Frans van (1689) Mieris Sold at Auction Prices

Attributed to Frans Van Mieris the Younger (Dutch, 1689-1763) Oil on Beveled Oval Panel, 18th C., "The Smoker", H 7.25" W 5.87"

Unsigned. Bearing a Frost & Reed label attributing the work with a registered stock number of M64. Depicting a seated man wearing a leather jerkin with a red hat, smoking a pipe and holding a glass of wine. Hand carved beveled oval panel, faint triangular stamp on the verso. Having a carved wood frame with gilt elements, H 16.5", W 15.25". Provenance: From the Estate of Prominent Collector, Leon Zielinski, Macomb County, MI

Twaalf antiquarische boeken, voornamelijk m.b.t. Leiden

Bestaande uit: Beschryving der stad Leyden, Frans van Mieris en Daniël van Alphen, deel 1 t/m 3, 1762-1784 - alle platen ontbreken, banden in slechte staat -; Leiden tot 1574, F.V. Engelenburg, 1885; Leydens Ramp, Willem Bilderdyk en Matthys Siegenbeek, 1808 - 4 platen ontbreken -; Het beleg en ontzet der stad Leiden in 1574, R. Fruin, 1874; Het vijfde halve eeuwfeest over het ontzet der stad Leyden in den jare 1574, J. Roemer, 1824 - 1 plaat ontbreekt -; Geschiedenis des Vaderlands, vijfde deel, W. Bilderdyk, 1834; Historie der Waereld, J.F. Martinet, achtste deel, 1787 en Geschiedenis der zeventien Nederlanden, P.H. Witkamp, 2 delen in 3 banden, 1882. B h. 20 - 42 cm

Frans Van Mieris the younger (1689 – 1763) – Follower

Frans Van Mieris the younger (1689 – 1763) – Follower. Ladies toilette. Oil on canvas. Signed bottom left. Unreadable. Framed. 38 x 30 cm.

Tableaux Huile sur panneau de chêne "La Bataille des Amazones". Attribué à Frans van Mieris le Je

Tableaux Huile sur panneau de chêne "La Bataille des Amazones". Attribué à Frans van Mieris le Jeune. Ecole hollandaise. Dim.:+/-33x54cm. VAN MIERIS Frans (1689 - 1763). Attribué à.

HISTORI DER NEDERLANDSCHE VORSTEN UIT DE HUIZEN VAN BEIJERE, BORGONJE, EN OOSTENRYK, WELKEN, SEDERT DE REGEERING VAN ALBERT, GRAAF VAN HOLLAND, TOT DEN DOOD VAN KEIZER KAREL DEN VYFDEN, HET HOOGGEZAG ALDAAR GEVOERD HEBBEN [...] MET MEER DAN DUIZEN...

3 vol., folio: [36]-466-[107-1 bl.], [8]-484-[56], [4]-446-[58] pp. (some minor spotting or dampstaining). - History of Dutch sovereigns by Frans van Mieris (1689-1763), illustrated with their coins. Engr. ill.: front. by B. Picart, 3 title-vign., full-page dedication, nice full-page author's portrait by J. Houbraken, 3 headpcs by B. Picart or J. Wandelaar & over 1000 coin ill. in-text, nice tailpcs. 2 double-page genealogical tables. Titles in red & black. Text in 2 col. - Ref. Cumont 2089. - Lipsius, p. 261. - Haitsma Mulier/VdLem 338 b. - STCN.

Follower of Frans van Mieris the Younger (Leyden 1689-1763) A lady and her maid

Follower of Frans van Mieris the Younger (Leyden 1689-1763) A lady and her maid oil on panel 38.2 x 30.8cm (15 1/16 x 12 1/8in). For further information on this lot please visit the Bonhams website

Follower of Frans van Mieris (1689-1763): Wine is a Mocker

Ink and wash on paper, unsigned. 9 in. (diameter, sheet), 15 1/2 x 15 1/2 in. (frame). Property from the Estate of Emile Wolf

Frans van Mieris (1689-1763)

A visit to the doctor signed upper right F. v. Mieris Fec. and dated 1743 oil on panel, 35,5x31,5 cm ----------- Frans van Mieris the Younger could be qualified as a late example of the Fijnschilders (literally fine-painters"), also called the Leiden Fijnschilders ('Leidse Fijnschilders'), the Dutch Golden Age painters who, from about 1630 to 1710, strove to create as natural a reproduction of reality as possible in their meticulously executed, often small-scale works. In the nineteenth century it became a label for artists like Gerrit Dou and his followers in Leiden. Dou, Frans van Mieris Sr. and Adriaen van der Werff—all among the most successful of the Dutch Baroque—became identifiable by their "fine" manner, exquisite techniques, and extreme attention to detail resulting in works with smooth surfaces completely lacking painterly brush strokes. The application of paint contrasts with the textures and style of other Dutch painters, such as Frans Hals and Dou's teacher Rembrandt van Rijn. The Fijnschilders are best known for genre scenes showing everyday life and activities, candle-lit nocturnal subjects, and trompe l'oeil "niche" paintings. It is clear that our painting by van Mieris is greatly influenced by the works of his predecessors, most notably his father and grandfather."

FRANS VAN MIERIS LE JEUNE (LEYDE 1689-1763)

FRANS VAN MIERIS LE JEUNE (LEYDE 1689-1763) Mithridatès présentant le jeune Cyrus à sa femme signé et daté ‘F. v. Mieris. Fec : An. 1713’ (en haut au centre) huile sur panneau 35 x 43,5 cm. (13 3/4 x 17 1/8 in.)

Naar een compositie van F. van Mieris (18e/vroeg 19e eeuw)

Naar een compositie van F. van Mieris (18e/vroeg 19e eeuw), Vrouw met vogeltje, rechtsonder naam 'F. van Mieris', potloodtekening op papier, 27x21 cm

Frans van Mieris (1689-1763)

Frans van Mieris (1689-1763) A visit to the doctor signed upper right F. v. Mieris Fec. and dated 1743 oil on panel, 35,5x31,5 cm Frans van Mieris the Younger could be qualified as a late example of the Fijnschilders (literally "fine-painters"), also called the Leiden Fijnschilders ('Leidse Fijnschilders'), the Dutch Golden Age painters who, from about 1630 to 1710, strove to create as natural a reproduction of reality as possible in their meticulously executed, often small-scale works. In the nineteenth century it became a label for artists like Gerrit Dou and his followers in Leiden. Dou, Frans van Mieris Sr. and Adriaen van der Werff—all among the most successful of the Dutch Baroque—became identifiable by their "fine" manner, exquisite techniques, and extreme attention to detail resulting in works with smooth surfaces completely lacking painterly brush strokes. The application of paint contrasts with the textures and style of other Dutch painters, such as Frans Hals and Dou's teacher Rembrandt van Rijn. The Fijnschilders are best known for genre scenes showing everyday life and activities, candle-lit nocturnal subjects, and trompe l'oeil "niche" paintings. It is clear that our painting by van Mieris is greatly influenced by the works of his predecessors, most notably his father and grandfather.

Attr. to F. Mieris II, Portrait of a woman with a feather headdress, oval copper

Attr. to F. Mieris II, Portrait of a woman with a feather headdress, oval copper 3 3/4 X 2 15/16 IN. ATTRIBUE A FRANS MIERIS II (1689-1763) PORTAIT DE DAME A LA COIFFE DE PLUMES Cuivre ovale Petits manques en bordures de cadre 9,5 X 7,5 CM

VAN MIERIS FRANS II (1689 - 1763) achttiende eeuws olieverfschilderij op paneel met een aantrekkelijk en typisch thema met een edeldam en een oude vrouw in een interieur - met fraaie details in de bloemen en vlinder - 38 x 28 5 getekend

18th Cent. oil on panel - signed

Ambiente di. Il ritrovamento di Mosè.

VAN MIERIS FRANS II (1689 - 1763) Ambiente di. Il ritrovamento di Mosè. Olio su tela. Cm 122,00 x 108,00. Ottime condizioni. In imponente cornice in legno ebanizzato del XIX secolo. Cornice presente

FRANS VAN MIERIS THE YOUNGER | Vertumnus and Pomona

oil on panel

Frans van Mieris II, Circle of, Lot and his Daughters, 18th C.

Oil on canvas, relined The Netherlands, around 1750 Circle of Frans van Mieris the Younger (1689-1763) - Dutch genre and portrait painter and etcher Verso on stretchers with old label, it's handwritten note to artists and design Dimensions: 68 x 91 cm Good Condition Painting from the circle of the well-known dutch painter Frans van Mieris the Younger Object is regular taxed. 19% VAT is added to the purchase price for deliveries within the EU Estimate by Auctionata Expert: 2800 EUR This painting was presumably created around 1750 within the circle of the Dutch artist Frans van Mieris the Younger. Depicted is the biblical subject of ‘Lot and his daughters’. According to the story in the Tanach and on behalf of the divine commandment, Lot and his daughters flee from the city of Sodom into the mountains, where they find shelter in a cave. Lot's daughters, desperate to find a husband, made their father drunk and share the bed with him, and eventually gave birth to their sons. The painting is in age-appropriate condition with age-related craquelure. The canvas is relined. On the central upper edge with small retouching. Partly minimal color flaking and slight color abrasions in the right image area. The stretcher measures 68 x 91 cm. The framed dimensions are 80 x 104 cm. The frame also shows signs of wear. Frans van Mieris the Younger (1689-1763) Born in Leiden, Frans van Mieris the Younger was the son of a well-established artist’s family and therefore also became a successful genre and portrait painter. Besides, he was also active as a numismatist and occasionally worked as a writer. Today, works by Frans van Mieris the Younger may be found, for instance, at the Glasgow Museums and the Fitzwilliam Museum in Cambridge. (cbo) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

Italienisch: um 1650. Die vier Lebensalter

um 1650. Die vier Lebensalter. Radierung. 14,5 x 18,6 cm. "Damn exc." Hollstein 4. Hollstein verzeichnet das Blatt unter Frans van Mieris d. J. (1689 - 1763), jedoch dürfte die Radierung eher italiensichen Ursprungs sein und von der Hand eines Bologneser Meisters um 1650 stammen. Guter Druck mit Rändchen, stellenweise geringfügig unregelmäßig infolge von Fehlätzung. Geringfügige Altersspuren, sonst gut erhalten. Selten.

Frans Mieris the Younger, Bacchus and Ariadne

Signed lower center: F. Mieris fWith a collector's stamp inscribed "DrFR" to the reverse. Frans van Mieris the Younger took after his grandfather of the same name as a painter of genre scenes, but he also painted portraits and mythological motifs, among them this signed depiction of Bacchus and Ariadne. The figures and landscape of this image are similar to a signed "Diana and Endymion" by the artist, dated 1712 (Christie's, Amsterdam, 27.11.1986, lot 46). In both paintings, the divine couple forms the centre of the composition and the landscape is characterised by extreme attention to detail in the tradition of Leiden glaze painting, but also by the warm light typical of the Italianates.

Frans van Mieris II, Circle of, Lot and his Daughters, 18th C.

Oil on canvas, relined The Netherlands, around 1750 Circle of Frans van Mieris the Younger (1689-1763) - Dutch genre and portrait painter and etcher Verso on stretchers with old label, it's handwritten note to artists and design Dimensions: 68 x 91 cm Good Condition Painting from the circle of the well-known dutch painter Frans van Mieris the Younger Object is regular taxed. 19% VAT is added to the purchase price for deliveries within the EU. This painting was presumably created around 1750 within the circle of the Dutch artist Frans van Mieris the Younger. Depicted is the biblical subject of 'Lot and his daughters'. According to the story in the Tanach and on behalf of the divine commandment, Lot and his daughters flee from the city of Sodom into the mountains, where they find shelter in a cave. Lot's daughters, desperate to find a husband, made their father drunk and share the bed with him, and eventually gave birth to their sons. The painting is in age-appropriate condition with age-related craquelure. The canvas is relined. On the central upper edge with small retouching. Partly minimal color flaking and slight color abrasions in the right image area. The stretcher measures 68 x 91 cm. The framed dimensions are 80 x 104 cm. The frame also shows signs of wear. Frans van Mieris the Younger (1689-1763) Born in Leiden, Frans van Mieris the Younger was the son of a well-established artist's family and therefore also became a successful genre and portrait painter. Besides, he was also active as a numismatist and occasionally worked as a writer. Today, works by Frans van Mieris the Younger may be found, for instance, at the Glasgow Museums and the Fitzwilliam Museum in Cambridge. (cbo) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

Italienisch: um 1650. Die vier Lebensalter

um 1650. Die vier Lebensalter. Radierung. 14,5 x 18,6 cm. Hollstein 4. Hollstein verzeichnet das Blatt unter Frans van Mieris d. J. (1689 - 1763), jedoch dürfte die Radierung eher italiensichen Ursprungs sein und von der Hand eines bologneser Meisters um 1650 stammen. Guter Druck mit Rändchen, stellenweise geringfügig unregelmäßig infolge von Fehlätzung. Geringfügige Altersspuren, sonst gut erhalten. Selten.

Painting, Circle of Frans Van Mieris The Younger

Circle of Frans Van Mieris The Younger (Dutch, 1689-1763), Dutch Man and Woman, oil on copper, initialed lower right, sight: 8"h x 7"w, overall (with frame): 14.5"h x 13.25"w

Circle of Frans van Mieris the Younger (Leyden 1689-1763)

A bearded man reading, seated at a casement window oil on panel 27 x 24cm (10 5/8 x 9 7/16in).

Zuschreibung: Frans van Mieris II, 1689-1763, Frau

Zuschreibung: Frans van Mieris II, 1689-1763, Frau mit Wasserkrug, sich aus einem Rundbogenfenster lehnend, seitlich Vogelkäfig und Topfpflanze, Öl/Lwd, zwei restaurierte Lwd-Stellen, doubliert, ca. 27x22cm, Rahmen

AFTER FRANS VAN MIERIS (Dutch, 1689-1763). Frans Van Mieris Receiving a Visitor in His Studio, Color engraving, by A. H. Payne. Framed.

AFTER FRANS VAN MIERIS (Dutch, 1689-1763). Frans Van Mieris Receiving a Visitor in His Studio, Color engraving, by A. H. Payne. Framed - 10 in. x 7 1/2 in., sight size

Frans van Mieris II (Leiden 1689-1763)

Frans van Mieris II (Leiden 1689-1763) A man and a woman in a grocer's shop, with fish in a woven basket and scales on a stone ledge sculpted with putti, with a basket of walnuts, a sack of peas, a barrel of dates oil on panel 16 x 13 3/8 in. (40.7 x 33.9 cm.)

AFTER FRANS VAN MIERIS (Dutch, 1689-1763). Frans Van Mieris Receiving a Visitor in His Studio, Color engraving, by A. H. Payne. Framed.

AFTER FRANS VAN MIERIS (Dutch, 1689-1763). Frans Van Mieris Receiving a Visitor in His Studio, Color engraving, by A. H. Payne. Framed - 10 in. x 7 1/2 in., sight size

AFTER FRANS VAN MIERIS (Dutch, 1689-1763). Frans Van Mieris Receiving a Visitor in His Studio, Color engraving, by A. H. Payne. Framed.

AFTER FRANS VAN MIERIS (Dutch, 1689-1763). Frans Van Mieris Receiving a Visitor in His Studio, Color engraving, by A. H. Payne. Framed - 10 in. x 7 1/2 in., sight size

A FRAMED OIL ON BOARD OF AN INTERIOR PUB SCENE

The brass plaque on frame inscribed F. Van Mieris (Frans Van Mieris, Dutch). Verso label with title and artist "Le Soldajau quartier, Frans Van Mieris".

Frans van Mieris, after: A young girl in a red

Frans van Mieris, after: A young girl in a red jacket feeding a parrot. Unsigned. Oil on cardboard. 20 x 16 cm.

FRANS VAN MIERIS THE YOUNGER

AN INTERIOR WITH A WOMAN DOING NEEDLEWORK AND A YOUNG BOY WITH A HOOP signed upper right: F. V. Mieris Fecit.

MIERIS, FRANS VAN d. J. (1689 Leiden 1763)

MIERIS, FRANS VAN d. J. (1689 Leiden 1763) Christus mit der Samariterin am Brunnen. Öl auf Holz. Links unten auf der Säule signiert: F. V. Mieris. 46 x 37,5 cm.

Frans van Mieris the Younger , Leiden 1689 - 1763 The Poulterer oil on panel

signed and dated upper left: F.V. Mieris/ Fec. A o 1743 oil on panel

Frans van Mieris the Younger , Leiden 1689 - 1763 Christ and the woman of Samaria oil on panel

signed on the fallen column lower left: F.V.Mieris. oil on panel

Frans van Mieris II (Leiden 1689-1763)

Frans van Mieris II (Leiden 1689-1763) A fish seller and a poultry seller in an arched window, above a carved relief signed and dated 'F. V. Mieris Fecit. Ao 1730' (upper right) and inscribed '..R - VINCIT - OMNI...' (lower left, on the mortar) oil on panel 15 3/8 x 13 1/8 in. (39 x 33.5 cm.)

A la manera de Frans van Mieris (1689 - 1763). Escuela flamenca. Anciana leyendo. Óleo sobre tablero. 40 x 28.5 cm.

A la manera de Frans van Mieris (1689 - 1763) Escuela flamenca. Anciana leyendo. Óleo sobre tablero. 40 x 28.5 cm. Detalles de conservación.

MIERIS, FRANS VAN (1635 Leiden 1681), In der Art Figuren im Interieur. Öl auf Holz. 34 x 29,5 cm.

MIERIS, FRANS VAN (1635 Leiden 1681), In der Art Figuren im Interieur. Öl auf Holz. 34 x 29,5 cm.

Mieris, Frans van Leiden 1689 - 1763 - Circle

Oil on wood. 28 x 22,5cm. Framed. Overleaf side: On the strecher numbering with a stencil:319 as well as an old gummed label with

Frans van MIERIS (leyde 1689 - 1763) portrait d'homme tenant un flacon Panneau de chêne, parqueté 32 x 19 cm Restaurations

Frans van MIERIS (leyde 1689 - 1763) portrait d''homme tenant un flacon Panneau de chêne, parqueté 32 x 19 cm Restaurations Estimation : € 5,000-6,000

Frans van MIERIS (Leyde 1689 - 1763) Portrait d'homme tenant un flacon. Panneau de chêne, parqueté.

Frans van MIERIS (leyde 1689 - 1763) portrait d''homme tenant un flacon Panneau de chêne, parqueté 32 x 19 cm Restaurations Estimation : € 5,000-6,000

Frans van Mieris II (1689-1763)

Portrait of Pieter de la Court (1722-1775), small three-quarter-length, on a balcony, in a gold-embroidered oyster-grey jacket and a blue waistocat, his cane in his hand, and of his wife, Geertruida Jacoba de Bye (b. 1725) small three-quarter-length, seated, in a light blue dress, an African grey parrot perched on her hand, a landscape beyond signed and dated 'F.V.Mieris Fec. A. 1750.' (on the balcony, lower left) oil on panel 41.4 x 34.1 cm. PROVENANCE P.H. de la Court (label on the reverse). Dr. A. van der Burgh; sale, Frederik Muller, Amsterdam, 21 September 1704, lot 101 (fl. 220). Anon. Sale, Frederik Muller, Amsterdam, 28 November 1906, lot 289. Maarten Maartenshuis, Doorn, 1969. Anon. Sale, Van Marle & Bignell, The Hague, 11 June 1974, lot 292 (fl. 4000). LITERATURE A. Wrzbach, Niederl„ndisches Knstlerlexikon auf Grund Archivalischer Forschungen, 1910, II, p. 167. J.H. Kempkamp, "De familieportretten uit de collectie De La Court", Dancwerc, Opstellen aangeboden aan Professor Dr. Th. Enklaar, 1959, p. 304. NOTES The sitter was the son of Allard and Catharina Backer and married Geertruida Jacoba de Bye in 1748.

FRAN VAN MIERIS THE ARTISTS STUDIO. Oil on canvas, signed and dated lower right Frans Mieris f Anno, 1678 24"x19.5" Condition: very good: minor craquelure, no paint loss, no damage to canvas, black light reveals nothing