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Cornelis Man Sold at Auction Prices

Painter, Etcher, Genre Painter, b. 1621 - d. 1706

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      • Cornelis de Man, The Oyster Eaters
        May. 20, 2023

        Cornelis de Man, The Oyster Eaters

        Est: €50,000 - €70,000

        Signed lower left: CD Man. (C and D connected) Born in Delft, Cornelis de Man's artistic development included brief sojourns in Paris and Lyon before turning to Italy, where he lived in Florence, Rome and Venice. In 1653 de Man returned to Delft, where he began a career as a successful painter. He is best known for his interiors of bourgeois families, clerics and scholars, although his observations from his travels often appeared in his work, particularly in his renderings of Italianate and naturalistic Dutch landscapes. Like his contemporaries in Delft, Johannes Vermeer and Pieter de Hooch, de Man celebrated Dutch interiors - architecture, decoration and space - and the activities that took place there. In this case, a colourful party has gathered in a kitchen to eat oysters. The animated, joyful scene, depicted with great attention to detail, differs from de Man's usual more quiet and pared-down interiors. This intriguing work was certainly created in Delft, and is thought to date from the 1670s.

        Kunsthaus Lempertz KG
      • Cornelis Cornelisz. van Haarlem, Portrait of a Lady in a Classical style Portrait of a Man in a Laurel Wreath
        Nov. 20, 2021

        Cornelis Cornelisz. van Haarlem, Portrait of a Lady in a Classical style Portrait of a Man in a Laurel Wreath

        Est: €8,000 - €10,000

        RefMas121121 Cornelis Cornelisz. van Haarlem, Portrait of a Lady in a Classical style Portrait of a Man in a Laurel Wreath

        Kunsthaus Lempertz KG
      • C.MAN (1621-1706), Portrait of Jacobus Crucius, Etching
        Sep. 18, 2021

        C.MAN (1621-1706), Portrait of Jacobus Crucius, Etching

        Est: €30 - €50

        Cornelis Man (1621 Delft - 1706 ibid.), Portrait of Jacobus Crucius, 19th century, Etching Technique: Etching on Paper, rolled-on on Paper Stamp: Erhard Oskar Kaps, Leipzig (Sammlerstempel, Lugt Nr.: 3549) Inscription: Inscribed with the sitter's name and profession in printing plate below the depiction and signed by the artist. On the backing sheet is a collection stamp with the monogram "EK". Date: 19th century Keywords: , 19th century, Romanticism, Portraits, Netherlands, Size: 37,9 cm x 29,4 cm, Depiction: 25,5 cm x 20,2 cm Condition: Very good Condition. Faint discolouration of the paper and several creases are visible along the edges of the sheet ~ especially on the upper and right ~.

        Fichter Kunsthandel
      • Cornelis de Man (Delft 1621-1706) Interior of the Nieuwe Kerk, Delft, with a trompe l'oeil curtain
        Jun. 19, 2020

        Cornelis de Man (Delft 1621-1706) Interior of the Nieuwe Kerk, Delft, with a trompe l'oeil curtain

        Est: $12,000 - $18,000

        Cornelis de Man (Delft 1621-1706) Interior of the Nieuwe Kerk, Delft, with a trompe l'oeil curtainsigned and dated 'D' Man / 1655' (upper right) oil on canvas471⁄4 x 397⁄8 in. (120 x 101.3 cm.)

        Christie's
      • Cornelis de Man (Delft? 1621 – Delft 1706) INTERNO DI CHIESA
        Nov. 26, 2019

        Cornelis de Man (Delft? 1621 – Delft 1706) INTERNO DI CHIESA

        Est: €12,000 - €15,000

        Cornelis de Man (Delft? 1621 – Delft 1706) INTERNO DI CHIESA olio su tavola, cm 61,5x73,5 firmato “CD Man f.” sulla base della colonna al centro (CDM legate in monogramma)   INTERIOR OF A CHURCH oil on panel, cm 61,5x73,5 signed “CD Man f.” on the base of the  column in the centre (CDM in ligature)   Attivo a Delft a partire dal 1653 dopo un soggiorno in Italia ricordato dalle fonti ma privo di tracce nella sua produzione pittorica, Cornelis de Man praticò generi diversi, dal ritratto alla pittura di interno e alla scena di genere, sulla scia dei suoi più famosi concittadini, primi fra tutti Jan Vermeer e Pieter de Hooch. L’esposizione dedicata ai maestri di Delft nel 1996 in cui era presente anche il nostro artista (Delft masters, Vermeer’s contemporaries: illusionism through the conquest of light and space. A cura di Michiel Kersten e altri) ha mostrato la propensione di quella scuola verso i principi della geometria e dell’ottica diretti alla creazione di scene di interno apparentemente realistiche e invece sapientemente costruite grazie all’uso della prospettiva e della luce riflessa. Tra i possibili soggetti esaltati da questi principi, gli interni di chiesa furono protagonisti esclusivi per Emanuel de Witte (1617 – 1692) e Hendrick van Vliet (1611 – 1675) quest’ultimo, in particolare, diretto riferimento per Cornelis de Man, come ha potuto dimostrare Walter Liedtke (Architectural Painting in Delft, 1982, pp. 118-124, con un catalogo delle opere dell’artista). Datati a partire dagli anni Sessanta e quasi sempre firmati col monogramma che compare anche nel nostro dipinto, gli interni di Cornelis de Man raffigurano la vecchia e la nuova chiesa di Delft e ne esaltano la fuga di colonne e i riflessi della luce sulle pareti bianche, in contrasto con il grigio austero dei rari monumenti funebri e del pavimento in pietra. Le sue composizioni propongono spesso un motivo centrale da cui si dipartono ad angolo due serie contrapposte di elementi architettonici in fuga prospettica. È appunto questo, assai più che la raffigurazione fedele del monumento, il vero motivo del dipinto, come nel caso dell’opera qui presentata, in cui convivono elementi tratti da entrambe le chiese di Delft rendendo difficile l’identificazione del luogo ritratto.      

        Pandolfini Casa d'Aste
      • CORNELIS DE MAN (DELFT 1621-1706) A lady sewing and a gentleman reading in an interio
        Jul. 05, 2017

        CORNELIS DE MAN (DELFT 1621-1706) A lady sewing and a gentleman reading in an interio

        Est: £15,000 - £20,000

        CORNELIS DE MAN (DELFT 1621-1706) A lady sewing and a gentleman reading in an interior bears initials and date ‘P.D.H./ 1663’ (lower left) oil on canvas 80.2 x 68.2cm (31 9/16 x 26 7/8in).

        Bonhams
      • CORNELIS DE MAN
        Jul. 07, 2011

        CORNELIS DE MAN

        Est: £30,000 - £40,000

        DELFT 1621 - 1706 THE CURIOSITY SELLER oil on canvas 60 by 51 cm.; 25 3/8 by 20 1/8 in.;

        Sotheby's
      • Cornelis de Man , Delft 1621 - 1706 the interior of an elegant townhouse, with a lady and gentleman beside a fire, a servant stacking logs and a maid beside a table oil on canvas
        Jul. 08, 2009

        Cornelis de Man , Delft 1621 - 1706 the interior of an elegant townhouse, with a lady and gentleman beside a fire, a servant stacking logs and a maid beside a table oil on canvas

        Est: £80,000 - £120,000

        signed and dated lower left: CDMan ( CDM in ligature) oil on canvas

        Sotheby's
      • Cornelis de Man Delft 1621 - 1706 , a scholar in his study oil on canvas
        Dec. 05, 2007

        Cornelis de Man Delft 1621 - 1706 , a scholar in his study oil on canvas

        Est: £300,000 - £500,000

        inscribed on the map: MAR DEL NORT oil on canvas

        Sotheby's
      • CORNELIS DE MAN DELFT 1621 - 1706
        Nov. 14, 2006

        CORNELIS DE MAN DELFT 1621 - 1706

        Est: €40,000 - €60,000

        THE PROPERTY OF A LADY A PORTRAIT OF THE PHARMACIST DR YSBRAND YSBRANDSZ. (1634/35-1705) IN AN INTERIOR, WRITING AT A DESK DRAPED WITH A PERSIAN CARPET LAID WITH AN ASTROLOGICAL GLOBE, A SKULL, A VIOLIN, PAPERS AND BOOKS, A FIREPLACE IN THE BACKGROUND measurements note 58.3 by 49.8 cm. inscribed with the name of the sitter's family on a painting with a coat-of-arms upper centre: Circumspecte./YSBRANS and on the book, centre left: ALL'ILLVSTRISSIMO/ SIGNOR CONTE NICOLO PONZONI oil on canvas PROVENANCE Boston (according to an old label on the reverse); Anonymous sale, London, Sotheby's, 17 May 1961, lot 99, as by Michiel van Musscher, for 320 pounds to Daan Cevat; J.R. van Reekum, Laren, by 1965. EXHIBITED Exhibition October 1965 (according to a label on the reverse) NOTE We are grateful to Karen Schaffers of the R.K.D., The Hague for her help in identifying the sitter. Dr. Ysbrand Ysbrandsz. (1634/35- 1705) came from a patrician Rotterdam family and was enrolled as a medical student at the University of Leiden in 1656. While he held numerous public offices, such as town-councillor from 1673 until 1704 and Burgomaster of Rotterdam in 1703, he was above all a pharmacist. He married Maria Blaeuw in 1664 and had several children (see Dr. P.C. Molhuysen and Prof. Dr. P.J. Blok, Nieuw Nederlandsch Biografisch Woordenboek, Leiden 1911, p. 1596). Cornelis de Man also came from a family of pharmacists: both his grandfather and his uncle occupied this profession. Although not a Rotterdam artist, it seems plausible that professional connections led to Ysbrandsz. commissioning this portrait from De Man, who was active in Delft, a couple of hours' ride at the most from Rotterdam. Another painting by De Man representing Three Pharmacists is in the National Museum, Warsaw (inv. no. M.Ob. 22). (See M.E. Lambrechtsen, Cornelis de Man (1621-1706), Een selectie uit het oeuvre van een veelzijdige Delftse schilder, Amsterdam, University of Amsterdam 2005, unpublished master thesis). As this work shows, many of De Man's interior scenes can be identified as portraits. He mainly painted men of intellect and trade: see for example the Goldweigher, sold New York, Sotheby's, 30 January 1998, lot 30, now in a private collection. In this he differs from his Delft contemporaries such as Pieter de Hooch (1629-1684) and Johannes Vermeer (1632-1675), who mainly focussed on depicting interior scenes showing women and their activities of writing, reading letters or attending children. In style and execution this work can be compared to various other interior scenes by De Man. He often used same elements in his scenes. A good example for this is The scientist, in a private collection, Rotterdam, in which a similar prominent fireplace as in the present work recurs.

        Sotheby's
      • CORNELIS DE MAN DELFT 1621 - 1706
        Jan. 28, 2006

        CORNELIS DE MAN DELFT 1621 - 1706

        Est: $10,000 - $15,000

        THE DOCTOR'S VISIT measurements 26 1/4 by 21 in. alternate measurements 66.7 by 53.5 cm. signed C de Man (bottom right) oil on canvas Condition Note: Relined. under a dull, dirty old varnish. paint surface is generally well retained and there is nice detail throughout. canvas is slightly buckled at bottom edge. under UV: it is difficult to see through the old varnish. there appears to be some strengthening in the wooden beams of the ceiling and some on the dark folds of man's costume. painting would benefit from a light cleaning and fresh varnish. We are pleased to provide you with a general report of the condition of the property described in our catalogue. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSION CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE CATALOGUE. PROVENANCE Acquired by the family of the present owner circa 1930 in New York.

        Sotheby's
      • CORNELIS DE MAN DELFT 1621 - 1706 "THE DOCTOR'S VISIT
        May. 26, 2005

        CORNELIS DE MAN DELFT 1621 - 1706 "THE DOCTOR'S VISIT

        Est: $20,000 - $30,000

        signed bottom right C de Man oil on canvas PROVENANCE Acquired by the family of the present owner circa 1930 in New York.

        Sotheby's
      • [ Art Work ] Cornelis de Man (Delft 1621 - 1706) Estimate:ÿE8.000-12 000 EURO
        Oct. 01, 2003

        [ Art Work ] Cornelis de Man (Delft 1621 - 1706) Estimate:ÿE8.000-12 000 EURO

        Est: -

        [ Art Work ] Cornelis de Man (Delft 1621 - 1706) Estimate:ÿE8.000-12 000 EURO

        Dorotheum
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