Filippo Juvarra Paintings & Artwork for Sale | Filippo Juvarra Art Value Price Guide

Feb. 14, 2025
Juvarra, Filippo
Est: €800 - €1,200
(Messina 1676 - 1736 Madrid), Umkreis. Eine Sala terrena und ein Cortile reggio. Zwei Entwürfe und eine Detailskizze für eine Bühnendekoration Umkreis Filippo Juvarra (Messina 1676 - 1736 Madrid), um 1730 Feder in Braun, auf Transparentpapier, auf ein Untersatzblatt montiert. Ca. 20 x 32 cm. Mit mehreren Braunflecken. Während sich linkerhand eine zweigeschossige Sala terrena öffnet, durch deren Doppelarkaden man ins Freie gelangt, blickt man rechterhand in eine herrschaftliche Säulenhalle, an die sich ein weiträumiges Treppenhaus anschließt. Beide Raumtypen gehörten im 18. Jahrhundert zum standardisierten Ausstattungsrepertoire der damals inszenierten Opern. Der jeweils knapp bemessene Bildausschnitt sowie der Zeichenstil weisen dieses und das folgende Blatt in den Umkreis Filippo Juvarras. Juvarra, einer der bedeutendsten Architekten des italienischen Spätbarock, trat vor allem zu Beginn seiner Laufbahn in Rom bei Um- und Neubauten von Privattheatern als Theaterarchitekt und Szenograph hervor, bevor er ab 1714 in Turin als königlicher Architekt unter Viktor Amadeus II. in Turin einen neuen Wirkungskreis fand. Vergleichsliteratur: Mercedes Viale Ferrero, Filippo Juvarra. Scenografo e architetto teatrale, Turin 1970. Bestandskatalog Italienische Zeichnungen, bearb. v. Christel Thiem, Stuttgart 1977, Kat. 177.
Kiefer Buch- und Kunstauktionen
Sep. 27, 2024
Juvarra, Filippo
Est: €1,000 - €1,500
(Messina 1676 - 1736 Madrid), Umkreis. Eine Sala terrena und ein Cortile reggio. Zwei Entwürfe und eine Detailskizze für eine Bühnendekoration Umkreis Filippo Juvarra (Messina 1676 - 1736 Madrid), um 1730 Feder in Braun, auf Transparentpapier, auf ein Untersatzblatt montiert. Ca. 20 x 32 cm. Mit mehreren Braunflecken. Während sich linkerhand eine zweigeschossige Sala terrena öffnet, durch deren Doppelarkaden man ins Freie gelangt, blickt man rechterhand in eine herrschaftliche Säulenhalle, an die sich ein weiträumiges Treppenhaus anschließt. Beide Raumtypen gehörten im 18. Jahrhundert zum standardisierten Ausstattungsrepertoire der damals inszenierten Opern. Der jeweils knapp bemessene Bildausschnitt sowie der Zeichenstil weisen dieses und das folgende Blatt in den Umkreis Filippo Juvarras. Juvarra, einer der bedeutendsten Architekten des italienischen Spätbarock, trat vor allem zu Beginn seiner Laufbahn in Rom bei Um- und Neubauten von Privattheatern als Theaterarchitekt und Szenograph hervor, bevor er ab 1714 in Turin als königlicher Architekt unter Viktor Amadeus II. in Turin einen neuen Wirkungskreis fand. Vergleichsliteratur: Mercedes Viale Ferrero, Filippo Juvarra. Scenografo e architetto teatrale, Turin 1970. Bestandskatalog Italienische Zeichnungen, bearb. v. Christel Thiem, Stuttgart 1977, Kat. 177. D
Kiefer Buch- und Kunstauktionen
May. 04, 2024
Juvarra, Filippo
Est: €1,200 - €1,700
(Messina 1676 - 1736 Madrid), Umkreis. Eine Sala terrena und ein Cortile reggio. Zwei Entwürfe und eine Detailskizze für eine Bühnendekoration Umkreis Filippo Juvarra (Messina 1676 - 1736 Madrid), um 1730 Feder in Braun, auf Transparentpapier, auf ein Untersatzblatt montiert. Ca. 20 x 32 cm. Mit mehreren Braunflecken. Während sich linkerhand eine zweigeschossige Sala terrena öffnet, durch deren Doppelarkaden man ins Freie gelangt, blickt man rechterhand in eine herrschaftliche Säulenhalle, an die sich ein weiträumiges Treppenhaus anschließt. Beide Raumtypen gehörten im 18. Jahrhundert zum standardisierten Ausstattungsrepertoire der damals inszenierten Opern. Der jeweils knapp bemessene Bildausschnitt sowie der Zeichenstil weisen dieses und das folgende Blatt in den Umkreis Filippo Juvarras. Juvarra, einer der bedeutendsten Architekten des italienischen Spätbarock, trat vor allem zu Beginn seiner Laufbahn in Rom bei Um- und Neubauten von Privattheatern als Theaterarchitekt und Szenograph hervor, bevor er ab 1714 in Turin als königlicher Architekt unter Viktor Amadeus II. in Turin einen neuen Wirkungskreis fand. Vergleichsliteratur: Mercedes Viale Ferrero, Filippo Juvarra. Scenografo e architetto teatrale, Turin 1970. Bestandskatalog Italienische Zeichnungen, bearb. v. Christel Thiem, Stuttgart 1977, Kat. 177. D
Kiefer Buch- und Kunstauktionen
Mar. 25, 2023
F. JUVARRA (1678-1736) Circle, Stage decoration. Hall designs, around 1730, Pen drawing
Est: €1,650 - €2,200
Filippo Juvarra (1678 Messina - 1736 Madrid) Circle: A sala terrena and a cortile reggio Two drafts and a detailed sketch for a stage decoration, c. 1730, Pen drawing Technique: Pen drawing on Transparent paper Date: c. 1730 Description: On the left, a two-storey sala terrena opens through whose double arcades one enters the open air, while on the right, one looks into a stately portico adjoined by a spacious staircase. In the 18th century, both types of rooms were part of the standardised repertoire of operas staged at the time. The tightly cropped picture and the style of the drawing place the print in the circle of Filippo Juvarra. Juvarra, one of the most important architects of the late Italian Baroque, was particularly prominent at the beginning of his career in Rome as a theatre architect and scenographer in the renovation and new construction of private theatres, before he found a new sphere of activity as a royal architect under Victor Amadeus II in Turin from 1714. Keywords: Stage design, stage decoration, stage equipment, theatre architecture, arcades, Sala terrena, Cortile Reggio, stage design, design sketch, 18th century, Baroque, Architecture, Italy,
Fichter Kunsthandel
Mar. 25, 2023
F. JUVARRA (1678-1736) Circle, Garden loggia. Design. Stage design, Pen drawing
Est: €1,050 - €1,400
Filippo Juvarra (1678 Messina - 1736 Madrid) Circle: Garden loggia Design for a stage decoration, 18th century, Pen drawing Technique: Pen drawing on Transparent paper Date: 18th century Description: In the background of the loggia, which opens on all sides, you can see two tents. On the right, a side room leads to a staircase and on the left the royal palace adjoins. The cursorily drawn sketch is probably by the same hand as the previous sheet, although here the indication of light and shadow values and the associated differentiation of spatial-plastic volumes by hatching has been dispensed with. In this case, too, the almost intimate character of the architecture is characteristic of the draughtsman's conception of space. Keywords: Theatre architecture, stage design, stage portal, classicist style, 18th century, Baroque, Architecture, Italy,
Fichter Kunsthandel
Oct. 22, 2022
F.JUVARRA (1678-1736) Circle, Stage decoration Hall designs, around 1730, Pen drawing
Est: €1,500 - €2,000
Filippo Juvarra (1678 Messina - 1736 Madrid) Circle: A sala terrena and a cortile reggio Two drafts and a detailed sketch for a stage decoration, c. 1730, Pen drawing Technique: Pen drawing on Transparent paper Date: c. 1730 Description: On the left, a two-storey sala terrena opens through whose double arcades one enters the open air, while on the right, one looks into a stately portico adjoined by a spacious staircase. In the 18th century, both types of rooms were part of the standardised repertoire of operas staged at the time. The tightly cropped picture and the style of the drawing place the print in the circle of Filippo Juvarra. Juvarra, one of the most important architects of the late Italian Baroque, was particularly prominent at the beginning of his career in Rome as a theatre architect and scenographer in the renovation and new construction of private theatres, before he found a new sphere of activity as a royal architect under Victor Amadeus II in Turin from 1714. Literature: Mercedes Viale Ferrero: Filippo Juvarra. Scenografo E Architetto Teatrale; Turin 1970. Thiem, Christel: Italienische Zeichnungen. 1500-1800; Stuttgart- Bad Cannstadt 1977. Keywords: Stage design, stage decoration, stage equipment, theatre architecture, arcades, Sala terrena, Cortile Reggio, stage design, design sketch, 18th century, Baroque, Architecture, Italy,
Fichter Kunsthandel
Oct. 22, 2022
F.JUVARRA (1678-1736) Circle, Garden loggia Design Stage design, Pen drawing
Est: €1,050 - €1,400
Filippo Juvarra (1678 Messina - 1736 Madrid) Circle: Garden loggia Design for a stage decoration, 18th century, Pen drawing Technique: Pen drawing on Transparent paper Date: 18th century Description: In the background of the loggia, which opens on all sides, you can see two tents. On the right, a side room leads to a staircase and on the left the royal palace adjoins. The cursorily drawn sketch is probably by the same hand as the previous sheet, although here the indication of light and shadow values and the associated differentiation of spatial-plastic volumes by hatching has been dispensed with. In this case, too, the almost intimate character of the architecture is characteristic of the draughtsman's conception of space. Keywords: Theatre architecture, stage design, stage portal, classicist style, 18th century, Baroque, Architecture, Italy,
Fichter Kunsthandel
Sep. 20, 2022
Filippo Juvarra (Messina 1678 - Madrid 1736) cerchia di
Est: €1,200 - €1,600
Filippo Juvarra (Messina 1678 - Madrid 1736) cerchia di Quattro disegni con studi di architetture XVIII secolo Inchiostro su carta 227 x 328 mm 315 x 235 mm 285 x 205 mm 196 x 270 mm Filippo Juvarra (Messina 1678 - Madrid 1736) circle of Four drawings with architectural studies 18th century Ink on paper 227 x 328 mm 315 x 235 mm 285 x 205 mm 196 x 270 mm
Lucas Aste
Sep. 14, 2021
Filippo Juvarra (Messina 1678 - Madrid 1736)
Est: €20,000 - €28,000
Filippo Juvarra (Messina 1678 - Madrid 1736) Disegni di costruzioni con annotazioni architettoniche Cartonatura d’epoca, 18 cc 36 pagine, di cui le ultime tre sono state strappate Le pagine 25, 27, 28, 30, sono bianche e c'è un foglio volante Scritta n°IIII sulla copertina Drawings of the buildings with architectural annotations Vintage cartonage, 18 cc 36 pages, of which the last three have been torn off Pages 25, 27, 28, 30, are blank and there is a loose leaf n °IIII on the cover 200 x 275 mm 1716 /1718 ca (?) Filippo Juvarra nasce a Messina nel 1678, da una famiglia di orafi. Nel 1704 si reca a Roma, dove frequenta lo studio di Carlo Fontana. Il suo primo importante lavoro risale al 1708, quando firma a Roma la cappella Antimori in San Gerolamo della Carità, distinguendosi anche come scenografo. Ma è dal 1714 che la sua attività s'intensifica, a Messina e poi in Piemonte, quale primo architetto di Re Vittorio Amedeo II di Savoia. Dal 1714 il suo estro riplasma l'impianto di Venaria Reale e da' forma nel 1715 alla Basilica di Superga. In quegli stessi anni crea la facciata della chiesa di Santa Cristina. Partecipa al terzo ampliamento della città verso Ovest per il quale concepisce il Palazzo Martini di Cigala; i Quartieri Militari e la chiesa del Carmine. Realizza inoltre lo scalone e la facciata di Palazzo Madama e la Palazzina di Caccia di Stupinigi. Nel 1735 è chiamato in Spagna dal Re Filippo V, per il quale progetta il Palazzo Reale, la Grandja di San Idelfonso e il Palazzo di Aranjuez. Muore a Madrid nel 1736. L'opera in questione è ricca di disegni dettagliati, alternati a prospetti architettonici; le strutture sono eseguite con estrema raffinatezza, e nella calligrafia dell’artista (e, forse, di un suo collaboratore) sono ravvisabili le sue idee per la realizzazione o per la modifica. Si notano gli appunti per la Sala da musica, le Scuderie, e l’abbozzo per il Giardino di Malta. I giardini della reggia sono completamente spariti, da quando i francesi di Napoleone li trasformarono in piazza d'armi. Rimangono i disegni d'epoca, che mostrano lo splendido giardino all'italiana diviso in tre terrazze collegate con scenografiche scalinate e architetture (come la torre dell'orologio del primo cortile), la fontana dell'Ercole, il teatro ad emiciclo e i parterre. Nel quaderno si vedono i disegni del Sepolcro di Diana e della Chiesa di S. Uberto con la sua cupola, una delle realizzazioni primarie dello Juvarra Filippo Juvarra was born in Messina in 1678, into a family of goldsmiths. In 1704 he went to Rome, where he frequented the studio of Carlo Fontana. His first important work dates back to 1708, when he signed the Antimori chapel in San Gerolamo della Carità in Rome, also distinguishing himself as a set designer. But it was from 1714 that his activity intensified, in Messina and then in Piedmont, as the first architect of King Vittorio Amedeo II of Savoy.From 1714 his inspiration reshaped the Venaria Reale plant and in 1715 gave shape to the Basilica of Superga. In those years he created the facade of the church of Santa Cristina. He participates in the third enlargement of the city towards the West for which he conceives the Palazzo Martini in Cigala; the Military Quarters and the Carmine church. He also created the staircase and the facade of Palazzo Madama and the Palazzina di Caccia di Stupinigi. In 1735 he was called to Spain by King Philip V, for whom he designed the Royal Palace, the Grandja di San Idelfonso and the Palace of Aranjuez. He died in Madrid in 1736. The work in question is rich in detailed drawings, alternating with architectural elevations; the structures are executed with extreme refinement, and in the handwriting of the artist (and, perhaps, of one of his collaborators) his ideas for realization or modification are recognizable. Note the notes for the Music Room, the Stables, and the sketch for the Garden of Malta
Lucas Aste
Jun. 18, 2021
JUVARRA FILIPPO (1676 - 1736) Attributed to. Study for an architecture.
Est: €250 - €350
JUVARRA FILIPPO (1676 - 1736). Attributed to. Study for an architecture.. Cm 9,50 x 6,80.
Capitolium Art
Jul. 15, 2019
Filippo JUVARRA. Interno di edificio.
Est: €800 - €1,000
Filippo JUVARRA. 1678-1736 Building interior. First half of the 18th century Etching; mm. 192x137; trimmed. Lower left: Filippo Iuarra inv. Bottom center: In Rome in the chalcography of R.C.A. at the Innocentian Curia. Excellent copy. Beautiful etching by the famous Italian architect and set designer, one of the main exponents of the Baroque, who worked for many years in Turin as architect of the House of Savoy. The interior of the building is in full Baroque style of the early eighteenth century, with sumptuous decorations and perspective, airy and rational architecture.
Bado e Mart
Jul. 12, 2018
JUVARRA. Interno di edificio.
Est: €800 - €1,000
Filippo JUVARRA. 1678-1736 Interno di edificio. Prima metà del XVIII secolo Acquaforte; mm. 192x137; filomargine. In basso a sx.: Filippo Iuarra inv. In basso al centro: In Roma nella calcografia della R.C.A. presso la Curia Innocenziana. Ottimo esemplare.
Bado e Mart
Oct. 29, 2015
Juvarra (Filippo, 1678-1736) - Stage design, or capriccio, looking towards a temple
Est: £1,200 - £1,800
pen and brown-black ink, graphite, grey wash, on laid paper, 150 x 250 mm., surface dirt and browning, particularly to the upper edge The fluidity of line in the present drawing, and the dynamic exploration of architectural invention bears a close similiarity to the drawings by Juvarra contained in the albums held in Turin s Palazzo Madama.
Dreweatts 1759
May. 23, 2013
Attribuito a Filippo Juvarra (Messina 1678 -
Est: €400 - €600
Attribuito a Filippo Juvarra (Messina 1678 - Madrid 1736) INTERNO CON ARCATE E COLONNE penna e inchiostro bruno e acquerello grigio su carta vergellata. mm 92x123. al verso: Studio per l'interno di una cupola. Al verso timbro della collezione C. E. Rava (Lugt 4185).
Pandolfini Casa d'Aste
May. 22, 2013
Juvarra, Filippo (Messina 1678 - Madrid 1736)
Est: €1,700 - €2,000
Juvarra, Filippo (Messina 1678 - Madrid 1736) STUDIO DI INTERNO CON COLONNATO Penna e inchiostro bruno su carta vergellata. mm 292x203 ...
Pandolfini Casa d'Aste
Jul. 04, 2012
ATTRIBUTED TO FRANCESCO NATALE JUVARRA (1673-1759), BASED ON A DESIGN BY FILIPPO JUVARRA (1676-1736), ROME OR TURIN, FIRST HALF OF
Est: £120,000 - £180,000
CEREMONIAL BAPTISMAL VESSEL Embossed and chased silver 28.5 by 26cm., 11¼ by 10¼in.
Sotheby's