Alessandro (1777) Sanquirico Paintings & Artwork for Sale | Alessandro (1777) Sanquirico Art Value Price Guide

May. 28, 2024
Attributed to Alessandro Sanquirico (Milan 1777 -1849) - Study for scenography with portico
Est: €300 - €400
pen, brown ink, watercolors and pencil traces on paper 233 x 336 mm PROVENANCE Christie's Rome, 7 November 1989, lot 110 (as Alessandro Sanquirico)
Finarte
Mar. 02, 2024
2 Sanquirico, Alessandro (1777-1849) "Milan" and "Italian City", pencil on paper, 1x sign., 1x verso inscr., 23x29,5/24,8x39,8cm (29x35,5/26,5x41,5cm), spotty, small defects, rest.
Est: -
2 Sanquirico, Alessandro (1777-1849) "Milan" and "Italian City", pencil on paper, 1x sign., 1x verso inscr., 23x29,5/24,8x39,8cm (29x35,5/26,5x41,5cm), spotty, small defects, rest. 2 Sanquirico, Alessandro (1777-1849) "Mailand" und "Italienische Stadt", Bleistift auf Papier kaschiert, 1x sign., 1x verso bez., 23x29,5/24,8x39,8cm (29x35,5/26,5x41,5cm), fleckig, kleine Defekte, rest.
Kendzia
Jul. 13, 2023
SANQUIRICO, Alessandro (1777-1849) Scene eseguite pel melodramma serio L'u
Est: £7,000 - £10,000
SANQUIRICO, Alessandro (1777-1849) Scene eseguite pel melodramma serio L'ultimo giorno di Pompei. [Milan:...
Christie's
May. 30, 2023
SANQUIRICO, Alessandro (1777-1849). Raccolta di Varie Decorazioni Sceniche inventate, e dipinte dal pittore Alessandro Sanquirico per l'I.R. Teatro della Scala in Milano. [Milan: s.e, 1827].
Est: €3,000 - €5,000
30 finely watercoloured plates from the famous collection of La Scala stage designs designed by Alessandro Sanquirico, head scenographer, and engraved plates by Lose, Biasioli, Castellini, Durelli, Giani Raineri and Zucchi. The illustrated operas include Mozart's La clemenza di Tito (1819), Rossini's La gazza ladra (premiered 1817), Ciro in Babilonia (1812) and Semiramide (1824), and Meyerbeer's Il crociato in Egitto (1826) Oblong folio, (400 x 460mm indicative). 30 loose aquatints with contemporary watercolouring and a title-page, printed on Whatmann Turkey Mill paper (in very good condition, two plates with minimally repaired marginal tears). Please contact the department for a list of plates present
Wannenes Art Auctions
May. 10, 2023
Alessandro Sanquirico, Milan 1777 - 1849 Milan, Attributed, Il ritorna dalla Caccia
Est: €800 - €1,200
Alessandro Sanquirico Milan 1777 - 1849 Milan, Attributed Il ritorna dalla Caccia Watercolour on paper 18.5 x 25.5 cm, with frame 36.5 x 45 cm Inscribed b.r.
Tiberius Auctions
Jun. 16, 2021
...
Est: €900 - €1,000
Ignoto del XIX Secolo (Da un disegno di Alessandro Sanquirico (Milano 1777-1849)Incisione acquarellata coeva raffigurante "Banchetto solenne nella Gran Sala detta delle Cariatidi I. R. palazzo di Corte in Milano il giorno medesimo dell'incoronazione di Ferdinando I" (cm 30.5x39) In cornice Bibliografia E. Sioli Legnani "Poesia di Milano. Dipinti della raccolta di Alberto Zanoletti" Milano, 1940, p.271 tav. 129
Il Ponte Auction House
Jun. 16, 2021
Alessandro Sanquirico ...
Est: €600 - €700
(Milano 1777 - 1849) "Salone della nobile SocietÃ in Milano" 1837 tecnica mista su carta (cm 21x29) Firmato e datato sul passepartout in basso a destra; iscrizione in basso al centro In cornice (difetti) Bibliografia E. Sioli Legnani "Poesia di Milano. Dipinti della raccolta di Alberto Zanoletti" Milano, 1940, p.201 tav. 87
Il Ponte Auction House
Dec. 16, 2020
SANQUIRICO ALESSANDRO (1777 - 1849) Two classic theatrical half sets.
Est: €800 - €1,200
SANQUIRICO ALESSANDRO (1777 - 1849). Two classic theatrical half sets.. Inscription lower left: ""Santo Verni Collection""; lower right Lampugnani Collection stamp. In 19th century frame. Provenance: Alberto Falck Collection, Milan; Riccardo Lampugnani Collection, Milan; Rasini Collection, Milan 1971; Francesco Dubini Collection, Milan-Lugt n. 987a; Santo Verni Collection, Genova-Lugt n. 3531.. Cm 24,50 x 18,00.
Capitolium Art
Dec. 15, 2020
Alessandro Sanquirico (Milan, Italy, 1777 - Milan, 1849)
Est: €15,000 - €18,000
Alessandro Sanquirico (Milan, Italy, 1777 - Milan, 1849) "Architectural caprices with figures" Pair of oil paintings on canvas, one is stuck to hardboard. Signed and dated. 102 x 72 cm. and 105 x 72 cm. Provenance: Christie's New York auction. Collection of Paramount Pictures. Reference bibliography: European Furniture, Paintings and Objects of Art from The Collection of Paramount Pictures, Auction Catalogue, Christie’s New York, December 16, 1989, page 12, lot 1.
La Suite Subastas
Nov. 11, 2020
Alessandro Sanquirico ...
Est: €1,200 - €1,500
(Milano 1777 - 1849) "Salone della nobile SocietÃ in Milano" 1837 tecnica mista su carta (cm 21x29) Firmato e datato sul passepartout in basso a destra; iscrizione in basso al centro (difetti) Bibliografia E. Sioli Legnani "Poesia di Milano. Dipinti della raccolta di Alberto Zanoletti" Milano, 1940, p.201 tav. 87
Il Ponte Auction House
Nov. 10, 2020
Alessandro Sanquirico (Milano 1777-1849)
Est: €800 - €1,200
Alessandro Sanquirico (Milano 1777-1849) Giorno e Notte Coppia di tempere su tela Day and night Pair of tempera on canvas 24,2x31,7 cm
Lucas Aste
Jun. 30, 2020
...
Est: €500 - €600
Ignoto del XIX Secolo (Da un disegno di Alessandro Sanquirico (Milano 1777-1849) "Incoronazione di Ferdinando I d'Austria nel Duomo di Milano" incisione acquarellata coeva (cm 25x39,5) In cornice
Il Ponte Auction House
Jun. 30, 2020
...
Est: €500 - €600
Ignoto del XIX Secolo (Da un disegno di Alessandro Sanquirico (Milano 1777-1849) "Corteo imperiale a Porta Venezia" incisione acquarellata coeva (cm 29x42) In cornice (lievi difetti)
Il Ponte Auction House
Jun. 10, 2020
Alessandro Sanquirico Interior of a cathedral Pen and black ink with grey wash on paper, 215x142 mm. Signed in pencil lower left "Alessandro Sanquirico" In a gilt frame (defects)...
Est: €420 - €440
(Milano 1777 - 1849) Interior of a cathedral Pen and black ink with grey wash on paper, 215x142 mm. Signed in pencil lower left "Alessandro Sanquirico" In a gilt frame (defects) IT Interno di cattedrale Penna e inchiostro nero, acquerellato in grigio su carta, mm 215x142 Firmato a matita in basso a sinistra "Alessandro Sanquirico" In cornice dorata (difetti)
Il Ponte Auction House
May. 20, 2020
Alessandro SANQUIRICO Milano 1777-1849 8x9,5 cm.
Est: €400 - €600
"Decorazioni sceniche per il Teatro alla Scala", 1827-1832-1836, four miniatures watercolor on paper, signed at the lower right, within giltwood frames
Colasanti Casa d'Aste
Nov. 30, 2019
ALTE GRAPHIK 18. - 19. Jahrhundert - Alessandro Sanquirico (1777 – 1849) - nach. Prunkkatafalk für Kaiser Franz I.
Est: €250 - €300
ALTE GRAPHIK 18. - 19. Jahrhundert Alessandro Sanquirico (1777 – 1849) nach. Prunkkatafalk für Kaiser Franz I. Architektonischer Aufriss für einen Prunkkatafalk, aufgestellt im Mailänder Dom zu Ehren des verstorbenen Kaisers Franz. I. von Österreich. Vor dem Katafalk Staffage von Wachen und Klerikern. Anonym. altkol. Lith., im Fuß Schriftblock von zeitgen. Hand “Monumento funebre erettosi nel Duomo di Milano per le solenne Esequie ivi celebrate nelli giorni 7, 8, 9 Aprile dell’ anno 1835. In onore de S.M.I.R.A. A Francesco 1. Di gloriosa memoria” mit Anmerkung zur Höhe des Werkes: “Alto Braccia 40 Milanesi, opieno (?) Piedi 75 Parigini” und Schlussatz: “D’invenzione e disegni di Alessandro Sanquirico Arch-Pittore scenico, Membro di varie Academie JJ. & RR.”. Blattgr. ca. 60,5 x 44,5 cm. (11) Zustandsdruck vor aller Schrift auf Velin J. Whatman Turkey Mills. Alessandro Sanquorico ist als Bühnenmaler und dabei insbesondere durch seine Arbeiten für die Mailänder Scala bekannt geworden. Nach Nagler wat er “einer der berühmtesten Künstler seines Faches”. Es ist davon auszugehen, dass er das Monument entworfen und die Vorlage für unser Blatt gezeichnet hat. Auch die handschriftlichen Anmerkungen können Sanquirico zugeschrieben werden. Die Umsetzung der Vorlage in Lithographie mit Kolorierung dürfte dagegen von anderer Hand vorgenommen worden sein. - Tadellos erhalten.
Antiquariat Auktionen Christoph & Co Gmbh
Nov. 30, 2019
DEKORATIVE GRAPHIK - Diverses - Theater – Bühnenbild zu „La Clemenza di Tito“ von Wolfgang Amadeus Mozart
Est: €150 - €250
DEKORATIVE GRAPHIK Diverses Theater – Bühnenbild zu „La Clemenza di Tito“ von Wolfgang Amadeus Mozart Aus einer Aufführung des Teatro alla Scala, Milano im Karneval 1819: Szenenbild „Atrio del Tempio di Giove Statore“ von Alessandro Sanquirico (1777-1849). Aquatintarad. von Durelli, herausgegeben von A. Bossi, Mailand um 1825. PM ca. 33 x 40, Blattgr. 34,5 x 45,5 cm. (14) Oben rechts Sign. 55. - Prächtiges Exemplar in tadellosem Druck. Um den Abdruck an drei Seiten Rand, unten etwa auf der Plattenkante geschnitten, doch mit aller Schrift. Wenige Fleckchen.
Antiquariat Auktionen Christoph & Co Gmbh
Nov. 21, 2019
Alessandro Sanquirico ...
Est: €1,500 - €2,000
(Milano 1777 - 1849) Giovanni Migliara (Alessandria 1785 - Milano 1837) "Incoronazione di Ferdinando I d'Austria nel Duomo di Milano" tecnica mista su carta (cm 35x42,5) Reca firma Gio.Migliara in basso a destra (difetti e mancanze)
Il Ponte Auction House
Nov. 14, 2018
Alessandro Sanquirico (1777-1849), Scenografia teatrale
Est: €800 - €1,000
tempera su carta, cm 30x44, Firmato in basso a sinistra
Cambi Casa d'Aste
Jun. 02, 2018
Millanese Architecture during Napoleon
Est: $22,000 - $28,000
ANTOLINI, Giovanni (1756-1841) - SANQUIRICO, Alessandro (1777-1849). Opera d'Architettura ossia progetto sul foro che doveva esegursi in Milano. Milan: Fratelli Bettalli, [1814]. Folio (20 6/8 x 17 inches). Engraved vignette of the Foro Bonaparte on the title-page, 14 MAGNIFICENT double-page sepia aquatints plates by Antolinini, Sanquirico and others, and 10 uncoloured double-page engraved plans and aquatints. Contemporary marbled paper boards (rebacked with blue cloth in the 19th-century, worn). Provenance: acquired from Marlborough Rare Books, 1973 by Arthur and Charlotte Vershbow, their sale, Christie's 19th June 2014, lot 113. First edition, issued by subscription. A superb collection of Antolini's designs for the Foro Bonaparte, a grandiose plan to modernise the Castello Sforza, Piazza del Castello, Piazza d'Armi during Napoleon's occupation of Italy. Napoleon had first entered Milan on May 15, 1796, by the end of June, the ancient Castello Sforza was under French rule. Napoleon decided to restore and improve the old fortress in spite of local Milanese opposition who wished to see the remains of old tyranny destroyed. In April 1799, Milan was back under Austrian and Russian rule, but on June 14, 1800, Napoleon defeated the Austrian army in Marengo, and Milan was proclaimed capital of the Cisalpine Republic. Again, "the castle was used as a barracks and was further damaged. The Ducal Chapel was transformed into a stable, the Ducal Apartments used as a dormitory and the frescos painted during the Sforza period were covered in lime. At the beginning of the 19th century, the population exulted as the old Spanish ramparts were demolished. Great architects such as Luigi Canonica and Giovanni Antolini were called in to redesign the big area in front of the deteriorated Sforza Castle. Antolini designed a circular square with a diameter of about 570 meters. In it were classic-design public buildings (e.g. the Pantheon, the National Museum). Around it were arcades with warehouses, stores and private buildings. This square was named Foro Bonaparte. In the middle of the Foro survived the Sforza Castle, which became the residence of the Government. On one side, the Foro Bonaparte faced the city. The other side opened on a big square in the way to Parco Sempione and Paris. However, after April 1801, the project was set aside and the whole area underwent gradual changes, which led to transform it into a vast square (700x700 meters) called Piazza d'Armi" (Castello Sforzesco online). The extraordinary aquatints include images of the entire square, the Foro Bonaparte, the Faciata Princepale, Barriera Sempione, Faciata del Terme, Spaccato dei Bagni, Spaccato delle Sala delle Terme, the Facciata del Pantheon, Teatro, Borsa, et Museo, the Spaccato del Pantheon, Spaccato per is lungo del Teatro, Spaccato dell Borsa - Facciata posteriore, Spaccato del Musea, Spaccato della Logaria, Facciata, e Spaccato di una delle S. Sale di Publica Istruzione, and the "Monumento decretato dalla commissione provisoria di Governo li 5. Messidoro an.o 8° era francese, per eternare la memoria dell'eroe Bonaparte ; scelto dalla commissione degli artisti istituita per il giudicio del concorso ; e destinato da erigersi nel Foro-Bonaparte in Milano". Antolini is best remembered for his work in the Piazza San Marco, Venice. Berlin Kat. 2649. The first of the large double-page aquatints is an early example of the work of Allessandro Sanquirico, architect, decorator, restorer, inventor, and practiced artist of perspective and lighting, and the chief scenic artist and stage designer at La Scala from 1817 to 1832. While there he instigated a new aesthetic of stage design that was to become indissolubly associated with the art of 19th-century grand opera, and which continued to influence operatic set dressing well into the 20th-century. Sanquirico recorded all of his major stage designs in a series of meticulous aquatint engravings and disseminated them throughout Europe. They were often copied, and so were a major vehicle of his influence, which extended even to fashions in furniture, interior decoration, and clothing. Guidance: Christie's, 2014 - $17,500
Arader Galleries
Jan. 28, 2016
ALESSANDRO SANQUIRICO | The Coronation of Emperor Ferdinand I as King of Lombardy-Venetia in Milan Cathedral
Est: $6,000 - $8,000
Pen and black ink and black and grey wash, within two sets of black ink framing lines; bears a later dedication, lower right: a mon ami Maurice Willard. Le 3 Janvier 1891 Petit ..
Sotheby's
Nov. 18, 2015
Attribué à Alessandro SANQUIRICO (Milan 1777-Milan 1849) Deux projets de scénographie Plume et encre brune, aquarelle 18,2 x 11,6cm ...
Est: €400 - €600
Attribué à Alessandro SANQUIRICO (Milan 1777-Milan 1849) Deux projets de scénographie Plume et encre brune, aquarelle 18,2 x 11,6cm 19 x 24,2cm
Tajan
Dec. 13, 2013
Alessandro, Sanquirico, 1777 - 1849, zug.
Est: €3,000 - €4,000
RÜCKKEHR VON DER JAGD Gouache auf Papier. 18,5 x 25,6 cm. Auf dem Präsentationskarton bezeichnet „Alexandro Sanquirico", betitelt „Il ritorno dalla Caccia". Vor einer Barockarchitektur eine Vielzahl von Personen in historischer Kleidung, die von rechts heranreitenden Personen willkommen heißend. Die Pferde teils stark geschmückt. Links und rechts Bäume in die Bildfläche hineinragend. Der Hintergrund durch vor einem Gebirgszug liegende Häuser abgeschlossen. (951074)
Hampel Fine Art Auctions
Dec. 06, 2012
Alessandro Sanquirico (Milan 1777-1849)
Est: £2,000 - £3,000
Alessandro Sanquirico (Milan 1777-1849) The Ballroom in the Doge's Palace, Venice: set design for a performance at the Teatro alla Scala, Milan, of the tragic ballet Otello by Salvatore Viganò (1769-1821) signed 'Alessandro Sanquirico invento: et dipinse Regio Teatro della Scala in Milano' and with inscription 'Grande Sala da Ballo nel Palazzo Ducale di Venezia. Nel Ballo tragico. Otello, ossia Il Moro di Venezia' (on the mount), and with further inscription describing the performance during Carnival 1818 (on the back of the mount) pen and black ink, grey wash 11¼ x 14 7/8 in. (28.5 x 37.7 cm.)
Christie's
Jul. 03, 2012
Alessandro Sanquirico (Milan 1777-1849)
Est: £3,000 - £4,000
Alessandro Sanquirico (Milan 1777-1849) The Coronation of Emperor Ferdinand I as King of Lombardy-Venetia, in the Duomo in Milan, 1 September 1838 pen and black ink, touches of brown ink, grey wash 11 7/8 x 15 3/8 in. (30 x 39 cm.)
Christie's
Jun. 30, 2012
Alessandro Sanquirico (Italian, 1777-1849)
Est: $400 - $600
Alessandro Sanquirico (Italian, 1777-1849), three set designs for operas, each ink and ink washes on paper, approx. 8 1/4 in. x 11 1/2 in. each, matted Please Note: Start Price USD $300
Neal Auction Company
Feb. 04, 2012
Alessandro Sanquirico (Italian, 1777-1849)
Est: $1,000 - $1,500
Alessandro Sanquirico (Italian, 1777-1849), three set designs for operas, each ink and ink washes on paper, approx. 8 1/4 in. x 11 1/2 in. each, matted
Neal Auction Company
Dec. 11, 2009
SANQUIRICO, Allessandro (1777-1849). Sceniche decorazione inventate a eseguite pel Dramma serio L'Ultimo giorno di Pompei . N.p., n.d. [Milan, ca 1827].
Est: $8,000 - $12,000
SANQUIRICO, Allessandro (1777-1849). Sceniche decorazione inventate a eseguite pel Dramma serio L'Ultimo giorno di Pompei. N.p., n.d. [Milan, ca 1827]. Oblong 2υo (393 x 474 mm). Calligraphic title-page, tinted lithographic frontispiece, and 8 hand-colored lithographs by Carlo Sanquirico, Angelo Biassioli, Giulio Alvisetti after drawings by Allessandro Sanquirico. Contemporary green quarter morocco, green paper boards, gilt Greek key border (some light wear at corners, front cover slightly bowed). A spectacular series of plates illustrating the set decorations designed by Alessandro Sanquirico for the 1827 production of Pacini's L'Ultimo Giorno di Pompei at La Scala in Milan. From 1817-1832, Sanquirico was the chief scenic artist at La Scala, and his work became notable for his use of exotic locations and neo-classical architecture in his set designs. These plates depict scenes from the opera, including the stage actions and costumes of the singers, and end with the dramatic eruption of Mount Vesuvius and the destruction of Pompeii. VERY FINE.
Christie's
Jan. 30, 2009
Attributed to Alessandro Sanquirico (Milan 1777-1849)
Est: $800 - $1,200
Attributed to Alessandro Sanquirico (Milan 1777-1849) A stage design for Vincenzo Bellini's opera 'La Straniera' with inscription 'Arturo nel Castello di Montolino di/fronte ill ago e al di la del lago,/veduta del villaggio illuminato./Opera la Straniera' (verso) traces of black chalk, pen and brown ink, grey wash 7½ x 9 1/8 in. (191 x 232 mm.)
Christie's
Jun. 10, 2008
Napoleonic Empire - Alessandro Sanquirico
Est: €1,000 - €2,000
French Revolution and Napoleonic Empire - Alessandro Sanquirico (1777-1849) - Original watercolour by the famous painter who made decorations for the Teatro alla Scala, Milan, according to Andrea Appiani's design. Inscription: "Veduta del circo eretto nel foro Bonaparte per la festa del 26 giugno 1803 anno II" and "Sanquirico fece del vero". Dimensions: cm 54 × 67 (framed)
Aste Bolaffi
May. 28, 2008
Facciata del Duomo, tratta da L'Incoronazione di S.M.I.A. Ferdinando I a Re del Regno Lombardo-Veneto , volume stampato a Milano dal Piola nel 1839
Est: €2,000 - €3,000
Alessandro Sanquirico (Milano 1777-1849) Facciata del Duomo, tratta da L'Incoronazione di S.M.I.A. Ferdinando I a Re del Regno Lombardo-Veneto, volume stampato a Milano dal Piola nel 1839 acquatinta con coloritura coeva 325 x 410 mm.
Christie's