Yang Hsia Paintings & Artwork for Sale | Yang Hsia Art Value Price Guide

Jun. 29, 2024
Hsia Yan (Taiwanese/Chinese b. 1932) Painting
Est: $6,000 - $10,000
Modern abstract interior scene with seated figures, "Les Chevaliers de Table Ronde" (Knights of the Round Table) signed lower left, titled verso and dated 1965, Paris. The artist was influenced by Francis Bacon in the 1960s. [work 28" x 28", frame 28 3/4" x 28 3/4"]. Punctures to canvas upper left and lower center, scattered areas of overpainting and abrasions, surface acretion.
Roland Auctions NY
Jun. 15, 2024
YAN HSIA MI-LA B, 1960
Est: €5,000 - €6,000
MI-LA B, 1960 tecnica mista su tela 90x73 cm, firma, titolo e anno al retro, presenta cadute di colore e craquelle.
Meeting Art Casa D'Aste
Apr. 19, 2023
Hsia Yan (Taiwanese, b. 1932) A Girl and Pedestrians, 1978
Est: $20,000 - $30,000
Hsia Yan (Taiwanese, b. 1932) A Girl and Pedestrians, 1978 oil on canvas signed Yan Hsia and dated (lower right); signed, titled and dated (verso) 46 x 70 inches. Property from a Private Art Collection Provenance: OK Harris Works of Art, New York
Hindman
Oct. 20, 2022
Yan Hsia, Machine Shop
Est: $10,000 - $15,000
Yan Hsia Machine Shop 1982 oil on canvas 34.25 h × 52.25 w in (87 × 133 cm) Signed and dated to lower right 'Yan Hsia 82'. Signed, titled, dated and inscribed to verso 'Yan Hsia Machine Shop 34" x 52" oil on canvas 1982'. Provenance: Acquired directly from OK Harris Gallery, New York by the present owner This work will ship from Los Angeles, California.
Los Angeles Modern Auctions
Jun. 04, 2022
夏陽 Hsia Yan (Taiwanese, b. 1932)
Est: NT$280,000 - NT$380,000
鎮宅光明 The Brightness of the Township
Ravenel
May. 08, 2022
夏陽 HSIA YAN ( Chinese, b.1932 )
Est: NT$3,800,000 - NT$5,000,000
拾穗 The Gleaners 簽名：HY98 Signed HY in English and dated 1998
Zhong Cheng Auction Co. Ltd.
Apr. 05, 2022
HSIA YANG (China, Shanghai, 1932) Untitled. Mixed media on paper. Signed in the lower right corner.
Est: €2,000 - €2,400
HSIA YANG (China, Shanghai, 1932) Untitled. Mixed media on paper. Signed in the lower right corner. Size: 33 x 55 cm; 37 x 58 cm (frame). Throughout his long and varied career, Hsia has developed a wide range of visual languages. In 1951, Hsia studied art with Lee Chun-Shan and later formed the Ton Fan Group with seven other artists. In 1963, he travelled to Europe for the first time and settled in Paris for five years. In 1968, he moved to New York, and in 1992, he returned to Taipei. From 2002 onwards, Hsia moved to Shanghai, where she has lived ever since. His experience in the art world has been rich and varied. In 2018, she held a retrospective at Taipei Fine Arts Museum, Taiwan. Hsia was living in New York in the 1970s, when photorealism became popular and this influenced his painting style. He began to depict scenes of people moving in urban landscapes, paying close attention to the details of these scenes and simulating hurried movement by blurring these parts. In the second half of the 1990s, Hsia continued his series of blurred people with 100 Faces (1994 - 1996) and Thirty-Six Portraits (2002), which are considered the most vivid expressions of his formal blurring technique. After 1999, Hsia developed a series of iron sculptures based on the same theme, exploring and transforming his pictorial language with a new medium. Since 2002, Hsia has been using paper-cut collage techniques and introducing witty verses into his paintings, especially in his monumental landscapes that include contemporary scenes of urban leisure.
Setdart Auction House
Feb. 15, 2022
HSIA YANG (China, Shanghai, 1932) Untitled. Mixed media on paper. Signed in the lower right corner.
Est: €2,000 - €2,400
HSIA YANG (China, Shanghai, 1932) Untitled. Mixed media on paper. Signed in the lower right corner. Size: 33 x 55 cm; 37 x 58 cm (frame). Throughout his long and varied career, Hsia has developed a wide range of visual languages. In 1951, Hsia studied art with Lee Chun-Shan and later formed the Ton Fan Group with seven other artists. In 1963, he travelled to Europe for the first time and settled in Paris for five years. In 1968, he moved to New York, and in 1992, he returned to Taipei. From 2002 onwards, Hsia moved to Shanghai, where she has lived ever since. His experience in the art world has been rich and varied. In 2018, she held a retrospective at Taipei Fine Arts Museum, Taiwan. Hsia was living in New York in the 1970s, when photorealism became popular and this influenced his painting style. He began to depict scenes of people moving in urban landscapes, paying close attention to the details of these scenes and simulating hurried movement by blurring these parts. In the second half of the 1990s, Hsia continued his series of blurred people with 100 Faces (1994 - 1996) and Thirty-Six Portraits (2002), which are considered the most vivid expressions of his formal blurring technique. After 1999, Hsia developed a series of iron sculptures based on the same theme, exploring and transforming his pictorial language with a new medium. Since 2002, Hsia has been using paper-cut collage techniques and introducing witty verses into his paintings, especially in his monumental landscapes that include contemporary scenes of urban leisure.
Setdart Auction House
Jan. 16, 2022
Painting, Yan Hsia
Est: $20,000 - $40,000
Yan Hsia (Taiwanese, b. 1932), "Pedestrian at Soho #2," 1975, oil on canvas, signed, titled and dated verso, canvas (unframed): 36"h x 54"w. Provenance: Deaccessioned from the Nevada Museum of Art (Reno, Nevada).
Clars Auctions
Dec. 15, 2021
HSIA YANG (China, Shanghai, 1932) Untitled. Mixed media on paper.
Est: €2,000 - €2,400
HSIA YANG (China, Shanghai, 1932) Untitled. Mixed media on paper. Signed in the lower right corner. Measurements: 33 x 55 cm; 37 x 58 cm (frame). Throughout his long and varied career, Hsia has developed a wide range of visual languages. In 1951, Hsia studied art with Lee Chun-Shan and later formed the Ton Fan Group with seven other artists. In 1963, he traveled to Europe for the first time and settled in Paris for five years. In 1968, he moved to New York and, in 1992, returned to Taipei. From 2002, Hsia moved to Shanghai, where she has lived ever since. His experience in the art world has been rich and varied. In 2018, she held a retrospective at Taipei Fine Arts Museum, Taiwan. Hsia was living in New York in the 1970s, when photorealism became popular and this influenced his painting style. He began to depict scenes of people moving in urban landscapes, paying close attention to the details of these scenes and simulating hurried movement by blurring these parts. In the second half of the 1990s, Hsia continued his series of blurred people with 100 Faces (1994 - 1996) and Thirty-Six Portraits (2002), which are considered the most vivid expressions of his formal blurring technique. After 1999, Hsia developed a series of iron sculptures based on the same theme, exploring and transforming his pictorial language with a new medium. Since 2002, Hsia has been using paper-cut collage techniques and introducing witty verses into his paintings, especially in his monumental landscapes that include contemporary scenes of urban leisure.
Setdart Auction House
Apr. 21, 2021
A Bird Stares at a Tortoise
Est: $120,000 - $250,000
A Bird Stares at a Tortoise
Poly Auction Hong Kong
Jul. 21, 2020
Hsia Yan "Untitled" 1964 acrylic on paper cm 37x74 Signed and dated 64 lower right Provenance Private collection, Savona...
Est: €8,000 - €10,000
(1932) "Untitled" 1964 acrylic on paper cm 37x74 Signed and dated 64 lower right Provenance Private collection, Savona IT "Senza titolo" 1964 acrilico su carta cm 37x74 Firmato e datato 64 in basso a destra Provenienza Collezione privata, Savona
Il Ponte Auction House
Jul. 21, 2020
Hsia Yan "Untitled" 1964 mixed media on paper cm 75x36.5 Signed and dated 64 lower right Provenance Private collection, Savona...
Est: €8,000 - €10,000
(1932) "Untitled" 1964 mixed media on paper cm 75x36.5 Signed and dated 64 lower right Provenance Private collection, Savona IT "Senza titolo" 1964 tecnica mista su carta cm 75x36,5 Firmato e datato 64 in basso a destra Provenienza Collezione privata, Savona
Il Ponte Auction House
Jul. 21, 2020
Hsia Yan "Untitled" 1958 acrylic on paper cm 56x58 Signed and dated 58 lower left Provenance Private collection, Savona...
Est: €1,500 - €2,000
(1932) "Untitled" 1958 acrylic on paper cm 56x58 Signed and dated 58 lower left Provenance Private collection, Savona IT "Senza titolo" 1958 acrilico su carta cm 56x58 Firmato e datato 58 in basso a sinistra Provenienza Collezione privata, Savona
Il Ponte Auction House
Jul. 21, 2020
Hsia Yan "Untitled" 1961 oil and mixed media on canvas laid down on board cm 23.7x16 Signed and dated 61 upper left Signed and dated 1961 on the reverse Provenance Private collection, Savona...
Est: €1,000 - €1,500
(1932) "Untitled" 1961 oil and mixed media on canvas laid down on board cm 23.7x16 Signed and dated 61 upper left Signed and dated 1961 on the reverse Provenance Private collection, Savona IT "Senza titolo" 1961 olio e tecnica mista su tela applicata su tavola cm 23,7x16 Firmato e datato 61 in alto a sinistra Firmato e datato 1961 al retro Provenienza Collezione privata, Savona
Il Ponte Auction House
Jul. 12, 2020
KTV
Est: $600,000 - $800,000
signed in Chinese; dated '93' (lower left); titled, signed, dated and inscribed 'KTV HSIA, YANG 1993 158 cm × 204 cm'; signed and inscribed in Chinese (on the reverse)
Poly Auction Hong Kong
Oct. 06, 2019
Action Violent
Est: $60,000 - $100,000
Hsia Yan (Chinese, Xia Yang, B. 1932)
Poly Auction Hong Kong
Jul. 10, 2019
HSIA YAN (HUNAN 1932). Composición. (d)
Est: €2,500 - €3,000
Técnica mixta sobre lienzo En el reverso firmado y fechado en 1958. En el reverso firmado y fechado en 1958. Con otros artistas de su país fundó en 1956 el "Ton-Fan Art Group", considerado el inicio del arte abstracto chino. Entre aquel año y 1961, el pintor trabajó y expuso en Barcelona 38x27 cm.
Balclis
Jul. 10, 2019
HSIA YAN (HUNAN 1932). Composición.
Est: €2,500 - €3,000
Firmado y fechado en 1958 en el anverso y reverso. En el reverso firmado y fechado en 1958. Con otros artistas de su país fundó en 1956 el "Ton-Fan Art Group", considerado el inicio del arte abstracto chino. Entre aquel año y 1961, el pintor trabajó y expuso en Barcelona 380x27 cm.
Balclis
Jun. 02, 2019
夏陽 HSIA Yan (Taiwanese, b. 1932)
Est: NT$1,800,000 - NT$2,800,000
愛迪生電工–紐約 Con Edison Men 簽名右下：YAN HSIA 81 簽名畫背：YAN HSIA"Con Edison Men"1981, oil on canvas 36"x 52" Signed lower right HSIA Yan in English and dated 81 Signed on the reverse HSIA Yan in English titled Con Edison Men and dated 1981, inscribed oil on canvas 36" x 52" in English 紐約時期的自由靈魂「真正的藝術交流是本國的藝術家把文化的觸鬚伸展到國外，但自己創作的本體，依然系於國內」夏陽夏陽，台灣前衛繪畫代表人物之一，曾與蕭勤等人創立「東方畫會」，亦為「八大響馬」一員。生於亂世，幾經流轉，夏陽於1968年移居紐約，並受當時新寫實主義風潮影響，用畫筆精準地捕捉紐約街景。新寫實主義又稱照相寫實主義，以高度寫實的技法以其細膩度著稱，呈現畫面定格中一瞬間的當下，而這個「當下」無關乎實際的時長或短，端倪源於此刻的行動。在這場前衛藝術運動中，夏陽也成為紐約照相寫實主義的代表人物。具有東方風格與哲思，使得夏陽紐約時期在照相寫實的風潮下也能獨樹一幟，然而這種不帶有創作者主觀情感的超寫實主義，是對真實世界的真實再現，身入其境有著臨場感的紀錄性，紀錄一種工業文明下的新美感。此幅《愛迪生電工–紐約》創作於1983年呈現如攝影長時間曝光般的模糊熙攘行人。作品用其獨創自由繪畫的方式，潛心規劃出畫面構圖，靈感又不由自主地意隨心動，夏陽傳神地再現了人在現代主義城市文明中，熙來攘往的忙碌與速度感。這樣的存在，帶著空虛、荒涼與都市生活下的現代感。這個被定格的行走，不受時空羈絆，可以是以往的過去，可以是此刻的當下，更可以是將至的未來。夏陽的藝術將極具張力的生活經驗體現於自然靈動的繪畫語言，並創作出自己對於時代觀察體悟下的經典作品。 THE FREE SOUL OF THAT TIME IN NEW YORK "True artistic exchange happens when an artist extends their cultural influence beyond their own country while the core of their work remains within their home country" Hsia Yan, one of the avant-garde artist of his time, who collaborated with Hsiao Chin on Ton Fan Art Group and was instrumental in bringing modern Taiwanese painting into international exhibitions. Being born into a chaotic world, although the world keeps spinning, Hsia Yan emigrated to New York in 1968 and was influenced by New Realism of the time. Using his pen he captured the streetscapes of New York with great accuracy. New Realism at the time was also known as Photorealism, with great emphasis placed on technique and fine execution, creating a "present" moment. This "present" is irrelevant to the actual length of time; it originates in the action of the moment. Within this avant-garde moment, Hsia Yan became a representative of photorealism in New York. With Eastern style and philosophy, Hsia Yan's New York period stands out within the trend of photorealism. However, ultra-realism without the subjective emotion of the creator is a reproduction of the real world, the viewer has the feeling of actually being there, recording a sort of beautiful industrial civilization. This "Con Edison Men" was created in 1983: a blurry bustling pedestrian scene, emulating long exposure photography. His works use his free painting method to concentrate on the composition of the picture with the inspiration involuntarily incorporated. Hsia Yan vividly reproduces the bustling feeling of speed of people in modern urban civilization. This existence, with emptiness, desolation, and a feeling of modernity that arises from urban life. Their steps are fixed, free of the constraints of time and space. It could be the past, it could be this very moment, or it could be the future. Hsia Yan's art embodies the most intense life experiences in a natural and dynamic painting language, while creating his own timeless works for the observation of the times.
Ravenel
May. 26, 2019
HSIA YAN (XIA YANG, CHINA, B. 1932) Living Room oil on canvas 72 x 118 cm. (28 3/8 x 46 1/2 in.)
Est: $280,000 - $420,000
HSIA YAN (XIA YANG, CHINA, B. 1932) Living Room signed in Chinese and 'Hsia-Yan', dated '65' (lower right) oil on canvas 72 x 118 cm. (28 3/8 x 46 1/2 in.) Painted in 1965
Christie's
Dec. 18, 2018
Hsia Yan, Composition, Mixed media on canvas
Est: €3,000 - €4,000
Hsia Yan Hunan 1932 Composition Mixed media on canvas On the back, signed and dated 1958 38x27 cm
Balclis
Dec. 18, 2018
Hsia Yan, Composition, Acrylic and collage on paper
Est: €3,000 - €4,000
Hsia Yan Hunan 1932 Composition Acrylic and collage on paper Signed and dated 1958 on the back and on the front 380x27 cm
Balclis
Dec. 12, 2018
Hsia Yan (Xia Yang) After Georges Seurat’s Sunday Afternoon 夏阳 (b. 1932) 秀拉风格的星期天漫步
Est: $30,000 - $50,000
夏阳 (b. 1932) 秀拉风格的星期天漫步压克力画布裝框 HY 1999年作 Hsia Yan (Xia Yang) After Georges Seurat’s Sunday Afternoon Acrylic on Canvas, Framed Signed in Pinyin and dated 1999 乔治秀拉的画充满了细腻缤纷的小点，当你靠近看，每一个点都充满着理性的笔触。而夏阳以他个人风格的“毛毛人”重画秀拉的星期天漫步。用交缠的曲线、并行的直线密集交织，遒劲有力的笔触及鲜明色彩，散发出不可抵挡的视觉魅力。“毛毛人”象征着文明人身处现代社会产生的荒谬疏离之感，画中人物模煳而背景安定，动静之间主体人物发散出独特的气场。他们体现着夏阳对生活的感受、对生命的体验，不安的视觉运动反映了他在流浪，悲伤和孤立中的生活。 Seurat took two years to paint Sunday Afternoon, at the height of pointillist technique, with precision on light, color and form. Just as Seurat’s depicted different social class in the painting, Hsia, with his Fuzzy Style, in painting after this masterpiece, with his blurry strokes and quivering lines, as pictorial language, captured those strollers in the park in a frozen moment in a static environment. Although viewers cannot see the faces, their identity can be judged from the environment. The visual movement of restlessness reflects his life in vagrancy, sadness and isolation.
Gianguan Auctions
Jul. 01, 2017
YAN HSIA
Est: CHF5,000 - CHF7,000
YAN HSIA (Hunan/China 1930 - lives and works in Shanghai) Café. 1982. Oil on canvas. Signed and dated lower right: Yan Hsia 82, as well as signed, titled and with the technique and size on the reverse: YAN HSIA "CAFÉ" 34" x 52" oil on canvas 1982. 91 x 137 cm. Provenance: - O.K. Harris Works of Art Gallery, New York (on the reverse with the label). - Private collection Switzerland. --------------- YAN HSIA (Hunan/China 1930 - lebt und arbeitet in Shanghai) Café. 1982. Öl auf Leinwand. Unten rechts signiert: Yan Hsia, sowie verso nochmals signiert, betitelt, datiert und mit Technik- und Massangaben: YAN HSIA "CAFÉ" 34" x 52" oil on canvas 1982. 91 x 137 cm. Provenienz: - O.K. Harris Works of Art Gallery, New York (verso mit dem Etikett). - Privatsammlung Schweiz.
Koller Auctions
Oct. 03, 2015
Hsia Yan (Xia Yang, b. 1932) The Divine of Marshall
Est: HKD650,000 - HKD850,000
Hsia Yan (Xia Yang, b. 1932) The Divine of Marshall
Bonhams
Apr. 05, 2015
HSIA YAN (XIA YANG) | Portrait of Wu Ying Er
Est: $60,000 - $100,000
acrylic on paper
Sotheby's
Jul. 17, 2013
Yan Hsia (b. 1932)
Est: -
Yan Hsia (b. 1932) Con Edison Men signed and dated 'YAN HSIA 81' (lower right); signed again, titled and dated again 'Yan Hsia "Con Edison Men" 1981' (on the reverse) oil on linen 36¼ x 52¼ in. (92.1 x 132.7 cm.) Painted in 1981.
Christie's
Oct. 05, 2008
Xia Yang (Hsia Yan) , Catching the frog been seen acrylic on paper
Est: $48,000 - $70,000
signed HY and dated 03 in the lower right framed acrylic on paper
Sotheby's
Oct. 05, 2008
Xia Yang (Hsia Yan) , The Divine of Marshal acrylic on canvas
Est: $500,000 - $700,000
signed HY and dated 90 in the lower right signed in Chinese and Hsia Yan , dated 1990 on the reverse framed acrylic on canvas
Sotheby's
Oct. 07, 2007
Xia Yang B. 1932 , Satisfied Family mixed media on canvas
Est: $300,000 - $400,000
initialled HY and dated 02 mixed media on canvas
Sotheby's
Nov. 26, 2006
HSIA YAN
Est: $160,000 - $200,000
(XIA YANG, BORN in 1932) Walker signed, dated and titled 'Yan Hsia; 1986; Walker' in Pinyin (lower right & on reverse) oil on canvas 228 x 117 cm. (89 3/4 in. x 46 in.) Painted in 1986
Christie's

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