Juán Rodríguez Juárez Paintings & Artwork for Sale | Juán Rodríguez Juárez Art Value Price Guide

Jun. 27, 2024
JUAN RODRÍGUEZ JUÁREZ (MEXICO CITY, 1675 - 1728)
Est: €45,000 - €70,000
Juan Rodríguez Juárez (Mexico City, 1675 - 1728) "Pietà" Oil on copper. Circa 1702. 26,5 x 19,8 cm. Juan Rodríguez Juárez developed his art as a portraitist, and the precision of his drawing, the solidity of his figures and the treatment of his canvases are outstanding. The son of Antonio Rodríguez and grandson of José Juárez, a great exponent of the New Spanish Baroque, Juan Rodríguez Juárez began painting at a very young age and was a contemporary of Cristóbal de Villalpando. He studied with José de Padilla, with whom he worked in his studio. Together with his brother Nicolás, he was a precursor of the great change in themes, models and visual language that would serve as a bridge between the 17th and 18th centuries, and which would give rise to the first art academies in New Spain. In addition to being a great portraitist, he created numerous religious paintings. The National Museum of Art houses important artworks by him, including his Self-Portrait and The Virgin of Mount Carmel with Saint Teresa and Saint John of the Cross. In the latter work, an oil on canvas dating from 1708, Rodríguez Juárez exalts the two holy reformers of the Carmelite order: Saint Teresa of Avila, theologian of the Church and founder of the Discalced Carmelites, and Saint John of the Cross, theorist and poet, author of the famous Spiritual Canticle. The artwork he did for the Altar of the Kings in the Metropolitan Cathedral with the themes of The Assumption of the Virgin and The Adoration of the Kings are also remarkable. Focusing on the copper painting we have here, it is of extraordinary quality, both in the drawing and in the colouring of the chromatic palette selected, being in this respect very similar and comparable to the copper painting of the Burial of Christ currently on display in the Metropolitan Museum of Art, New York. Both compositions, which are derived from Flemish engravings, display the brilliant colour and vigorous modelling characteristic of the first phase of his career. They are undoubtedly by the same hand and, in fact, could be part of the same series as they share the same measurements. It is not only the artist's typical colour palette that they share, but also, the brushstrokes, the use of gold in brocades and haloes, the flesh tones and the anatomy used to define the human body are virtually identical in both works. Colonial Spanish Americas.
La Suite Subastas
Jan. 25, 2024
The Betrothal of Mary, Mexico, New Spain colonial school of the 18th century, possible attribution to Juan Rodríguez Juárez (Mexico City, July 14, 1675-1728)
Est: €4,000 - €4,500
Large oil painting on canvas, measurements: 86 x 70 cm, framed measurements 90 x 80 cm. Belonging to an extensive family of painters from Viceroyalty Mexico, among whom it is worth mentioning his grandfather José Juárez. His style is somewhere between Neapolitan tenebrism and late baroque or Rococo painting. Around 1694 he belonged to a brotherhood and was already a painter's assistant. He had José de Padilla as a teacher and worked in his workshop. In 1719 he was hired to execute some of the central pieces of the Altar of the Kings of the Metropolitan Cathedral: the Adoration of the Magi and the Assumption of the Virgin. He cultivated the portrait genre, highlighting his Portrait of Archbishop José de Lanciego and that of Viceroy Fernando de Alencastre, Duke of Linares. Provenance: former private noble collection, Ciudad Real.
Templum Fine Art Auctions
Dec. 20, 2023
The Betrothal of Mary, Mexico, New Spain colonial school of the 18th century, possible attribution to Juan Rodríguez Juárez (Mexico City, July 14, 1675-1728)
Est: €4,000 - €4,500
Large oil painting on canvas, measurements: 86 x 70 cm, framed measurements 90 x 80 cm. Belonging to an extensive family of painters from Viceroyalty Mexico, among whom it is worth mentioning his grandfather José Juárez. His style is somewhere between Neapolitan tenebrism and late baroque or Rococo painting. Around 1694 he belonged to a brotherhood and was already a painter's assistant. He had José de Padilla as a teacher and worked in his workshop. In 1719 he was hired to execute some of the central pieces of the Altar of the Kings of the Metropolitan Cathedral: the Adoration of the Magi and the Assumption of the Virgin. He cultivated the portrait genre, highlighting his Portrait of Archbishop José de Lanciego and that of Viceroy Fernando de Alencastre, Duke of Linares. Provenance: former private noble collection, Ciudad Real.
Templum Fine Art Auctions
Oct. 03, 2023
JOSÉ DE IBARRA Guadalajara (1688) / Mexico City (1756) "Baptism of Christ in the Jordan"
Est: €180,000 - €240,000
Oil on canvas. Signed in the lower left corner. José de Ibarra was, together with Juan Rodríguez Juárez (1675-1728), the most prominent painter in the Viceroyalty of New Spain. He cultivated different genres, especially portraiture and religious painting, a magnificent example being the large canvas shown here, which represents the Baptism of Christ in the Jordan. This splendid autograph work shows all the characteristics that define his style, such as: his fine sense of composition and symmetry, his chromatic palette of rhythmic tones and the careful study of the anatomy of his models. The canvas, due to its dimensions and its iconography, It must have been conceived for the decoration of a baptismal chapel of great relevance, since it perfectly captures the moment in which Jesus received the waters of baptism in the Jordan River from Saint John. Ibarra was inspired by the Gospel of Saint Mark (1, 7-11) which describes some details such as the fact that when Christ received the waters, the heavens tore open and the Holy Spirit, in the form of a dove, descended upon him. The painter adds to what is described in the sources the presence of angels who, with great delicacy, assist him by holding his clothes. Measurements: 208 x 140 cm. the heavens were torn and the Holy Spirit, in the form of a dove, descended upon him. The painter adds to what is described in the sources the presence of angels who, with great delicacy, assist him by holding his clothes. Measurements: 208 x 140 cm. the heavens were torn and the Holy Spirit, in the form of a dove, descended upon him. The painter adds to what is described in the sources the presence of angels who, with great delicacy, assist him by holding his clothes. Measurements: 208 x 140 cm.
Ansorena
Sep. 27, 2023
The Wedding of Mary, Mexico, New Spanish colonial school of the 18th century, attributed to Juan Rodríguez Juárez (Mexico City, July 14, 1675-1728)
Est: €2,000 - €2,250
Large oil painting on canvas, measurements: 86 x 70 cm, framed measurements 90 x 80 cm. Belonging to an extensive family of painters from Viceroyalty Mexico, among whom it is worth mentioning his grandfather José Juárez. His style is somewhere between Neapolitan tenebrism and late baroque or Rococo painting. Around 1694 he belonged to a brotherhood and was already a painter's assistant. He had José de Padilla as a teacher and worked in his workshop. In 1719 he was hired to execute some of the central pieces of the Altar of the Kings of the Metropolitan Cathedral: the Adoration of the Magi and the Assumption of the Virgin. He cultivated the portrait genre, highlighting his Portrait of Archbishop José de Lanciego and that of Viceroy Fernando de Alencastre, Duke of Linares. Provenance: former private noble collection, Ciudad Real.
Templum Fine Art Auctions
Jun. 29, 2023
Attributed to Juan Rodríguez Juárez (Mexico, 1675 - 1728)
Est: €25,000 - €30,000
Attributed to Juan Rodríguez Juárez (Mexico, 1675 - 1728) "Saint Gregory the Great, inspired by the Holy Spirit, in 'sacra conversazione' with Saint Matthew" Oil on canvas. Relined. 165 x 106 cm. Saint Gregory the Great, Pope and Doctor of the Church, to whom the title "doctor of the celestial militia" is given, said in his Moralia: "The existence of angels is attested almost on every page of Sacred Scripture," or "Go forth to meet him, angels of the Lord, to offer his soul in the presence of the Most High," which the Church sings in the office for the dead. In this mystical window or trompe l'oeil oval architecture, we find Saint Gregory with Saint Matthew, depicted with an angel listening to them or dictating to them. According to the patristic tradition, the angel is actually Matthew himself because he is the only one who speaks at the beginning of his Gospel about the Son of Man, the genealogy of Christ, and also about the Angel (the same one who appeared to Joseph), representing divine love, a Love sent by the angels (messengers of Christ) to humans. An "Angelical Doctrine" that inspired and moved them both, representing them as if they were two additional angels, intellectual beings superior to men, endowed by the Lord with special virtue and power. Juan Rodríguez Juárez belonged to a renowned family of painters in colonial Mexico. His artistic quality and the family's artistic importance earned him significant commissions from the aristocracy and high clergy of the viceroyalty. In this way, he coincided with the Archbishop of Mexico, José Pérez de Lanciego, who was brought to Mexico by King Philip V to ensure that secular clergy predominated over regular clergy in New Spain. There is evidence of Juan's close relationship with the aforementioned archbishop through various official portraits and commissions he received from areas in Latin America and others to be sent to the peninsula. This leads us to believe that, given the monumental nature of this painting, it may have been one of those commissions from the archbishop destined for Spain. It is also possible that it was part of a series of paintings representing the Doctors of the Church. Arts of the Spanish Americas
La Suite Subastas
May. 30, 2023
Exceptional Novohispanic colonial Holy Family, Novohispanic master from the second half of the 18th century, possibly Ródríguez Juárez, Juan (Mexico City, July 14, 1675-1728)
Est: €60,000 - €80,000
We are in front of one of a master work belonging to the New Spanish Baroque school, dated between the end of the end of the 17th century and the beggining of the 18th C, very close to the manner of Juan Rodríguez Juárez, the present work represents an authentic "Tour de Force" in terms of artistic quality and excellent artistic technique, and without a doubt The work of an important master from New Spain, heavily influenced by the Rococo currents that were beginning to arrive from Europe to the New World. Renowned caste painter and portraitist of viceroys, Juan Rodríguez Juárez (Mexico City, July 14, 1675-17281), painter of the Mexican Baroque who lived in the Viceroyalty of New Spain. He belonged to a well-known saga of painters from viceregal Mexico, his style is halfway between chiaroscuro and late baroque or rococo painting. His teacher was José de Padilla and he worked in his workshop. In 1719 he was hired to carry out some of the central pieces of the Altar of the Kings of the Metropolitan Cathedral: the Adoration of the Magi and the Assumption of the Virgin. Also noteworthy are his portraits of Archbishop José de Lanciego and Viceroy Fernando de Alencastre, Duke of Linares. Oil on canvas, measures: 83 x 53 cm. Origin: important Madrid private collection.
Templum Fine Art Auctions
Feb. 28, 2023
JUAN RODRIGUEZ JUAREZ (Mexico, 1675-1728). "The education of the Virgin". Oil on copper. It has a period frame. Provenance: Private Collection formed since the 70s, London and Madrid.
Est: €13,000 - €14,000
JUAN RODRÍGUEZ JUÁREZ (Mexico, 1675-1728). "Education of the Virgin". Oil on copper. Presents a period frame. Provenance: private collection conceived from the 70's between London and Madrid. Measurements: 35 x 31 cm; 50,5 x 48 cm (frame). The Regional Museum of Guadalajara conserves in its collection a work by Juan Rodríguez Juárez dedicated to the Education of the Virgin. In both cases the work has a composition based on the representation of Saint Joachim, Saint Anne and the Child Virgin located in an interior that opens in the centre to a landscape. In this particular case the Virgin is shown younger and the relationship with her mother has been captured from a much more intimate perspective. The education of the Virgin is a theme that does not arise from Gospel literature but from the popular desire to emphasise the role of the mother's line in the human education of the Son of God, a desire that also made Saint Anne the patron saint of mothers. It is therefore a common and traditionally accepted theme, despite the fact that the Scriptures tell us that the infant Virgin was given to the temple for her upbringing. It is an iconography that appeared at the end of the Middle Ages and became popular from the 16th century onwards, with the book appearing from then on as an attribute of Saint Anne. This theme was the focus of intense discussion in intellectual circles in Seville during the Baroque period. As part of the Counter-Reformation doctrine, the Church dictated a series of rules to painters aimed at regulating the treatment of the most fundamental themes of Catholic doctrine so that they could be understood by the people. In particular, the Virgin became one of the most popular subjects among the Catholic faithful, as her immaculate conception was questioned by Protestants. Hence the proliferation in the 17th, 18th and early 19th centuries of cycles of the Virgin's life, one of the scenes of which concerns her education. Although this theme aroused controversy among intellectuals because it cast doubt on Mary's perfection, it was very much to the taste of the people because of its human and realistic character. Juan Rodríguez Juárez was a member of a Spanish family that was long noted for its achievements in the world of painting. His brother Nicolás Rodríguez Juárez (1667 - 1734) was, like himself, a painter established in New Spain. He was the son of Antonio Rodríguez (1636-91), a notable Spanish painter. His maternal grandfather José Juárez (1617 - 1661) and his great-great-grandfather Luis Juárez (1585 - 1639) were also notable painters in Spanish history and prominent in the Baroque era. Juan Rodríguez Juárez, like many artists in New Spain during the late Baroque period, followed the trend of painting portraits of the local nobility. These works followed European models, with symbols of rank and titles shown detached on the exteriors or worked into another element of the paintings, such as draperies.
Setdart Auction House
Sep. 18, 2020
Attributed to Juan Rodríguez Juárez (Mexican 1675-1728), The Martyrdom of Saint Sebastian, Signed Oil on Canvas mounted on Masonite
Est: $5,000 - $7,000
Attributed to Juan Rodríguez Juárez (Mexican 1675-1728) The Martyrdom of Saint Sebastian Signed J. R. Xuares and dated f. 1705 on piece of original canvas affixed to verso Oil on canvas mounted on Masonite 43-1/2 x 32-1/2 in (110.5 x 82.6 cm)
Weschler's
May. 21, 2019
JUAN RODRÍGUEZ JUÁREZ - Virgen dolorosa
Est: -
JUAN RODRÍGUEZ JUÁREZ Mexico City 1675 - 1728 “Virgen dolorosa” Oil on copper Signed Measurements 23.5 x 18 cm
Subastas Segre
Sep. 12, 2017
JUAN RODRIGUEZ JUAREZ (MEXICO, 1675-1728). SAINT ANDREW. Oil on canvas. Signed. 124 x 100 cm. Sold at Sotheby's London (29/19/2009),..
Est: $250,000 - $350,000
JUAN RODRIGUEZ JUAREZ (MEXICO, 1675-1728). SAINT ANDREW. Oil on canvas. Signed. 124 x 100 cm. Sold at Sotheby's London (29/19/2009), and Hotel Druot Paris (1991). JUAN RODRÍGUEZ JUÁREZ (MÉXICO, 1675-1728) SAN ANDRÉS* Óleo sobre tela. Firmado: "Sanctvs Andreas. Et in Jesvm Christvm filium eius vincum Domeni nostrvm. Joannes Rodriguez Xuarez Inv…et pinxit". Detalles de conservación, estructura y restauración. Reentelado. 124 x 100 cm Este pintor fue un importante exponente del apogeo de la pintura barroca en la Nueva España junto con su hermano Nicolás, Cristóbal de Villalpando y Juan Correa. Puede verse en su obra la influencia de su padre Antonio Rodríguez, que aprendió el arte del Siglo de Oro de su suegro José Juárez. En 1701 pintó un retrato de cuerpo completo del rey Felipe V para su jura. Se considera uno de los últimos grandes pintores de la época virreinal. Referencia: Toussaint, Manuel. Arte Colonial en México. Instituto de Investigaciones Estéticas. UNAM. México, 1962. *La pieza fue vendida en Sotheby's Londres, el 29 de octubre de 2009, venta Old Master and Early British Paintings, lote 116. Anteriormente fue vendida en el Hotel Druot, París, el 18 de abril de 1991, venta anónima, lote 37 (proveniente de colección privada).
Morton Subastas
Nov. 23, 2016
JUAN RODRÍGUEZ JUÁREZ (1675-1728) | Virgen de Guadalupe y Juan Diego
Est: $15,000 - $20,000
oil on canvas
Sotheby's
Nov. 24, 2014
Juan Rodríguez Juárez (Mexican 1675-1728) Santa Nimpha oil on canvas 71¾ x
Est: $30,000 - $40,000
Juan Rodríguez Juárez (Mexican 1675-1728) Santa Nimpha oil on canvas 71¾ x 42¼ in. (182.2 x 107.3 cm.)
Christie's
Oct. 09, 2014
JUAN RODRÍGUEZ JUÁREZ (MÉXICO, 1675 - 1728). LA CRUCIFIXIÓN. Óleo sobre tela. Firmado y fechado 1712. 159 x 98 cm.
Est: $40,000 - $60,000
JUAN RODRÍGUEZ JUÁREZ (MÉXICO, 1675 - 1728) LA CRUCIFIXIÓN. Óleo sobre tela. Firmado y fechado 1712. Detalles de conservación. Dimensiones: 159 x 98 cm
Morton Subastas
Mar. 11, 2010
Juan Rodríguez Juárez (1675 - 1728). San Andrés. Escuela mexicana. Firmado. Óleo sobre lienzo. 124.5 x 101 cm.
Est: $150,000 - $180,000
Juan Rodríguez Juárez (1675 - 1728) San Andrés* Escuela mexicana Firmado Óleo sobre lienzo 124.5 x 101 cm *Vendido en Sotheby's de Londres, lote 116, 29 de octubre de 2009.
Morton Subastas
Oct. 29, 2009
JUAN RODRÍGUEZ JUAREZ
Est: £6,000 - £8,000
SAINT ANDREW signed lower right on the book: Joannes Rodriguez Xaures Inven.it pinxit
Sotheby's
May. 28, 2009
Circle of Juan Rodriguez Juarez (Mexican 1675-1728)
Est: $30,000 - $40,000
Circle of Juan Rodriguez Juarez (Mexican 1675-1728) San Francisco Javier bautizando a un indio oil on canvas 65½ x 43¼ in. (166 x 110 cm.) excluding frame Painted ca. 1690-1730
Christie's
May. 28, 2009
Juan Rodriguez Juarez (Mexican 1675-1728)
Est: $15,000 - $20,000
Juan Rodriguez Juarez (Mexican 1675-1728) La Sagrada Familia con San Joaquín y Santa Ana signed 'Ju. Rodr.z Xuar.z F.et' (lower left) oil on copper 18 3/8 x 15 in. (46 x 38 cm.) excluding frame
Christie's
Nov. 18, 2008
Juan Rodríguez Juárez (1675-1728) , THE VIRGIN OF GUADALUPE SURROUNDED BY ARCHANGELS, SAINTS AND DONORS
Est: $80,000 - $100,000
oil on canvas signed center
Sotheby's
Nov. 19, 2007
Escena pastoral
Est: $40,000 - $60,000
Juan Rodriguez Juarez (Mexican 1675-1728) Escena pastoral signed 'J. Rodríguez Juarez fa' (lower right) oil on canvas 37¼ x 44¼ in. (94.6 x 112.4 cm.) Painted between 1700-1728.
Christie's

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JUAN RODRÍGUEZ JUÁREZ (MEXICO CITY, 1675 - 1728)

The Betrothal of Mary, Mexico, New Spain colonial school of the 18th century, possible attribution to Juan Rodríguez Juárez (Mexico City, July 14, 1675-1728)

The Betrothal of Mary, Mexico, New Spain colonial school of the 18th century, possible attribution to Juan Rodríguez Juárez (Mexico City, July 14, 1675-1728)

JOSÉ DE IBARRA Guadalajara (1688) / Mexico City (1756) "Baptism of Christ in the Jordan"

The Wedding of Mary, Mexico, New Spanish colonial school of the 18th century, attributed to Juan Rodríguez Juárez (Mexico City, July 14, 1675-1728)

Attributed to Juan Rodríguez Juárez (Mexico, 1675 - 1728)

Exceptional Novohispanic colonial Holy Family, Novohispanic master from the second half of the 18th century, possibly Ródríguez Juárez, Juan (Mexico City, July 14, 1675-1728)

JUAN RODRIGUEZ JUAREZ (Mexico, 1675-1728). "The education of the Virgin". Oil on copper. It has a period frame. Provenance: Private Collection formed since the 70s, London and Madrid.

Attributed to Juan Rodríguez Juárez (Mexican 1675-1728), The Martyrdom of Saint Sebastian, Signed Oil on Canvas mounted on Masonite

JUAN RODRÍGUEZ JUÁREZ - Virgen dolorosa

JUAN RODRIGUEZ JUAREZ (MEXICO, 1675-1728). SAINT ANDREW. Oil on canvas. Signed. 124 x 100 cm. Sold at Sotheby's London (29/19/2009),..

JUAN RODRÍGUEZ JUÁREZ (1675-1728) | Virgen de Guadalupe y Juan Diego

Juan Rodríguez Juárez (Mexican 1675-1728) Santa Nimpha oil on canvas 71¾ x

JUAN RODRÍGUEZ JUÁREZ (MÉXICO, 1675 - 1728). LA CRUCIFIXIÓN. Óleo sobre tela. Firmado y fechado 1712. 159 x 98 cm.

Juan Rodríguez Juárez (1675 - 1728). San Andrés. Escuela mexicana. Firmado. Óleo sobre lienzo. 124.5 x 101 cm.

JUAN RODRÍGUEZ JUAREZ

Circle of Juan Rodriguez Juarez (Mexican 1675-1728)

Juan Rodriguez Juarez (Mexican 1675-1728)

Juan Rodríguez Juárez (1675-1728) , THE VIRGIN OF GUADALUPE SURROUNDED BY ARCHANGELS, SAINTS AND DONORS

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