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Harry Cogswell Rubincam Sold at Auction Prices

b. 1871 - d. 1940

Born in Philadelphia on August 1, 1871, Harry C. Rubincam was educated there and in Camden, New Jersey. He joined his father’s fruit importing business in the mid-1880s, but moved to New York after it failed. He then worked in insurance and wholesale groceries and wrote for trade journals. Around 1897, he relocated to Denver, hoping the environment would ease the symptoms of his tuberculosis. There he worked first for Equitable and later on for Capitol Life Insurance.

Rubincam learned photography from a retired professional in Denver. In about 1900, he joined the Colorado Camera Club, but quit shortly thereafter over an aesthetic dispute. He was active as a pictorialist during the first decade of the century, both as a photographer and a writer. He exhibited his work at England’s Royal Photographic Society in 1901, the San Francisco salon in 1903, the Hague and London salons in 1904, and in An Exhibition of Pictorial Photographs Arranged by the Photo-Club of Canada (Montreal) in 1907.

Rubincam was privileged to be invited by Alfred Stieglitz to become a member of the elite Photo-Secession in 1903. Consequently, his work was included in a number of the group’s exhibitions, among them its first three annual members’ shows at the Little Galleries of the Photo-Secession (New York), 1905-07. Others were the large shows at Pittsburgh’s Carnegie Institute and Washington’s Corcoran Gallery of Art in 1904, New York’s National Arts Club in 1909, and the International Exhibition of Pictorial Photography at Buffalo’s Albright Art Gallery in 1910.

Rubincam wrote a number of articles, for both popular and photography magazines. Beginning in August 1901, he contributed a monthly column titled "Darkroom Dissertations" to Outdoor Life, which ran for more than three years. Between 1903 and 1905, his articles appeared in American Amateur Photographer, American Annual of Photography, Camera Craft, Photographer, and Photographic Times. For Camera Work, he penned "Esthetic Activity in Photography" (July 1903) and "A Dissertation on Instruction" (January 1904).

The only known image of his to appear in print was in Camera Work. Its January 1907 issue featured his picture In the Circus, showing a woman standing on a bareback horse as it circled a ring under a the big top. This softly-rendered photogravure is among the few action shots that appear in the journal, breaking out of the normal subject matter for pictorialists.

In 1914, Rubincam established his own successful insurance agency in Denver. A few years later, however, he became president of the National Petroleum Corporation, a small oil drilling firm in Oklahoma. In 1919, after it closed, he moved back to Colorado, taking up residence on a ranch. He returned to Denver around 1925, where he, once again, worked for the Capital Life Insurance Company. Harry C. Rubincam died in November 1940.

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    • Harry Rubincam (1871-1940); At the Circus;
      Apr. 07, 2022

      Harry Rubincam (1871-1940); At the Circus;

      Est: $4,000 - $6,000

      Harry Rubincam (1871-1940) At the Circus, c. 1907 Gelatin silver contact print, printed c. 1907, credit stamp on the verso. 3 5/8 x 4 1/4in (9.2 x 10.7cm) For further information on this lot please visit the Bonhams website

      Bonhams
    • Harry Rubincam (1871-1940)
      Oct. 02, 2019

      Harry Rubincam (1871-1940)

      Est: $7,000 - $9,000

      Untitled (Portrait of a Young Woman), c. 1900Platinum print, credit stamp on the verso.9 1/8 x 7in (23.2 x 17.8cm)mount 13 1/2 x 11 1/2in (34.2 x 29.2cm)

      Bonhams
    • Harry C. Rubincam (American, 1871-1940); Untitled (Woman with Hat);
      Dec. 11, 2011

      Harry C. Rubincam (American, 1871-1940); Untitled (Woman with Hat);

      Est: $300 - $500

      Untitled (Woman with Hat), 1900s Platinum print, not signed, in very good condition aside from a short crease in upper right corner, rubs, not framed. 7 7/8 x 5 1/2in

      Bonhams
    • Harry C. Rubincam (American, 1871-1940); Untitled (Woman with Hat);
      Sep. 18, 2011

      Harry C. Rubincam (American, 1871-1940); Untitled (Woman with Hat);

      Est: $700 - $900

      Untitled (Woman with Hat), 1900s Platinum print, not signed, in very good condition aside from a short crease in upper right corner, rubs, not framed. 7 7/8 x 5 1/2in

      Bonhams
    • CAMERA WORK Issue No. 17, January 1907; Magazine
      Nov. 21, 2008

      CAMERA WORK Issue No. 17, January 1907; Magazine

      Est: $800 - $1,200

      CAMERA WORK Issue No. 17, January 1907; Magazine with photogravures (complete); Including 11 images by Joseph T. Keiley (6), F. Benedict Herzog (2), Harry C. Rubincam (1), A. Radclyffe (1) and J. Montgomery Flagg (1); 11 3/4'' x 8 1/2'' x 1/2''; Publisher: Alfred Steiglitz, New York

      Rago Arts and Auction Center
    • RUBINCAM, HARRY C. (1871-1940) "In the Circus."
      Dec. 13, 2007

      RUBINCAM, HARRY C. (1871-1940) "In the Circus."

      Est: $3,000 - $4,500

      RUBINCAM, HARRY C. (1871-1940) "In the Circus." Silver print, 3 3/4x4 3/4 inches (9.5x12.1 cm.), with Rubincam's hand stamp on verso. 1902

      Swann Auction Galleries
    • RUBINCAM, HARRY (1871-1940) Boy playing with toy clowns.
      May. 26, 2005

      RUBINCAM, HARRY (1871-1940) Boy playing with toy clowns.

      Est: $1,000 - $1,500

      RUBINCAM, HARRY (1871-1940) Boy playing with toy clowns. Platinum print, 9 1/2x7 1/2 inches (24x19 cm.). Circa 1905

      Swann Auction Galleries
    • Various Photographers
      Apr. 25, 2001

      Various Photographers

      Est: $2,500 - $3,500

      Various Photographers SELECTED PHOTOGRAVURES FROM 'CAMERA WORK' a group of 25 photogravures and 4 half-tone reproductions from Camera Work and Camera Notes after photographs by ALVIN LANGDON COBURN (9), ALFRED STIEGLITZ (5), EDUARD STEICHEN (3), CLARENCE WHITE (2), GERTRUDE KASEBIER (2), FRANK EUGENE (3), GEORGE BERNARD SHAW, HARRY RUBINCAM, JULIA MARGARET CAMERON, GEORGE SEELEY, and PAUL HAVILAND, most on tissue, some on the original mounts, most on later paper mounts, one Coburn print signed, titled, and dated by the photographer in ink on the mount, early 1900s (29) Various Exhibited Most of the photogravures in this lot were exhibited in The Photo Secession, September - November 1948. Organized by Steichen, it consisted solely of plates from Camera Work and Camera Notes. As Steichen pointed out in the exhibition's press release, this was the first show devoted to the Photo Secession since the Albright Art Gallery exhibition in Buffalo in 1910.

      Sotheby's
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