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        • Joaquín Torres García
          Sep. 25, 2024

          Joaquín Torres García

          Est: $120 - $150

          JOAQUÍN TORRES GARCÍA (Uruguayan School, 1874-1949) "New Uruguayan School of Art". Publications of the Constructive Art Association. Montevideo, 1946. JOAQUÍN TORRES GARCÍA (Escuela uruguaya, 1874-1949) “Nueva escuela de arte del Uruguay” Publicaciones de la Asociación de Arte Constructivo. Montevideo, 1946.

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        • Joaquín Torres García
          Sep. 25, 2024

          Joaquín Torres García

          Est: $2,000 - $3,000

          JOAQUÍN TORRES GARCÍA (Uruguayan School, 1874-1949) Cast bronze plaque "Constructive" Jaime Artemio Juan Foundry, Buenos Aires 15,6 x 10,8 cm Presented on wooden support Total size 31 x 25 x 7 cm Provenance: Emilio Ellena Collection, Rosario. Bibliography: Emilio Ellena. "Joaquí Torres García." Reproduced on cover. JOAQUÍN TORRES GARCÍA (Escuela uruguaya, 1874-1949) Placa en bronce fundido "Constructivo" Fundición Jaime Artemio Juan, Buenos Aires 15,6 x 10,8 cm Presentado en soporte de madera Medida total 31 x 25 x 7 cm Proveniencia: Colección Emilio Ellena, Rosario. Bibliografía: Emilio Ellena. “Joaquí Torres García.” Reproducido en portada.

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        • Joaquín Torres García
          Sep. 25, 2024

          Joaquín Torres García

          Est: $8,000 - $10,000

          JOAQUÍN TORRES GARCÍA (Uruguayan School, 1874-1949) Watercolor on paper "Grape Harvest". Signed and dated "1906" in ink at lower right 12,8 x 21,3 cm Provenance: Jorge Rossetto Collection, Montevideo Castells, Montevideo. June 15, 2002. Jorge Rossetto Collection. Lot 45. TazArt, Montevideo. November 21, 2003. Lot 65. Bibliography. Raquel Pereda. "Joaquín Torres García." Bank of Boston Foundation. Montevideo, 1991. Reproduced on p. 44. Work included under No. Wop1906 in the catalog raisonné "Joaquín Torres García Online" directed by Cecilia de Torres (www.torresgarcia.com). JOAQUÍN TORRES GARCÍA (Escuela uruguaya, 1874-1949) Acuarela sobre papel “Vendimia” Firmado y fechado "1906" a tinta abajo a la derecha 12,8 x 21,3 cm Proveniencia: Colección Jorge Rossetto, Montevideo Castells, Montevideo. 15 de junio de 2002. Colección Jorge Rossetto. Lote 45. TazArt, Montevideo. 21 de noviembre de 2003. Lote 65 Bibliografía. Raquel Pereda. “Joaquín Torres García.” Fundación Banco de Boston. Montevideo, 1991. Reproducido en p. 44. Obra incluida con el No. Wop1906 en el catálogo razonado “Joaquín Torres García Online” dirigido por Cecilia de Torres (www.torresgarcia.com).

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        • Joaquín Torres García
          Sep. 25, 2024

          Joaquín Torres García

          Est: $15,000 - $25,000

          JOAQUIN TORRES GARCÍA (Uruguayan School, 1874-1949) Oil on cardboard "Man resting". 1911 29 x 34 cm. Provenance: Succession of the artist. Manolita Piña de Torres-García Collection. Private collection, Montevideo. Castells & Castells. "Torres-García Workshop." Montevideo, December 8, 2004. Lot 46, reproduced on p. 35 of the corresponding catalog. The Sub-Auction. "Pinacoteca Nacional y Extranjera." Montevideo, November 29, 2007. Lot 50, reproduced on page p. 39 of the corresponding catalog. Private collection, Montevideo. Exhibitions: "Exposició de dibuixos y pintures de J. Torres-García." Dalmau Galleries, Barcelona. January 20 to February 11, 1912. "Joaquín Torres-García, 1874-1949: Chronology and Catalogue of the Family Collection." University of Texas. Austin, October 13-November 24, 1974. (Later in: Fundación Museo de Arte Contemporáneo de Caracas, Venezuela, January 13-February 26, 1975, and Museo de Arte Italiano, Lima. August 1975). "Joaquin Torres Garcia." Palatina Gallery, Buenos Aires. June 1983. Bibliography: "Les Tendances Nouvelles." No. 62. Paris, May 1914. Reproduced on p. 1523. Joaquin Horta. "Dialegs d'Art." In: "L'Instant Revista Quinzenal," vol. II, no. 5. Barcelona, October 1919. Reproduced on p. 9. Work included under no. 1946.34 in the catalog raisonné "Joaquín Torres García Online" directed by Cecilia de Torres (www.torresgarcia.com). JOAQUIN TORRES GARCÍA (Escuela uruguaya, 1874-1949) Óleo sobre cartón “Hombre descansando” 1911 29 x 34 cm. Proveniencia: Sucesión del artista. Colección Manolita Piña de Torres-García. Colección privada, Montevideo. Castells & Castells. “Taller Torres-García.” Montevideo, 8 de diciembre de 2004. Lote 46, reproducido en p. 35 del correspondiente catálogo. La Sub-Hasta. “Pinacoteca Nacional y Extranjera.” Montevideo, 29 de noviembre de 2007. Lote 50, reproducido en página p. 39 del correspondiente catálogo. Colección privada, Montevideo. Exposiciones: “Exposició de dibuixos y pintures de J. Torres-García.” Galerías Dalmau, Barcelona. 20 de enero a 11 de febrero de 1912. “Joaquín Torres García, 1874-1949: Chronology and Catalogue of the Family Collection.” Universidad de Texas. Austin, 13 de octubre a 24 de noviembre de 1974. (Luego en: Fundación Museo de Arte Contemporáneo de Caracas, Venezuela, 13 de enero a 26 de febrero de 1975, y Museo de Arte Italiano, Lima. Agosto de 1975). “Joaquín Torres García.” Galería Palatina, Buenos Aires. Junio de 1983. Bibliografía: “Les Tendances Nouvelles.” No. 62. París, mayo de 1914. Reproducido en p. 1523. Joaquín Horta. "Dialegs d'Art." En: “L'Instant Revista Quinzenal”, vol. II, no. 5. Barcelona, octubre de 1919. Reproducido en p. 9. Obra incluida con el no. 1911-01 en el catálogo razonado “Joaquín Torres García Online” dirigido por Cecilia de Torres (www.torresgarcia.com).

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        • JOAQUÍN TORRES GARCÍA - Constructive port
          Mar. 19, 2024

          JOAQUÍN TORRES GARCÍA - Constructive port

          Est: -

          JOAQUÍN TORRES GARCÍA Montevideo 1874-1949 Constructive port. c. 1943 Pencil on paper Back signed Measurements 13.9 x 19.1 cm Certificate signed by Mr. Marcos Torres Andrada

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        • JOAQUIN TORRES GARCIA - Constructive in colors
          Oct. 24, 2023

          JOAQUIN TORRES GARCIA - Constructive in colors

          Est: -

          JOAQUÍN TORRES GARCÍA Montevideo 1874-1949 Constructive in colors. c. 1931 Watercolor, ink and pencil on paper Measurements 11.7 x 14.5 cm Certificate from Dª Cecilia de Torres García Estate 276-Album nº 3

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        • Joaquín Torres García
          Sep. 01, 2021

          Joaquín Torres García

          Est: $2,200 - $2,500

          TORRES GARCÍA, Joaquín (Uruguayan school, 1874-1949). Bronze plaque. "Composición constructiva." Signed "JTG" lower centre. 23.5 x 16.3 cm. With certificate of the Verbo Gallery, Buenos Aires, 2003. TORRES GARCÍA, Joaquín (escuela uruguaya, 1874-1949). Placa en bronce. "Composición constructiva." Firmada "JTG" abajo al centro. 23.5 x 16.3 cm. Con certificado de la Galería Verbo, Buenos Aires, año 2003

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        • TORRES GARCÍA, Joaquín
          May. 26, 2021

          TORRES GARCÍA, Joaquín

          Est: $25,000 - $30,000

          TORRES GARCÍA, Joaquín (escuela uruguaya, 1874-1949). Óleo sobre cartón pegado en madera. “Cabeza de mujer.” 41 x 31 cm. Firmado arriba a la izquierda y fechado “28” arriba a la derecha. Proveniencia Sucesión Joaquín Torres García Manolita Piña de Torres García Sucesión Bernard Chappard Colección Privada Exhibiciones Montevideo, Ateneo de Montevideo, “Torres García”, 1947. Montevideo, Museo Torres García, “Joaquín Torres García”, 1958, no. 9. Caracas, Galería Siete Siete, “Joaquín Torres García, época de París 1926-1932”, 1980, no. 3, ilustrado en color. Bibliografía José María Podestá. “J. Torres García”, Buenos Aires, 1946. “Removedor”, Montevideo, no. 17, 1947, ilustrado en p. 3. Adolfo Maslach, “Joaquín Torres García: sol y luna del arcano”, Caracas, 1998, no. 163, detalle ilustrado en color p. 346. Notas de catálogo Esta obra se incluye en el catálogo razonado “Joaquín Torres García Online” dirigido por Cecilia de Torres (www.torresgarcia.com) con el no. 1928.09.”

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        • TORRES GARCÍA, Joaquín
          May. 26, 2021

          TORRES GARCÍA, Joaquín

          Est: $20,000 - $30,000

          TORRES GARCÍA, Joaquín (Uruguayan school, 1874-1948). Watercolour on paper. "Self-portrait." Signed lower left and dated "1946" lower right. 29 x 22.5 cm. Provenance Sarandy Cabrera César Salaberry Bibliography "Removedor", Montevideo, no. 13, 1946, illustrated on the cover. Catalogue notes Work accompanied by a handwritten letter by Sarandy Cabrera, developed on two pages by the writer, to whom the work was given by the artist. TORRES GARCÍA, Joaquín (escuela uruguaya, 1874-1948). Acuarela sobre papel. “Autorretrato.” Firmado abajo a la izquierda y fechado “1946” abajo a la derecha. 29 x 22.5 cm. Proveniencia Sarandy Cabrera César Salaberry Bibliografía “Removedor”, Montevideo, no. 13, 1946, ilustrado en la portada. Notas de catálogo Obra acompañada de carta manuscrita por Sarandy Cabrera desarrollada en dos folios por el escritor, a quien la obra le fuera entregada por el artista.

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        • JOAQUIN TORRES GARCÍA (Montevideo, Uruguay, 1874 - 1949). "Self-portrait", 1921. Mixed media (watercolor, ink and pencil) on thick paper. Attach certificate of authenticity.
          Mar. 16, 2021

          JOAQUIN TORRES GARCÍA (Montevideo, Uruguay, 1874 - 1949). "Self-portrait", 1921. Mixed media (watercolor, ink and pencil) on thick paper. Attach certificate of authenticity.

          Est: €30,000 - €35,000

          JOAQUIN TORRES GARCÍA (Montevideo, Uruguay, 1874 - 1949). "Self-portrait", 1921. Mixed media (watercolor, ink and pencil) on thick paper. Attach certificate of authenticity. Measurements: 39.5 x 29 cm .; 65.5 x 56 cm. (Frame). Torres García had been living in New York for a year when he made this drawing, a self-portrait with a pipe that seems to be a nod to the famous self-portrait he had made twenty years earlier in Barcelona, also with a pipe but set against an idyllic Mediterranean landscape. In the present drawing, the large eyes and hard features of the sitter convey security and defiance. As a nod to Fauve art, a multicolored rain of rhythmic touches emphasizes the energy the character exudes. It reveals the creative environment and the effervescent atmosphere of New York City that would intoxicate the Uruguayan painter in those years. After beginning his training as a self-taught artist, in 1890 Torres García decided to emigrate in order to train as a painter. He traveled to Europe with his family the following year at the age of seventeen. In 1892 he settled in Barcelona and entered the School of Fine Arts. There he came into contact with French impressionism, the main influence at that time for him and other famous students, such as Mir, Sunyer, Canals and Nonell. From 1894 he participated in the General Exhibitions of Fine Arts, in the foreign section. During this decade he published several drawings in newspapers and magazines such as "La Vanguardia", "Iris", "Barcelona Cómica" or "La Saeta". In 1901 he began to paint in fresco, attracted by the timeless spirit of the ancient works done in this technique. He also worked in decoration, a field in which his collaboration with Antoni Gaudí in the cathedral of Palma de Mallorca stands out. Around 1910 he began to introduce formal elements typical of Catalonia into his work. Several official commissions are related to this new approach, among them the mural decoration of the Salón de Sant Jordi at the headquarters of the Diputación Provincial de Barcelona. In 1920 he moved to New York and came into contact with artists of the stature of Max Weber, Man Ray and Marcel Duchamp. Soon after, he returned to Europe and settled in Paris, where he frequented the meetings of the group led by Mondrian, thus approaching abstraction and constructivism. In 1934 he finally decided to return to Montevideo, where he was received as a member of the European artistic elite. There he creates the Society of the Arts of Uruguay, whose aim was to integrate all the arts and act as a link between artists and the public. He came into contact with pre-Columbian and indigenous Uruguayan art, and this aesthetic, new to him, would have a crucial influence on his thinking. He claimed that artists did not need to renounce being Latin American by pretending to be contemporary, and he brought a new dimension to the construction of the modern American language. Moreover, from this moment on, the cultural symbology of his homeland took on a decisive importance in his work. His work is preserved in the Thyssen-Bornemisza Museum, the Modern Art Museums of New York, San Francisco and Lille, the Reina Sofia National Museum, the National Museum of Art of Catalonia, the Torres Garcia Museum in Montevideo, the Fine Arts Museums of Houston, Philadelphia and Santa Barbara, the National Museum of Fine Arts of São Paulo, the Hirshhorn and Art of the Americas Museums in Washington DC, the Albright-Knox Gallery in Buffalo and the Los Angeles Museum of Art in Los Angeles.

          Setdart Auction House
        • JOAQUIN TORRES GARCIA "Barco negro y blanco recortado", h.1921
          Feb. 26, 2020

          JOAQUIN TORRES GARCIA "Barco negro y blanco recortado", h.1921

          Est: -

          JOAQUIN TORRES GARCIA "Barco negro y blanco recortado", circa 1921. Oil on cardboard. JOAQUIN TORRES GARCIA "Barco negro y blanco recortado", h.1921 Procedencia: -Colección privada, Barcelona. -Galería Leandro Navarro, Madrid. -Colección privada, Madrid. Exposiciones: -2003-04 Museo Picasso, Barcelona: "Torres-García", nº 92, ill, p. 103. Bibliografía: - Puig Menetrier (2006): Joaquim Torres-García (1874-1949): du nocentisme a l'universalisme construit" ill. p. 11, como "Barco negro y blanco recortado". - Caixa Cultural 2010: "Torres-García, Traços de Nova York", ill. p. 114. Se adjunta cetificado de la Fundación Torres Garcia

          Ansorena
        • TORRES GARCÍA, Joaquín
          Jul. 04, 2019

          TORRES GARCÍA, Joaquín

          Est: €2,000 - €3,000

          TORRES GARCÍA, Joaquín Estructura Montevideo, Biblioteca Alfar, 1935 AVEC UN DESSIN ORIGINAL DE L’ARTISTE In-8 (203 x 145 mm) TIRAGE non précisé ILLUSTRATION : nombreux dessins de l’artiste reproduits dans le texte ENVOI AUTOGRAPHE SIGNÉ de Torres García : Para mi amigo y colega Norberto Berdia. J.T.G.. L’envoi est illustré d’un dessin original à l’encre. Norberto Berdia était un peintre uruguayen, proche de Torres García de 26 ans son aîné, qu’il a probablement rencontré à Montevideo lorsque ce dernier présentait les productions du groupe « Cercle et Carré ». BROCHÉ, couverture fragilisée au dos, mouillures et piqûres éparses [JOINTS :] 1. TORRES GARCÍA, Joaquín. Mi opinión sobre la exposición de artistas norteamericanos. Contribución al problema del arte en América. Montevideo, La Industrial Gráfica Uruguaya, 1942. Édition originale. Grand in-8 (230 x 162 mm). Ex-libris manuscrit sur la page de titre. Couverture illustrée. Déchirures et taches sur la couverture 2. MONLAUR, Reynés, et TORRES GARCÍA, Joaquín. Mirarán hacia él. Barcelona, Gustavo Gili, 1909. In-8 (185 x 120 mm). Plusieurs reproductions hors texte de dessins de J. Torres García, cartonnage d’éditeur illustré par l’artiste en deux tons 3. WAGNER, Richard et José LASALLE [Trad.] Historia de un Musico en Paris. Madrid, Viuda de Rodriguez Serra, 1905. Seconde édition. In-12 (135 x 70 mm). Reproductions monochromes d’œuvres de Torres García. Couverture imprimée en noir et rouge. Signature non identifiée au dernier plat de la couverture.

          Christie's
        • TORRES GARCÍA, Joaquín
          Jul. 03, 2019

          TORRES GARCÍA, Joaquín

          Est: €800 - €1,200

          TORRES GARCÍA, Joaquín El descubrimiento de si mismo. Gerona, Tipografia de Maso, 1917 ÉDITION ORIGINALE In-12 (145 x 110 mm), broché, couverture de l’éditeur en percaline bleue. Premier livre publié par Torres Garcia.

          Christie's
        • JOAQUÍN TORRES GARCÍA. Mermaid. (d)
          May. 29, 2019

          JOAQUÍN TORRES GARCÍA. Mermaid. (d)

          Est: €4,000 - €4,800

          Watercolour and gouache on paper Signed. Literature and exhibition: "Torres-García", Barcelona, Dau al Set, 1976 46x61.5 cm.

          Balclis
        • JOAQUÍN TORRES - GARCÍA - Straatscène met wagen
          Nov. 21, 2017

          JOAQUÍN TORRES - GARCÍA - Straatscène met wagen

          Est: $60,000 - $80,000

          JOAQUÍN TORRES - GARCÍA - Straatscène met wagen

          Phillips
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