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Soga Shohaku Sold at Auction Prices

b. 1730 - d. 1781

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    • Attributed to Soga Shohaku (Japanese, 1730-1781)
      Sep. 27, 2024

      Attributed to Soga Shohaku (Japanese, 1730-1781)

      Est: $1,000 - $2,000

      Attributed to Soga Shohaku (Japanese, 1730-1781) (Japanese, 1730-1781) Landscape ink on silk, hanging scroll Image 19 1/4 x 12 3/8 in., 48.9 x 31.4 cm. This lot is located in Chicago.

      Freeman’s | Hindman
    • SOGA SHOHAKU (1730-1781): AN IMPORTANT SET OF FIVE SCROLL PAINTINGS WITH BIRDS OF PREY
      Sep. 04, 2024

      SOGA SHOHAKU (1730-1781): AN IMPORTANT SET OF FIVE SCROLL PAINTINGS WITH BIRDS OF PREY

      Est: €15,000 - €30,000

      SOGA SHOHAKU (1730-1781): AN IMPORTANT SET OF FIVE SCROLL PAINTINGS WITH BIRDS OF PREY Japan, 18th century. Ink on paper. Mounted as hanging scrolls, on paper, with wooden handles. The set of five paintings depicts finely detailed birds of prey perched high in the treetops, looking down over varying landscapes. (5) Inscriptions: Three paintings bear the seals ‘Joki’ 如鬼 and ‘Jasokuken Shohaku’ 蛇足軒蕭白. Two paintings are sealed ‘Joki’ 如鬼 and ‘Shohaku’ 蕭白. Provenance: From the collection of Felix Tikotin, and thence by descent within the family. Felix Tikotin (1893-1986) was an architect, art collector, and founder of the first Museum of Japanese Art in the Middle East. Born in Glogau, Germany, to a Jewish family, his ancestors had returned with Napoleon from Russia from a town named Tykocin. He grew up in Dresden and after World War I, he traveled to Japan and immediately fell in love with the culture. In April 1927, he opened his first own gallery in Berlin. The entire family survived the Holocaust, and in the 1950s Tikotin slowly resumed his activities as a dealer in Japanese art. He became, once again, very successful and prominent, holding exhibitions all over Europe and the United States. When he first visited Israel in 1956, he decided that the major part of his collection belonged in that country. In 1960, the Tikotin Museum of Japanese Art was opened in Haifa. Condition: Good condition with minor wear, minuscule soling, small creases, and few old repairs with touch ups. The paper mountings are in similar condition with minor creasing and soiling. Dimensions: Image size ca. 133.5 x 56 cm (each), Size incl. mounting ca. 198 x 67 (each) Soga Shohaku, (1730-1781), original name Miura Sakonjiro, was a Japanese painter of the mid-Edo period who tried to revive the brush-style drawing of the great masters of the Muromachi period. As a young man, Shohaku studied painting under the guidance of Takada Keiho of the Kano school in Kyoto, but his disillusionment with contemporary art led him to look to the past for inspiration. He came to greatly admire the works of the Muromachi painter, Soga Jasoku, and began calling himself Jasoku ken, or Jasoku jussei (‘the tenth’). He excelled in ink monochrome portraits, which he made with powerful brushwork using broad strokes, which is exemplified in these five panels. Many of his paintings today are housed in museums such as the Indianapolis Museum of Art, Kimbell Art Museum, and the Museum of Fine Arts Boston. Museum comparison: Compare a closely related painting by Soga Shohaku, depicting a pair of falcons amongst blossoming branches, signed with an identical seal, in The Indianapolis Museum of Art, accession no. 2000.53. Auction result comparison: Type: Related Auction: Christie’s New York, 22 April 2015, lot 45 Price: USD 81,250 or approx. EUR 98,000 converted and adjusted for inflation at the time of writing Description: Soga Shohaku (1730-1781), Cranes with turtle and rising sun Expert remark: Compare the related motif. Note this set consists of only two hanging scrolls. Note the similar size (each 128.6 x 56.8 cm).

      Galerie Zacke
    • SOGA SHOHAKU: A SCROLL PAINTING OF KANZAN AND JITTOKU
      Jun. 14, 2024

      SOGA SHOHAKU: A SCROLL PAINTING OF KANZAN AND JITTOKU

      Est: €1,500 - €3,000

      SOGA SHOHAKU: A SCROLL PAINTING OF KANZAN AND JITTOKU By Soga Shohaku (1730-1781), sealed Joki Japan, 18th century, Edo period (1615-1868) Ink on paper. Mounted as a hanging scroll on a silk brocade frame, with wood jikusaki (roller ends). Depicting the two famous immortals Kanzan (Hanshan) and Jittoku (Shide), holding a scroll and broom respectively. Inscriptions: One seal, ‘Joki’ 如鬼. Image SIZE 108 x 28 cm, SIZE incl. mounting 187 x 39.5 cm Condition: Very good condition with minor wear. Some soiling and creasing. Provenance: From the estate of Sear Hang Hwie Pao (1937-2009). One letter of authentication by Prof. Yasuichi Awakawa (a noted paintings expert and author of the 1970 publication Zen Painting), accompanies this lot. Pao was one of Canada’s leading dealers of Japanese & Chinese porcelain and works of art. His antique store, Pao & Moltke Ltd., owned together with his wife Mrs. von Moltke, who descended from a German and Danish noble family, was a fixture in Toronto’s trendy Yorkville area from the 1980s to early 2000s. With an inscribed tomobako storage box. The hakogaki inscription is by the well-known collector and scholar on Zen Painting Awakawa Yasuichi (Awakawa Koichi) 淡川泰一 (1902-1976): 曽我蕭白先生寒山拾得 "Soga Shohaku sensei Kanzan Jittoku" [Kanzan and Jittoku, by master Soga Shohaku]. 淡川泰謹題鑑 "Awakawa Yasu (Yasuchi) tsutsushinde daishi kansu" [Awakawa Yasuichi examined this and attested this] with the seal of 康 Yasu (of Yasuichi). These two Chinese hermits - known in Japanese as Kanzan (Chinese: Hanshan) and Jittoku (Chinese: Shide) - lived near the sacred mountain Tiantaishan during the Tang dynasty (618-907). They appear frequently in Zen Buddhist paintings, representing rejection of the secular world and the search for enlightenment. Soga Shohaku (1730-1781) was a painter of the Edo period. Shohaku distinguished himself from his contemporaries by preferring the brush style of the Muromachi period, an aesthetic that was already passé 150 years before his birth. He became a painter in his late 20s, and studied under Takada Keiho of the prominent Kano School, which drew upon Chinese techniques and subject matters. It is recorded that he studied the painting methods of the Soga School and the Unkoku School, which his actual artwork reflects. Auction comparison: For two other Zen paintings authenticated by Yasuichi Awakawa see Christie’s, Japanese and Korean Art, 18 March 2008, New York, lot 132 (sold for USD 3,750) and lot 134 (sold for USD 21,250).

      Galerie Zacke
    • SOGA SHOHAKU (1730-1781): AN IMPORTANT SET OF FIVE SCROLL PAINTINGS WITH BIRDS OF PREY
      Jan. 17, 2024

      SOGA SHOHAKU (1730-1781): AN IMPORTANT SET OF FIVE SCROLL PAINTINGS WITH BIRDS OF PREY

      Est: €15,000 - €30,000

      SOGA SHOHAKU (1730-1781): AN IMPORTANT SET OF FIVE SCROLL PAINTINGS WITH BIRDS OF PREY Japan, 18th century. Ink on paper. Mounted as hanging scrolls, on paper, with wooden handles. The set of five paintings depicts finely detailed birds of prey perched high in the treetops, looking down over varying landscapes. (5) Inscriptions: Three paintings bear the seals 'Joki' 如鬼 and 'Jasokuken Shohaku' 蛇足軒蕭白. Two paintings are sealed 'Joki' 如鬼 and 'Shohaku' 蕭白. Provenance: From the collection of Felix Tikotin, and thence by descent within the family. Felix Tikotin (1893-1986) was an architect, art collector, and founder of the first Museum of Japanese Art in the Middle East. Born in Glogau, Germany, to a Jewish family, his ancestors had returned with Napoleon from Russia from a town named Tykocin. He grew up in Dresden and after World War I, he traveled to Japan and immediately fell in love with the culture. In April 1927, he opened his first own gallery in Berlin. The entire family survived the Holocaust, and in the 1950s Tikotin slowly resumed his activities as a dealer in Japanese art. He became, once again, very successful and prominent, holding exhibitions all over Europe and the United States. When he first visited Israel in 1956, he decided that the major part of his collection belonged in that country. In 1960, the Tikotin Museum of Japanese Art was opened in Haifa. Condition: Good condition with minor wear, minuscule soling, small creases, and few old repairs with touch ups. The paper mountings are in similar condition with minor creasing and soiling. Dimensions: Image size ca. 133.5 x 56 cm (each), Size incl. mounting ca. 198 x 67 (each) Soga Shohaku, (1730-1781), original name Miura Sakonjiro, was a Japanese painter of the mid-Edo period who tried to revive the brush-style drawing of the great masters of the Muromachi period. As a young man, Shohaku studied painting under the guidance of Takada Keiho of the Kano school in Kyoto, but his disillusionment with contemporary art led him to look to the past for inspiration. He came to greatly admire the works of the Muromachi painter, Soga Jasoku, and began calling himself Jasoku ken, or Jasoku jussei ('the tenth'). He excelled in ink monochrome portraits, which he made with powerful brushwork using broad strokes, which is exemplified in these five panels. Many of his paintings today are housed in museums such as the Indianapolis Museum of Art, Kimbell Art Museum, and the Museum of Fine Arts Boston. Museum comparison: Compare a closely related painting by Soga Shohaku, depicting a pair of falcons amongst blossoming branches, signed with an identical seal, in The Indianapolis Museum of Art, accession no. 2000.53. Auction result comparison: Type: Related Auction: Christie's New York, 22 April 2015, lot 45 Price: USD 81,250 or approx. EUR 98,000 converted and adjusted for inflation at the time of writing Description: Soga Shohaku (1730-1781), Cranes with turtle and rising sun Expert remark: Compare the related motif. Note this set consists of only two hanging scrolls. Note the similar size (each 128.6 x 56.8 cm).

      Galerie Zacke
    • SOGA SHOHAKU (1730-1781): AN IMPORTANT SET OF FIVE SCROLL PAINTINGS WITH BIRDS OF PREY
      Nov. 30, 2023

      SOGA SHOHAKU (1730-1781): AN IMPORTANT SET OF FIVE SCROLL PAINTINGS WITH BIRDS OF PREY

      Est: €20,000 - €40,000

      SOGA SHOHAKU (1730-1781): AN IMPORTANT SET OF FIVE SCROLL PAINTINGS WITH BIRDS OF PREY Japan, 18th century. Ink on paper. Mounted as hanging scrolls, on paper, with wooden handles. The set of five paintings depicts finely detailed birds of prey perched high in the treetops, looking down over varying landscapes. (5) Inscriptions: Three paintings bear the seals ‘Joki’ 如鬼 and ‘Jasokuken Shohaku’ 蛇足軒蕭白. Two paintings are sealed ‘Joki’ 如鬼 and ‘Shohaku’ 蕭白. Provenance: From the collection of Felix Tikotin, and thence by descent within the family. Felix Tikotin (1893-1986) was an architect, art collector, and founder of the first Museum of Japanese Art in the Middle East. Born in Glogau, Germany, to a Jewish family, his ancestors had returned with Napoleon from Russia from a town named Tykocin. He grew up in Dresden and after World War I, he traveled to Japan and immediately fell in love with the culture. In April 1927, he opened his first own gallery in Berlin. The entire family survived the Holocaust, and in the 1950s Tikotin slowly resumed his activities as a dealer in Japanese art. He became, once again, very successful and prominent, holding exhibitions all over Europe and the United States. When he first visited Israel in 1956, he decided that the major part of his collection belonged in that country. In 1960, the Tikotin Museum of Japanese Art was opened in Haifa. Condition: Good condition with minor wear, minuscule soling, small creases, and few old repairs with touch ups. The paper mountings are in similar condition with minor creasing and soiling. Dimensions: Image size ca. 133.5 x 56 cm (each), Size incl. mounting ca. 198 x 67 (each) Soga Shohaku, (1730-1781), original name Miura Sakonjiro, was a Japanese painter of the mid-Edo period who tried to revive the brush-style drawing of the great masters of the Muromachi period. As a young man, Shohaku studied painting under the guidance of Takada Keiho of the Kano school in Kyoto, but his disillusionment with contemporary art led him to look to the past for inspiration. He came to greatly admire the works of the Muromachi painter, Soga Jasoku, and began calling himself Jasoku ken, or Jasoku jussei (‘the tenth’). He excelled in ink monochrome portraits, which he made with powerful brushwork using broad strokes, which is exemplified in these five panels. Many of his paintings today are housed in museums such as the Indianapolis Museum of Art, Kimbell Art Museum, and the Museum of Fine Arts Boston. Museum comparison: Compare a closely related painting by Soga Shohaku, depicting a pair of falcons amongst blossoming branches, signed with an identical seal, in The Indianapolis Museum of Art, accession no. 2000.53. Auction result comparison: Type: Related Auction: Christie’s New York, 22 April 2015, lot 45 Price: USD 81,250 or approx. EUR 98,000 converted and adjusted for inflation at the time of writing Description: Soga Shohaku (1730-1781), Cranes with turtle and rising sun Expert remark: Compare the related motif. Note this set consists of only two hanging scrolls. Note the similar size (each 128.6 x 56.8 cm).

      Galerie Zacke
    • Rollbild, Japan, 19.Jh.
      Nov. 18, 2023

      Rollbild, Japan, 19.Jh.

      Est: -

      sig. Soga Shohaku (1730-1781), zwei rote Siegelmarken, 'Ein Sennin ruft den Regen', lavierte Tuschpinselzeichnung, 124 x 51 cm, wellig, fleckig, restauriert, aufgezogen, in Holzschatulle - Provenienz: Kunsthandlung Wahlen -

      Auktionshaus Arnold
    • SOGA SHOHAKU (1730-1781) Six Immortals of Poetry (Rokkasen) Hanging scroll;
      Sep. 19, 2023

      SOGA SHOHAKU (1730-1781) Six Immortals of Poetry (Rokkasen) Hanging scroll;

      Est: $7,000 - $9,000

      SOGA SHOHAKU (1730-1781) Six Immortals of Poetry (Rokkasen) Hanging scroll; ink on paper 52 x 22 ¾ in. (132.1 x 57.8 cm.)

      Christie's
    • SOGA SHOHAKU (1730-1781) Soshi no kocho no yume (The butterfly dream of Zhu
      Sep. 20, 2022

      SOGA SHOHAKU (1730-1781) Soshi no kocho no yume (The butterfly dream of Zhu

      Est: $15,000 - $25,000

      SOGA SHOHAKU (1730-1781) Soshi no kocho no yume (The butterfly dream of Zhuang Zi) Hanging scroll; ink on paper 51 1/4 x 22 1/4 in. (130.2 x 56.5 cm.)

      Christie's
    • SOGA SHOHAKU (1730-1781) Taikobo (Jiang Ziya) Hanging scroll; ink on paper
      Sep. 20, 2022

      SOGA SHOHAKU (1730-1781) Taikobo (Jiang Ziya) Hanging scroll; ink on paper

      Est: $15,000 - $25,000

      SOGA SHOHAKU (1730-1781) Taikobo (Jiang Ziya) Hanging scroll; ink on paper 40 3/8 x 15 3/4 in. (102.6 x 40 cm.)

      Christie's
    • Japanese artist 蕭伯 Soga Shohaku (1730-1781), “Daoist Immortal Han Xiangzi” hanging scroll
      Feb. 27, 2021

      Japanese artist 蕭伯 Soga Shohaku (1730-1781), “Daoist Immortal Han Xiangzi” hanging scroll

      Est: $2,000 - $4,000

      Artist: Soga Shohaku: 1730-1781; Born in Mie. Learned from Takada Keiho; Translation of 2 characters on the scroll: The artist’s signature - 蕭伯 Sho haku; This is a portrait of one of Chinese Immortals, Han Xiangzi. https://en.wikipedia.org/wiki/Han_Xiangzi Han Xiangzi, courtesy name Qingfu or Beizhu, is a Chinese mythological figure and one of the Eight Immortals in the Taoist pantheon. He studied Taoist magical arts under the tutelage of Lü Dongbin, another of the Eight Immortals. Han Xiangzi is often depicted carrying a dizi (Chinese flute), so he is also regarded as the patron deity of flutists. He is also believed to be the composer of the Taoist musical piece Tian Hua Yin (天花引). It is not known if Han Xiangzi existed historically. However, he is believed to be Han Xiang, a grandnephew of Han Yu, a prominent politician, poet and Confucian scholar who lived in the Tang dynasty. There are at least three different accounts about Han Xiang and Han Yu's grandnephew. Primary Material: Paper; Technique: Hand-painted; Roller Ends: Bone; Condition: Refer to all pictures (Stain, Wrinkle, Damage); Soga Shōhaku (曾我蕭白) (1730–1781) was a Japanese painter of the Edo period. Shōhaku distinguished himself from his contemporaries by preferring the brush style of the Muromachi period, an aesthetic that was already passé 150 years before his birth. Shōhaku's birth name was Miura Sakonjirō. His family was wealthy, but all of his immediate family members died before he reached the age of 18. As a young man, he was a student of Takada Keiho of the prominent Kanō School, which drew upon Chinese techniques and subject matters. His disillusionment with the school led him to appreciate the works of Muromachi era painter Soga Jasoku. He began to use the earlier style of brushstroke, painting mostly monochromes, despite the fact it had become unfashionable.

      Eternity Gallery
    • Japanese artist 蕭伯 Soga Shohaku (1730-1781), “Daoist Immortal Han Xiangzi” hanging scroll
      Jan. 09, 2021

      Japanese artist 蕭伯 Soga Shohaku (1730-1781), “Daoist Immortal Han Xiangzi” hanging scroll

      Est: $4,000 - $8,000

      Artist: 蕭伯 Soga Shohaku: 1730-1781; Born in Mie. Learned from Takada Keiho; Translation of 2 characters on the scroll: The artist’s signature - 蕭伯 Sho haku; This is a portrait of one of Chinese Immortals, Han Xiangzi. https://en.wikipedia.org/wiki/Han_Xiangzi Han Xiangzi, courtesy name Qingfu[1] or Beizhu,[2] is a Chinese mythological figure and one of the Eight Immortals in the Taoist pantheon. He studied Taoist magical arts under the tutelage of Lü Dongbin, another of the Eight Immortals. Han Xiangzi is often depicted carrying a dizi (Chinese flute), so he is also regarded as the patron deity of flutists. He is also believed to be the composer of the Taoist musical piece Tian Hua Yin (天花引). It is not known if Han Xiangzi existed historically. However, he is believed to be Han Xiang, a grandnephew of Han Yu, a prominent politician, poet and Confucian scholar who lived in the Tang dynasty. There are at least three different accounts about Han Xiang and Han Yu's grandnephew. Primary Material: Paper; Technique: Hand-painted; Roller Ends: Bone; Condition: Refer to all pictures (Stain, Wrinkle, Damage); Soga Shōhaku (曾我蕭白) (1730–1781) was a Japanese painter of the Edo period. Shōhaku distinguished himself from his contemporaries by preferring the brush style of the Muromachi period, an aesthetic that was already passé 150 years before his birth.[1] Shōhaku's birth name was Miura Sakonjirō. His family was wealthy, but all of his immediate family members died before he reached the age of 18. As a young man, he was a student of Takada Keiho of the prominent Kanō School, which drew upon Chinese techniques and subject matters.[2] His disillusionment with the school led him to appreciate the works of Muromachi era painter Soga Jasoku. He began to use the earlier style of brushstroke, painting mostly monochromes, despite the fact it had become unfashionable.[1]

      Eternity Gallery
    • Japanese artist 蕭伯 Soga Shohaku (1730-1781), “Daoist Immortal Han Xiangzi” hanging scroll
      Nov. 29, 2020

      Japanese artist 蕭伯 Soga Shohaku (1730-1781), “Daoist Immortal Han Xiangzi” hanging scroll

      Est: $2,000 - $4,000

      Artist: Soga Shohaku: 1730-1781; Born in Mie. Learned from Takada Keiho; Translation of 2 characters on the scroll: The artist’s signature - 蕭伯 Sho haku; This is a portrait of one of Chinese Immortals, Han Xiangzi. https://en.wikipedia.org/wiki/Han_Xiangzi Han Xiangzi, courtesy name Qingfu or Beizhu, is a Chinese mythological figure and one of the Eight Immortals in the Taoist pantheon. He studied Taoist magical arts under the tutelage of Lü Dongbin, another of the Eight Immortals. Han Xiangzi is often depicted carrying a dizi (Chinese flute), so he is also regarded as the patron deity of flutists. He is also believed to be the composer of the Taoist musical piece Tian Hua Yin (天花引). It is not known if Han Xiangzi existed historically. However, he is believed to be Han Xiang, a grandnephew of Han Yu, a prominent politician, poet and Confucian scholar who lived in the Tang dynasty. There are at least three different accounts about Han Xiang and Han Yu's grandnephew. Primary Material: Paper; Technique: Hand-painted; Roller Ends: Bone; Condition: Refer to all pictures (Stain, Wrinkle, Damage); Soga Shōhaku (曾我蕭白) (1730–1781) was a Japanese painter of the Edo period. Shōhaku distinguished himself from his contemporaries by preferring the brush style of the Muromachi period, an aesthetic that was already passé 150 years before his birth. Shōhaku's birth name was Miura Sakonjirō. His family was wealthy, but all of his immediate family members died before he reached the age of 18. As a young man, he was a student of Takada Keiho of the prominent Kanō School, which drew upon Chinese techniques and subject matters. His disillusionment with the school led him to appreciate the works of Muromachi era painter Soga Jasoku. He began to use the earlier style of brushstroke, painting mostly monochromes, despite the fact it had become unfashionable.

      Eternity Gallery
    • Japanese artist 蕭伯 Soga Shohaku (1730-1781), “Daoist Immortal Han Xiangzi” hanging scroll
      Nov. 01, 2020

      Japanese artist 蕭伯 Soga Shohaku (1730-1781), “Daoist Immortal Han Xiangzi” hanging scroll

      Est: $4,000 - $8,000

      Artist: 蕭伯 Soga Shohaku: 1730-1781; Born in Mie. Learned from Takada Keiho; Translation of 2 characters on the scroll: The artist’s signature - 蕭伯 Sho haku; This is a portrait of one of Chinese Immortals, Han Xiangzi. https://en.wikipedia.org/wiki/Han_Xiangzi Han Xiangzi, courtesy name Qingfu[1] or Beizhu,[2] is a Chinese mythological figure and one of the Eight Immortals in the Taoist pantheon. He studied Taoist magical arts under the tutelage of Lü Dongbin, another of the Eight Immortals. Han Xiangzi is often depicted carrying a dizi (Chinese flute), so he is also regarded as the patron deity of flutists. He is also believed to be the composer of the Taoist musical piece Tian Hua Yin (天花引). It is not known if Han Xiangzi existed historically. However, he is believed to be Han Xiang, a grandnephew of Han Yu, a prominent politician, poet and Confucian scholar who lived in the Tang dynasty. There are at least three different accounts about Han Xiang and Han Yu's grandnephew. Primary Material: Paper; Technique: Hand-painted; Roller Ends: Bone; Condition: Refer to all pictures (Stain, Wrinkle, Damage); Soga Shōhaku (曾我蕭白) (1730–1781) was a Japanese painter of the Edo period. Shōhaku distinguished himself from his contemporaries by preferring the brush style of the Muromachi period, an aesthetic that was already passé 150 years before his birth.[1] Shōhaku's birth name was Miura Sakonjirō. His family was wealthy, but all of his immediate family members died before he reached the age of 18. As a young man, he was a student of Takada Keiho of the prominent Kanō School, which drew upon Chinese techniques and subject matters.[2] His disillusionment with the school led him to appreciate the works of Muromachi era painter Soga Jasoku. He began to use the earlier style of brushstroke, painting mostly monochromes, despite the fact it had become unfashionable.[1]

      Eternity Gallery
    • Japanese artist 蕭伯 Soga Shohaku (1730-1781), “Daoist Immortal Han Xiangzi” hanging scroll
      Oct. 03, 2020

      Japanese artist 蕭伯 Soga Shohaku (1730-1781), “Daoist Immortal Han Xiangzi” hanging scroll

      Est: $2,000 - $4,000

      Artist: Soga Shohaku: 1730-1781; Born in Mie. Learned from Takada Keiho; Translation of 2 characters on the scroll: The artist’s signature - 蕭伯 Sho haku; This is a portrait of one of Chinese Immortals, Han Xiangzi. https://en.wikipedia.org/wiki/Han_Xiangzi Han Xiangzi, courtesy name Qingfu or Beizhu, is a Chinese mythological figure and one of the Eight Immortals in the Taoist pantheon. He studied Taoist magical arts under the tutelage of Lü Dongbin, another of the Eight Immortals. Han Xiangzi is often depicted carrying a dizi (Chinese flute), so he is also regarded as the patron deity of flutists. He is also believed to be the composer of the Taoist musical piece Tian Hua Yin (天花引). It is not known if Han Xiangzi existed historically. However, he is believed to be Han Xiang, a grandnephew of Han Yu, a prominent politician, poet and Confucian scholar who lived in the Tang dynasty. There are at least three different accounts about Han Xiang and Han Yu's grandnephew. Primary Material: Paper; Technique: Hand-painted; Roller Ends: Bone; Condition: Refer to all pictures (Stain, Wrinkle, Damage); Soga Shōhaku (曾我蕭白) (1730–1781) was a Japanese painter of the Edo period. Shōhaku distinguished himself from his contemporaries by preferring the brush style of the Muromachi period, an aesthetic that was already passé 150 years before his birth. Shōhaku's birth name was Miura Sakonjirō. His family was wealthy, but all of his immediate family members died before he reached the age of 18. As a young man, he was a student of Takada Keiho of the prominent Kanō School, which drew upon Chinese techniques and subject matters. His disillusionment with the school led him to appreciate the works of Muromachi era painter Soga Jasoku. He began to use the earlier style of brushstroke, painting mostly monochromes, despite the fact it had become unfashionable.

      Eternity Gallery
    • Japanese artist 蕭伯 Soga Shohaku (1730-1781), “Daoist Immortal Han Xiangzi” hanging scroll
      Aug. 29, 2020

      Japanese artist 蕭伯 Soga Shohaku (1730-1781), “Daoist Immortal Han Xiangzi” hanging scroll

      Est: $4,000 - $8,000

      Artist: 蕭伯 Soga Shohaku: 1730-1781; Born in Mie. Learned from Takada Keiho; Translation of 2 characters on the scroll: The artist’s signature - 蕭伯 Sho haku; This is a portrait of one of Chinese Immortals, Han Xiangzi. https://en.wikipedia.org/wiki/Han_Xiangzi Han Xiangzi, courtesy name Qingfu[1] or Beizhu,[2] is a Chinese mythological figure and one of the Eight Immortals in the Taoist pantheon. He studied Taoist magical arts under the tutelage of Lü Dongbin, another of the Eight Immortals. Han Xiangzi is often depicted carrying a dizi (Chinese flute), so he is also regarded as the patron deity of flutists. He is also believed to be the composer of the Taoist musical piece Tian Hua Yin (天花引). It is not known if Han Xiangzi existed historically. However, he is believed to be Han Xiang, a grandnephew of Han Yu, a prominent politician, poet and Confucian scholar who lived in the Tang dynasty. There are at least three different accounts about Han Xiang and Han Yu's grandnephew. Primary Material: Paper; Technique: Hand-painted; Roller Ends: Bone; Condition: Refer to all pictures (Stain, Wrinkle, Damage); Soga Shōhaku (曾我蕭白) (1730–1781) was a Japanese painter of the Edo period. Shōhaku distinguished himself from his contemporaries by preferring the brush style of the Muromachi period, an aesthetic that was already passé 150 years before his birth.[1] Shōhaku's birth name was Miura Sakonjirō. His family was wealthy, but all of his immediate family members died before he reached the age of 18. As a young man, he was a student of Takada Keiho of the prominent Kanō School, which drew upon Chinese techniques and subject matters.[2] His disillusionment with the school led him to appreciate the works of Muromachi era painter Soga Jasoku. He began to use the earlier style of brushstroke, painting mostly monochromes, despite the fact it had become unfashionable.[1]

      Eternity Gallery
    • Japanese artist 蕭伯 Soga Shohaku (1730-1781), “Daoist Immortal Han Xiangzi” hanging scroll
      Jul. 25, 2020

      Japanese artist 蕭伯 Soga Shohaku (1730-1781), “Daoist Immortal Han Xiangzi” hanging scroll

      Est: $2,000 - $4,000

      Artist: Soga Shohaku: 1730-1781; Born in Mie. Learned from Takada Keiho; Translation of 2 characters on the scroll: The artist’s signature - 蕭伯 Sho haku; This is a portrait of one of Chinese Immortals, Han Xiangzi. https://en.wikipedia.org/wiki/Han_Xiangzi Han Xiangzi, courtesy name Qingfu or Beizhu, is a Chinese mythological figure and one of the Eight Immortals in the Taoist pantheon. He studied Taoist magical arts under the tutelage of Lü Dongbin, another of the Eight Immortals. Han Xiangzi is often depicted carrying a dizi (Chinese flute), so he is also regarded as the patron deity of flutists. He is also believed to be the composer of the Taoist musical piece Tian Hua Yin (天花引). It is not known if Han Xiangzi existed historically. However, he is believed to be Han Xiang, a grandnephew of Han Yu, a prominent politician, poet and Confucian scholar who lived in the Tang dynasty. There are at least three different accounts about Han Xiang and Han Yu's grandnephew. Primary Material: Paper; Technique: Hand-painted; Roller Ends: Bone; Condition: Refer to all pictures (Stain, Wrinkle, Damage); Soga Shōhaku (曾我蕭白) (1730–1781) was a Japanese painter of the Edo period. Shōhaku distinguished himself from his contemporaries by preferring the brush style of the Muromachi period, an aesthetic that was already passé 150 years before his birth. Shōhaku's birth name was Miura Sakonjirō. His family was wealthy, but all of his immediate family members died before he reached the age of 18. As a young man, he was a student of Takada Keiho of the prominent Kanō School, which drew upon Chinese techniques and subject matters. His disillusionment with the school led him to appreciate the works of Muromachi era painter Soga Jasoku. He began to use the earlier style of brushstroke, painting mostly monochromes, despite the fact it had become unfashionable.

      Eternity Gallery
    • Japanese artist 蕭伯 Soga Shohaku (1730-1781), “Daoist Immortal Han Xiangzi” hanging scroll
      Jun. 21, 2020

      Japanese artist 蕭伯 Soga Shohaku (1730-1781), “Daoist Immortal Han Xiangzi” hanging scroll

      Est: $4,000 - $8,000

      Artist: 蕭伯 Soga Shohaku: 1730-1781; Born in Mie. Learned from Takada Keiho; Translation of 2 characters on the scroll: The artist’s signature - 蕭伯 Sho haku; This is a portrait of one of Chinese Immortals, Han Xiangzi. https://en.wikipedia.org/wiki/Han_Xiangzi Han Xiangzi, courtesy name Qingfu[1] or Beizhu,[2] is a Chinese mythological figure and one of the Eight Immortals in the Taoist pantheon. He studied Taoist magical arts under the tutelage of Lü Dongbin, another of the Eight Immortals. Han Xiangzi is often depicted carrying a dizi (Chinese flute), so he is also regarded as the patron deity of flutists. He is also believed to be the composer of the Taoist musical piece Tian Hua Yin (天花引). It is not known if Han Xiangzi existed historically. However, he is believed to be Han Xiang, a grandnephew of Han Yu, a prominent politician, poet and Confucian scholar who lived in the Tang dynasty. There are at least three different accounts about Han Xiang and Han Yu's grandnephew. Primary Material: Paper; Technique: Hand-painted; Roller Ends: Bone; Condition: Refer to all pictures (Stain, Wrinkle, Damage); Soga Shōhaku (曾我蕭白) (1730–1781) was a Japanese painter of the Edo period. Shōhaku distinguished himself from his contemporaries by preferring the brush style of the Muromachi period, an aesthetic that was already passé 150 years before his birth.[1] Shōhaku's birth name was Miura Sakonjirō. His family was wealthy, but all of his immediate family members died before he reached the age of 18. As a young man, he was a student of Takada Keiho of the prominent Kanō School, which drew upon Chinese techniques and subject matters.[2] His disillusionment with the school led him to appreciate the works of Muromachi era painter Soga Jasoku. He began to use the earlier style of brushstroke, painting mostly monochromes, despite the fact it had become unfashionable.[1]

      Eternity Gallery
    • Japanese artist 蕭伯 Soga Shohaku (1730-1781), “Daoist Immortal Han Xiangzi” hanging scroll
      May. 16, 2020

      Japanese artist 蕭伯 Soga Shohaku (1730-1781), “Daoist Immortal Han Xiangzi” hanging scroll

      Est: $2,000 - $4,000

      Artist: Soga Shohaku: 1730-1781; Born in Mie. Learned from Takada Keiho; Translation of 2 characters on the scroll: The artist’s signature - 蕭伯 Sho haku; This is a portrait of one of Chinese Immortals, Han Xiangzi. https://en.wikipedia.org/wiki/Han_Xiangzi Han Xiangzi, courtesy name Qingfu or Beizhu, is a Chinese mythological figure and one of the Eight Immortals in the Taoist pantheon. He studied Taoist magical arts under the tutelage of Lü Dongbin, another of the Eight Immortals. Han Xiangzi is often depicted carrying a dizi (Chinese flute), so he is also regarded as the patron deity of flutists. He is also believed to be the composer of the Taoist musical piece Tian Hua Yin (天花引). It is not known if Han Xiangzi existed historically. However, he is believed to be Han Xiang, a grandnephew of Han Yu, a prominent politician, poet and Confucian scholar who lived in the Tang dynasty. There are at least three different accounts about Han Xiang and Han Yu's grandnephew. Primary Material: Paper; Technique: Hand-painted; Roller Ends: Bone; Condition: Refer to all pictures (Stain, Wrinkle, Damage); Soga Shōhaku (曾我蕭白) (1730–1781) was a Japanese painter of the Edo period. Shōhaku distinguished himself from his contemporaries by preferring the brush style of the Muromachi period, an aesthetic that was already passé 150 years before his birth. Shōhaku's birth name was Miura Sakonjirō. His family was wealthy, but all of his immediate family members died before he reached the age of 18. As a young man, he was a student of Takada Keiho of the prominent Kanō School, which drew upon Chinese techniques and subject matters. His disillusionment with the school led him to appreciate the works of Muromachi era painter Soga Jasoku. He began to use the earlier style of brushstroke, painting mostly monochromes, despite the fact it had become unfashionable.

      Eternity Gallery
    • Japanese artist 蕭伯 Soga Shohaku (1730-1781), “Daoist Immortal Han Xiangzi” hanging scroll
      Apr. 05, 2020

      Japanese artist 蕭伯 Soga Shohaku (1730-1781), “Daoist Immortal Han Xiangzi” hanging scroll

      Est: $4,000 - $8,000

      Artist: 蕭伯 Soga Shohaku: 1730-1781; Born in Mie. Learned from Takada Keiho; Translation of 2 characters on the scroll: The artist’s signature - 蕭伯 Sho haku; This is a portrait of one of Chinese Immortals, Han Xiangzi. https://en.wikipedia.org/wiki/Han_Xiangzi Han Xiangzi, courtesy name Qingfu[1] or Beizhu,[2] is a Chinese mythological figure and one of the Eight Immortals in the Taoist pantheon. He studied Taoist magical arts under the tutelage of Lü Dongbin, another of the Eight Immortals. Han Xiangzi is often depicted carrying a dizi (Chinese flute), so he is also regarded as the patron deity of flutists. He is also believed to be the composer of the Taoist musical piece Tian Hua Yin (天花引). It is not known if Han Xiangzi existed historically. However, he is believed to be Han Xiang, a grandnephew of Han Yu, a prominent politician, poet and Confucian scholar who lived in the Tang dynasty. There are at least three different accounts about Han Xiang and Han Yu's grandnephew. Primary Material: Paper; Technique: Hand-painted; Roller Ends: Bone; Condition: Refer to all pictures (Stain, Wrinkle, Damage); Soga Shōhaku (曾我蕭白) (1730–1781) was a Japanese painter of the Edo period. Shōhaku distinguished himself from his contemporaries by preferring the brush style of the Muromachi period, an aesthetic that was already passé 150 years before his birth.[1] Shōhaku's birth name was Miura Sakonjirō. His family was wealthy, but all of his immediate family members died before he reached the age of 18. As a young man, he was a student of Takada Keiho of the prominent Kanō School, which drew upon Chinese techniques and subject matters.[2] His disillusionment with the school led him to appreciate the works of Muromachi era painter Soga Jasoku. He began to use the earlier style of brushstroke, painting mostly monochromes, despite the fact it had become unfashionable.[1]

      Eternity Gallery
    • Four Japanese folding screen panel paintings by Soga Shohaku
      Nov. 05, 2018

      Four Japanese folding screen panel paintings by Soga Shohaku

      Est: €4,000 - €8,000

      1730-1781 All vertical in ink on paper, all depicting a mountainous river landscape with scholars, based on Shan shui painting. All bearing seal. H. 136 x W. 56 cm H. 136 x W. 56 cm H. 135 x W. 50.5 cm H. 136 x W. 55 cm Provenance: - Frank Lloyd Wright, United States - Felix Tikotin, Amsterdam - Collection Peter Poldervaart, Amsterdam Note: Perhaps no individual in the U.S. did more to shape Americans’ visions of the screen format than architect Frank Lloyd Wright. In many of the rooms of his house, Japanese screens of various heights, stretched flat, were placed on the wall, newly framed by him. Sometimes Wright designed wooden slats to hit the screen at the folds of each panel. He had been incorporating Japanese screens into rooms in this manner since at least his 1906 proposal for the remodelling of the Peter A. Beachy house in Oak Park, Illinois. These four paintings were part of two multi-panel 'Shohaku folding screens' by Frank Lloyd Wright (1867-1959), who transported them fro

      AAG Auctioneers
    • SOGA SHOHAKU (1730-1781)
      Apr. 18, 2018

      SOGA SHOHAKU (1730-1781)

      Est: $80,000 - $120,000

      SOGA SHOHAKU (1730-1781) IMAGINARY CHINESE LANDSCAPE Twelve paintings mounted as a pair of six-panel screens; ink on paper Inner panels 54 3/8 x 22 1/8 in. (138 x 56 cm.); first and sixth outer panels 54 3/8 x 21 1/8 in. (138 x 53.7 cm.)

      Christie's
    • SOGA SHOHAKU (1730-1781) Chinese landscape Signed Shohaku ga, sealed Jyoki
      Mar. 16, 2017

      SOGA SHOHAKU (1730-1781) Chinese landscape Signed Shohaku ga, sealed Jyoki

      Est: $80,000 - $120,000

      SOGA SHOHAKU (1730-1781) Chinese landscape Signed Shohaku ga, sealed Jyoki and Dasokuken Shohaku Four sliding doors (fusuma); ink on paper 69 1/8 x 36 1/2 in. (175.6 x 92.7 cm.) each

      Christie's
    • Soga Shōhaku (1730-1781), Scroll Painting of Jurōjin, Edo
      Jun. 20, 2016

      Soga Shōhaku (1730-1781), Scroll Painting of Jurōjin, Edo

      Est: €3,400 - €4,420

      Ink on paper Hanging scroll with brocade mounting Japan, Edo period, 18th century Soga Shōhaku (1730-1781) Depiction of Jurōjin, Lucky God of Longevity Signed 'Shōhaku ga' (painted by Shōhaku) and seal 'Jasokuken Shōhaku' (in the tradition of Jasoku [Soga Jasoku, 15th c.]) With wooden box Total dimensions: c. 123 x 65 cm Image size: c. 42 x 52 cm Good condition Object is regular taxed. 19% VAT is added to the purchase price for deliveries within the EU. Condition: The painting is in good condition with usual signs of wear consistent with age. Partly little loss of material. The total dimensions are c. 123 x 65 cm. Soga Shōhaku (1730-1781) Japanese painter of the mid-Edo period who tried to revive the brush-style drawing of the great masters of the Muromachi period (1338–1573). He excelled in ink monochrome portraits, which he made with powerful brushwork using broad strokes. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

      Auctionata Paddle8 AG
    • AFTER SOGA SHOHAKU (1730-1781) Edo period (1615-1
      May. 12, 2016

      AFTER SOGA SHOHAKU (1730-1781) Edo period (1615-1

      Est: £600 - £800

      AFTER SOGA SHOHAKU (1730-1781) Edo period (1615-1868), 18th/19th century Kakejiku (vertical hanging scroll), ink on paper, mounted in silk, depicting the Chinese poet and administrator Soshiki (in Chinese, Su Shi, 1036-1101) in exile, holding his staff and with his giant straw hat on his back, inscribed Shohaku ga (Painted by Shohaku) with seal Soga Shohaku; with wood storage box inscribed Shohaku hitsu tsue jinbutsu (Figure holding a staff, painted by Shohaku). Overall 210cm x 65cm (82 5/8in x 25 5/8in); image 120cm x 51cm (47¼in x 20in). (2).

      Bonhams
    • Cranes with turtle and rising sun
      Apr. 22, 2015

      Cranes with turtle and rising sun

      Est: $80,000 - $100,000

      Soga Shohaku (1730-1781) Cranes with turtle and rising sun signed Soga Akio hitsu and Soga Shohaku hitsu, sealed Dasokuken Shohaku, Soga shi and Terukazu Pair of hanging scrolls; ink and color on paper 50 5/8 x 22 3/8 in. (128.6 x 56.8 cm.) each (2)With double wood boxes

      Christie's
    • CHINESE LANDSCAPE SOGA SHOHAKU (1730-1781), JAPAN, EDO PERIOD 60 ¾ x 140 7/
      Mar. 17, 2015

      CHINESE LANDSCAPE SOGA SHOHAKU (1730-1781), JAPAN, EDO PERIOD 60 ¾ x 140 7/

      Est: $250,000 - $300,000

      CHINESE LANDSCAPE SOGA SHOHAKU (1730-1781), JAPAN, EDO PERIOD 60 ¾ x 140 7/8 in. (154.3 x 358.8 cm.) each

      Christie's
    • Attributed to Soga Shohaku (1730-1781)
      Mar. 20, 2013

      Attributed to Soga Shohaku (1730-1781)

      Est: $5,000 - $7,000

      Attributed to Soga Shohaku (1730-1781) Chinese landscape Inscribed Shohaku, bearing the seal Dasokuken Shohaku Hanging scroll; ink on paper 45½ x 17¼in. (115.6 x 43.8cm.)

      Christie's
    • Paravent deux panneaux (byobu) par Soga Shohaku
      Nov. 14, 2012

      Paravent deux panneaux (byobu) par Soga Shohaku

      Est: €5,500 - €6,500

      Paravent deux panneaux (byobu) par Soga Shohaku (1730-1781) figurant trois sages chinois peint l'encre. De la droite vers la gauche: Ganma rennin (Liu Hai) avec...

      Boisgirard-Antonini
    • Soga Shohaku (1730-1781) 18th century
      Nov. 11, 2010

      Soga Shohaku (1730-1781) 18th century

      Est: £12,000 - £15,000

      18th century Kakejiku, in ink on paper, depicting the 11th century Chinese poet Su Shi (1036-1101) with his back to the viewer, rendered in the genpitsu (abbreviated brush drawing) technique, standing beneath snow-laden bamboo, wearing a large hat and holding a stick, the end of which is suspended with a fan, signed Shohaku ga with seal Kiitsu; with wood storage box. 103.2cm x 50.5cm (40 5/8in x 19 7/8in). (2).

      Bonhams
    • Daruma By Soga Shohaku (1730-1781)
      Sep. 16, 2009

      Daruma By Soga Shohaku (1730-1781)

      Est: $8,000 - $12,000

      By Soga Shohaku (1730-1781) Hanging scroll; ink on paper; signed Shohaku ga and sealed Jasokuken Shohaku 40 x 10 3/8in (101.6 x 26.4cm)

      Bonhams
    • Soga Shohaku (1730-1781)
      Sep. 18, 2008

      Soga Shohaku (1730-1781)

      Est: $12,000 - $18,000

      Soga Shohaku (1730-1781) Oxherd serenading an ox Signed Shohaku hitsu, sealed Shohaku and Soga Kiyu Hanging scroll; ink on paper 43¾ x 17 7/8in. (111 x 45.5cm.)

      Christie's
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