Doris Salcedo Sold at Auction Prices

Doris Salcedo, Istanbul Project II

Doris Salcedo Istanbul Project II 2003 Piezo-pigment print image: 18.75 h x 37.375 w in (48 x 95 cm) sheet: 24.375 h x 37.375 w in (62 x 95 cm) Signed, dated and numbered to lower edge 'AP 5/8 Doris Salcedo /03'. This work is artist's proof 5 of 8 apart from the edition of 35. This work will ship from Lambertville, New Jersey.

Doris Salcedo, For Hans Haacke and Edward Fry

Doris Salcedo For Hans Haacke and Edward Fry 2009 archival pigment inkjet print sight: 28 h x 37.75 w in (71 x 96 cm) Signed and dated to verso on gallery label 'Doris Salcedo /09'. This work is artist's proof 6 of 7 apart from the edition of 20. This work will ship from Lambertville, New Jersey.

Doris Salcedo, Istanbul Project I

Doris Salcedo Istanbul Project I 2003 Piezo-pigment print image: 24.375 h x 22.375 w in (62 x 57 cm) sheet: 29.875 h x 29.875 w in (76 x 76 cm) Signed, dated and numbered to lower edge 'AP 5/8 Doris Salcedo /03'. This work is artist's proof 5 of 8 apart from the edition of 35. This work will ship from Lambertville, New Jersey.

Doris Salcedo, Abyss

Doris Salcedo Abyss 2006 archival pigment inkjet print image: 20.375 h x 30 w in (52 x 76 cm) sheet: 25.25 h x 34 w in (64 x 86 cm) Signed, dated and numbered to lower edge 'AP 8/10 Doris Salcedo /06'. This work is artist's proof 8 of 10 apart from the edition of 45. This work will ship from Lambertville, New Jersey.

Doris Salcedo, For Hans Haacke and Edward Fry

Doris Salcedo For Hans Haacke and Edward Fry 2009 archival pigment inkjet print on Hahnemuhle photo rag mounted to Sintra 28.25 h x 38.5 w in (72 x 98 cm) Signed and dated to label to verso 'Doris Salcedo 09'. This work is number 14 from the edition of 20. This work will ship from Lambertville, New Jersey.

Doris Salcedo, Colombia 1958-, Istanbul Project II, Piezo-Pigment

Doris Salcedo Colombia, 1958- Istanbul Project II Piezo-Pigment 2003, Edition 8 of 8 AP, on Hahnemuhle German etching paper. Provenance: The Estate of Theodore A Bonin, Cofounder of New York Gallery, Alexander and Bonin

Doris Salcedo, Colombia 1958-, Istanbul Project II, Piezo-Pigment

Doris Salcedo Colombia, 1958- Istanbul Project II Piezo-Pigment 2003, Edition 7 of 8 AP, on Hahnemuhle German etching paper. Provenance: The Estate of Theodore A Bonin, Cofounder of New York Gallery, Alexander and Bonin

Doris Salcedo, Colombia 1958-, Istanbul Project I, Piezo-Pigment

Doris Salcedo Colombia, 1958- Istanbul Project I Piezo-Pigment 2003, Edition 8 of 8 AP, on Hahnemuhle German etching paper. Provenance: The Estate of Theodore A Bonin, Cofounder of New York Gallery, Alexander and Bonin

Doris Salcedo, Colombia 1958-, Istanbul Project I, Piezo-Pigment

Doris Salcedo Colombia, 1958- Istanbul Project I Piezo-Pigment 2003, Edition 7 of 8 AP, on Hahnemuhle German etching paper. Provenance: The Estate of Theodore A Bonin, Cofounder of New York Gallery, Alexander and Bonin

Doris Salcedo, Colombia 1958-, Abyss, Archival Pigment Inkjet Print

Doris Salcedo Colombia, 1958- Abyss Archival Pigment Inkjet Print 2006, Edition 9 of 10 AP, on Hahnemuhle Photo rag. Provenance: The Estate of Theodore A Bonin, Cofounder of New York Gallery, Alexander and Bonin

Doris Salcedo, Colombia 1958-, Shibboleth I-IV, Archival Pigment Inkjet Print

Doris Salcedo Colombia, 1958- Shibboleth I-IV Archival Pigment Inkjet Print 2007, Edition 7 of 10 AP, on Hahnemuhle photo rag. 2 pieces

Doris Salcedo, Colombia 1958-, Istanbul Project I, Piezo-Pigment

Doris Salcedo Colombia, 1958- Istanbul Project I Piezo-Pigment 2003, Edition 7 of 8 AP, on Hahnemuhle German etching paper.

Doris Salcedo, Colombia 1958-, Abyss, Archival Pigment Inkjet Print

Doris Salcedo Colombia, 1958- Abyss Archival Pigment Inkjet Print 2006, Edition 9 of 10 AP, on Hahnemuhle Photo rag.

Doris Salcedo, Colombia 1958-, Istanbul Project II, Piezo-Pigment

Doris Salcedo Colombia, 1958- Istanbul Project II Piezo-Pigment 2003, Edition 8 of 8 AP, on Hahnemuhle German etching paper.

Doris Salcedo, Colombia 1958-, Istanbul Project II, Piezo-Pigment

Doris Salcedo Colombia, 1958- Istanbul Project II Piezo-Pigment 2003, Edition 7 of 8 AP, on Hahnemuhle German etching paper.

Doris Salcedo, Colombia 1958-, Istanbul Project I, Piezo-Pigment

Doris Salcedo Colombia, 1958- Istanbul Project I Piezo-Pigment 2003, Edition 8 of 8 AP, on Hahnemuhle German etching paper.

Doris Salcedo (born 1950); For Hans Haacke and Edward Fry (Guggenheim Museum, New York);

Doris Salcedo (born 1950) For Hans Haacke and Edward Fry (Guggenheim Museum, New York), 2009 Archival pigment print, signed and dated in ink on a gallery label affixed on the mount verso; edition 'AP 7/7' in addition to the edition of 20. 29 1/8 x 39 3/8in (74 x 100cm); artist's frame For further information on this lot please visit the Bonhams website

Doris Salcedo (born 1950); For Hans Haacke and Edward Fry (Guggenheim Museum, New York);

Doris Salcedo (born 1950) For Hans Haacke and Edward Fry (Guggenheim Museum, New York), 2009 Archival pigment print, signed and dated in ink on a gallery label affixed on the mount verso; edition 'AP 7/7' in addition to the edition of 20. 29 1/8 x 39 3/8in (74 x 100cm); artist's frame For further information on this lot please visit the Bonhams website

Doris Salcedo (b. 1958) - Atrabiliarios

Doris Salcedo (b. 1958) Atrabiliarios wall construction—wood, found shoes, animal fiber and surgical thread each: 10 x 6 3/8 x 4 ½ in. (25.4 x 16.2 x 11.4 cm.) installation dimensions: 11 x 16 ½ in. (27.9 x 41.9 cm.)

Doris Salcedo (b. 1958) - Atrabiliarios

Doris Salcedo (b. 1958) Atrabiliarios wall construction—wood, found shoes, animal fiber and surgical thread 16 ¼ x 28 3/8 x 3 ¾ in. (41.3 x 72 x 9.5 cm.)

Doris Salcedo (b. 1958) - Atrabiliarios (Desafiante)

Doris Salcedo (b. 1958) Atrabiliarios (Desafiante) wall construction—wood, found shoes, animal fiber and surgical thread 17 ¾ x 30 1/8 x 3 ½ in. (45.1 x 76.5 x 8.9 cm.)

DORIS SALCEDO (B. 1958) Shibboleth I-IV, 2007 four pigment inkjet prints, i

DORIS SALCEDO (B. 1958) Shibboleth I-IV, 2007 four pigment inkjet prints, individually mounted on board each signed, dated and numbered in pencil (margin) image: 63.8 x 48.2 cm. (25 1/8 x 19 in.) sheet: 75.3 x 58.4 cm. (29 5/8 x 23 in.) This work is number four from an edition of forty-fve. (4)

DORIS SALCEDO - Untitled

DORIS SALCEDO - Untitled

Doris Salcedo, Colombian b.1958- ''Abyss''; pigment ink jet print on Hahnemühle Photo Rag, no.29 from the edition of 45, 64x86cm Provenance: with Alexander and Bonin, New York, according to the label attached to the reverse of the frame Note:

Doris Salcedo, Colombian b.1958- ''Abyss''; pigment ink jet print on Hahnemühle Photo Rag, no.29 from the edition of 45, 64x86cm Provenance: with Alexander and Bonin, New York, according to the label attached to the reverse of the frame Note: Carolyn Alexander from Doris Salcedo's studio has kindly confirmed the authenticity of the work.

DORIS SALCEDO | Untitled

wood, concrete and steel

DORIS SALCEDO | Camisas

cotton shirts, gesso and iron rod

DORIS SALCEDO | Shibboleth

archival pigment inkjet print, in four parts

Doris Salcedo (Colombian b. 1958) Atrabiliarios four niches: wood, sheetroc

Doris Salcedo (Colombian b. 1958) Atrabiliarios four niches: wood, sheetrock, shoes, animal fiber and surgical thread 36 x 68½ x 4¼ in. (91.4 x 174 x 10.8 cm.)

Doris Salcedo (Colombian, b. 1958); Istanbul Project II, 2003; Piezo-pigment on Hahnemuhle german etching paper (framed); Signed and numbered 3/35; 24 3/8" x 37 1/4" (sheet); Provenance: Alexander & Bonin Gallery, New York (label on verso); Private

Doris Salcedo (Colombian, b. 1958); Istanbul Project II, 2003; Piezo-pigment on Hahnemuhle german etching paper (framed); Signed and numbered 3/35; 24 3/8" x 37 1/4" (sheet); Provenance: Alexander & Bonin Gallery, New York (label on verso); Private Collection, New York

Doris Salcedo (b. 1958)

Doris Salcedo (b. 1958) >Untitled <br>concrete, wood, steel and leather >38 58 x 14¾ x 19 3/8 in. (98 x 37.5 x 49.2 cm.) >Executed in 1995. <br>

DORIS SALCEDO (b. 1958): ISTANBUL PROJECT II

DORIS SALCEDO (b. 1958): ISTANBUL PROJECT II Photographic print on etched paper, signed and numbered 3/35. With exhibition label from Alexander & Bonin Gallery, NY. 24 1/2 x 37 1/4 in.

DORIS SALCEDO

Shibboleth I-IV This work is from an edition of 45. i) Sheet: 29 5/8 x 22 1/4 in. (75.2 x 56.5 cm); Image: 25 3/16 x 18 5/16 in. (64 x 46.5 cm) ii) Sheet: 29 5/8 x 23 1/4 in. (75.2 x 59 cm); Image: 25 3/16 x 19 1/4 in. (64 x 48.8 cm) iii) Sheet: 29 5/8 x 22 1/2 in. (75.2 x 57 cm); Image: 25 3/16 x 18 1/2 in. (64 x 47 cm) iv) Sheet: 29 5/8 x 23 in. (75.2 x 58.4 cm); Image: 25 3/16 x 19 in. (64 x 48.2 cm)

DORIS SALCEDO

DORIS SALCEDO B.1958 ATRABILIARIOS drywall, plywood, shoes, cow bladder and surgical thread 47 1/2 by 52 in. 120.7 by 132.1 cm. Executed in 1996.

DORIS SALCEDO (B. 1958)

DORIS SALCEDO (B. 1958) CAMISAS BLANCAS cloth, plaster and steel construction 60 by 10 by 13 1/2 in. 152.4 by 25.4 by 34.3 cm Executed circa 1991-1993.

DORIS SALCEDO (B. 1958)

DORIS SALCEDO (B. 1958) Istanbul Project II signed and dated 'Doris Salcedo 03' (lower right); numbered '18/35' (lower left) pigment ink jet print on paper 24¼ x 37¼in. (61.8 x 94.7cm.) Executed in 2003, this work is number eighteen from an edition of thirty-five

DORIS SALCEDO (B. 1958)

DORIS SALCEDO (B. 1958) Abyss signed and dated 'Doris Salcedo 06' (lower right); numbered '29/45' (lower left) pigment ink jet print on paper 25¼ x 34in. (64.1 x 86.5cm.) Executed in 2006, this work is number twenty-nine from an edition of forty-five

DORIS SALCEDO

ATRABILIARIOS

Doris Salcedo (b.1958) , Shibboleth I-IV, 2007

4 archival pigment inkjet prints, each signed and dated in pencil in the margin. Individually framed. Each with Alexander & Bonin gallery label on reverse of frame confirming print details. Number 17 in an edition of 45. Quantity: 4

Doris Salcedo Atrabiliarios Fibra animal, madera, zapato, arame 1996 41.2 x 73 x 9.5 cm. Merewether, Charles. Doris Salcedo: Atrabiliarios. Edwin A. Ulrich. Museum of Art, Wichita State University, Kansas. 1997 São Paulo, Doris Salcedo, Camargo

Doris Salcedo Atrabiliarios Fibra animal, madera, zapato, arame 1996 41.2 x 73 x 9.5 cm. Merewether, Charles. Doris Salcedo: Atrabiliarios. Edwin A. Ulrich. Museum of Art, Wichita State University, Kansas. 1997 São Paulo, Doris Salcedo, Camargo Villaça Gallery, 1996 Kansas, Joseph Beuys, Doris Salcedo, Edward Lee Hendricks. Edwin A. Ulrich Museum of Art. Wichita State University, Kansas, 1997 Camargo Villaça Gallery, São Paulo

Doris Salcedo (b. 1958)

Doris Salcedo (b. 1958) Sin titulo (La casa viuda) wood, cement, iron, glass and lace 39 x 47 x 16 1/8 in. (99 x 120 x 41 cm.) Executed circa 1990.

DORIS SALCEDO

B. 1958 ISTANBUL PROJECT II measurements 26 1/8 by 39 1/8 in. alternate measurements 66.4 by 99.4 cm. c-print

Doris Salcedo (b. 1958)

Untitled wood, cement, glass, cloth and steel 63 3/4 x 39 1/4 x 14 1/2 in. (162 x 99.5 x 37 cm.) Executed in 1995.

Doris Salcedo (b. 1958)

Untitled (Chest of drawers) wood, cement, wire mesh, plastic and steel 61 1/4 x 37 x 16in. (155.6 x 94 x 40.8cm.) Executed in 1995

Doris Salcedo (b. 1958)

Untitled cement, steel and wood 311/2 x 16 1/8 x 16 7/8 in. (80 x 41 x 43 cm.) Executed in 1995. PROVENANCE Galeria Camargo Vilaca, Sao Paulo Bruno Musatti Collection, Sao Paulo EXHIBITION Pittsburg, Carnegie Center for the Arts, Carnegie International, November 1995-February 1996. Sao Paulo, Galeria Camargo Vilaca, Doris Salcedo, 1996. Mexico City, Centro Cultural Arte Contempor neo, Asi esta la Cosa: instalaci¢n y arte objeto en America Latina, July-October 1997. Sao Paulo, XXIV Bienal Internacional de Sao Paulo, October-December 1998 (illustrated).

Doris Salcedo (b. 1958)

Camisas blancas (From the series Camisas blancas) shirts, gesso and iron bar Height: 4ft. (122cm. approx.) Executed in 1991-1993 PROVENANCE Private collection, New York LITERATURE Cameron, D. "Absence Makes the Art: Doris Salcedo", Artforum, New York, No. 33, October 1994, p. 91, n.n. (illustrated) Princenthal, N. et al. Doris Salcedo, Phaidon Press Limited, London, 2000, p. 45-49, n.n. (other examples illustrated in color) EXHIBITION Venice, XLV Venice Biennale (group), "Aperto 93: Emergency/Emergenza", Edizioni La Biennale di Venezia, n.p., n.n. Amsterdam, Stiching De Appel, The Spine, 1994, n.p., n.n. NOTES One of the strong aspects of Salcedo's work is the subtle manipulation of common objects: chairs, tables, furniture, shoes, shirts, among others, are transformed through nuanced mediations into mementos of life, death, history and violence. Camisas blancas partakes of Salcedo's predilection for indistinct and general things that bespeak of a vernacular universality shared by all human beings. The white shirt worn by so many becomes in this work an empty symbol, empty precisely because of its ubiquity, that gives spatial and psychological force to the violent gesture of the iron bar traversing the neatly folded shirts throughout. The spear cutting through the shoulder might have become in our filmic culture a clich‚, emptied too, but this time by repetition, of the heroic death of the soldier or warrior in battle, but displaced and subdued in Salcedo's work it acquires the restrained poignancy of those increasingly scarcely successful monuments to the avatars of local history. M¢nic Amor New York, 2002.

PROPERTY OF A european collector DORIS SALCEDO (b. 1958) UNTITLED animal hair, plaster and steel 711/2 x 70 x 55/8 in. (181.6 x 177.8 x 14.3 cm) overall executed 1989-1993 PROVENANCE White Cube, LONDON

Doris Salcedo (b. 1958)

La casa viuda wood, iron and lace 39 x 471/4 x 16 1/8in. (99 x 120 x 41cm.) Executed ca. 1990 PROVENANCE Private collection, Sao Paulo LITERATURE Princenthal, N. et all. Doris Salcedo, Phaidon, London, 2000, p. 57-70, n.n. EXHIBITION Pittsburg, Carnegie Museum of Modern Art, Carnegie International 1995, 1995.

Doris Salcedo (b. 1958)

Atrabiliarios wall niches, shoes, animal fiber, surgical thread variable dimensions Executed in 1993 LITERATURE Princenthal, N. et all. Doris Salcedo, Phaidon, London, 2000, p. 49-57 (installation shot and details illustrated in color) EXHIBITION Boston, The Institute of Contemporary Art, Currents 92: The Absent Body, Jan. 22-March 22, 1992.