Jan (de Jonge) Martszen Sold at Auction Prices

Jan Martszen, um 1609 Haarlem – 1647 ebenda, zugeschrieben/ Kreis des

MILITÄRISCHES FELDLAGER Öl auf Holz. 57 x 76 cm. In dekorativem, teils bemalten Rahmen. Unter hohem Himmel, vor der Kulisse einer Stadt im Hintergrund, führt ein breiter Weg durch ein Lager, an dem jeweils links- und rechtsseitig, hintereinander aufgereiht große Zelte stehen. Linksseitig fährt ein Mann mit seinem Karren auf dem Weg entlang, während rechtsseitig vor den Zelten zahlreiche Soldaten auf ihren Pferden zu erkennen sind. Besonders auffallend ist ein prachtvoll, silbrig glänzendes Pferd auf der rechten Seite mit einem Reiter in Rückenansicht, der seinem Kumpanen auf einem weiteren Pferd mit einem Krug zuprostet. Sie stehen vor einem großen Zelt, dass sich durch einen aufgehängten Kranz als Wirtzelt auszeichnet. Malerei in der Manier des Künstlers in überwiegend beige-brauner Farbigkeit, mit wenigen Farbelementen, wie z.B. die Kleidung der Soldaten. Rest. (14217516) (18)

Jan Martszen de Jonge

(Haarlem circa 1609 – after 1647) Resting soldiers and elegant figures in a village, signed and dated lower right: IM. (ligated) D. Jonge 1632, oil on panel, 61 x 101 cm, framed Provenance: Collection of the Buéso family, since at least the 1950s; and thence by descent to the present owner

JAN MARTSZEN DE JONGE

(Haarlem, 1609 - dopo il 1647 o tra il 1647 e il 1667) Scena di battaglia Olio su tavola, cm 14,5X20 Provenienza: Amsterdam, Christie's, 13 novembre 1990, lotto 142 (come Jan Martszen il Giovane) Collezione privata Il dipinto in esame si attribuisce ad un artista nordico, di area fiamminga e che si riconosce in Jan Martszen de Jonge. A questo proposito si confronti la tavola con quella venduta all'incanto presso Sotheby's a Londra il 9 luglio 1998, lotto 137, o con quella conservata a Rotterdam presso il Museum Boijmans Van Beuningen (inv. nr. 1494). Maarten de Jonge, nipote e allievo di Isaia van de Velde (1587 ; 1630), deve la sua fortuna critica e commerciale per le numerose scene di battaglia da lui realizzate. Tra le migliori e rappresentative vi sono le tele della collezione Sydervelt (Amsterdam, 1766) e Il Ritratto di Federico Enrico d'Orange a cavallo all'assedio della città di Grol, reso in modo dettagliato e vigoroso, con la collaborazione di Michiel van Mierevelt. Altra sua opera degna di nota è La battaglia di Lützen. L'opera è corredata da una scheda critica di Raffaella Colace. Bibliografia di riferimento: G. Keyes, Esaias van de Velde, Doornspijk 1984, ad vocem P. van der Pol, Uittocht 1637, in Panorama, een 17e eeuwse tekening als aanwinst, Breda 1996, nr. 1, p. 2-5

de Jonge Jan Martszen (ambito di) (Haarlem, 1609 - Haarlem, 1647) Ispezione nell'accampamento olio su tavola di rovere parquettata cm 41x51; conc orncie cm 59x88

de Jonge Jan Martszen (ambito di) (Haarlem, 1609 - Haarlem, 1647) Ispezione nell'accampamento olio su tavola di rovere parquettata cm 41x51; conc orncie cm 59x88 Corredata da asseverazione di autenticità rilasciata dal Dott. Armin Silbernagl Datato 1628(?) in basso Immagini ad alta risoluzione disponibili su richiesta.

Circle of Jan Martens de Jonge, three grisaille paintings on panel (Battle of the Amazons / Cavalry skirmish / Cavalry encampement by a besieged town), ca. 1625-1674, each 30 x 68 cm.

Circle of Jan Martszen de Jonge (Haarlem circa 1609-after 1647) The Battle of the Amazons; A cavalry skirmish; and A cavalry encampment before a besieged town three of a set, oil on panel, en grisaille 30.4 x 68.3cm (11 15/16 x 26 7/8in). (3) For further information on this lot please visit the Bonhams website

Attribuito a Jan Martszen de Jonge | 1609 - 1647

Attributed to Jan Martszen de Jonge | 1609 - 1647 BATTLE SCENE oil on board, cm 42,8x62,5. Signed lower left: AC. We thank Mrs. Raffaella Colace for her assistance in filing the work. IT: Attribuito a Jan Martszen de Jonge | 1609 - 1647 SCENA DI BATTAGLIA olio su tavola, cm 42,8x62,5. Inscritto in basso a sinistra: AC. Si ringrazia la Dottoressa Raffaella Colace per l’assistenza alla schedatura dell’opera.

Jan Martszen de Jonge Oil on Panel, Small Battle Scene

Jan Martszen de Jonge (Netherlands, 1609-1647), small oil on panel painting depicting a battle on a grassy knoll between soldiers on horseback and others on foot. A dead body lays next to a drum in the left foreground, a flag hangs from a ruined column in the mid-ground, and other figures wage battle on horseback in the background. Signed lower left. Housed in a later wooden frame with ripple molded gilt rabbet and outer edges, with artist identification plaque. En verso is a label for art dealer Georg Haslauer, Salzburg, Austria, along with a note regarding the purchase and shipping of the painting. Panel: 5" H x 7" W. Frame: 10" H x 12" W. Provenance: The collection of Dr. Andrew Wilkerson.

Circle of Jan Martszen the Younger (Dutch, c. 1609-1647)

Circle of Jan Martszen the Younger (Dutch, c. 1609-1647) Cavalry skirmish oil on panel 46.5 x 62cm

Jan Martszen de Jonge – Bewaffneter Angriff aus dem Hinterhalt (An armed ambush)

Oil on panel. (Around 1630/40). 37.7 x 138.9 cm. Inscribed and dated on a label on the reverse “1633”. Framed.

Jan Martszen de Jonge, A Prisoner after the Battle

With a barely legible signature lower right Jan Martszen the Younger was a nephew and pupil of Esaias van de Velde and teacher of Jan Asselijn. He resided in Haarlem for the majority of his life. This oval painting bears identical dimensions and a similar battle scene to a signed work dated 1629 that is also painted on copper and listed in the RKD database under the number 173642, to which it may have been a pendant.

The Meeting of David and Abigail

MARTSZEN DE JONGE, JAN 1609 Haarlem - (after) 1647 Title: The Meeting of David and Abigail. Technique: Oil on wood. Measurement: 17 x 23,5cm. Notation: Signed and dated lower left: M.D. Jonge 1633. Frame/Pedestal: Framed. Literature: - W. Pijbes, M. Aarts, M. J. Bok et al: At Home in the Golden Age. Exhibition catalogue Zwolle 2008, p. 114, no. 117 with ill.; - H.-J. Raupp (ed.): Niederländische Malerei des. 17. Jahrhunderts der SØR Rusche-Sammlung, vol. 4, Historien und Allegorien, Münster/Hamburg/London 2010, pp. 232-35, no. 36 with ill. Exhibitions: - At Home in the Golden Age. Exhibition Kunsthalle Rotterdam, 09.02. - 18.05.2008, cat. no. 117. Provenance: - Auction Sotheby's, London, 03.07.1991, lot 103. "Varietas ist das Schlagwort, das seit der Renaissance eines der wichtigsten Qualitätskriterien der Malerei beschreibt. Variantenreich soll der Künstler seine Historie ins Bild übersetzen. Jan Martszen de Jonge tut das. Mit feiner Eleganz stellt er das kluge Verhalten Abigails dar. Durch großzügige Gaben, die ihr Ehemann den Dienern Davids verweigert hatte, weiß sie den von ihrem Gatten provozierten Krieg in letzter Minute zu verhindern. Differenziert wird die spannungsreiche Situation nicht nur durch die Gestik der Protagonisten, sondern auch durch die sie umgebenden stimmungsvollen Licht- und Hintergrundverhältnisse dargestellt. Der niederländische Künstler macht die biblische Geschichte mit seinem Bild sichtbar. Andreas Blank hingegen wählt den umgekehrten Weg. Er verhüllt. Mittels eines steinernen, von eigener Hand geschaffenen Vorhanges entzieht er dem Betrachterblick das Relevante. Radikal konterkariert er all das, was man für gewöhnlich von einem Bild erwartet und reiht sich durch dieses Spiel dennoch in eine kunsthistorische Tradition ein - der Macht des Künstlers über das Sichtbare." Prof. Dr. Teresa Bischoff The sale of the SØR Rusche Collection is a concept auction, creating a dialogue between paintings by Old Masters and works by contemporary artists. Presented in pairs, the artworks communicate with each other, though each single piece is an offer as a separate lot. The present lot corresponds with lot no. 1506.

JAN MARTSZEN DE JONGE (attr. a)

(Haarlem, 1609 - 1647) Battaglia Olio su tavola, cm 19,7X26,8 Il dipinto in esame si attribuisce ad un artista nordico, di area fiamminga forse riconoscibile in Jan Martsen de Jonge (Haarlem, 1609 - 1647). A questo proposito si confronti la tavola con quella venduta all'incanto presso Sotheby's a Londra il 9 luglio 1998, lotto 137 o con quella conservata a Rotterdam presso il Museum Boijmans Van Beuningen (inv. nr. 1494). Maarten de Jonge, nipote e allievo di Isaia van de Velde (1587 - 1630), deve la sua fortuna critica e commerciale per le numerose scene di battaglia da lui realizzate. Tra le migliori e rappresentative vi sono quelle della collezione Sydervelt e 'Il Ritratto di Federico Enrico d'Orange a cavallo all'assedio della città di Grol', reso in modo dettagliato e vigoroso, con la collaborazione di Michiel van Mierevelt. Altra sua opera degna di nota è 'La battaglia di Lützen'. Bibliografia di riferimento: G. Keyes, 'Esaias van de Velde', Doornspijk 1984, ad vocem P. van der Pol, 'Uittocht 1637', in 'Panorama, een 17e eeuwse tekening als aanwinst', Breda 1996, nr. 1, p. 2-5

17th C. Dutch battlescene with plaque attributing work to Jan Martszen de Jonge (Dutch, 1609 - 1647), oil on panel, depicts opposing...

17th C. Dutch battlescene with plaque attributing work to Jan Martszen de Jonge (Dutch, 1609 - 1647), oil on panel, depicts opposing cavalry in the heat of battle including knight in full armor on brown horse LR, injured horse LL, many figures carry firearms, plaque mounted to frame reads: "Jan Martsen de Jonge, 1609 - 1647", artist labels verso, framed, not examined out of frame, wear consistent with age and use including scattered loss, heavy lacquer, wear to edges where board meets frame, cracking of board RC, etc., panel size: 13 3/4" h. x 20" w.; frame size: 18 1/2" h. x 25" w. [PROVENANCE: From a private estate in Mystic, Connecticut]

JAN MARTSZEN DE JONGE

(Haarlem, 1609 - 1647) Scena di battaglia Olio su tavola, cm 53X97 Il dipinto in esame si attribuisce ad un artista nordico, di area fiamminga e che si riconosce in Jan Martsen de Jonge. A questo proposito si confronti la tavola con quella venduta all'incanto presso Sotheby's a Londra il 9 luglio 1998, lotto 137 o con quella conservata a Rotterdam presso il Museum Boijmans Van Beuningen (inv. nr. 1494). Maarten de Jonge, nipote e allievo di Isaia van de Velde (1587 - 1630), deve la sua fortuna critica e commerciale per le numerose scene di battaglia da lui realizzate. Tra le migliori e rappresentative vi sono le tele della collezione Sydervelt (Amsterdam, 1766) e 'Il Ritratto di Federico Enrico d'Orange a cavallo all'assedio della città di Grol', reso in modo dettagliato e vigoroso, con la collaborazione di Michiel van Mierevelt. Altra sua opera degna di nota è 'La battaglia di Lützen'. Bibliografia di riferimento: G. Keyes, 'Esaias van de Velde', Doornspijk 1984, ad vocem P. van der Pol, 'Uittocht 1637', in 'Panorama, een 17e eeuwse tekening als aanwinst', Breda 1996, n. 1, p. 2-5

Martszen de Jonge, J. (1609-1647). The set of the Cavalry-Battles. Set of 5 (of 9) etchings, various sizes, partly signed/ partly monogrammed in the plates, partly with the address of R. and I. Ottens, bound together in 18th cent. stiff chintz wr.,

Martszen de Jonge, J. (1609-1647). The set of the Cavalry-Battles. Set of 5 (of 9) etchings, various sizes, partly signed/ partly monogrammed in the plates, partly with the address of R. and I. Ottens, bound together in 18th cent. stiff chintz wr., obl. 4to. = Hollstein 1 (4th state of 4), 2 (2nd state of 4), 4 and 5 (together on 1 leaf) (prob. 2nd state of 4) and 6 (prob. 2nd state of 4). BOUND WITH: Idem (after). (Battle scenes). Set of 6 etchings, prob. by CLAES VISSCHER or CLAES VISSCHER II, each 13,5x18 cm., numb. "1" to "6", first etching w. the address of R. & I. Ottens. = I.a. a copy of Hollstein 3 and 6. Rare. ALSO BOUND WITH: a series of 12 battle scenes, engraved by W. DE BROEN after J. BOSSCHART (numb. 1-12) and a series of 6 battle scenes by W. VAN LANDE (numb. 1-6, printed by R. and I. Ottens. Perhaps heavily reworked plates of CLAES VISSCHER (?)), series of 4 battle scenes by G. VALCK (copies after J. VAN HUCHTENBURG after A.F. VAN DER MEULEN) and a loose print by an unknown artist (numb. "12").

Attr. J. M. de Jonge, A Ccavalry shock, oak panel

Attr. J. M. de Jonge, A Ccavalry shock, oak panel 11 13/16 x 19 11/16 IN. ATTRIBUÉ A JAN MARTSEN DE JONGE (1609-1647) UN CHOC DE CAVALERIE Panneau de chêne, une planche, non parqueté Petites fentes 30 X 50 CM

Attr. to J. Martsen de Jonge, A cavalry charge, oak panel

Attr. to J. Martsen de Jonge, A cavalry charge, oak panel 11 13/16 X 19 11/16 IN. ATTRIBUE A JAN MARTSEN DE JONGE (1609-1647) UN CHOC DE CAVALERIE Panneau de chêne, une planche, non parqueté Petites fentes 30 X 50 CM

Jan Martszen d. J., um 1609 Haarlem – 1647 ebenda

Jan Martszen d. J., um 1609 Haarlem – 1647 ebenda SCHLACHTENSZENE MIT ATTACKIERENDEN REITERN Öl auf Eichenholz, im Oval. 35,5 x 48 cm. In ebonisiertem oktogonalen Rahmen mit Flammleisteneinlage sowie altem graviertem Künstlernamensschild. Im Kampfgewimmel treten im Zentrum zwei nach rechts vorstürmende Reiter hervor, die mit gezogenen Degen sich in die Schlacht einbringen. Im Vordergrund gefallene Soldaten sowie ein gestürztes Pferd. Szenerie insgesamt unter Einführung eleganter Brauntöne. Als Sohn des Malers Jacobus Martens (1589 - 1647), Neffe und Schüler des Esaias van de Velde (1587 - um 1630) und Lehrer von Jan Asselijn (um 1610 - 1652) wirkte er in Haarlem, Amsterdam und Delft. Nicht selten in Zusammenarbeit mit Bartholomeus van Bassen (um 1590 - 1652), Esaias van de Velde und Anthonie Palamedesz (1601 - 1673). Werke seiner Hand in zahlreichen öffentlichen Sammlungen wie Amsterdam, London, Rotterdam, Avignon, Schwerin, Stockholm, Braunschweig und Riga etc. (1061722) (11) Jan Martszen the Younger ca. 1609 Haarlem - 1647 ibid BATTLE SCENE WITH CAVALRY CHARGE Oil on oak panel. Oval format. 35.5 x 48 cm. In ebonised, octagonal frame with ripple moulding and old engraved nameplate with artist's name. Works by Martszen the Younger are held in numerous public collections including Amsterdam, London, Rotterdam, Avignon, Schwerin, Stockholm, Braunschweig and Riga.

Jan Martszen de Jonge (Haarlem 1609-1647 Amsterdam (?))

Jan Martszen de Jonge (Haarlem 1609-1647 Amsterdam (?)) Design for a title page: Ladies and gentlemen flanking a scene of the Annunciation on a stage inscribed 'MINNE popies' (in the cartouche), with inscription 'van de Venne' (mount) pen and brown ink, brown wash, indented for transfer and blackened on the verso, brown ink framing lines 2½ x 3½ in. (6.5 x 8.9 cm.); and two further drawings: a. Dutch School, early 17th Century, The Adoration of the Magi (pl. 13), and b. Swiss School, early 17th Century, A farmer with a plough drawn by two oxen (pl. 11) (3)

Jan Martszen d. J.,um 1690 - 1647

Jan Martszen d. J., um 1690 - 1647

Jan Martszen de Jonge Holland 1609-1647 Attributed

Jan Martszen de Jonge Holland 1609-1647 Attributed to Gustaf II Adolf at horse. Panel 28 x 28 cm. Contemporary bronzed frame.

François van Knibbergen (The Hague 1597-circa 1665 Amsterdam), and Jan Martsen de Jonge (Haarlem circa 1609-1647)

Bandits on a country path, an open landscape in the distance indistinctly signed 'F k f' (lower left) oil on panel 37.8 x 55.8cm (14 7/8 x 21 15/16in). unframed

Circle of Jan Martszen II (c.1609-1647). A cavalry

Circle of Jan Martszen II (c.1609-1647). A cavalry skirmish, Oil on panel, Wax seal on reverse, 24 x 32.5cm (9 1/2 x 12 3/4in).

Circle of Jan Martszen II (c.1609-1647) A cavalry

Circle of Jan Martszen II (c.1609-1647) A cavalry skirmish Oil on panel Wax seal on reverse 24 x 32.5cm (9 1/2 x 12 3/4in)

Circle of Jan Martszen the Younger (Haarlem c. 1609-after 1647)

Circle of Jan Martszen the Younger (Haarlem c. 1609-after 1647) A cavalry skirmish, with a castle being stormed beyond oil on panel 17 3/8 x 26¼ in. (44 x 66.5 cm.)

Circle of Jan Martszen the Younger (Haarlem 1609-1647 Amsterdam)

Circle of Jan Martszen the Younger (Haarlem 1609-1647 Amsterdam) The Battle of the Amazons; A cavalry skirmish; and A cavalry encampment by a besieged town; 'en grisaille' oil on panel 30.3 x 68.2 cm. (3)

Attributed to Jan Martsen de Jonge (Haarlem 1609-after 1647)

Attributed to Jan Martsen de Jonge (Haarlem 1609-after 1647) A military camp on the move (recto); Cavaliers and a knight in armour (verso) pen and brown ink, grey wash, unframed 4¼ x 7 in. (11 x 17.8 cm.)

Jan Martsen de Jonge (Haarlem c. 1609-after 1647)

Jan Martsen de Jonge (Haarlem c. 1609-after 1647) A cavalry skirmish indistinctly signed 'J m...' (lower right) oil on panel 15 7/8 x 22 1/8 in. (40.2 x 56.2 cm.)

Jan Martszen de Jonge (Haarlem 1609/10-?1647 Amsterdam)

Jan Martszen de Jonge (Haarlem 1609/10-?1647 Amsterdam) A cavalry skirmish signed and dated 'JM. D. JONGE. 1633' (lower left) oil on panel, unframed 10½ x 13¾ in. (26.7 x 35 cm.)

Jan Martszen de Jonge (Haarlem 1609/10-?1647 Amsterdam)

Jan Martszen de Jonge (Haarlem 1609/10-?1647 Amsterdam) A cavalry skirmish signed and dated 'JM. D. JONGE. 1633' (lower left) oil on panel 10½ x 13¾ in. (26.7 x 35 cm.)

JAN MARTSZEN THE YOUNGER

JAN MARTSZEN THE YOUNGER HAARLEM CIRCA 1609 - AFTER 1647 CAVALIERS SURVEYING THE AFTERMATH OF A BATTLE signed and dated lower right: JM. D Jonge 1629 ( JM in ligature) oil on oak panel 17.5 by 24 cm.; 6 3/4 by 9 1/2 in.

Jan Martszen de Jonge (Haarlem circa 1609-after 1647) A cavalry skirmish at a river crossing

A cavalry skirmish at a river crossing oil on panel 34 x 58.7cm (13 3/8 x 23 1/8in).

Jan Martszen II (Haarlem c. 1609-after 1647 ?Amsterdam)

Jan Martszen II (Haarlem c. 1609-after 1647 ?Amsterdam) A cavalry skirmish signed 'IM.D. Jonge.' ('IM' in monogram, lower left) oil on panel 13¾ x 22¼ in. (34.9 x 56.5 cm.)

JAN MARTSZEN THE YOUNGER

JAN MARTSZEN THE YOUNGER HAARLEM CIRCA 1609 - AFTER 1647 A WOODED DUNE LANDSCAPE WITH BANDITS HOLDING UP A COVERED WAGON oil on panel 26 by 42 cm.; 10 1/4 by 16 1/2 in.

Jan Martszen de Jonge (Haarlem c. 1609-after 1647)

Jan Martszen de Jonge (Haarlem c. 1609-after 1647) A cavalry skirmish oil on panel, oval 48.2 x 64 cm. stamped with a panel maker's mark on the reverse

Jan Martszen the Younger , Haarlem circa 1609 - after 1647 A wooded dune landscape with bandits holding up a covered wagon oil on panel

oil on panel

Jan Martszen the Younger Haarlem circa 1609 - after 1647 , A wooded dune landscape with bandits holding up a covered wagon oil on panel

JAN MARTSZEN THE YOUNGER HAARLEM CIRCA 1609 - AFTER 1647

A CAVALRY BATTLE SCENE measurements note 31.6 by 51.6 cm. signed in monogram and dated lower right: IM (in compendium).D.../1628 oil on panel

Jan Martszen de Jonge

Jan Martszen de Jonge Haarlem circa 1609 - after 1647 a cavalryman sounding a horn before figures tending to a wounded soldier; a battle scene with a cavalryman pursuing foot soldiers a pair, both oil on panel (2) each: 30 by 35 cm.; 11 3/4 by 13 3/4 in.

Jan Martszen de Jonge (1609(?)-1647)

A cavalry engagement with indistinct signature 'Pwouver(?).f. 1651' (lower right) oil on panel 19 x 25 in. (48.3 x 63.5 cm.).