nemean Lion (Bartsch 17; Takahatake 39)
Est: £1,000 - £2,000
Niccolò Vicentino (After School of Raphael) c. 1510 - 1550 Hercules and the Nemean Lion (Bartsch 17; Takahatake 39) Chiaroscuro woodcut from two blocks in lime green and black, circa 1540-50, the first state (of two), a somewhat indistinct impression, framed sheet: 216 by 167mm 8½ by 6½in Bid on Sotheby's
Sotheby's
Nov. 30, 2022
Vicentino, Niccolò: Prudentia
Est: €1,500 - €1,800
Prudentia. Clairobscur-Holzschnitt von drei Platten in Grün und Braun. 14,5 x 10 cm. B. XII, 129, 6, TIB 48, 210, 4 (129), Ausst. Kat. In Farbe! Clair-obscur-Holzschnitte der Renaissance. Meisterwerke aus der Sammlung Georg Baselitz und der Albertina in Wien, hrsg. von Achim Gnann, München 2013, S.228-231, Nr. 111. -- -- Der seltene Holzschnitt gehört einer Folge von sechs Blatt mit Darstellungen der christlichen Tugenden an, von der bislang angenommen wurde, dass sie auf Vorzeichnungen Parmigianinos zurückgehen. Dabei wurden die Holzschnitte in der Vergangenheit unterschiedlichen Formschneidern zugeschrieben, die im 16. Jahrhundert an der Umsetzung von Parmigianinos Vorlagen in die Chiaroscuro-Technik beteiligt waren, unter ihnen Ugo da Carpi, Antonio da Trento und Niccolò Vicentino. Neuere Forschungen jedoch stellen die Verbindung der Holzschnitte mit Parmigianino in Frage. Achim Gnann verweist auf eine im Louvre aufbewahrte Federzeichnung, die eindeutig als Vorlage für einen der sechs Holzschnitte diente. Sie wurde früher der Raffael-Schule zugeordnet, gilt heute jedoch als Werk von Perino del Vaga, einer der Künstler, nach deren Vorlagen Vicentino nachweislich arbeitete. Die Zuschreibung der Holzschnitte an Niccolò Vicentino lässt sich, laut Gnann, auf die für Vicentinos Stil typische malerische und flüssige Applizierung der Farben, sowie die weiche Biegsamkeit der Posen stützen. - Ganz ausgezeichneter Druck mit der Einfassung und markantem Druckrelief verso. Leicht fleckig, am linken und oberen Rand winzige Läsuren, diese meist hinterlegt, oben mit dezenter Retusche, unten rechts kleiner hinterlegter vertikaler Randeinriss, sonst schön erhalten. Aus der Sammlung des Museum of Fine Arts, Boston, Collection H. D. Parker (Lugt 1870, mit deren Veräußerungsstempel Lugt 5156) sowie aus der Sammlung Henry Foster Sewall (Lugt 1309). -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Dec. 14, 2021
Niccolo Vicentino (1510-1550) - Adoration of the Magi - Chiaroscuro
Est: €900 - €1,400
The adoration of the Magi, one of whom kneels while the others stand before a camel, after Parmigianino Chiaroscuro woodcut from three blocks in green Lettered at left with Andreani's monogram 'AA / MDCV' After a drawing by Parmigianino in the Musée du Louvre . This is a second state with the address of Andreani as publisher. Andreani who was a well-known chiaroscuro woodcutter himself published several chiaroscuro's from artist from the earlier 16th century, adding his monogram. The woodcut itself was made by Vicentino between 1520-1550 after Parmigianino.
Old Master Print
Dec. 01, 2020
Giuseppe Niccolò Vicentino [attribuito a], Adorazione dei Magi. 1540 ca.
Est: €300 - €600
Xilografia. mm 164x243. TIB 48, 2. Mussini/De Rubeis, 215. In basso a sinistra sul sedile della Vergine il monogramma di Andrea Andreani e la data "MDCV". Da un disegno del Parmigianino conservato al Louvre (Inv. n. 6377 - A. E. Popham, Catalogue of Drawings by Parmigianino, 1971, vol. I, p. 134, n. 358). Ottima impressione nel II stato su 2 dopo la sostituzione delle iniziali "FP" del Parmigianino con il monogramma dell'Andreani e la comparsa della data di edizione "1605". Sottile carta vergellata priva di filigrana.
Gonnelli Casa d'Aste
Nov. 25, 2020
Vicentino, Niccolò: Herkules im Kampf mit dem nemäischen Löwen
Est: €400 - €600
Herkules im Kampf mit dem nemäischen Löwen. Clair-obscur-Holzschnitt von zwei Blöcken in Schwarz und Okker, nach Raffael. 25,2 x 19,4 cm. B. XII, S. 119, 17 II. Mit der Adresse Andrea Andreanis. Ausgezeichneter, teils minimal trockener Druck mit schmalem Rand. Etwas angeschmutzt und fleckig, ausgebesserte Randschäden sowie einige ergänzte Fehlstellen, zwei Wurmlöchlein, aufgezogen. Beigegeben von Niccolò Vicentino nach Parmigianino "Christus heilt die Kranken" (B. XII S. 39, 15 II) sowie von Niccolò Boldrini "Samson und Delilah - Die Gefangennahme Samsons" (Muraro/Rosand 48). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Oct. 09, 2020
* Vicentino (Niccolo, active circa 1540s). Olympus (Surprise).
Est: £300 - £500
* Vicentino (Niccolo, active circa 1510-circa 1550). Olympus (Surprise), (after Parmigianino), circa 1540s, oval chiaroscuro woodcut on laid paper, printed from three blocks: olive green, grey-green and black, trimmed to the edge of the oval image (with loss of the outer rectangular edges of the print), sheet size 231 x 149 mm (9.1 x 5.9 ins), tipped-on to mount card, framed and glazed Qty: (1)
Dominic Winter Auctions
Jun. 09, 2020
Niccolo Vicentino - Parmigianino's adoration of the Magi
Est: €1,200 - €1,500
The adoration of the Magi, one of whom kneels while the others stand before a camel, after Parmigianino Chiaroscuro woodcut from three blocks in green Lettered at left with Andreani's monogram 'AA / MDCV' After a drawing by Parmigianino in the Musée du Louvre . This is a second state with the address of Andreani as publisher. Andreani who was a well-known chairoscuro woodcutter himself published several chiaroscuro's from artist from the earlier 16th century, adding his monogram. The woodcut itself was made by Vicentino between 1520-1550 afer Parmigianino.
Old Master Print
Dec. 10, 2019
NICCOLÒ VICENTINO (ACTIVE CIRCA 1540-50) AFTER PARMIGIANINO (1503-1540) The Presentation in the Temple Block 412 x 300 mm., Sheet 413 x 301 mm. (B. 6) Block & Sheet 375 x 276 mm. (B. 4) Block 440 x 280 mm., Sheet 440 x 283 mm. (LB. 20) (3)
Est: £2,000 - £3,000
NICCOLÒ VICENTINO (ACTIVE CIRCA 1540-50) AFTER PARMIGIANINO (1503-1540) The Presentation in the Temple chiaroscuro woodcut printed from four blocks in black and three shades of mushroom, circa 1540-50, on laid paper, without watermark, a good but slightly later impression of this uncommon print, Gnann's second, final state, with the address of Andreani and the incorrect attribution to Giuseppe Salviati, published in 1608, trimmed outside the borderline, tipped down to the support at the upper corners, a short tear at the right sheet edge, generally in good condition; together with The Adoration of the Magi by Andrea Andreani (1558/59-1629) after Aurelio Luini (1530-1593), chiaroscuro woodcut printed from three blocks in black and two shades of grey, circa 1580-1610, on thin laid paper, watermark Sun, a very good impression, trimmed to or just inside the borderline, some repairs and stains; and The Rape of Europa by Nicolas LeSueur (1691-1764) after Paolo Farinati (1524-1606), chiaroscuro woodcut printed from four blocks in dark grey, beige, light brown and bluish-grey, circa 1740, on laid paper, indisctinct watermark, a good impression, trimmed outside the borderline, laid down to support sheet, some repairs Block 412 x 300 mm., Sheet 413 x 301 mm. (B. 6) Block & Sheet 375 x 276 mm. (B. 4) Block 440 x 280 mm., Sheet 440 x 283 mm. (LB. 20) (3)
Christie's
Dec. 10, 2019
NICCOLÒ VICENTINO (ACTIVE CIRCA 1540-1550) AFTER RAPHAEL SCHOOL Hercules and the Nemean Lion Block & Sheet 248 x 191 mm.
Est: £1,500 - £2,500
NICCOLÒ VICENTINO (ACTIVE CIRCA 1540-1550) AFTER RAPHAEL SCHOOL (1483-1520) Hercules and the Nemean Lion chiaroscuro woodcut printed from two blocks in black and mushroom, circa 1540's, on laid paper, without watermark, a good but later impression, second, final state, with Andreani's address, with some gaufrage verso, trimmed to the borderline, a tiny paper loss at the upper right sheet edge, a soft crease at the lower right corner, otherwise in good condition Block & Sheet 248 x 191 mm.
Christie's
Dec. 10, 2019
NICCOLÒ VICENTINO (ACTIVE CIRCA 1540-50) AFTER POLIDORO DA CARAVAGGIO The Death of Ajax Block 318 x 419 mm., Sheet 320 x 419 mm.
Est: £2,500 - £3,500
NICCOLÒ VICENTINO (ACTIVE CIRCA 1540-50) AFTER POLIDORO DA CARAVAGGIO (CIRCA 1499-CIRCA 1543) The Death of Ajax chiaroscuro woodcut printed from three blocks in black and two shades of ochre, circa 1540-1550, on laid paper, watermark Anchor in a Circle, a fine impression of the first state (of two), before the address of Andreani, the colours vivid, a narrow margin below, trimmed to the borderline elsewhere, two vertical folds reinforced, a small skilfully made-up paper loss at the upper left corner, another tiny loss at the lower left sheet edge, skilfully backed and touched in pen and ink, otherwise in good condition Block 318 x 419 mm., Sheet 320 x 419 mm.
Christie's
Dec. 10, 2019
NICCOLÒ VICENTINO (ACTIVE CIRCA 1540-50) AFTER PARMIGIANINO (1503-1540) Christ healing the Lepers Block 302 x 422 mm., Sheet 310 x 430 mm.
Est: £3,000 - £5,000
NICCOLÒ VICENTINO (ACTIVE CIRCA 1540-50) AFTER PARMIGIANINO (1503-1540) Christ healing the Lepers chiaroscuro woodcut printed from three blocks in black and two shades of olive green, circa 1540s, on laid paper, watermark Anchor in Circle surmounted by a Star (similar to Briquet 485, Padua 1547 and Parma 1553), a fine impression of the first state (of two), with small margins, the sheet backed, a repaired horizontal paper split at right, a framing line in brown ink added to the edge of the subject and borderline, otherwise in good condition Block 302 x 422 mm., Sheet 310 x 430 mm.
Christie's
Jan. 29, 2019
NICCOLÒ VICENTINO (ACTIVE CIRCA 1540-50) AFTER RAPHAEL (1483-1520) - The Miraculous Draught of Fishes
Est: $4,000 - $6,000
NICCOLÒ VICENTINO (ACTIVE CIRCA 1540-50) AFTER RAPHAEL (1483-1520) The Miraculous Draught of Fishes Block 237 x 346 mm., Sheet 239 x 347 mm.
Christie's
Jan. 25, 2017
NICCOLÒ VICENTINO (ACTIVE CIRCA Hercules and the Nemean Lion
Est: $10,000 - $15,000
NICCOLÒ VICENTINO (ACTIVE CIRCA Hercules and the Nemean Lion Block 250 x 192 mm., Sheet 253 x 197 mm.
Christie's
Nov. 04, 2015
NICCOLÒ VICENTINO (after Parmigianino) Christ Healing the Lepers
Est: $1,500 - $2,500
NICCOLÒ VICENTINO (after Parmigianino) Christ Healing the Lepers. Chiaroscuro woodcut printed in light gray, slate gray and black on cream laid paper, circa 1530. 300x415 mm; 11 7/8x16 1/2 inches. Second edition, printed by Andreani in 1608, with his initials, Mantua and the date lower right. Ex-collection Carl Wiesböck (Lugt 2576, verso). Trimmed on the border line, with the border line preserved all around. A very good impression of this extremely scarce color woodcut. Bartsch 15.
Swann Auction Galleries
May. 29, 2014
Vicentino, Giuseppe Niccolò: Die Madonna mit dem Kind, dem hl. Sebastian und einem Bischof
Est: €4,500 - €6,000
Die Madonna mit dem Kind, dem hl. Sebastian und einem Bischof. Clair-obscur-Holzschnitt von vier Platten (Beige und Dunkelbraun), nach Parmigianino. 38,6 x 28,9 cm. B. XII, 66, 26 III (als Ugo da Carpi). Prachtvoller Abzug mit der Einfassungslinie, in der seltenen Farbvariante in Beige und Dunkelbraun, die im farbigen Erscheinungsbild der Vorzeichnung Parmigianinos im Louvre, Paris sehr nahekommt. Siehe Ausstellungskatalog In Farbe. Clair-obscur-Holzschnitte der Renaissance. Meisterwerke aus der Sammlung Georg Baselitz und der Albertina in Wien, herausg, A. Gnann, Wien 2013, Nrn 98-99, S. 212 ff. Leichte Altersspuren, minimale Randschäden, sonst sehr gutes Exemplar.
Bassenge Auctions
Oct. 30, 2013
NICCOLÒ VICENTINO (after Raphael) Hercules and the Nemean Lion
Est: $2,000 - $3,000
NICCOLÒ VICENTINO (after Raphael) Hercules and the Nemean Lion. Chiaroscuro woodcut printed in greenish brown and black on cream alid paper, circa 1530. 255x197 mm; 10x7 3/4 inches, narrow margins. Printed by Andrea Andreani, with his initials lower left. A very good impression of this extremely scarce, early color woodcut, with the relief from the block distinct on the verso. Bartsch 17.
Swann Auction Galleries
Nov. 25, 2010
Vicentino, Niccolo: Cloelia flüchtet aus dem Lager Porsennas
Est: €500 - €750
Cloelia flüchtet aus dem Lager Porsennas. Clair-obscur-Holzschnitt von 3 Platten in Hell-, Dunkelgrau und Schwarz, nach Maturino. 28,2 x 40,5 cm. Um 1545. B. XII, p. 96, 5. Ausgezeichneter Druck an drei Seiten mit der Einfassungslinie, rechts um ca. 1 cm beschnitten. Kleiner geschlossener Einriss im unteren Rand, vereinzelte Farbspuren am oberen Rand, sonst schönes Exemplar. Aus der Bibliotheque Royale de Belgique (Lugt 260).
Galerie Bassenge
Nov. 25, 2010
Vicentino, Niccolò: Die Anbetung der Hirten
Est: €2,000 - €2,600
Die Anbetung der Hirten. Clair-obscur-Holzschnitt nach Parmigianino von drei Stöcken in Schwarz, Grau und Olivgrün. 33,9 x 25,1 cm. B. XII, S. 30, 3; TIB Vol. 48 (Chiaroscuro Woodcuts, V) 3. Das gesuchte Blatt in einem ganz ausgezeichneten und klaren Druck mit subtilem Kolorit, mit der Einfassungslinie. Aufgezogen, stellenweise etwas brüchig, überwiegend im unteren Blattbereich verschiedene sorgsam ergänzte Fehlstellen mit Federretuschen und Farbe, ganz geringfügig fleckig, Montierungsreste verso, im Gesamteindruck noch schönes Exemplar. Sehr selten.
Galerie Bassenge