Luca Signorelli Paintings & Artwork for Sale | Luca Signorelli Art Value Price Guide

May. 14, 2024
SIGNORELLI Luca (1441 - 1523) Huile sur panneau "Saint Jérôme". Attribué à Luca Signorelli. Eco
Est: €12,000 - €18,000
SIGNORELLI Luca (1441 - 1523) Huile sur panneau "Saint Jérôme". Attribué à Luca Signorelli. Ecole italienne. Epoque: circa 1515 - 1516. Cette œuvre est à mettre en parallèle avec une paire de panneaux aux dimensions proches vendus chez Christie's en juillet 2016 ainsi qu'avec "La Vierge à l'Enfant trônant entourée de saints" de la Pinacothèque de Volterra et celle de la "National Gallery" de Luca Signorelli. On y joint une photographie en noir et blanc annotée par Mario Garilli ainsi que deux anciennes diapositives. Provenance: ancienne collection Mario Garilli. Dim.:+/-45x18cm
Vanderkindere
Sep. 27, 2022
Luca Signorelli (1441-1523)-manner
Est: €800 - €1,600
Luca Signorelli (1441-1523)-manner, Peaked gold brown panel with female saint holding a book and a flower surrounded by ornaments on top holy ghost integrated frame on the reverse old paper lable in leather box pounced and described Luca Signoreli and a crowned with the letter N , insigth old textile ,lhinges damaged , panel 43x19 box 46x22 cm
Deutsch Auktionen
Dec. 07, 2021
LUCA SIGNORELLI (CORTONA 1450-1523) The Massacre of the Innocents with the
Est: £80,000 - £120,000
LUCA SIGNORELLI (CORTONA 1450-1523) The Massacre of the Innocents with the Adoration of the Shepherds and the Adoration of the Magi - panel from a predella tempera on panel, the reverse prepared with…
Christie's
Dec. 17, 2020
LUCA SIGNORELLI (CORTONA C.1450-1523 ?) - Saint Francis, Saint Catherine of Alexandria, Saint Augustine and Saint Nicholas of Tolentino
Est: £30,000 - £50,000
LUCA SIGNORELLI (CORTONA C.1450-1523 ?) Saint Francis, Saint Catherine of Alexandria, Saint Augustine and Saint Nicholas of Tolentino oil and tempera on panel 5 5/8 x 20 3/4 in. (14.4 x 52.7 cm.), with later additions of 1/8 in. (0.3 cm.) width to each edge
Christie's
Nov. 19, 2020
Signorelli, Luca: Nicholas of Beri Saves Three Knights from Execution
Est: €10,000 - €15,000
Signorelli, Luca Cortona ca. 1450 - 1523 Oil tempera on wood. 26,5 x 22,5cm. Framed. Certificate: T.F.K. Henry, Kent, on 22.07.2020. Provenance: Church of San Niccoló, Cortona Art market, Florence Collection Herzog Georg II. from Sachsen-Meiningen (1826-1914) Family collection from Sachsen-Meiningen till 1947 Private ownership, Germany. Literature: B. Berenson: The Central Italian Painters of the Renaissance, London and New York 1897, p. 180 M. Cruttwell: Luca Signorelli, London 1899, p. 133 G. Mancini: Vita di Luca Signorelli, Florence 1903, p. 182 P. Lehfeldt und G. Voss: Bau- Und Kunst-Denkmäler Thüringens. Herzogtum Sachsen-Meiningen, Band XXI, 1984, p. 55 L. Kanter: Some Late Altarpieces by Luca Signorelli. In: Studi di Storia dell'Arte, 2, 1991, p. 88-89 T. Henry and L. B. Kanter: Luca Signorelli. The Complete Paintings, London 2002, p. 223-224, cat. 89 T. Henry: The Life and Art of Luca Signorelli, New Haven and London 2012, p. 266-268. Verso: On the plate old handwritten inventory number. \"This important picture, which was last seen in the first half of the 20th century, is certainly by Luca Signorelli and formed part of an altarpiece that he painted for the church of S. Niccolò in Cortona, c.1508-10. The altarpiece survives in situ, and two related fragments of very similar dimensions to the present picture survive in the High Museum of Art, Atlanta (K494 and K499). It represents a legend from the life of Saint Nicholas of Bari, Bishop of Myra (270-343), e.g. in the Golden Legend of Jacobus de Voragine (1275). Three knights had been led to a place of execution and blind-folded, when the saint interceded, grabbing the executioner's sword and throwing it away (Voragine: \"they were come to where they should be beheaded, he found them on their knees, and blindfold, and the executioner brandished his sword over their heads. Then S. Nicholas embraced with the love of God, set himself against the executioner, and took the sword out of his hand, and threw it from him, and unbound the innocents, and led them with him all safe.\"). The picture was extensively described by Girolamo Mancini in 1903: \"Nel castello di Meiningen S. A. R. Giorgio di Saxe-Meiningen conserva un frammento di gradino alto M.i 0,265 x 0,22, ricordato dal Berenson ed acquistato in Firenze dal duca intelligente amatore delle arti italiane. Tre condannati genuflessi cogli occhi bendati attendono la morte per mano del carnefice armato di spada, la cui lama e' trattenuta dalla mano d'un santo vescovo in mitra e grande mantello. Assistono due alabardieri a destra, due a sinistra, ed indietro presso il vescovo nove soldati a cavallo. Tra il vescovo ed i cavalieri apparicsce una quarta figura che colla maggior paura attende il momento di perdere il capo'.\" No image of the picture has ever been published. The picture can be conclusively connected with a double-sided panel which still stands on the high altar of the small oratory church of San Niccolò in Cortona. The confraternity of Saint Nicholas was founded in 1440 by Saint Bernardino, and was closely associated with the Observant Franciscans. There is unconfirmed evidence that Signorelli was a member of the confraternity, and he demonstrated a particular devotion to Saint Nicholas of Bari in the prologue to his will of 1504 and specified reversionary bequests to the church of S. Niccolò in this will and in his later will of 1514. Signorelli's altarpiece measures 152 x 175 cm. and depicts the Lamentation of Saints Michael, Jerome, Nicholas, Francis, Dominic and a bearded Franciscan saint over the Body of Christ presented by three Angels on one face, and the Virgin and Child enthroned with Saints Peter and Paul on the other. The S. Niccolò altarpiece was said to have had a predella, and Kanter identified two panels that are clearly related to the current picture in the High Museum of Art, Atlanta. These represent the Birth of Saint Nicholas and another Saint Nicholas (K494 and K499 both 25.1 x 20.3 cm.), and Kanter correctly related the present picture to this commission on the basis of Mancini's description. All three panels are strongly lit from the left and were probably designed to be seen below the Virgin and Child enthroned with Saints Peter and Paul (also lit from the left) not the Lamentation (which is lit from the right). A fourth panel is lost. Although some old retouching and overpainting is evident the picture is in good condition for a work of the sixteenth century. The reverse of the panel is inscribed (apparently in black paint): 'Rumohr' '35'. As a result there is a temptation to assume that K. F. von Rumohr (1785-1843), author of the Italienische Forschungen (Frankfurt, 1827-31) was involved in the picture's acquisition, but at the present time this cannot be proved. The work is typical of Signorelli's style in the first decade of the sixteenth century and of his attentive approach to narrative painting. Mancini's description is accurate, although when read again in the light of the text of the Golden Legend the figure that Mancini identifies as awaiting his own fate should instead be seen as another of the captors.\" Explanations to the Catalogue Luca Signorelli Renaissance Florentine School 15th/16th C. Old Masters Saints Altar piece Religious Theme Estimated Shippingcost for this lot: Germany: 28,57 Euro plus 5,43 Euro VAT EU: 50,42 Euro plus 9,58 Euro VAT Worldwide: 79,83 Euro plus 15,17 Euro VAT additional shipping insurance
Van Ham Kunstauktionen
Jan. 28, 2020
Luca Signorelli (Cortona ca. 1450-1523) - A young man seen from behind, cloaked, with a study of a young woman resting on...
Est: $50,000 - $70,000
Luca Signorelli (Cortona ca. 1450-1523) A young man seen from behind, cloaked, with a study of a young woman resting on... black and white chalk 15 x 8 ½ in. (38 x 21.5 cm)
Christie's
Jul. 13, 2019
LUCA SIGNORELLI - THE COMPLETE PAINTINGS
Est: $50 - $150
LUCA SIGNORELLI - THE COMPLETE PAINTINGS Height: 10 in. by Width: 8 in. by Depth: 1
Lewis & Maese Antiques & Auctions
Oct. 21, 2014
Study for a Man Staring in Terror,The Bacino di S. Marco
Est: £60 - £100
Set of two lithographic prints comprising:lithographic print of drawing by Luca Signorelli entitled Study of a Man Staring back in Terror, originally drawn c.1490-1500First recorded in The Royal Collection inventory of c.1810.Black chalk, heightened with white. Recorded in the collection of George III. Arthur "Hugh" Popham scholar of Italian Art, who in collaboration with Johannes Wilde catalogued the Italian drawings for Windsor Castle in 1949, suggest that this drawing may have been a rejected study for one of the figures 'End of the World? in the Duomo at Orvieto, which Signorelli was commissioned to paint in 1499.Print size inches: 6 x 9.8 together with lithographic print of painting by Canaletto entitled The Bacino di S. Marco on Ascension Day, originally painted c.1734Acquired by George III, King of the United Kingdom (1738-1820), with the collection of Joseph Smith, British Consul in Venice.This oil on canvas, paired with 'Regatta on the Grand Canal' (see No 26), is part of a series of 14 views on the Grand Canal. The scene depicts a traditional Venetian ceremony showing the Doge and his suite on the ceremonial vessel, the Bucintoro, after its return to the Molo from the ceremonial Wedding of the Sea on Ascension Day. Formerly in the collection of Consul John Smith, the series was engraved by Antonio Visconti and published in 1735.Print size inches: 8.9 x 5.3
William George & Co
Oct. 21, 2014
Luca Signorelli Lithographic Print
Est: £30 - £50
Lithographic print of drawing by Luca Signorelli entitled Study of a Man Staring back in Terror, originally drawn c.1490-1500First recorded in The Royal Collection inventory of c.1810.Black chalk, heightened with white. Recorded in the collection of George III. Arthur "Hugh" Popham scholar of Italian Art, who in collaboration with Johannes Wilde catalogued the Italian drawings for Windsor Castle in 1949, suggest that this drawing may have been a rejected study for one of the figures 'End of the World? in the Duomo at Orvieto, which Signorelli was commissioned to paint in 1499.Print size inches: 6 x 9.8
William George & Co
Oct. 06, 2014
D'APRES LUCA SIGNORELLI
Est: €700 - €1,000
D'APRES LUCA SIGNORELLI Décor mural avec le portrait de Ovide mine de plomb, aquarelle et gouache rehaussé d'or 560 x 560 mm. (22 x 22 in.); on joint une Etude de décor mural avec Vénus au centre de l'école française de la fin du XIXème siècle (2)
Christie's
Jan. 26, 2012
LUCA SIGNORELLI
Est: $800,000 - $1,200,000
CORTONA CIRCA 1450 - 1523 A PROCESSIONAL BANNER: THE PRESENTATION IN THE TEMPLE distemper on canvas 70 1/2 by 52 1/2 in.; 179 by 133.3 cm.
Sotheby's
Jan. 26, 2012
LUCA SIGNORELLI
Est: $200,000 - $300,000
CORTONA CIRCA 1450 - 1523 THE MADONNA AND CHILD oil on panel 17 1/4 by 11 1/4 in.; 43.5 by 28.5. cm.
Sotheby's
Jun. 03, 2010
LUCA SIGNORELLI AND STUDIO
Est: $40,000 - $60,000
LUCA SIGNORELLI AND STUDIO CORTONA CIRCA 1450 - 1523 THE MADONNA AND CHILD WITH SAINTS BERNARD(?), ANTHONY OF PADUA AND JOHN THE EVANGELIST(?) circular, oil on panel, in an 18th Century Italian frame diameter 28 1/2 in.; 72.4 cm
Sotheby's
Dec. 09, 2009
Luca Signorelli (Cortona c . 1450-1523 ?)
Est: £25,000 - £35,000
Luca Signorelli (Cortona c. 1450-1523 ?) Saint Michael oil on panel 19½ x 8 in. (49.5 x 20.4 cm.) with inscription '... 27- Un Quadro dipinto in Tavola pres...n..[t?]e S:υn Michele Arcange[lo] ...a di Luca Signorelli ...' (on a label on the reverse of the panel)
Christie's
Jan. 29, 2009
Luca Signorelli and Studio , Cortona circa 1450 - 1523 The Madonna and Child with Saints Bernard(?), Anthony of Padua and John the Evangelist(?) circular, oil on panel, in an 18th Century Italian frame
Est: $100,000 - $150,000
circular, oil on panel, in an 18th Century Italian frame
Sotheby's
Dec. 02, 2008
Luca Signorelli (Cortona 1450-1523)
Est: £60,000 - £80,000
Luca Signorelli (Cortona 1450-1523) The Massacre of the Innocents with the Adoration of the Shepherds and the Adoration of the Magi, panel from a predella inscribed 'Luca Signorelli' (on the reverse) tempera on panel, the reverse prepared with ochre paint 9 x 29½ in. (22.9 x 75 cm.)
Christie's
Mar. 22, 2007
Un évêque vu de profil, tourné vers la gauche
Est: €6,000 - €8,000
LUCA SIGNORELLI (CORTONE 1450-1523) Un évêque vu de profil, tourné vers la gauche craie noire, irrégulier 144 x 65 mm.
Christie's