Gillis Mostaert Sold at Auction Prices

b. 1598 -

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    • Gillis MOSTAERT (1534-1598). Attribué à, Scène d'incendie., Panneau de chêne, une planche, non parqueté., Inscription au verso "incendie par Egbert Vanderpool 1680 - hollande 1690", Restaurations anciennes., Dimension...
      Apr. 30, 2023

      Gillis MOSTAERT (1534-1598). Attribué à, Scène d'incendie., Panneau de chêne, une planche, non parqueté., Inscription au verso "incendie par Egbert Vanderpool 1680 - hollande 1690", Restaurations anciennes., Dimension...

      Est: €800 - €1,000

      Gillis MOSTAERT (1534-1598). Attribué à. Scène d'incendie. Panneau de chêne, une planche, non parqueté. Inscription au verso "incendie par Egbert Vanderpool 1680 - hollande 1690" Restaurations anciennes. Dimensions : 35,7 x 44,5 cm. Expert : Cabinet Turquin Paris.

      MJV Soudant
    • Attributed to Gillis Mostaert (ca. 1534-1598), landscape with travellers, oil on panel, 40 x 55 cm
      Feb. 07, 2023

      Attributed to Gillis Mostaert (ca. 1534-1598), landscape with travellers, oil on panel, 40 x 55 cm

      Est: €8,000 - €12,000

      Attributed to Gillis Mostaert (ca. 1534-1598), landscape with travellers, oil on panel, 40 x 55 cm In the tradition of the Large Landscapes by Pieter Bruegel the Elder. Provenance: prominent private collection from Flanders.

      Carlo Bonte Auctions
    • GILLIS MOSTAERT | A Triptych: Central Panel: The Crucifixion Left wing: Saint Andrew Right wing: A kneeling male donor of the Escalera family
      Jul. 05, 2018

      GILLIS MOSTAERT | A Triptych: Central Panel: The Crucifixion Left wing: Saint Andrew Right wing: A kneeling male donor of the Escalera family

      Est: £40,000 - £60,000

      oil on panel

      Sotheby's
    • Gillis Mostaert.. Crucificado
      May. 25, 2017

      Gillis Mostaert.. Crucificado

      Est: -

      MOSTAERT, GILLIS (c. 1534 - 1598). "Crucificado". Óleo sobre tabla.. 37 x 22 cm

      Duran Arte y Subastas
    • ATTRIBUÉ À HANS VREDEMAN DE VRIES (1527-1604 OU
      Nov. 26, 2008

      ATTRIBUÉ À HANS VREDEMAN DE VRIES (1527-1604 OU

      Est: €40,000 - €50,000

      ATTRIBUÉ À HANS VREDEMAN DE VRIES (1527-1604 OU 1623) ET GILLIS MOSTAERT (VERS 1534-VERS 1598) L'annonceur public Panneau. H_120,5 cm L_170 cm Le tableau que nous présentons est vraisemblablement l'oeuvre de deux...

      Pierre Bergé & Associés
    • Gillis Mostaert I Holland 1528/34-1598. Nattligt
      Jun. 03, 2008

      Gillis Mostaert I Holland 1528/34-1598. Nattligt

      Est: kr80,000 - kr100,000

      Gillis Mostaert I Holland 1528/34-1598. Nattligt överfall. Olja på pannå, 40 x 68. Retuscher, smärre skador och lagningar.

      Auktionskammare Uppsala
    • An extensive mountainous landscape with the Predication of Saint John the Baptist
      Dec. 05, 2007

      An extensive mountainous landscape with the Predication of Saint John the Baptist

      Est: £8,000 - £12,000

      Gillis Mostaert (Hulst 1528/9-1598 Antwerp) An extensive mountainous landscape with the Predication of Saint John the Baptist oil on panel 14½ x 20 5/8 in. (36.8 x 52 cm.)

      Christie's
    • Gillis Mostaert (Hulst c. 1528/9-1598 Antwerp)
      Jul. 10, 2002

      Gillis Mostaert (Hulst c. 1528/9-1598 Antwerp)

      Est: $312,000 - $468,000

      A village kermesse signed with monogram 'GM' (lower centre) oil on panel 263/4 x 383/4 in. (68 x 98.5 cm.) PROVENANCE with Galerie Robert Finck, Brussels, 1980. Private collection, Chƒteau Les Tours de LenvŠge, Saussignac, from whom acquired by the present owners in the late 1980s. LITERATURE H.G. Franz, Niederl„ndisch Landschaftsmalerei im Zeitalter des Manierismus, Graz, 1969, pp. 229-37. EXHIBITION Maastricht, Eurohal, Collection of the New York Historical Society & other Collections, May 1981, no. 9. NOTES The artist was a descendant of Jan Mostaert and, according to Friedl„nder, a pupil of Jan Mandyn (see M.J. Friedl„nder, Early Netherlandish Painting, V, Leiden/Brussels, 1969, p. 60). He was enlisted into the Antwerp guild of Saint Luke in 1554-5. He was a versatile artist able to adapt his style to address a wide range of subjects from mythological and biblical scenes, to hell and fire scenes in the manner of Hieronymous Bosch as well as landscapes and villages such as the present work. It is in this latter realm that Mostaert excelled, producing a small number of village kermesses for which he is most acclaimed. Probably painted relatively late on in his career, the present picture is analogous with his Kermesses of 1583 in the N rodn¡ Gallery, Prague, and of 1589 (bearing the same monogram), in the Kunsthalle, Bremen. All three adopt a raised viewpoint and are composed using two strong diagonals established by the roads leading into the village.

      Christie's
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