Daniel Vertangen Sold at Auction Prices

VERTANGEN Daniel (1601 - 1683) Huile sur panneau de chêne "Le repos de la famille de bergers su

VERTANGEN Daniel (1601 - 1683) Huile sur panneau de chêne "Le repos de la famille de bergers sur fond de paysage aux ruines". Signé en bas à gauche D. Vertangen. Ecole hollandaise. Voir au dos une ancienne étiquette. Dim.:+/-27,5x23cm.

Daniel Vertangen (The Hague circa 1598-circa 1684 Amsterdam) Pyramus and Thisbe

Daniel Vertangen (The Hague circa 1598-circa 1684 Amsterdam) Pyramus and Thisbe oil on copper 25.2 x 30.7cm (9 15/16 x 12 1/16in).

DANIEL VERTANGEN

(Amsterdam o Aia, 1601 - Amsterdam, 1684) Paesaggio con satiri e ninfe Olio su tavola, cm 31,5X42,5 La raffigurazione di satiri e ninfe che danzano in uno scenario ispirato alla campagna romana è un tema ricorrente nelle opere di Poelenburgh. Questi raffinati dipinti, solitamente di piccole dimensioni e di soggetto sottilmente erotico, ebbero un successo ragguardevole tanto da influenzare la produzione e l'intera attività dei suoi allievi e seguaci. Si ricordano a proposito l'Haensbergen o Toussaint Gelton, che insieme al Vertangen si sforzarono d'imitare il maestro sia nella rappresentazione del paesaggio sia nella resa delle figure, realizzate con rara finezza. Luigi Salerno, pur inserendone la biografia nel volume dedicato ai pittori di paesaggio a Roma, dubita che l'artista abbia visitato la penisola, per le evidenti caratteristiche della sua arte immune dalla solare luce italiana e caratterizzata da freddi toni blu e verdi ed un nordico rigore ottico. La tavola qui presentata è un'opera tipica del pittore, preziosa per la stesura, simile per soggetto alla Danza di ninfe già passata da Christie's a Londra, il 16 dicembre 1988, lotto 124. L'opera è corredata da una scheda critica di Raffaella Colace. Bibliografia di riferimento: L. Salerno, Pittori di Paesaggio del Seicento a Roma, Roma 1976, pp. 266-267 N.C. Sluijter-Seiffert, The school of Cornelis van Poelenburch, in A. Golahny e.a., In his milieu. Essays on Netherlandish art in memory of John Michael Montias, Amsterdam 2006, p. 441-454

DANIEL VERTANGEN (L'AIA 1598 CA. - AMSTERDAM 1684 )

Daniel Vertangen (L'Aia 1598 ca. - Amsterdam 1684 ) Paesaggio con ninfe e satiri danzanti Olio su tela 50 x 77 cm Iniziò quale pittore di paesaggi, arricchiti da figure mitologiche o bibliche, seguendo lo stile di Cornelis van Poelenburgh, passando in un secondo tempo alla ritrattistica. Daniel Vertangen (The Hague ca. 1598 - Amsterdam 1684) Landscape With Dancing Nymphs and Satyrs Oil on canvas 50 x 77 cm He began as a painter of landscapes, enriched with mythological or biblical figures, following the style of Cornelis van Poelenburgh, later moving on to portraiture.

Vertangen, Daniel (Attrib.): Landschaft mit tanzenden Nymphen und Satyrn

Vertangen, Daniel - attributed to: - Landscape with dancing nymphs and satyrs. (The Hague 1601-1681 Amsterdam) Putti floating above the scenery. Oil on copper. Approx. 18 x 23 cm. // Vertangen, Daniel (Attrib.) Landschaft mit tanzenden Nymphen und Satyrn (Den Haag 1601-1681 Amsterdam) Über der Szenerie schwebende Putten. Öl/Kupfer. Ca. 18 x 23 cm. - Aus fränkischer Privatsammlung.

Daniel VERTANGEN Amsterdam, 1601 - 1683 Le jugement de Pâris Huile sur panneau de chêne, une planche

Daniel VERTANGEN Amsterdam, 1601 - 1683 Le jugement de Pâris Huile sur panneau de chêne, une planche Signé 'D. Vertangen.' en bas à gauche The Judgement of Paris, oil on oak panel, signed, by D. Vertangen h: 51,50 w: 69 cm Provenance : Vente anonyme ; Paris, Daguerre, 26 mars 2021, n° 37 ; Acquis lors de cette vente par l'actuel propriétaire ; Collection particulière, Normandie Estimation 10 000 - 15 000 €

Daniel Vertangen, Assembly of the Gods with the Apotheosis of Hercules

Signed lower right: D. Vertangen Daniel Vertangen, who worked for a time in the studio of Cornelis van Poelenburgh, follows a composition by this artist in his Assembly of the Gods, which is now in the Statens Museum for Kunst, Copenhagen.

Vertangen, Daniel, Den Haag 1598 - 1657

Vertangen, Daniel, Den Haag 1598 - 1657 Oel auf Leinwand. Diana und ihre Nymphen baden. Unten mittig sign. und Rückseitig bez. und mit Aufkleber der Fa. Sotheby's. 53 x 67 cm, Rahmen 55 x 69 cm.

ATTRIBUTED TO DANIEL VERTANGEN (1601-1681)

Saint Jerome and the Lion Oil on panel, 24.4 x 31.3 cm Provenance: Private collection, the Netherlands Note: Eusebius Sophronius Hieronymus, better known as St. Jerome, seems to have been the favourite saint of artists, who may have seen in him a kindred spirit, an archetype of the artistic soul. Albrecht Dürer devoted no less than six prints to him; Rembrandt created no fewer than seven etchings on the subject; and countless other artists depicted him either as a scholar in his study or as a hermit during his period of ascetic penance in the Syrian desert. In this painting attributed to the Dutch painter Daniel Vertangen, Saint Jerome can be identified by the lion standing on a rocky outcrop, overlooking the landscape and guarding the saint’s secluded spot. The lion is not meant to be a symbolic figure but represents a legendary account of Saint Jerome's life. The animal first appeared in his life when Saint Jerome was seated with the brethren to hear the sacred lessons. While other monks fled at the sight of the beast, Jerome welcomed him as a guest. He even dressed the wound that was on the lion’s paw, which had been scratched and torn by thorns. He did what was necessary, and the lion recovered, lost all his wildness, and lived among the monks as their house pet. The story is a reminder not to judge a book by its cover and to welcome all guests with hospitality, looking past their frightening appearances. * Condition report available upon request

Daniel Vertangen: Moses and the 10 commandments - The dance around the golden calf (counterparts)

Daniel Vertangen Moses and the 10 commandments - The dance around the golden calf (counterparts) oil on copper 11 x 15.5 cm each signed in the centre resp. on the lower right: D. Vertangen Dorotheum, Vienna, 22 June 1976, lot 140 and 141, pl. XIII; private property, Vienna

DANIEL VERTANGEN (Amsterdam, 1601 - 1683), ATTRIBUTED TO

Diana and Callistus Oil on panel, cm. 47x63,5. Framed. The panel bears an old label with Swedish pen inscription on the back in the lower right-hand corner with the attribution to Vertangen; in the upper left-hand corner, the paintbrush invariable number: '#115B'; in the centre, a wax seal.

Daniel Vertangen (La Haye circa 1598-circa 1684 Amsterdam) Paysage d'Arcadie animé Arcadian landscape with figures

Daniel Vertangen (La Haye circa 1598-circa 1684 Amsterdam) Paysage d'Arcadie animé Arcadian landscape with figures huile sur panneau oil on panel 27.5 x 34.4cm (10 13/16 x 13 9/16in).

DANIEL VERTANGEN (cerchia di)

DANIEL VERTANGEN (cerchia di) (Aia, 1598 circa - Amsterdam, 1681/84) Dame al bagno Olio su tavola, cm 19X26 La raffigurazione richiama un tema ricorrente nelle opere di Poelenburgh, autore di raffinate composizioni di contenute dimensioni e sovente raffiguranti temi erotici, tanto da influenzare tutta la sua produzione e l'attività dei suoi allievi e seguaci. Si ricordano a proposito l'Haensbergen o Toussaint Gelton, che insieme al Vertangen si sforzarono d'imitare il maestro sia nella rappresentazione del paesaggio sia nella resa delle figure. Luigi Salerno, pur inserendone la biografia nel volume dedicato ai pittori di paesaggio a Roma, dubita che l'artista abbia visitato l'Italia, per le evidenti caratteristiche della sua arte, immune dalla solare luce italiana e caratterizzata da freddi toni blu e verdi. La tavola qui presentata è un'opera che ben evoca la cultura del pittore. Bibliografia di riferimento: L. Salerno, Pittori di Paesaggio del Seicento a Roma, Roma 1976, pp. 266-267 N.C. Sluijter-Seiffert, The school of Cornelis van Poelenburch', in A. Golahny e.a., In his milieu. Essays on Netherlandish art in memory of John Michael Montias, Amsterdam 2006, p. 441-454

Daniel Vertangen "Judgement of Paris" Oil, 17th C.

Daniel Vertangen (Dutch, 1598 - 1681/84), "The Judgement of Paris," oil on canvas, showing the moment when Paris chooses Aphrodite as the recipient of the golden apple over Athena and Hera. 22.5" H x 30" W; framed: 27" H x 34" W. Provenance: Stamp from "Mr. Chaplin's Picture Gallery / No 88 New Bond Street / Pictures Cleaned Lined and Restored / Frames Made to Order." Label stating that this painting was given to his son on April 24,1877, with both names illegible. Gallery label from Knoedler Modarco S.A. New York 19 East 70th Street.

Daniel Vertangen | 1601 - 1683

Daniel Vertangen | 1601 - 1683 LANDSCAPE WITH DANCING FIGURES oil on board, cm 41,7x54,5. Signed lower left: D Vertangen We thank Mrs. Raffaella Colace for her assistance cataloguing the work. IT: Daniel Vertangen | 1601 - 1683 PAESAGGIO CON FIGURE DANZANTI olio su tavola, cm 41,7x54,5. Firmato in basso a sinistra: D Vertangen Si ringrazia la Dottoressa Raffaella Colace per l’assistenza alla schedatura dell’opera.

Daniel Vertanghen (Amsterdam o L'Aia 1601 - Amsterdam 1681/1684) e aiuti

Daniel Vertanghen (Amsterdam o L'Aia 1601 - Amsterdam 1681/1684) e aiuti Diana e Callisto Olio su tela Diana and Callisto Oil on canvas 104 x 158 Daniel Vertanghen è da sempre ritenuto allievo di Cornelis van Poelenburch o Poelenburgh, condivide l’esperienza d’apprendistato assieme a Dirck van der Lisse, Jan van Haensbergen e Abraham van Cuylenborch. Versatile artista, egli si è dedicato ai più disparati temi pittura di genere, paesaggistica, ritratti, dipinse soggetti storici, mitologici e religiosi. I suoi paesaggi erano ambientazioni naturalistiche per episodi mitologi o biblici. La sua produzione di questo genere trova affinità con quanto realizzato da Poelenburch, del quale col tempo è diventato collaboratore. Puntuali riscontri stilistici per l’opera presentata li ritroviamo in “Ninfa e satiri” del Museo Nazionale di Budapest, “Diana e le ninfe al bagno” del Finnish National Gallery di Helsinki in “Diana e ninfe” del National Gallery of Denmark di Copenhagen

ATTRIBUÉ À DANIEL VERTANGEN (v. 1598-v. 1681)

ATTRIBUÉ À DANIEL VERTANGEN (v. 1598-v. 1681) Le repos des nymphes Panneau de chêne, une planche, non parqueté Cachet de cire au revers Inscriptions illisibles au revers Attr. to D. Vertangen, The rest of the nymphs, oak panel, one non-craddled plank, wax stamp on the back, illegible inscriptions on the back 29 x 39 cm - 11,4 x 15,4 in.

Daniel Vertangen, 1598 Amsterdam - 1681/84, zug.

ZWEI SATYRN RAUBEN EINE BACCHANTIN Öl auf Holz. 27 x 34,2 cm. Am unteren Rand undeutlich monogrammiert. Ungerahmt. Eine arkadische Landschaft, zum Horizont hin hügelig und im linken Mittelgrund eine Ruinenarchitektur aufweisend. In den Vordergrund laufende Satyrn schultern eine Bacchantin. Die Handschrift des Künstlers ist nicht nur in der im weichen Abendlicht glänzenden Landschaft und der Thematik zu erkennen, sondern auch in der Rückenfigur der nackten Frau und des Bärtigen, welche sich in abgewandelter Form in vielen seiner Gemälde wiederfinden. Minimal besch., rest. (12607111) (1) (13)

DANIEL VERTANGEN (THE HAGUE C.1598 - AMSTERDAM C.1684)

DANIEL VERTANGEN (THE HAGUE C.1598 - AMSTERDAM C.1684) Diana and her nymphs bathing signed D. Vertangen. fecit (lower centre) oil on panel 33 x 42 cm (13 x 16 1/2 in) PROVENANCE: Sotheby's, London, 31st October 2002, lot 69

Daniel Vertangen, um 1598 – 1681/ 84

DIE VERTREIBUNG VON ADAM UND EVA AUS DEM PARADIES Öl auf Kupferplatte. 25,3 x 30,9 cm. Links unten signiert „D. Vertangen“. In schwarzem Flammleistenrahmen. In paradiesischer Landschaft, in der Engel, Schaf, Ziege, Affe, Kaninchen, ein Pfau und sogar die Schlange zu sehen sind und somit für den Garten Eden stehen, vertreibt der in rotem Gewand mit gelbem Umhang und großen weißen Flügeln mit einem Schwert in seiner Hand und von einer Wolke umgebene Gottvater Adam und Eva aus dem Paradies. Die hellhäutige nackte Eva hat ihren rechten Arm erhoben, während ihre linke Hand mit ein paar Blättern den Schambereich bedeckt. Neben ihr der ebenfalls davon laufende nackte Adam mit brauner Haut, sich mit beiden Händen die Haare raufend. Malerische Umsetzung des bekannten biblischen Themas in frischer Farbgebung. (12221120) (18)

Daniel Vertangen (The Hague c. 1601-1681 Amsterdam) Nymphs bathing

Daniel Vertangen (The Hague c. 1601-1681 Amsterdam) Nymphs bathing oil on panel 10 x 12 7/8 in. (25.4 x 32.7 cm.)

Daniel Vertangen (1598-1684), oil on oak panel, Family in Landscape, Flight into Egypt, signed lower left: D. Vertangen, old lab...

Daniel Vertangen (1598-1684), oil on oak panel, Family in Landscape, Flight into Egypt, signed lower left: D. Vertangen, old label on verso, 7 1/4" x 9 1/2"

Daniel Vertangen (1601-1683)-attributed

Daniel Vertangen (1601-1683)-attributed, Paris and the three graces, oil on oak panel, framed.

Daniel Vertangen - Landscape with a mithological scene

Daniel Vertangen (Amsterdam, 1601 - 1633 about) Landscape with a mithological scene oil on canvas, cm 71x97. Framed The present painting comes with a certificate of Export License

ATTRIBUTED TO DANIEL VERTANGEN (1598-1681/84): THE DELUGE

ATTRIBUTED TO DANIEL VERTANGEN (1598-1681/84): THE DELUGE Oil on metal, unsigned. 7 x 9 1/4 in., unframed.

Daniel Vertangen (1601-1683)-studio, Paris and the

Daniel Vertangen (1601-1683)-studio, Paris and the three Graces; oil on oak panel, framed.

Daniel Vertangen Amsterdam, vers 1601 - vers 1683 Diane découvrant la grossesse de Callisto Huile sur panneau

Daniel Vertangen Amsterdam, vers 1601 - vers 1683 Diane découvrant la grossesse de Callisto Huile sur panneau signé des initiales 'D. V.' en bas à gauche Dans un cadre en chêne sculpté et doré, travail français d'époque Louis XIV h: 17,50 w: 24 cm

Daniel Vertangen, The Baptism of Christ

Monogrammed lower right: D.VCertificateRaffaella Colace, Cremona, 19.10.2004.

Daniel Vertangen, Landscape with Nymphs and Satyrs

Daniel Vertangen, Landscape with Nymphs and Satyrs

Daniel VERTANGEN (LaHaye, 1598-Amsterdam, avant 1684) Bacchanale Panneau de chêne, une planche, non parqueté Oak panel, one non-crad...

Daniel VERTANGEN (LaHaye, 1598-Amsterdam, avant 1684) Bacchanale Panneau de chêne, une planche, non parqueté Oak panel, one non-cradle plank. Signed lower right: D.Vertangen 51,5 x 68,5cm (20 1/4 IN. X 26 15/16 IN.) Signée en bas à droite : D.Vertangen Restaurations anciennes

Daniel VERTANGEN (La Haye, 1598 - Amsterdam, avant 1684). Les Dieux et Déesses d

Daniel VERTANGEN (La Haye, 1598 - Amsterdam, avant 1684). Les Dieux et Déesses de l'Olympe. Toile. 50 x 63,5 cm. Signé en bas au centre : daniel Vertangen Provenance : acheté chez Guillou à Morlaix en 1901, selon une étiquette au dos

Daniel Vertangen (c. 1598-1681/84), 'De bergnimf

Daniel Vertangen (c. 1598-1681/84), 'De bergnimf Salmacis bespiedt de badende Hermafroditus' (Ovidius, Metamorfoses IV, 373), gemonogrammeerd, paneel, afm. 22 x 29,5 cm. Lijst van latere datum. Provenance: gekocht bij Kunsthandel Hoogsteder, Den Haag.

Daniel Vertangen (c. 1598-1681/84), 'De bergnimf

Daniel Vertangen (c. 1598-1681/84), 'De bergnimf Salmacis bespiedt de badende Hermafroditus' (Ovidius, Metamorfoses IV, 373), gemonogrammeerd, paneel, afm. 22 x 29,5 cm. Lijst van latere datum. Provenance: gekocht bij Kunsthandel Hoogsteder, Den Haag.

VERTANGEN, DANIEL(The Hague circa 1598 - circa

VERTANGEN, DANIEL (The Hague circa 1598 - circa 1684 Amsterdam) The finding of Moses. Oil on panel. 23 x 29.5 cm. Our thanks to Prof. Marcel Röthlisberger for confirming the authenticity of this work on the basis of a photograph. VERTANGEN, DANIEL (Den Haag um 1598 - um 1684 Amsterdam) Die Auffindung Moses. Öl auf Holz. 23 x 29,5 cm. Prof. Marcel Röthlisberger bestätigt die Eigenhändigkeit anhand einer Fotografie, wofür wir ihm danken.

Attribué à Daniel VERTANGEN (vers 1598 - vers

Attribué à Daniel VERTANGEN (vers 1598 - vers 1681) Femmes au bain dans des ruines romaines Panneau de chêne, une planche, non parqueté. Porte un monogramme en bas à gauche. 24,5 x 33,5 cm

Daniel Vertangen (The Hague c. 1598-before 1684 Amsterdam) Diana surrounded by nymphs in a classical landscape indistinctly signed (lower left) oil on panel 15¾ x 21 in. (40 x 53.4 cm.)

VERTANGEN, DANIEL (NACHFOLGER, WOHL 18.

VERTANGEN, DANIEL (NACHFOLGER, WOHL 18. JAHRHUNDERT) (Den Haag um 1598 - 1657 Amsterdam) Schlafende von Satyr belauscht. Öl auf Holz. 22,8 x 28,8 cm.

VERTANGEN DANIEL (1598 - 1684) Abraham en Isaak.

VERTANGEN DANIEL (1598 - 1684) Abraham en Isaak. Abraham et Isaac Olie op paneel. Huile sur panneau.. .Get. Sig.. . 27,8 x 23 cm Expo:Christie's Amsterdam 13/11/1900 lot 91 Expo Delft Het Prinsenhof Kunst en antiekbeurs 1963

Daniel Vertangen Dutch, 1598-circa 1681 A Sleeping Nymph with Two Fauns in a Landscape

Daniel Vertangen Dutch, 1598-circa 1681 A Sleeping Nymph with Two Fauns in a Landscape Traces of a signature Ver... on the ground (lr) Oil on panel 15 1/8 x 21 1/4 inches (38.4 x 54 cm) C 

Daniel Vertangen Dutch, 1598-circa 1681 Diana and Her Nymphs in a Landscape

Daniel Vertangen Dutch, 1598-circa 1681 Diana and Her Nymphs in a Landscape Signed D. Vertangen on a rock (lc) Oil on panel 10 x 13 inches (25.6 x 33.3 cm) Provenance: F.C. Butot Collection, Sankt Gilgen, Austria Sale, Sotheby's London, December 12, 1979, lot 111 Exhibited: Salzburg, Museumspavillon im Mirabellgarten, Niederlandische Kunst aus dem Goldenen Jahrzeit, 1972, p. 168, illus. C 

VERTANGEN, DANIEL(The Hague circa 1598 - 1657

VERTANGEN, DANIEL (The Hague circa 1598 - 1657 Amsterdam) Diana and the nymphs bathing and dancing in a southern landscape. Oil on panel. Signed lower left: D. Vertagen. 31.3 x 43.3 cm. Provenance: - Brod Gallery, London. - European private collection. Prof. Marcel Röthlisberger has kindly confirmed the authenticity of this painting on the basis of a photograph. VERTANGEN, DANIEL (Den Haag um 1598 - 1657 Amsterdam) Diana und Nymphen beim Bade und Tanz in südlicher Landschaft. Öl auf Holz. Unten links signiert: D. Vertagen. 31,3 x 43,3 cm. Provenienz: - Brod Gallery, London. - Europäische Privatsammlung. Prof. Marcel Röthlisberger bestätigt die Eigenhändigkeit dieses Gemäldes anhand einer Fotografie, wofür wir ihm danken.

Daniel Vertangen, 1598 - 1681, zug.

PAN BELAUSCHT DIE SCHLAFENDEN JAGDNYMPHEN Öl auf Leinwand. 29 x 37,5 cm. Verso Aufklebezettel mit Künstlerzuweisung und Verweis auf das "Gutachten Dr. Binder/ ehem. Direktor der staatl. Museen Berlin". Ferner zwei Sammlungsaufkleber mit gestempelter Nummer "90" sowie "125". Südliche Ideallandschaft mit einem römischen Mauerbogen im Hintergrund, davor unter einem Baum mit darüber gespanntem Zelttuch drei auf weißen und blauen Tüchern schlafende Nymphen aus dem Gefolge der Jagdgöttin Diana, daneben abgelegt Pfeileköcher und Speere sowie erlegte Vögel im Vordergrund. Die nackten Schönheiten werden von einem lüsternen Faun belauscht, der von rechts heranschleicht. (860745)

THE FINDING OF MOSES

DANIEL VERTANGEN, THE FINDING OF MOSES, Oil on canvas (relined), 25,5 x 33,5 cm

THE FEAST OF GODS

DANIEL VERTANGEN, THE FEAST OF GODS, Oil on panel, 28,5 x 36,5 cm

THE FLIGHT INTO EGYPT

DANIEL VERTANGEN, THE FLIGHT INTO EGYPT, Oil on panel, 34 x 44,5 cm

DANIEL VERTANGEN

DANIEL VERTANGEN AMSTERDAM CIRCA 1600/1 - 1681/4 IL BAGNO DI DIANA firmato in basso a destra: D. Vertangen olio su tavola 19.5 x 26.5 cm

DANIEL VERTANGEN

DANIEL VERTANGEN AMSTERDAM CIRCA 1600/1 - 1681/4 DEUCALION AND PYRRHA oil on copper 5 7/8 by 7 1/2 in.; 15 by 19.1 cm. Very fine craquelure near the left edge; star-shaped craquelure in the sky; otherwise, in good condition. Under UV light: a few small touch-ups at center left.

Vertangen, Daniel attr.

1598 Den Haag - 1681/84 Amsterdam. Das Urteil des Paris. Öl/Holz, parkettiert. Auf einem grün bewachsenen Hügelhang Paris auf einem Hangvorsprung sitzend, den Apfel in die Mitte der drei Göttinnen reichend, im Hintergrund Hermes der Götterbote mit geflügeltem Helm. Im Vordergrund eine Ziege mit Zweig im Maul, im rechten Bildhintergrund Blick in die weite Landschaft. Unsign. Retuschen, rest. H. 27, B. 22,5 cm. Provenienz: Rheinische Privatsammlung. ENGLISH TEXT: Judgement of Paris. Oil on panel, parquetted. Unsigned. Retouching, restored. Provenance: Rhenish private collection.