Jean Joseph Taillasson Paintings & Artwork for Sale | Jean Joseph Taillasson Art Value Price Guide

May. 15, 2023
Jean Joseph Taillasson: Allegory of Hope
Est: €10,000 - €15,000
TAILLASSON, JEAN JOSEPH 1745 Bordeaux - 1801 Paris attributed Title: Allegory of Hope. Technique: Oil on canvas. Measurement: 148 x 107cm. Frame: Framed. Provenance: Private ownership, Italy. Explanations to the Catalogue
Van Ham Kunstauktionen
Sep. 23, 2022
Attributed to JEAN JOSEPH TAILLASSON
Est: CHF900 - CHF1,200
Attributed to JEAN JOSEPH TAILLASSON (Bordeaux 1745-1809 Paris) Achilles lays out the dead Hector. Black chalk, heightened with white. 38 x 45 cm. Provenance: - Collection of Henri Ledoux, Paris (20th century), Lugt 4052. - With Galerie de Bayser, Paris. - Collection of Dr Hans Lüthy, Egg bei Zürich. --------------- JEAN JOSEPH TAILLASSON, zugeschrieben (Bordeaux 1745-1809 Paris) Achilleus bahrt den toten Hektor auf. Schwarze Kreide, weiss gehöht. 38 x 45 cm. Provenienz: - Sammlung Henri Ledoux, Paris (20. Jh.), Lugt 4052. - Galerie de Bayser, Paris. - Sammlung Dr. Hans Lüthy, Egg bei Zürich. ---------------
Koller Auctions
Nov. 26, 2021
JEAN-JOSEPH TAILLASSON
Est: €300 - €500
(Blaye/Bordeaux, 1745 - Parigi, 1809) Scena storica Inchiostro e matita marrone su carta, cm 29X40 Allievo a Parigi di Joseph-Marie Vien e di Nicolas-Bernard Lépicié, fu ammesso nel 1769 al celebre Prix de Rome conseguendo il terzo premio. Nel 1774 il giovane artista si trasferì a Roma dove soggiornò fino al 1778, affinando il suo gusto neoclassico dipingendo soggetti storici. Pur esprimendo doti non comuni, Taillasson fu messo in ombra da David, ma come quest'ultimo fu profondamente influenzato dall'antichità classica e dai soggetti eroici.
Wannenes Art Auctions
Mar. 31, 2016
Jean-Joseph Taillasson Bordeaux, 1745 - Paris, 1809 La maladie d'Antiochus Huile sur toile (Toile d'origine)
Est: €5,000 - €7,000
Jean-Joseph Taillasson Bordeaux, 1745 - Paris, 1809 La maladie d'Antiochus Huile sur toile (Toile d'origine) Trace d'inscription en bas à droite et plusieurs annotations sur le châssis au verso Dans un cadre en chêne sculpté et doré, travail français du XVIIIe siècle 'ANTIOCHUS' DISEASE', OIL ON CANVAS, BY J.-J. TAILLASSON h: 39 w: 43 cm Provenance : Vente anonyme ; Paris, Hôtel Drouot, Me Choppin de Janvry, 11 mars 2002, n° 91 (comme Ecole de Taillasson) ; Vente anonyme ; Paris, Hôtel Drouot, Piasa, 23 juin 2006, n° 290 Expositions : Salon de 1785, Paris, partie du n° 117 Bibliographie : Henri Lemonnier, "A propos de la "Stratonice" d'Ingres", in 'La Revue de l'Art ancien et moderne', 1914, t. 35, p. 84 'Le port des Lumières. La peinture à Bordeaux de 1750 à 1800', cat. exp., Bordeaux, musée des Beaux-Arts, 1989, p. 266
Artcurial
Nov. 13, 2015
Jean-Joseph Taillasson Bordeaux, 1745 - Paris, 1809 Berger assis Huile sur toile
Est: €10,000 - €12,000
Jean-Joseph Taillasson Bordeaux, 1745 - Paris, 1809 Berger assis Huile sur toile Signée et datée 'Taillasson / 1785' en bas à droite 'A SHEPHERD MAN SEATED', OIL ON CANVAS, SIGNED AND DATED, BY J.-J. TAILLASSON h: 130 w: 103,50 cm Provenance : Commerce d'art, Allemagne, en 1989 Bibliographie : 'Le port des lumières, la peinture à Bordeaux de 1750 à 1800', cat exp, Bordeaux, musée des Beaux-Arts, 1989, p. 266, comme peint en août 1785.
Artcurial
Sep. 28, 2015
JEAN-JOSEPH TAILLASSON (BORDEAUX 1745-1809 PARIS) Portrait d’une
Est: -
JEAN-JOSEPH TAILLASSON (BORDEAUX 1745-1809 PARIS) Portrait d’une jeune femme tenant une lettre
Christie's
May. 15, 2015
1745 Bordeaux - 1801 Paris - attributed toMale Half Nude.
Est: €2,500 - €3,000
Oil on canvas. Relined. 59 x 49cm. Framed.
Van Ham Kunstauktionen
May. 06, 2015
Jean-Joseph Taillasson, French (1746-1809) Oil on Canvas "La Maladie d'Antiochus" Signed Lower Right. Good Condition. Measures 17 Inches by 15 Inches. Frame Measures 22 Inches by 20 Inches. Shipping $95.00
Est: $4,000 - $6,000
Jean-Joseph Taillasson, French (1746-1809) Oil on Canvas "La Maladie d'Antiochus" Signed Lower Right. Good Condition. Measures 17 Inches by 15 Inches. Frame Measures 22 Inches by 20 Inches. Shipping $95.00
Kodner Galleries
Jun. 05, 2013
Jean-Joseph Taillasson (Bordeaux 1745-1809 Paris)
Est: -
Jean-Joseph Taillasson (Bordeaux 1745-1809 Paris) Psyche abandoned signed 'Taillasson.' (lower right) oil on canvas, unlined 45 5/8 x 35¼ in. (115.8 x 89.5 cm.)
Christie's
Nov. 16, 2012
Taillasson, Jean Joseph 1745 Bordeaux - 1801 Paris
Est: €4,500 - €5,000
Taillasson, Jean Joseph 1745 Bordeaux - 1801 Paris - attributed to Male Half Nude. Oil on canvas. Relined. 59 x 49cm. Framed. German Text Taillasson, Jean Joseph 1745 Bordeaux - 1801 Paris - zugeschrieben Halbakt eines Mannes. Öl auf Leinwand. Doubliert. 59 x 49cm. Rahmen.
Van Ham Kunstauktionen
Mar. 12, 2012
JEAN JOSEPH TAILLASSON (1745-1809, France) OIL ON CANVAS - Attributed work of a religious scene with Jesus and group of men. Conditi...
Est: $1,000 - $2,000
JEAN JOSEPH TAILLASSON (1745-1809, France) OIL ON CANVAS - Attributed work of a religious scene with Jesus and group of men. Condition fair, canvas damage with paint loss noted on lower right side and some scattered craquelure. Dated 1780. 32" x 37" framed.
Pacific Galleries
Jun. 22, 2011
Attribué à Jean-Joseph TAILLASSON (1745 - 1809) Sextus et Lucrèce Toile 128 x 155 cm Restaurations Dans un cadre à vue ovale d'époqu...
Est: €15,000 - €20,000
Attribué à Jean-Joseph TAILLASSON (1745 - 1809) Sextus et Lucrèce Toile 128 x 155 cm Restaurations Dans un cadre à vue ovale d'époque Restauration
Tajan
Jun. 23, 2009
JEAN-JOSEPH TAILLASSON (BORDEAUX 1745-1809 PARIS)
Est: €3,000 - €5,000
JEAN-JOSEPH TAILLASSON (BORDEAUX 1745-1809 PARIS) Etude de deux têtes d'hommes et reprise des yeux et du nez signé 'T.n', inscrit 'rouge' et avec inscriptions 'POUSSIN' (sur le montage) et 'etude pour les voleurs moabites le tableau est a Bordeaux' (sur le montage, verso) pierre noire, sanguine et craie blanche, sur papier brun clair, dans un montage ancien 25,8 x 36,5 cm.
Christie's
Jun. 18, 2008
Jean-Joseph TAILLASSON (Bordeaux 1745-Paris 1809)
Est: €20,000 - €30,000
Jean-Joseph TAILLASSON (Bordeaux 1745-Paris 1809) Herminie gravant le nom de Tancrède sur un arbre Toile ovale 71 x 60 cm Porte une inscription sur l'arbre Tanc-amou Tancred i-ben moi Porte une inscription et une date au verso Taillasson-1796-Erminie Jean-Joseph Taillasson effectua un séjour à Rome entre 1772 et 1775, après avoir été élève dans l'atelier de Vien. Membre de l'Académie en 1782, il exposa régulièrement au Salon entre 1783 et 1806. Il publia également de nombreux ouvrages, fruits de ses réflexions sur l'art et la littérature. Exposé au Salon de 1796, notre tableau s'inspire du chant VII de la Jérusalem délivrée du Tasse. Alors qu'elle recherche Tancrède, Herminie trouve refuge chez un couple de bergers. Partageant leur vie durant quelques jours, elle mène les brebis au pâturage. Elle grave les initiales de Tancrède sur un arbre, symbole de son amour malheureux et sans issue. Exposition : Salon de Paris, 1796, n° 451.
Millon & Associes
Sep. 17, 2007
Jean-Joseph Taillasson Bordeaux 1745 - 1809 Paris , A naked man sitting in a landscape oil on canvas laid down on board
Est: €8,000 - €12,000
signed and dated or bears(?) date lower right: Taillasson./ 1785 oil on canvas laid down on board
Sotheby's
Mar. 17, 2005
Jean-Joseph Taillasson (1745-1809)
Est: €1,000 - €1,500
Un homme pointant vers le ciel avec inscription '66.' (deux fois) sur le montage craie noire et blanche, mis au carreau à la mine de plomb sur papier brun clair, sur un montage du 18ème siècle 412 x 222 mm.
Christie's
Apr. 17, 2002
Jean-Joseph Taillasson (Bordeaux 1745-1809 Paris)
Est: $17,280 - $25,920
Saint Mary Magdalene in the Desert signed and dated 'Taillasson. 1784.' (lower left) oil on canvas 81 1/8 x 763/4 in. (206.1 x 194.9 cm.) PROVENANCE L'Abb‚ de Pradine, chaplain to the Comtesse d'Arthois, 1785. Private collection, France. with Richard Feigen & Co., New York. LITERATURE Catalogues of the Paris Salon 1673-1881, compiled by H.W. Janson, New York and London, 1977, IV, Exhibition of 1785, p. 30, no. 111. J. Whiteley, catalogue of the exhibiton, Drawings by Contemporaries of Voltaire - Eighteenth century French drawings from the Print Room of the Ashmolean Museum, Ashmolean Museum, Oxford, 30 August-27 November 1994, p. 16, under no. 19. EXHIBITION Paris, Salon, 1785, no. 111, 'Une MagdalŠne dans le D‚sert. Ce Tableau de 7 pieds de haut, fur 6 pieds 8 pouces de large, appartient … M. l'Abb‚ de Pradine, Aum“nier de Madame Comtesse d'Arthois'. NOTES Taillasson was a pupil of Joseph-Marie Vien, whose studio he joined in 1764. After a sojourn in Rome, he settled in Paris and was admitted to the Acad‚mie in 1782. He exhibited regularly at the Salon between 1783 and 1806, much of his work characterised by large theatrical compositions and grandiloquent emotion, qualities much admired by the connoisseur Lebreton. Taillasson was primarily a painter but he also wrote several notable art historical books, among them the Observations sur quelques grands peintres (Paris, 1807). Two studies for the present picture are known, both executed in black chalk on paper. The first, showing some notable differences in the objects on the right side but otherwise homogenous, is in the Ashmolean Museum, Oxford (see J. Whiteley, op. cit., no. 19, illustrated). Another drawing, signed, is in a private collection, New York.
Christie's
Nov. 02, 2001
Jean-Joseph Taillasson (Bordeaux 1745-1809 Paris)
Est: $28,000 - $42,000
Saint Mary Magdalene in the Desert signed and dated 'Taillasson. 1784.' (lower left) oil on canvas 81 1/8 x 763/4 in. (206.1 x 194.9 cm.) PROVENANCE L'Abb‚e de Pradine, chaplain to the Comtesse d'Arthois, 1785. Private collection, France. with Richard Feigen & Co., New York. LITERATURE Catalogues of the Paris Salon 1673-1881, compiled by H.W. Janson, New York and London, 1977, IV, Exhibition of 1785, p. 30, no. 111. EXHIBITION Paris, Salon, 1785, no. 111, 'Une MagdalŠne dans le D‚sert. Ce Tableau de 7 pieds de haut, fur 6 pieds 8 pouces de large, appartient … M. l'Abb‚ de Pradine, Aum“nier de Madame Comtesse d'Arthois'. NOTES Taillasson was a pupil of Joseph-Marie Vien, whose studio he joined in 1764. After a sojourn in Rome, he settled in Paris and was admitted to the Acad‚mie in 1782. He exhibited regularly at the Salon between 1783 and 1806, much of his work characterised by large theatrical compositions and grandiloquent emotion, qualities much admired by the connoisseur Lebreton. Taillasson was primarily a painter but he also wrote several notable art historical books, among them the Observations sur quelques grands peintres, Paris, 1807. A signed study for the present picture, executed in black chalk on paper (292 x 299 mm.), is in a private collection, New York.
Christie's