Rutilio di Lorenzo Manetti Paintings & Artwork for Sale | Rutilio di Lorenzo Manetti Art Value Price Guide

Oct. 28, 2024
RUTILIO DI LORENZO MANETTI (Italy, c. 1571 -1639) "The ecstasy of St. Catherine of Siena". Oil on canvas. Relined. It presents restorations.
Est: €26,000 - €28,000
RUTILIO DI LORENZO MANETTI ( Italy, c. 1571 -1639) "The ecstasy of St. Catherine of Siena". Oil on canvas. Relined. It presents restorations. Measurements: 176 x 119 cm. Saint Catherine of Siena is shown kneeling, as if she had just fallen before the figure of Jesus, who holds with his right hand the heart of the saint, while with his left hand he grabs her hand. Formally it is a clearly baroque work in its composition, variegated and marked by diagonal lines that determine a zigzag reading of the scene. In fact, the work is largely reminiscent of the painting of the Italian artist Rutilio di Lorenzo Manetti, who immortalized the saint on numerous occasions as witnessed by his painting of St. Catherine of Siena holding Christ or St. Catherine of Siena writing. Rutilio di Lorenzo Manetti was an Italian painter of late Mannerism or proto-Baroque, active mainly in Siena. He was taught by local artists Francesco Vanni and Ventura Salimbeni. It is known that he collaborated with Raffaello Vanni. His masterpieces include his contributions to the Casino Mediceo, where he worked alongside Matteo Rosselli, Giovanni Lanfranco and Cesare Dandini. It should be noted that the Genoese school was one of the most relevant of the time, not only because of the enrichment of the city that led to the rebirth of culture, but also because it was the epicenter of numerous painters such as Van Dyck, Peter Paul Rubens, and Procaccini, among others. This convergence of artists was a great inspiration in the development of Genoese painting, which drew from such diverse sources as Flemish painting, or the Lombard school, giving rise to a very personal and characteristic idiosyncrasy. Born in Siena around 1347, at the age of seven Catherine of Siena took a vow of virginity. As her mother wanted to marry her off, she shaved her head. Received into the Third Order of St. Dominic at the age of sixteen, she led an ascetic life in the convent that ruined her fragile health. She professed a particular devotion to St. Agnes of Montepulciano. According to legend, when Catherine visited the tomb of St. Agnes, and was bending over the body of the saint to kiss her foot, the saint raised it to the height of her lips. She was glorified for having contributed to bring Pope Gregory XI to Rome from Avignon. On the occasion of the Western Schism, she took the side of Urban VI. She died in Rome in 1380 and was canonized in 1461. It presents restorations.
Setdart Auction House
Sep. 26, 2024
RUTILIO MANETTI, 1571 SIENA – 1639 EBENDA, KREIS DES
Est: €8,000 - €10,000
DIE HANDLESERIN Öl auf Leinwand. 110 x 166 cm. In vergoldetem Kehlrahmen. In einer durch Architekturelemente angedeuteten Parkanlage mit Brunnenfigur und Steinrelief eine junge Frau, ihre Hand auf eine Brüstung auflegend. Daneben eine alte Dame, die ihr aus der Hand liest. Hinter dieser wohl ein Liebhaber eine Blüte unter seine Nase haltend, offensichtlich gewiss der ihm günstigen Deutung. Sicherlich mit Bezug auf die zeitgenössische italienische Literatur. (1410291) (4) (13)
Hampel Fine Art Auctions
May. 26, 2024
RUTILIO MANETTI - (attribuito a)
Est: -
(attribuito a) Maddalena e gli angeli Olio su tela, 96,5x72,5 cm; entro cornice antica in legno dorato. Il quadro si presta a confronti stilistici con opere come la Maddalena del Manetti che si trova in Palazzo Sansedoni a Siena e che si data verso il 1620.
Meeting Art Casa D'Aste
Apr. 24, 2024
Rutilio Manetti
Est: €80,000 - €120,000
(Siena 1571–1639) Saint Jerome writing, oil on canvas, 112.5 x 84 cm, framed Provenance: Private European collection We are grateful to Gianni Papi for suggesting the attribution after the examination of the present painting in the original. This painting is a previously unpublished work by Rutilio Manetti, dating from his artistic maturity and as such it is a significant addition to his oeuvre. The composition depicts Saint Jerome, intent on transcribing the Holy Scriptures, which according to tradition he translated from Greek into Latin. The saint is portrayed as an elderly scholar with the traditional attributes of a skull, the symbol of the transience of life, and a lion in the background. The painting can be compared to Manetti’s Saint Jerome supported by two Angels in the Monte dei Paschi di Siena collection, signed and dated ‘RUTI.US f, 1628’ (see A. Bagnoli, Rutilio Manetti: 1571-1639, exhibition catalogue, Florence 1978, pp. 117, 51). A careful study reveals that Manetti painted the arms, the folds in the skin and the area with the skull and books in a comparable manner. Stylistic similarities can also be discerned in The Holy Family in the Pinacoteca Comunale, Faenza (inv. no. 8), in the white drapery, which can be compared to the saint’s robe in the present painting, beneath his red cloak. Rutilio Manetti was one of the first Sienese artists to adopt painterly innovations derived from Federico Barocci, showing an interest in the depiction of human emotion with graceful rendered figures, such as the Saint Jerome in the present painting. Manetti’s first documented paintings date from 1597 and were executed in the Sala del Concistoro in the Palazzo Pubblico, Siena, under the guidance of his masters, Francesco Vanni and Ventura Salimbeni. It was only around the 1620s that Manetti’s painterly style began to evolve in the direction of Caravaggism, the period to which the present painting can be dated.
Dorotheum
Mar. 22, 2023
Rutilio MANETTI Sienne, 1571 - 1639 La prédication de saint Jean-Baptiste Huile sur toile
Est: €12,000 - €15,000
Rutilio MANETTI Sienne, 1571 - 1639 La prédication de saint Jean-Baptiste Huile sur toile The Predict of saint John the Baptist, oil on canvas, by R. Manetti h: 99 w: 75 cm Provenance : Collection particulière, Monaco, avant 2016 ; Galerie Antoine Tarantino, Paris, en 2016 ; Collection particulière du Sud-Est de la France Expositions : 'L'Art et la Manière', Paris, galerie Antoine Tarantino, 2016, p. 70-71, n° 27 et repr. p. 30-31 Commentaire : Les coloris chamarrés et l'audacieuse palette utilisée pour faire vibrer les reflets des tuniques nous plongent dans l'univers raffiné de l'école siennoise. L'influence maniériste de Francesco Vanni et de Ventura Salimbeni s'observe dans notre toile. Cette dernière est en effet caractéristique de la première période de l'artiste, celle sous influence direct de l'héritage siennois alors que son style évoluera radicalement après la découverte du Caravage, lors de son séjour à Rome en 1615. Rutilio Manetti s'inspire dans notre toile de 'La prédication de saint Jean-Baptiste' que Jacopo da Empoli peinte vers 1608 pour l'église San Niccolo Oltrarno à Florence. Le tableau que nous présentons nous semble être une recherche préliminaire pour la grande toile de même sujet que peint Manetti vers 1608 (fig. 1, Sienne, église San Giovannino in Pantaneto). Estimation 12 000 - 15 000 €
Artcurial
Nov. 17, 2022
AMBIT OF RUTILIO MANETTI (Siena, 1571 - 1639)
Est: €3,000 - €4,000
Penitent Saint Jerome translating the Bible Oil on canvas, cm. 63,5x77. Framed. PROVENANCE: Private collection, Rome.
Bertolami Fine Art s.r.l.
Dec. 09, 2021
Rutilio di Lorenzo Manetti, 1571 Siena – 1639 ebenda, zugeschrieben
Est: €16,000 - €18,000
MARIA MAGDALENA ALS BÜßERIN IM GEBET MIT ENGELN Öl auf Leinwand. 96 x 72, 5 cm. In Goldrahmen. Dem Magdalena-Thema hat sich der Maler mehrfach angenommen. So etwa mit seinem Gemälde „Ekstase der Heiligen Magdalena“ (Forenz, Palazzo Pitti) oder „Tod der Maria Magdalena“ in der Kirche Saint-Eustache, Paris, um 1625. Anders als dort, wo es sich um die Darstellung der liegenden Heiligen handelt, ist hier das Hochformat gewählt. Magdalena sitzt hinter einem Tisch mit daraufliegendem Schädel auf dem Gebetbuch, Attribute der Heiligen. Die Hände verschränkt, der Blick meditativ nach unten gerichtet, das Haar aufgelöst, als ikonographischer Verweis auf ihre einstige Lasterhaftigkeit. Von den beiden links herantretenden Engeln weist einer auf die Dornenkrone Jesu. So sind auch die Tränen in ihrem Gesicht zu verstehen. Die Malweise zeigt ganz den Hell-Dunkel-Stil des gleichaltrigen Michelangelo Merisi il Carravaggio (1570/71-1610). Werke seiner Hand finden sich häuptsächlich in Siena, so etwa die Fresken im Palazzo Pubblico, aber auch in Pisa, wo er 1618 areitete, sowie in Casole d´Elsa. Seine damalige Berühmtheit verschaffte ihm seine Beisetzung im Dom seiner Heimatstadt Siena. A. R. (1291884) (3) (11) Rutilio di Lorenzo Manetti, 1571 Siena – 1639 ibid., attributed THE PENITENT SAINT MARY MAGDALENE IN PRAYER WITH ANGELSOil on canvas. 96 x 72.5 cm.
Hampel Fine Art Auctions
Jul. 04, 2018
RUTILIO MANETTI | Saint Paul preaching at Athens
Est: £10,000 - £15,000
Monochrome oil on paper
Sotheby's
Jun. 16, 2017
BERNARDINO CAPITELLI (1589-1639) AFTER RUTILIO MANETTI (1571-1639) *LOT AND HIS TWO DAUGHTERS* ETCHING 193 X 240 MM. TIB XL, PAGE 9. BARTSCH XX, 153 , 1, ONLY STATE. ON LAID PAPER WITH NARROW MARGINS. VARIOUS TEARS ALONG THE EDGES.
Est: $200 - $400
BERNARDINO CAPITELLI (1589-1639) AFTER RUTILIO MANETTI (1571-1639) *LOT AND HIS TWO DAUGHTERS* ETCHING 193 X 240 MM. TIB XL, PAGE 9. BARTSCH XX, 153 , 1, ONLY STATE. ON LAID PAPER WITH NARROW MARGINS. VARIOUS TEARS ALONG THE EDGES.
Dennis Auction Service
Oct. 26, 2016
Rutilio Manetti (Siena 1571-1639) A kneeling woman (recto), Stan
Est: $800 - $1,200
Rutilio Manetti (Siena 1571-1639) A kneeling woman (recto), Standing female nude (verso) red and white chalk 14 ¼ x 10 1/8 in. (36.2 x 25.7 cm.)
Christie's
Oct. 26, 2016
Rutilio Manetti (Siena 1571-1639) and The Madonna and Child with
Est: $15,000 - $20,000
Rutilio Manetti (Siena 1571-1639) and The Madonna and Child with San Bernardino oil on canvas 47 ½ × 38 in. (120.7 × 96.5 cm.)
Christie's
Sep. 21, 2016
MANETTI, RUTILIO (FOLLOWER)
Est: CHF700 - CHF900
MANETTI, RUTILIO (FOLLOWER) (1571 Siena 1639) Tavern scene. Oil on canvas. 60 x 92.8 cm. Provenance: Private collection, Switzerland --------------- MANETTI, RUTILIO (NACHFOLGER) (1571 Siena 1639) Wirtshausszene. Öl auf Leinwand. 60 x 92,8 cm. Provenienz: Schweizer Privatsammlung.
Koller Auctions
Dec. 11, 2015
Rutilio Manetti, Allegoria della Giustizia. 1600-1610 ca.
Est: €12,000 - €24,000
Olio su tela. cm 80x91. Da collezione privata. SI AGGIUNGE: Cornice. cm 93,50x103.
Gonnelli Casa d'Aste
Oct. 24, 2015
RUTILIO MANETTI (1571-1639)
Est: €30,000 - €40,000
RUTILIO MANETTI (1571-1639) Job raillé par sa femme Huile sur toile rentoilée avec au dos conservé lancienne toile Signée par monogramme RM en bas à droite. Ancien Blasons sur la toile dorigine conservés au dos et numéro dinventaire 554 Dimensions : 140 x 97 cm Peintre majeur de lécole siennoise, Rutilio Manetti sillustre tout dabord dans un style maniériste, puis suite à son voyage à Rome en 1615 dans un style caravagesque. Il consacra une grande partie de son uvre aux thèmes religieux, tels quen témoignent ces uvres : Fresques de « la vie de Saint Roch » à léglise San Rocco ou bien même « lExtase de sainte Catherine » au Palazzo Pubblico. A travers ce tableau le peintre, fait référence à une scène biblique très discutée. On connait déjà une version de cette composition au travers dune copie apparu sur le marché anglais, il y a quelques années. La figure de Job est omniprésente dans lart de la renaissance, dans la pierre des cathédrale, littérature et en peinture, on la retrouve notamment dans une uvre de George de Latour (Musée dEpinal), ainsi que dans une uvre caravagesque de Gérard Seghers.
Accademia Fine Art
Mar. 26, 2014
Rutilio MANETTI (Sienne 1571-1639)
Est: €1,500 - €2,000
Rutilio MANETTI (Sienne 1571-1639) >Le martyre de Saint BartholomÃ©e <br>avec inscription 'G. THEOTOLOPULI/1548-1624' et 'Niccolo Berrettoni' au verso >pierre noire, plume et encre brune, lavis brun, traces de mise au carreau Ã la pierre noire<br>186 x 139 mm.
Christie's
Jul. 03, 2013
Rutilio Manetti (Siena 1571-1639)
Est: -
Rutilio Manetti (Siena 1571-1639) Saint Peter oil on canvas 32¾ x 25 in. (83.2 x 63.5 cm.)
Christie's
Jun. 06, 2012
Rutilio Manetti (Siena 1571-1639)
Est: $100,000 - $150,000
Rutilio Manetti (Siena 1571-1639) The Martyrdom of Saint Bartholomew oil on canvas 91 x 61 3/8 in. (231.1 x 156 cm.)
Christie's
Jan. 26, 2011
Rutilio Manetti (Siena 1571-1639)
Est: $200,000 - $300,000
Rutilio Manetti (Siena 1571-1639) The Martyrdom of Saint Bartholomew oil on canvas 91 x 61 3/8 in. (231.1 x 156 cm.)
Christie's
Nov. 16, 2010
RUTILIO MANETTI
Est: €15,000 - €20,000
RUTILIO MANETTI SIENA 1571-1639 MADONNA IN PREGHIERA olio su tela 107 x 86.5 cm
Sotheby's
Apr. 21, 2009
Attributed to Rutilio Manetti (Italian, 1571-1639) Andromeda 10 3/4 x 8in (27.3 x 20.3cm) unframed
Est: $6,000 - $8,000
Andromeda oil on slate 10 3/4 x 8in (27.3 x 20.3cm) unframed
Bonhams
May. 06, 2008
Cupid sleeping
Est: €6,000 - €8,000
Circle of Rutilio Manetti (Siena 1571-1639) Cupid sleeping oil on canvas 79 x 103.6 cm.
Christie's
Dec. 05, 2007
Rutilio Manetti Siena 1571 - 1639 , The Supper at Emmaus oil on canvas
Est: £100,000 - £150,000
oil on canvas
Sotheby's
Oct. 17, 2007
Rutilio Manetti (Siena 1571 - 1639), attributed to
Est: €18,000 - €24,000
Rutilio Manetti (Siena 1571 - 1639), attributed to / attribuito Judith and the Head of Holofernes, oil on canvas, prima tela, 124 x 97 cm, unframed, (Wo)
Dorotheum
Sep. 18, 2007
MANETTI, RUTILIO DI LORENZO
Est: CHF150,000 - CHF200,000
MANETTI, RUTILIO DI LORENZO (1571 Siena 1639) Madonna and Child with the Archangel Michael. Oil on canvas. 101 x 77 cm. Provenance : - private collection, Rome, circa 1975. - private collection West Switzerland. Literature: Todini, Filippo: Rutilio Manetti: note in margine a una mostra, in: 'Paragone', XXX, Jan 1979, p. 64-72, ill 50. MANETTI, RUTILIO DI LORENZO (1571 Siena 1639) Madonna und Kind mit dem Erzengel Michael. Öl auf Leinwand. 101 x 77 cm.
Koller Auctions
Oct. 17, 2006
Rutilio Manetti (Siena 1571-1639)
Est: $25,000 - $35,000
Andromeda oil on slate 10 3/4 x 8 in. (27.3 x 20.3 cm.)
Christie's
May. 30, 2006
RUTILIO MANETTI SIENA 1571-1639
Est: €150,000 - €200,000
ERMINIA E TANCREDI measurements note 115 x 154 cm. antica iscrizione sul retro della tela: RUTILIO MANNETTI olio su tela, senza cornice NOTE Rutilio Manetti si forma nella sua città natale, Siena, presso la bottega di Francesco Vanni (1563-1610), il principale interprete, con Ventura Salimbeni (1568-1613), del tardomanierismo senese. La sua produzione giovanile si realizza all'ombra del maestro, sebbene già le prime opere rivelino una predilezione per gli effetti di luce radente e i colori brillanti e metallici derivatigli da Salimbeni. Dal 1615, a seguito di un probabile viaggio a Roma in cui sarebbe entrato in contatto, tra gli altri, con la pittura di Caravaggio e Guercino, avviene il mutamento del pittore in chiave caravaggesca con l'adesione al reale e la riscoperta di una luce naturalistica e violenta. Analogie stilistiche e compositive con opere di questa fase attribuirebbero il nostro raffinato dipinto al periodo forse più felice di tutta la sua produzione, caratterizzato da una pittura più vigorosa e dai marcati rapporti chiaroscurali. Il modo di illuminare la scena e la resa della veste rossa di Erminia permettono di avvicinare questa tela a un'altra opera caravaggesca di Manetti, il Sansone e Dalila del Museo di San Carlos, Città del Messico. A questa la nostra tela rimanda per la raffinatezza nella resa delle stoffe degli abiti, della pelle dei calzari e del metallo dell'armatura, oltre che per alcuni particolari che si presentano simili nei due dipinti: la decorazione dei capelli di Erminia e di Dalila, raffigurate entrambe nelle vesti di una dama elegante e ingioiellata, con i fiori e la piuma rossa, iconografia frequente nelle rappresentazioni mature del senese, ma soprattutto l'elmo in primo piano, dipinto con straordinario realismo e su cui si riflette una luce tagliente e metallica. Altre similitudini sono ravvisabili anche nei gesti e nel dettaglio delle mani. Il Sansone e Dalila è stato attribuito ai primi anni del terzo decennio del XVII secolo ed è plausibile quindi proporre una simile datazione anche per la nostra tela. Una morbida luce dorata avvolge le figure in una scena sensuale e di grande impatto emotivo, che raffigura l'incontro tra la donna innamorata e l'eroe normanno: "Al nome di Tancredi ella veloce/accorse, in guisa d'ebbra e forsennata./Vista la faccia scolorita e bella,/non scese no, precipitò di sella". Così è cantato nella Gerusalemme liberata l'episodio di Erminia e Tancredi, l'eroe cristiano rimasto ferito sotto le mura di Gerusalemme nel duello con Argante, guerriero del feroce Aladino. Il fedele Vafrino lo trovò e, ritenendolo morto, chiamò Erminia, segretamente innamorata di lui. Alla vista del giovane esanime la fanciulla pianse confessandogli il suo amore ma, udito un debole lamento uscire dalla sue labbra, esultò e si apprestò a medicare l'amato corpo ferito. I temi tratti dal poema del Tasso ebbero grande successo tra gli artisti seicenteschi per il loro contenuto immaginifico e amoroso, dove le passioni e il sentimento del tragico si alternano tra realtà e fantasia. Manetti si fa interprete di molte scene di soggetto profano che, come questa, gli consentono di sperimentare soluzioni inventive originali.
Sotheby's
Apr. 28, 2006
Rutilio Manetti (Siena 1571-1639) and Studio
Est: £10,000 - £20,000
Perseus and Andromeda oil on canvas 25 3/4 x 17 3/4 in. (65.4 x 45.1 cm.)
Christie's
Jul. 08, 2005
Rutilio Manetti (Siena 1571-1639)
Est: £20,000 - £30,000
Perseus and Andromeda oil on canvas 25 3/4 x 17 3/4 in. (65.4 x 45.1 cm.)
Christie's
Apr. 21, 2005
THE PROPERTY OF A GENTLEMAN RUTILIO MANETTI SIENA 1571 - 1639 THE WEDDING FEAST AT CANA
Est: £15,000 - £20,000
oil on canvas PROVENANCE Anonymous sale, London, Sotheby's, 5 July 1990, lot 50; Anonymous sale ("The Property of a Nobleman"), London, Christie's, 10 December 1993, lot 332, where acquired by the present owner. CATALOGUE NOTE Manetti's oeuvre is broadly characterised by two distinct phases in his production: the paintings which pre-date his trip to Rome in 1615 and those that come afterwards. Manetti was born in Siena and his early works are strongly reminiscent of those of his sienese contemporaries, Francesco Vanni and Ventura Salimbeni. His trip to Rome brought him into contact with the paintings of Caravaggio and Guercino, amongst others, and his paintings take on a much stronger, more naturalistic, and altogether more "caravaggesque" feel after this date. The present composition clearly falls into the latter category and the prolific use of red, in particular the cloak of the turbaned man, are reminiscent of Florentine Seicento painting and this might suggest a date in the 1620s, when Manetti was in Florence. The figure of the man lower left would appear to be a portrait; most likely that of the patron who commissioned the work, given his prominent role in the miraculous event.
Sotheby's
Jan. 23, 2004
Rutilio Manetti (Siena 1571-1639)
Est: $20,000 - $30,000
The Finding of Moses oil on canvas 28 1/4 x 42 in. (71.8 x 106.7 cm.)
Christie's