Francesco Vecellio Sold at Auction Prices

Painter, b. 1475 - d. 1560

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  • Attributed to Francesco Vecellio
    Nov. 20, 2011

    Attributed to Francesco Vecellio

    Est: $8,000 - $12,000

    (Venetian, 1475-1560)The Madonna and Child, unsigned, oil on canvas, 25-5/8 x 24 in.; late 15th/early 16th century style painted and gilt wood frame, stretcher with same construction, restretched, retouch with controlled brushwork and 1 to 3 percent of

    Brunk Auctions
  • Attributed to Francesco Vecellio (Pieve di Cadore, Veneto 1475-1559/60)
    Jun. 09, 2010

    Attributed to Francesco Vecellio (Pieve di Cadore, Veneto 1475-1559/60)

    Est: $20,000 - $30,000

    Attributed to Francesco Vecellio (Pieve di Cadore, Veneto 1475-1559/60) The Madonna and Child oil on canvas, unlined 25¾ x 24 in. (65.4 x 61 cm.)

    Christie's
  • Francesco Vecellio (Pieve di Cadore 1475-1560)
    May. 27, 2010

    Francesco Vecellio (Pieve di Cadore 1475-1560)

    Est: €20,000 - €25,000

    Francesco Vecellio (Pieve di Cadore 1475-1560) Madonna col Bambino, San Giovannino e un angelo olio su tela 87,5x84,5 cm.

    Christie's
  • FRANCESCO VECELLIO PIEVE DI CADORE 1475-1560
    May. 18, 2006

    FRANCESCO VECELLIO PIEVE DI CADORE 1475-1560

    Est: $10,000 - $15,000

    PROPERTY FROM THE ESTATE OF ELIZABETH BRIGGS FISHER HOLY FAMILY measurements note 36 1/4 by 29 in.; 92 by 73.6 cm. oil on canvas PROVENANCE In the family of the present owner since at least 1950.

    Sotheby's
  • FRANCESCO VECELLIO PIEVE DI CADORE 1475-1560
    Jan. 26, 2006

    FRANCESCO VECELLIO PIEVE DI CADORE 1475-1560

    Est: $30,000 - $40,000

    MADONNA AND CHILD WITH SAINTS JOSEPH AND JOHN THE BAPTIST measurements note 20 by 16 3/4 in.; 50.8 by 42.5 cm. oil on panel PROVENANCE Alice Lamb Cleaves Dodge, Washington, D.C.; Thence by descent to Vladimir Sviatopolk-Mirsky, Rutland, Vermont; Thence by descent to Arthur E. Tarantino, Washington, DC; Thence by descent in the family. NOTE A pentimento in the Madonna's robe lower right would suggest that the composition was originally intended just to incorporate the Madonna and Child in the center, and it is likely that the two side figures (Saints Joseph and John the Baptist) were added by the artist once the painting had already been begun, perhaps at the patron's behest.

    Sotheby's
  • Francesco Vecellio (Pieve di Cadore 1475-1559/60)
    Jul. 10, 2002

    Francesco Vecellio (Pieve di Cadore 1475-1559/60)

    Est: $46,800 - $62,400

    Saint Sebastian and the Infant Saint John the Baptist: a fragment oil on canvas 25 1/8 x 141/4 in. (63.8 c 36.2 cm.) PROVENANCE Charles Albert de Burlet, Basel. LITERATURE B. Berenson, Italian Pictures of the Renaissance: Venetian School, London, 1957, I, p. 194; II, fig. 931. NOTES This picture was first attributed by Bernard Berenson to Francesco Vecellio ( loc. cit. ) who worked in the studio of his younger brother, Titian. Trained by Giovanni Bellini, Francesco served in the Venetian army in circa 1508-9 and when he returned to painting he came under the influence of his brother, assisting him on occasion, for example, with the polyptych of The Virgin and Child Enthroned (Sedico, parish church); planned by Titian, but executed by Francesco it is probably his finest work. Throughout his career his style remained dependent on Titian's early work, sometimes incorporating the influence of other artists, as for example in the altarpiece of The Virgin and Child Enthroned with Saints (S. Vito di Cadore, Venice), which recalls the work of Palma Vecchio. The present picture, which is the right part of a Sacra Conversazione, also shows besides the strong influence of his brother in the landscape that of Paris Bordone. The influence of the latter became more apparent in the work of Francesco after he left Venice in 1534 to look after the family's affairs in Pieve di Cadore.

    Christie's
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