Llyn Foulkes Paintings & Artwork for Sale | Llyn Foulkes Art Value Price Guide

Nov. 19, 2024
Llyn Foulkes (b. 1934), "Lanscape [sic] #23," 1996
Est: $12,000 - $16,000
Llyn Foulkes (b. 1934) "Lanscape [sic] #23," 1996 Oil, acrylic, wood assemblage, and mixed media on canvas laid to panel Signed, titled, and dated verso: Llyn Foulkes / 1996
John Moran Auctioneers
Oct. 31, 2024
Llyn Foulkes, Death Valley
Est: $3,000 - $5,000
Llyn Foulkes Death Valley 1975 oil on artist's board 10 h x 7.875 w in (25 x 20 cm) Signed, titled, dated and inscribed to upper edge 'This painting is dedicated to Death Valley Calif 1975 Llyn 1975'. This work will ship from Chicago, Illinois.
Wright
Aug. 20, 2024
Llyn Foulkes, Untitled
Est: $2,000 - $3,000
Llyn Foulkes Untitled 1967 mixed media collage on board 8 h x 5.75 w in (20 x 15 cm) Sold with a digital copy of Dilexi Gallery label. Provenance: Dilexi Gallery, San Francisco | Private Collection This work will ship from Los Angeles, California.
Los Angeles Modern Auctions
Aug. 20, 2024
Llyn Foulkes, Untitled
Est: $3,000 - $5,000
Llyn Foulkes Untitled 1962 mixed media collage on paper in artist's frame 15.5 h x 13 w x 0.5 d in (39 x 33 x 1 cm) Signed and dated to lower right 'Foulkes 1962'. This work will ship from Los Angeles, California.
Los Angeles Modern Auctions
Dec. 14, 2023
LLYN FOULKES (b. 1934) Shake Yer Dogs acrylic, photograph, string, paper an
Est: $3,000 - $5,000
LLYN FOULKES (b. 1934) Shake Yer Dogs acrylic, photograph, string, paper and printed paper collage on board 10 x 8 in. (25.4 x 20.3 cm.)
Christie's
Nov. 05, 2023
Llyn Foulkes: LOT OF 3
Est: $2,000 - $3,000
LOT OF 3 Llyn Foulkes Bloody Head Series, 2001 Digital Print on Semi Gloss Image: 9 1/2 x 6 1/2 inches, each Paper: 19 x 13 inches, each Frame: 21.5 x 17 inches, each 1. Racing with the Moon, 2001(left) Digital Pigment Print From the numbered edition of 30 Signed, dated, numbered on recto 2. Blend Faith, 2001 (middle) Digital Pigment Print Signed, dated, numbered on recto 3. Portrait of A.C. Davis, 2001 (right) Digital Pigment Print Signed, dated, numbered on recto
Santa Monica Auctions
Jul. 18, 2023
LLYN FOULKES (B. 1934) Night Train velvet, luan, acrylic, photographs and
Est: $20,000 - $30,000
LLYN FOULKES (B. 1934) Night Train velvet, luan, acrylic, photographs and found objects on canvas 71 x 80 in. (180.3 x 203.2 cm.)
Christie's
Apr. 12, 2023
LLYN FOULKES (B. 1934) Custer's Last Stand (Picture of Harry), 1973
Est: $70,000 - $100,000
LLYN FOULKES (B. 1934) Custer's Last Stand (Picture of Harry), 1973 signed, titled, inscribed and dated 'L. FOULKES 1973 RX3 S/AS' (along the lower edge of the frame); signed again, titled and dated again ''Custer's Last Stand' LLYN FOULKES 1973' (on tape attached to the reverse) oil over photographic reproduction on panel with nails and glass in artist's frame 39 3/4 x 32 7/8 in. 101.4 x 83.5 cm.
Bonhams
Mar. 09, 2023
LLYN FOULKES (B. 1934) Who's on Third? oil on board mounted on Masonite 48
Est: $150,000 - $250,000
LLYN FOULKES (B. 1934) Who's on Third? oil on board mounted on Masonite 48 5/8 x 39 1/8 in. (123.5 x 99.4 cm.)
Christie's
Feb. 17, 2023
LLYN FOULKES (B. 1934) Moonfire, 2014
Est: $3,000 - $5,000
LLYN FOULKES (B. 1934) Moonfire, 2014 signed, titled and dated ''MOONFIRE' Llyn Foulkes 2014' (on the reverse) photograph, bark and found object on plywood 9 3/4 x 8 1/4 in. 24.8 x 21 cm.
Bonhams
Nov. 06, 2022
Llyn Foulkes (1934) This Painting is Dedicated to F.G. Hough, 1974
Est: $850 - $1,500
Llyn Foulkes (1934) This Painting is Dedicated to F.G. Hough, 1974 Lithograph, in colors on woven paper From the edition of 50 Signed, dated, numbered on recto Provenance: Bohnams, May 20, 2012 Image: 22 x 22 inches Framed: 22 ⅝ x 22 ⅝ inches
Santa Monica Auctions
Sep. 27, 2022
Llyn Foulkes (born 1934); Lucius (State I);
Est: $1,000 - $1,500
Llyn Foulkes (born 1934) Lucius (State I), 1994 Lithograph in colors on wove paper, signed in pencil, dated and annotated 'PRINTER'S PROOF STATE I' (aside from the edition of 16), with the blindstamp of the publisher, Hamilton Press, Venice, the full sheet, framed. sheet 17 1/4 x 21 1/16in (43.8 x 53.5cm) For further information on this lot please visit the Bonhams website
Bonhams
Jul. 20, 2022
LLYN FOULKES (b. 1934) Sheep of Araby oil on photograph, in artist's frame
Est: $5,000 - $7,000
LLYN FOULKES (b. 1934) Sheep of Araby oil on photograph, in artist's frame artwork: 2 1/4 x 2 1/4 in. (5.7 x 5.7 cm.) frame: 4 5/8 x 4 1/2 in. (11.7 x 11.3 cm.)
Christie's
Jul. 20, 2022
LLYN FOULKES (b. 1934) Bereol Hill oil on paper 14 x 17 in. (35.6 x 43.2 c
Est: $6,000 - $8,000
LLYN FOULKES (b. 1934) Bereol Hill oil on paper 14 x 17 in. (35.6 x 43.2 cm.)
Christie's
Jul. 12, 2022
Llyn Foulkes, Portrait of Jenny
Est: $3,000 - $5,000
Llyn Foulkes Portrait of Jenny 2007 acrylic on albumen cabinet card 5.25 h × 3.5 w in (13 × 9 cm) Signed and dated to lower edge 'Llyn Foulkes 2007'. Provenance: Craig Krull Gallery, Santa Monica | Kayne Griffin Corcoran, Los Angeles | Estate of Stephen Cohen | Private Collection This work will ship from LAMA in Los Angeles, California.
Los Angeles Modern Auctions
Jun. 16, 2022
Llyn Foulkes, Untitled (from the Bloody Head Series)
Est: $2,500 - $3,500
Llyn Foulkes Untitled (from the Bloody Head Series) 2002 digital pigment print in colors on Epson semigloss sight: 10 h × 7 w in (25 × 18 cm) Signed, dated and numbered to lower margin 'AP 2/2 Llyn Foulkes 2002'. This work is artist's proof 2 of 2 apart from the edition of 30. Provenance: Collection of Joni Gordon | Thence by descent This work will ship from LAMA in Los Angeles, California.
Rago Arts and Auction Center
May. 13, 2022
LLYN FOULKES (B. 1934) You've Got to Show Me How to Do It oil, paper collag
Est: $5,000 - $7,000
LLYN FOULKES (B. 1934) You've Got to Show Me How to Do It oil, paper collage, photograph and staples on woodblock, in artist's frame 7 1/4 x 6 1/4 (18.3 x 15.8 cm.)
Christie's
May. 03, 2022
Llyn Foulkes, Untitled
Est: $3,000 - $5,000
Llyn Foulkes Untitled 1962 cabinet card with paint in artist's frame 13.25 h × 10.25 w in (34 × 26 cm) Signed and dated to lower left 'Foulkes 62'. Provenance: Acquired directly from the artist Exhibited: Proof: Los Angeles and the Photograph 1960-1980, 31 October 1992 - 17 January 1993, Laguna Art Museum, California | Llyn Foulkes, 2 February - 19 May 2013, Hammer Museum, Los Angeles (traveling exhibition) Literature: Proof: Los Angeles and the Photograph 1960-1980, Laguna Art Museum exhibition catalog, pg. 43 illustrates this work Llyn Foulkes, Hammer Museum exhibition catalog, pg. 28 illustrates this work This work will ship from LAMA in Los Angeles, California. condition: Work has not been examined outside of frame but is fully visible. Light surface soiling overall and discoloration along edges as well as surrounding edges of white field. Minor wear and hairline cracking within brown pigment along extreme edges. Work presents well. Framed behind acrylic measuring 14 x 11 inches.
Los Angeles Modern Auctions
May. 03, 2022
Llyn Foulkes, Untitled
Est: $3,000 - $5,000
Llyn Foulkes Untitled 1960 cabinet card with paint in artist's frame 13.25 h × 10.25 w in (34 × 26 cm) Signed and dated to lower left 'Foulkes 1960'. Provenance: Acquired directly from the artist Exhibited: Proof: Los Angeles and the Photograph 1960-1980, 31 October 1992 - 17 January 1993, Laguna Art Museum, California | Llyn Foulkes, 2 February - 19 May 2013, Hammer Museum, Los Angeles (traveling exhibition) Literature: Proof: Los Angeles and the Photograph 1960-1980, Laguna Art Museum exhibition catalog, pg. 42 illustrates this work Llyn Foulkes, Hammer Museum exhibition catalog, pg. 19 illustrates this work This work will ship from LAMA in Los Angeles, California. condition: Work has not been examined outside of frame but is fully visible. Minor flecks of loss to top layer of pigment predominately along lower and left edges. Work presents well. Framed behind acrylic measuring 14 x 11 inches.
Los Angeles Modern Auctions
May. 03, 2022
Llyn Foulkes, Hotel Vienna
Est: $5,000 - $7,000
Llyn Foulkes Hotel Vienna 1961 collage and paint on paper in artist's frame 12.75 h × 11.75 w in (32 × 30 cm) Signed and dated to lower right 'Foulkes 1961'. Provenance: The Artist | Pasadena Art Museum, Pasadena Exhibited: The Santa Monica Museum of Art, 2005-2006 This work will ship from LAMA in Los Angeles, California. condition: Work is in overall good condition. Work has not been examined out of frame but is fully visible. Area of inpainting lower left quadrant, likely done by the artist (does not fluoresce under UV examination). Light toning commensurate with age and minor wear along upper and lower extreme edges. Work presents well. Framed behind acrylic measuring 13 x 12 x 1 inches.
Los Angeles Modern Auctions
May. 03, 2022
Llyn Foulkes, Untitled
Est: $20,000 - $30,000
Llyn Foulkes Untitled 1963 oil on Masonite 48 h × 48.125 w × 1.75 d in (122 × 122 × 4 cm) Signed and dated to lower right 'Foulkes 63'. Provenance: Rolf Nelson Gallery, Los Angeles Exhibited: Llyn Foulkes, 1964, Rolf Nelson Gallery | The West As Art: Changing Perceptions of Western Art in California Collections, 24 February - 30 May 1982, Palm Springs Desert Museum, California Literature: The West As Art: Changing Perceptions of Western Art in California Collections, Palm Springs Desert Museum exhibition catalog, pg. 4 This work will ship from LAMA in Los Angeles, California. Condition of the item is not included in this description. Condition reports are available from LAMA upon request. LAMA strongly recommends that you review a condition report for each item on which you plan to bid. Email condition@lamodern.com to request a condition report.
Los Angeles Modern Auctions
Apr. 20, 2022
LLYN FOULKES (B. 1934) Smile Though Your Heart is Breaking, 2014
Est: $5,000 - $7,000
LLYN FOULKES (B. 1934) Smile Though Your Heart is Breaking, 2014 signed, titled and dated ''SmiLE THOUGH YOUR HEART IS BREAKING' Llyn Foulkes 2014' (on the reverse) photograph, oil paint and seeds on wood block 11 x 10 3/4 x 1 in. 27.9 x 27.3 x 2.5 cm. For further information on this lot please visit the Bonhams website
Bonhams
Apr. 20, 2022
LLYN FOULKES (B. 1934) Untitled (Small Bloody Head), 2015
Est: $3,000 - $5,000
LLYN FOULKES (B. 1934) Untitled (Small Bloody Head), 2015 photograph and oil paint on wood block 7 1/2 x 5 x 1 in. 19.1 x 12.7 x 2.5 cm. For further information on this lot please visit the Bonhams website
Bonhams
Mar. 10, 2022
LLYN FOULKES (B. 1934) Night Train velvet, luan, acrylic, photographs and f
Est: $60,000 - $80,000
LLYN FOULKES (B. 1934) Night Train velvet, luan, acrylic, photographs and found objects on canvas 71 x 80 in. (180.3 x 203.2 cm.)
Christie's
Feb. 22, 2022
Llyn Foulkes, Putin' on the Ritz
Est: $9,000 - $12,000
Llyn Foulkes Putin' on the Ritz 2017 found photographs, oil, acrylic, plexiglass and vinyl on panel 17.5 h × 14.75 w × 1.5 d in (44 × 37 × 4 cm) Signed, titled and dated to verso 'Putin' on the Ritz Llyn Foulkes 2017'. Exhibited: Llyn Foulkes: Transfiguration, 16 September - 20 January 2018, Sprueth Magers, Berlin, Germany condition: Work is in overall excellent condition. Lifting to paper at lower right of collaged composition. Unframed.
Los Angeles Modern Auctions
Jul. 21, 2021
LLYN FOULKES (B. 1934) Mt. Mexico oil, photo and paper collage, wood and me
Est: $5,000 - $7,000
LLYN FOULKES (B. 1934) Mt. Mexico oil, photo and paper collage, wood and metal in artist's frames overall: 10 ¼ x 10 ¾ in. (26 x 27.3 cm.)
Christie's
Mar. 24, 2021
Llyn Foulkes (born 1934); Bloody Head Series; (6)
Est: $2,500 - $3,500
Llyn Foulkes (born 1934) Bloody Head Series, 2001 The complete set of 6 digital pigment prints in colors, on Epson semigloss paper, each signed in ink, dated, annotated 'L.E.' and variously numbered from the edition of 30, with full margins, each framed. (6) each sheet 19 x 13in (48.3 x 33cm) For further information on this lot please visit the Bonhams website
Bonhams
Mar. 09, 2021
Llyn Foulkes (b. 1934) Portrait of Vermeer oil, paper collage and metal in
Est: $4,000 - $6,000
Llyn Foulkes (b. 1934) Portrait of Vermeer oil, paper collage and metal in artist's frame 7 x 7 in. (17.8 x 17.8 cm.)
Christie's
Jan. 03, 2021
Llyn Foulkes (CA,born 1934) oil painting provenance
Est: $8,000 - $10,000
ARTIST: Llyn Foulkes (California, born 1934) NAME: Untitled YEAR: 1961 MEDIUM: oil on canvas CONDITION: Excellent. No visible inpaint under UV light. Wear to frame. SIGHT SIZE: 16 x 16 inches / 40 x 40 cm FRAME SIZE: 17 x 17 inches / 42 x 42 cm SIGNATURE: Lower right PROVENANCE: Dilexi Gallery, CA (has gallery label). Llyn Foulkes had exhibition in Dilexi Gallery, Los Angeles, CA in 1962. Supposedly the painting was purchased there (source http://www.andrearosengallery.com/artists/llyn-foulkes ); Art Rental Gallery, Junior Art Council of the Los Angeles County Museum of Art, 1963 (has label on verso); The Pasadena Art Museum (has label on verso) SIMILAR ARTISTS: Roland Petersen, Malcolm Morley, Joe Goode, Saul Steinberg, Kenneth Price, Julian Schnabel, Helen Frankenthaler, Laddie John Dill, William Dole, Sol LeWitt, Robert Burns Motherwell, Manuel Neri, Wayne Thiebaud, Hans Gustav Burkhardt, Theodoros Stamos, Gordon Max Onslow Ford CATEGORY: antique vintage painting SKU#: 115618 US Shipping $49 + insurance. AD: ART CONSIGNMENTS WANTED. CONTACT US Llyn Foulkes (California, 1883 - 1962) Llyn Foulkes (born 1934, 17 November, Yakima, Washington) is an American artist living and working in Los Angeles. As a student at Chouinard Art Institute (now CalArts), Foulkes began exhibiting with the Ferus Gallery, Los Angeles in 1959. He held his first one-man exhibition at Ferus in 1961. Other early solo exhibitions included the Pasadena Art Museum (1962) and the Oakland Art Museum (1964). He also showed with a new gallery across the street from Ferus (exhibiting Jess, Georgia O'Keeffe, Irving Petlin, and others) called the Rolf Nelson Gallery (1963, 64). In 1967, Foulkes was awarded the Prize for Painting at the Paris Biennale, Musee dвЂ™Art Moderne de la Ville de Paris followed by a European exhibition there. The Los Angeles County Museum of Art was the first museum to acquire his work for its collection, in 1964 as the original building was still under construction. Charles Proof Demetrion selected Foulkes to represent the United States in the IX Sao Paulo Art Biennial, Museu de Arte Moderna Sao Paulo, Brazil also in 1967. Through the late sixties into the seventies Foulkes created landscape paintings that utilized the iconography of postcards, vintage landscape photography, and Route 66-inspired hazard signs. This period resulted in his first retrospective organized by the Newport Harbor Art Museum (1974). Music also became a major catalyst in Foulkes's work at this time. He played drums with City Lights from 1965 to 1971, and formed his own band, The Rubber Band, in 1973, which stayed together until 1977. By 1979, Foulkes had returned to his childhood interest in one-man bands and began playing solo with "The Machine," which he created. He still performs with The Machine regularly on the West Coast and has released a CD of original compositions, entitled Llyn Foulkes and His Machine: Live at the Church of Art. Since the early 1980s, Foulkes began working on a series of tableaux, beginning with OвЂ™Pablo (1983). His work POP (1986-1990), in the collection of the Museum of Contemporary Art, Los Angeles, utilizes fragments of real clothing and real upholstery, all conjoined with the painted surface. Paul Shimmel included POP, along with a group of subsequent paintings, in the "Helter Skelter" exhibition of 1992 in which the artist was among the group exhibited. Foulkes's most recent large scale projects are The Lost Frontier (1997-2004) and Deliverance (2004-2007). The execution of these two works along with extended interviews and musical contributions by Foulkes are the subject of a documentary entitled Llyn Foulkes One Man Band, directed by Tamar Halpern and Chris Quilty. The documentary premiered at the Los Angeles Film Festival in 2013, where it was called "An illuminating portrait" by the Hollywood Reporter, and was compared to other acclaimed artist portrait documentaries "Searching for Sugar Man" and "Cutie and the Boxer" by Variety. The film will open theatrically in the United States in May 2014. Llyn Foulkes was a participant and performer at dOCUMENTA (13), Kassel, Germany in 2012 and was the subject of a major retrospective which started in February 2013 at the Hammer Museum in Los Angeles.
Broward Auction Gallery LLC
Oct. 11, 2020
Llyn Foulkes (CA,born 1934) oil painting provenance
Est: $11,500 - $13,000
ARTIST: Llyn Foulkes (California, born 1934) NAME: Untitled YEAR: 1961 MEDIUM: oil on canvas CONDITION: Excellent. No visible inpaint under UV light. Wear to frame. SIGHT SIZE: 16 x 16 inches / 40 x 40 cm FRAME SIZE: 17 x 17 inches / 42 x 42 cm SIGNATURE: Lower right PROVENANCE: Dilexi Gallery, CA (has gallery label). Llyn Foulkes had exhibition in Dilexi Gallery, Los Angeles, CA in 1962. Supposedly the painting was purchased there (source http://www.andrearosengallery.com/artists/llyn-foulkes ); Art Rental Gallery, Junior Art Council of the Los Angeles County Museum of Art, 1963 (has label on verso); The Pasadena Art Museum (has label on verso) SIMILAR ARTISTS: Roland Petersen, Malcolm Morley, Joe Goode, Saul Steinberg, Kenneth Price, Julian Schnabel, Helen Frankenthaler, Laddie John Dill, William Dole, Sol LeWitt, Robert Burns Motherwell, Manuel Neri, Wayne Thiebaud, Hans Gustav Burkhardt, Theodoros Stamos, Gordon Max Onslow Ford CATEGORY: antique vintage painting SKU#: 115618 US Shipping $49 + insurance. Llyn Foulkes (California, 1883 - 1962) Llyn Foulkes (born 1934, 17 November, Yakima, Washington) is an American artist living and working in Los Angeles. As a student at Chouinard Art Institute (now CalArts), Foulkes began exhibiting with the Ferus Gallery, Los Angeles in 1959. He held his first one-man exhibition at Ferus in 1961. Other early solo exhibitions included the Pasadena Art Museum (1962) and the Oakland Art Museum (1964). He also showed with a new gallery across the street from Ferus (exhibiting Jess, Georgia O'Keeffe, Irving Petlin, and others) called the Rolf Nelson Gallery (1963, 64). In 1967, Foulkes was awarded the Prize for Painting at the Paris Biennale, Musee dвЂ™Art Moderne de la Ville de Paris followed by a European exhibition there. The Los Angeles County Museum of Art was the first museum to acquire his work for its collection, in 1964 as the original building was still under construction. Charles Proof Demetrion selected Foulkes to represent the United States in the IX Sao Paulo Art Biennial, Museu de Arte Moderna Sao Paulo, Brazil also in 1967. Through the late sixties into the seventies Foulkes created landscape paintings that utilized the iconography of postcards, vintage landscape photography, and Route 66-inspired hazard signs. This period resulted in his first retrospective organized by the Newport Harbor Art Museum (1974). Music also became a major catalyst in Foulkes's work at this time. He played drums with City Lights from 1965 to 1971, and formed his own band, The Rubber Band, in 1973, which stayed together until 1977. By 1979, Foulkes had returned to his childhood interest in one-man bands and began playing solo with "The Machine," which he created. He still performs with The Machine regularly on the West Coast and has released a CD of original compositions, entitled Llyn Foulkes and His Machine: Live at the Church of Art. Since the early 1980s, Foulkes began working on a series of tableaux, beginning with OвЂ™Pablo (1983). His work POP (1986-1990), in the collection of the Museum of Contemporary Art, Los Angeles, utilizes fragments of real clothing and real upholstery, all conjoined with the painted surface. Paul Shimmel included POP, along with a group of subsequent paintings, in the "Helter Skelter" exhibition of 1992 in which the artist was among the group exhibited. Foulkes's most recent large scale projects are The Lost Frontier (1997-2004) and Deliverance (2004-2007). The execution of these two works along with extended interviews and musical contributions by Foulkes are the subject of a documentary entitled Llyn Foulkes One Man Band, directed by Tamar Halpern and Chris Quilty. The documentary premiered at the Los Angeles Film Festival in 2013, where it was called "An illuminating portrait" by the Hollywood Reporter, and was compared to other acclaimed artist portrait documentaries "Searching for Sugar Man" and "Cutie and the Boxer" by Variety. The film will open theatrically in the United States in May 2014. Llyn Foulkes was a participant and performer at dOCUMENTA (13), Kassel, Germany in 2012 and was the subject of a major retrospective which started in February 2013 at the Hammer Museum in Los Angeles.
Broward Auction Gallery LLC
Jul. 05, 2020
Llyn Foulkes (CA,born 1934) oil painting provenance
Est: $12,500 - $14,000
ARTIST: Llyn Foulkes (California, born 1934) NAME: Untitled YEAR: 1961 MEDIUM: oil on canvas CONDITION: Excellent. No visible inpaint under UV light. Wear to frame. SIGHT SIZE: 16 x 16 inches / 40 x 40 cm FRAME SIZE: 17 x 17 inches / 42 x 42 cm SIGNATURE: Lower right PROVENANCE: Dilexi Gallery, CA (has gallery label). Llyn Foulkes had exhibition in Dilexi Gallery, Los Angeles, CA in 1962. Supposedly the painting was purchased there (source http://www.andrearosengallery.com/artists/llyn-foulkes ); Art Rental Gallery, Junior Art Council of the Los Angeles County Museum of Art, 1963 (has label on verso); The Pasadena Art Museum (has label on verso) SIMILAR ARTISTS: Roland Petersen, Malcolm Morley, Joe Goode, Saul Steinberg, Kenneth Price, Julian Schnabel, Helen Frankenthaler, Laddie John Dill, William Dole, Sol LeWitt, Robert Burns Motherwell, Manuel Neri, Wayne Thiebaud, Hans Gustav Burkhardt, Theodoros Stamos, Gordon Max Onslow Ford CATEGORY: antique vintage painting SKU#: 115618 WARRANTY: 7 days returns accepted if item doesn't match description US Shipping $49 + insurance. Llyn Foulkes (California, 1883 - 1962) Llyn Foulkes (born 1934, 17 November, Yakima, Washington) is an American artist living and working in Los Angeles. As a student at Chouinard Art Institute (now CalArts), Foulkes began exhibiting with the Ferus Gallery, Los Angeles in 1959. He held his first one-man exhibition at Ferus in 1961. Other early solo exhibitions included the Pasadena Art Museum (1962) and the Oakland Art Museum (1964). He also showed with a new gallery across the street from Ferus (exhibiting Jess, Georgia O'Keeffe, Irving Petlin, and others) called the Rolf Nelson Gallery (1963, 64). In 1967, Foulkes was awarded the Prize for Painting at the Paris Biennale, Musee dвЂ™Art Moderne de la Ville de Paris followed by a European exhibition there. The Los Angeles County Museum of Art was the first museum to acquire his work for its collection, in 1964 as the original building was still under construction. Charles Proof Demetrion selected Foulkes to represent the United States in the IX Sao Paulo Art Biennial, Museu de Arte Moderna Sao Paulo, Brazil also in 1967. Through the late sixties into the seventies Foulkes created landscape paintings that utilized the iconography of postcards, vintage landscape photography, and Route 66-inspired hazard signs. This period resulted in his first retrospective organized by the Newport Harbor Art Museum (1974). Music also became a major catalyst in Foulkes's work at this time. He played drums with City Lights from 1965 to 1971, and formed his own band, The Rubber Band, in 1973, which stayed together until 1977. By 1979, Foulkes had returned to his childhood interest in one-man bands and began playing solo with "The Machine," which he created. He still performs with The Machine regularly on the West Coast and has released a CD of original compositions, entitled Llyn Foulkes and His Machine: Live at the Church of Art. Since the early 1980s, Foulkes began working on a series of tableaux, beginning with OвЂ™Pablo (1983). His work POP (1986-1990), in the collection of the Museum of Contemporary Art, Los Angeles, utilizes fragments of real clothing and real upholstery, all conjoined with the painted surface. Paul Shimmel included POP, along with a group of subsequent paintings, in the "Helter Skelter" exhibition of 1992 in which the artist was among the group exhibited. Foulkes's most recent large scale projects are The Lost Frontier (1997-2004) and Deliverance (2004-2007). The execution of these two works along with extended interviews and musical contributions by Foulkes are the subject of a documentary entitled Llyn Foulkes One Man Band, directed by Tamar Halpern and Chris Quilty. The documentary premiered at the Los Angeles Film Festival in 2013, where it was called "An illuminating portrait" by the Hollywood Reporter, and was compared to other acclaimed artist portrait documentaries "Searching for Sugar Man" and "Cutie and the Boxer" by Variety. The film will open theatrically in the United States in May 2014. Llyn Foulkes was a participant and performer at dOCUMENTA (13), Kassel, Germany in 2012 and was the subject of a major retrospective which started in February 2013 at the Hammer Museum in Los Angeles.
Broward Auction Gallery LLC
May. 31, 2020
Llyn Foulkes (1934) Serigraph " Moonrise II"
Est: $2,000 - $3,500
Title: 'Moonrise II' Serigraph on thick wove paper, matted and nicely framed 32.5" x 47.5", image size 20" x 35" signed numbered and titled in the margin 75/100. Extremely limited edition of 100, featuring a desert landscape with concentric squares probably from the Newport Harbor Art Museum (1974) retrospective, verso holds a Broadway Culver city tag. Provenance: From the private collection of Icon Symbolist Michael Salisbury, Grammy Award Winner who's Photo's reside in the Smithsonian, Library of Congress and the Museum of Modern Art, NY
California Auctioneers
Apr. 19, 2020
Llyn Foulkes (CA,born 1934) oil painting provenance
Est: $13,500 - $15,000
ARTIST: Llyn Foulkes (California, born 1934) NAME: Untitled YEAR: 1961 MEDIUM: oil on canvas CONDITION: Excellent. No visible inpaint under UV light. Wear to frame. SIGHT SIZE: 16 x 16 inches / 40 x 40 cm FRAME SIZE: 17 x 17 inches / 42 x 42 cm SIGNATURE: Lower right PROVENANCE: Dilexi Gallery, CA (has gallery label). Llyn Foulkes had exhibition in Dilexi Gallery, Los Angeles, CA in 1962. Supposedly the painting was purchased there (source http://www.andrearosengallery.com/artists/llyn-foulkes ); Art Rental Gallery, Junior Art Council of the Los Angeles County Museum of Art, 1963 (has label on verso); The Pasadena Art Museum (has label on verso) SIMILAR ARTISTS: Roland Petersen, Malcolm Morley, Joe Goode, Saul Steinberg, Kenneth Price, Julian Schnabel, Helen Frankenthaler, Laddie John Dill, William Dole, Sol LeWitt, Robert Burns Motherwell, Manuel Neri, Wayne Thiebaud, Hans Gustav Burkhardt, Theodoros Stamos, Gordon Max Onslow Ford CATEGORY: antique vintage painting SKU#: 115618 WARRANTY: 7 days returns accepted if item doesn't match description US Shipping $49 + insurance. Llyn Foulkes (California, 1883 - 1962) Llyn Foulkes (born 1934, 17 November, Yakima, Washington) is an American artist living and working in Los Angeles. As a student at Chouinard Art Institute (now CalArts), Foulkes began exhibiting with the Ferus Gallery, Los Angeles in 1959. He held his first one-man exhibition at Ferus in 1961. Other early solo exhibitions included the Pasadena Art Museum (1962) and the Oakland Art Museum (1964). He also showed with a new gallery across the street from Ferus (exhibiting Jess, Georgia O'Keeffe, Irving Petlin, and others) called the Rolf Nelson Gallery (1963, 64). In 1967, Foulkes was awarded the Prize for Painting at the Paris Biennale, Musee dвЂ™Art Moderne de la Ville de Paris followed by a European exhibition there. The Los Angeles County Museum of Art was the first museum to acquire his work for its collection, in 1964 as the original building was still under construction. Charles Proof Demetrion selected Foulkes to represent the United States in the IX Sao Paulo Art Biennial, Museu de Arte Moderna Sao Paulo, Brazil also in 1967. Through the late sixties into the seventies Foulkes created landscape paintings that utilized the iconography of postcards, vintage landscape photography, and Route 66-inspired hazard signs. This period resulted in his first retrospective organized by the Newport Harbor Art Museum (1974). Music also became a major catalyst in Foulkes's work at this time. He played drums with City Lights from 1965 to 1971, and formed his own band, The Rubber Band, in 1973, which stayed together until 1977. By 1979, Foulkes had returned to his childhood interest in one-man bands and began playing solo with "The Machine," which he created. He still performs with The Machine regularly on the West Coast and has released a CD of original compositions, entitled Llyn Foulkes and His Machine: Live at the Church of Art. Since the early 1980s, Foulkes began working on a series of tableaux, beginning with OвЂ™Pablo (1983). His work POP (1986-1990), in the collection of the Museum of Contemporary Art, Los Angeles, utilizes fragments of real clothing and real upholstery, all conjoined with the painted surface. Paul Shimmel included POP, along with a group of subsequent paintings, in the "Helter Skelter" exhibition of 1992 in which the artist was among the group exhibited. Foulkes's most recent large scale projects are The Lost Frontier (1997-2004) and Deliverance (2004-2007). The execution of these two works along with extended interviews and musical contributions by Foulkes are the subject of a documentary entitled Llyn Foulkes One Man Band, directed by Tamar Halpern and Chris Quilty. The documentary premiered at the Los Angeles Film Festival in 2013, where it was called "An illuminating portrait" by the Hollywood Reporter, and was compared to other acclaimed artist portrait documentaries "Searching for Sugar Man" and "Cutie and the Boxer" by Variety. The film will open theatrically in the United States in May 2014. Llyn Foulkes was a participant and performer at dOCUMENTA (13), Kassel, Germany in 2012 and was the subject of a major retrospective which started in February 2013 at the Hammer Museum in Los Angeles.
Broward Auction Gallery LLC
Mar. 12, 2020
Llyn Foulkes, Death Valley No. 7
Est: $5,000 - $7,000
Llyn Foulkes Death Valley No. 7 1975 photograph with hand-coloring in oils mounted to cardboard in a moulded plexiglass frame 15 h × 12 w × 2 d in (38 × 30 × 5 cm) Signed, titled and dated to lower edge 'Death Valley No 7 Llyn Foulkes 75'. Provenance: Willard Gallery, New York | Sotheby's, New York, Arcade Paintings, 12 December 2006, Lot 280 | Private Collection, California Exhibited: Llyn Foulkes, 1975, Willard Gallery, New York | Llyn Foulkes, 1975, Galerie Darthea Speyer, Paris condition: Framed behind acrylic measuring 15 x 12 x 2 inches.
Wright
Feb. 15, 2020
Llyn Foulkes (B. 1934) Post Card #2, 1964
Est: $30,000 - $50,000
Llyn Foulkes (B. 1934) Post Card #2, 1964 signed, inscribed and dated 'This Painting is dedicated to the American -L. Foulkes 1964' (center left) oil on canvas 65 x 65 1/2 in. 165.1 x 166.4 cm. For further information on this lot please visit the Bonhams website
Bonhams
Feb. 09, 2020
Llyn Foulkes (CA,born 1934) oil painting provenance
Est: $14,000 - $15,000
ARTIST: Llyn Foulkes (California, born 1934) NAME: Untitled YEAR: 1961 MEDIUM: oil on canvas CONDITION: Excellent. No visible inpaint under UV light. Wear to frame. SIGHT SIZE: 16 x 16 inches / 40 x 40 cm FRAME SIZE: 17 x 17 inches / 42 x 42 cm SIGNATURE: Lower right PROVENANCE: Dilexi Gallery, CA (has gallery label). Llyn Foulkes had exhibition in Dilexi Gallery, Los Angeles, CA in 1962. Supposedly the painting was purchased there (source http://www.andrearosengallery.com/artists/llyn-foulkes ); Art Rental Gallery, Junior Art Council of the Los Angeles County Museum of Art, 1963 (has label on verso); The Pasadena Art Museum (has label on verso) SIMILAR ARTISTS: Roland Petersen, Malcolm Morley, Joe Goode, Saul Steinberg, Kenneth Price, Julian Schnabel, Helen Frankenthaler, Laddie John Dill, William Dole, Sol LeWitt, Robert Burns Motherwell, Manuel Neri, Wayne Thiebaud, Hans Gustav Burkhardt, Theodoros Stamos, Gordon Max Onslow Ford CATEGORY: antique vintage painting SKU#: 115618 WARRANTY: 7 days returns accepted if item doesn't match description US Shipping $49 + insurance. Llyn Foulkes (California, 1883 - 1962) Llyn Foulkes (born 1934, 17 November, Yakima, Washington) is an American artist living and working in Los Angeles. As a student at Chouinard Art Institute (now CalArts), Foulkes began exhibiting with the Ferus Gallery, Los Angeles in 1959. He held his first one-man exhibition at Ferus in 1961. Other early solo exhibitions included the Pasadena Art Museum (1962) and the Oakland Art Museum (1964). He also showed with a new gallery across the street from Ferus (exhibiting Jess, Georgia O'Keeffe, Irving Petlin, and others) called the Rolf Nelson Gallery (1963, 64). In 1967, Foulkes was awarded the Prize for Painting at the Paris Biennale, Musee dвЂ™Art Moderne de la Ville de Paris followed by a European exhibition there. The Los Angeles County Museum of Art was the first museum to acquire his work for its collection, in 1964 as the original building was still under construction. Charles Proof Demetrion selected Foulkes to represent the United States in the IX Sao Paulo Art Biennial, Museu de Arte Moderna Sao Paulo, Brazil also in 1967. Through the late sixties into the seventies Foulkes created landscape paintings that utilized the iconography of postcards, vintage landscape photography, and Route 66-inspired hazard signs. This period resulted in his first retrospective organized by the Newport Harbor Art Museum (1974). Music also became a major catalyst in Foulkes's work at this time. He played drums with City Lights from 1965 to 1971, and formed his own band, The Rubber Band, in 1973, which stayed together until 1977. By 1979, Foulkes had returned to his childhood interest in one-man bands and began playing solo with "The Machine," which he created. He still performs with The Machine regularly on the West Coast and has released a CD of original compositions, entitled Llyn Foulkes and His Machine: Live at the Church of Art. Since the early 1980s, Foulkes began working on a series of tableaux, beginning with OвЂ™Pablo (1983). His work POP (1986-1990), in the collection of the Museum of Contemporary Art, Los Angeles, utilizes fragments of real clothing and real upholstery, all conjoined with the painted surface. Paul Shimmel included POP, along with a group of subsequent paintings, in the "Helter Skelter" exhibition of 1992 in which the artist was among the group exhibited. Foulkes's most recent large scale projects are The Lost Frontier (1997-2004) and Deliverance (2004-2007). The execution of these two works along with extended interviews and musical contributions by Foulkes are the subject of a documentary entitled Llyn Foulkes One Man Band, directed by Tamar Halpern and Chris Quilty. The documentary premiered at the Los Angeles Film Festival in 2013, where it was called "An illuminating portrait" by the Hollywood Reporter, and was compared to other acclaimed artist portrait documentaries "Searching for Sugar Man" and "Cutie and the Boxer" by Variety. The film will open theatrically in the United States in May 2014. Llyn Foulkes was a participant and performer at dOCUMENTA (13), Kassel, Germany in 2012 and was the subject of a major retrospective which started in February 2013 at the Hammer Museum in Los Angeles.
Broward Auction Gallery LLC
Dec. 18, 2019
Llyn Foulkes American, b. 1934 Made in Mexico, 1976
Est: $3,000 - $5,000
Llyn Foulkes American, b. 1934 Made in Mexico, 1976 Signed L. Foulkes and dated '76 (lr), signed Llyn Foulkes, dated 1976 and inscribed as titled on the reverse Mixed media and paper collage on found photo, within artist's frame Overall 8 3/4 x 9 5/8 inches Provenance: Gruenebaum Gallery, Ltd., New York C
DOYLE Auctioneers & Appraisers
Nov. 10, 2019
Llyn Foulkes (CA,born 1934) oil painting provenance
Est: $14,500 - $16,000
ARTIST: Llyn Foulkes (California, born 1934) NAME: Untitled YEAR: 1961 MEDIUM: oil on canvas CONDITION: Excellent. No visible inpaint under UV light. Wear to frame. SIGHT SIZE: 16 x 16 inches / 40 x 40 cm FRAME SIZE: 17 x 17 inches / 42 x 42 cm SIGNATURE: Lower right PROVENANCE: Dilexi Gallery, CA (has gallery label). Llyn Foulkes had exhibition in Dilexi Gallery, Los Angeles, CA in 1962. Supposedly the painting was purchased there (source http://www.andrearosengallery.com/artists/llyn-foulkes ); Art Rental Gallery, Junior Art Council of the Los Angeles County Museum of Art, 1963 (has label on verso); The Pasadena Art Museum (has label on verso) SIMILAR ARTISTS: Roland Petersen, Malcolm Morley, Joe Goode, Saul Steinberg, Kenneth Price, Julian Schnabel, Helen Frankenthaler, Laddie John Dill, William Dole, Sol LeWitt, Robert Burns Motherwell, Manuel Neri, Wayne Thiebaud, Hans Gustav Burkhardt, Theodoros Stamos, Gordon Max Onslow Ford CATEGORY: antique vintage painting SKU#: 115618 WARRANTY: 7 days returns accepted if item doesn't match description US Shipping $49 + insurance. Llyn Foulkes (California, 1883 - 1962) Llyn Foulkes (born 1934, 17 November, Yakima, Washington) is an American artist living and working in Los Angeles. As a student at Chouinard Art Institute (now CalArts), Foulkes began exhibiting with the Ferus Gallery, Los Angeles in 1959. He held his first one-man exhibition at Ferus in 1961. Other early solo exhibitions included the Pasadena Art Museum (1962) and the Oakland Art Museum (1964). He also showed with a new gallery across the street from Ferus (exhibiting Jess, Georgia O'Keeffe, Irving Petlin, and others) called the Rolf Nelson Gallery (1963, 64). In 1967, Foulkes was awarded the Prize for Painting at the Paris Biennale, Musee dвЂ™Art Moderne de la Ville de Paris followed by a European exhibition there. The Los Angeles County Museum of Art was the first museum to acquire his work for its collection, in 1964 as the original building was still under construction. Charles Proof Demetrion selected Foulkes to represent the United States in the IX Sao Paulo Art Biennial, Museu de Arte Moderna Sao Paulo, Brazil also in 1967. Through the late sixties into the seventies Foulkes created landscape paintings that utilized the iconography of postcards, vintage landscape photography, and Route 66-inspired hazard signs. This period resulted in his first retrospective organized by the Newport Harbor Art Museum (1974). Music also became a major catalyst in Foulkes's work at this time. He played drums with City Lights from 1965 to 1971, and formed his own band, The Rubber Band, in 1973, which stayed together until 1977. By 1979, Foulkes had returned to his childhood interest in one-man bands and began playing solo with "The Machine," which he created. He still performs with The Machine regularly on the West Coast and has released a CD of original compositions, entitled Llyn Foulkes and His Machine: Live at the Church of Art. Since the early 1980s, Foulkes began working on a series of tableaux, beginning with OвЂ™Pablo (1983). His work POP (1986-1990), in the collection of the Museum of Contemporary Art, Los Angeles, utilizes fragments of real clothing and real upholstery, all conjoined with the painted surface. Paul Shimmel included POP, along with a group of subsequent paintings, in the "Helter Skelter" exhibition of 1992 in which the artist was among the group exhibited. Foulkes's most recent large scale projects are The Lost Frontier (1997-2004) and Deliverance (2004-2007). The execution of these two works along with extended interviews and musical contributions by Foulkes are the subject of a documentary entitled Llyn Foulkes One Man Band, directed by Tamar Halpern and Chris Quilty. The documentary premiered at the Los Angeles Film Festival in 2013, where it was called "An illuminating portrait" by the Hollywood Reporter, and was compared to other acclaimed artist portrait documentaries "Searching for Sugar Man" and "Cutie and the Boxer" by Variety. The film will open theatrically in the United States in May 2014. Llyn Foulkes was a participant and performer at dOCUMENTA (13), Kassel, Germany in 2012 and was the subject of a major retrospective which started in February 2013 at the Hammer Museum in Los Angeles.
Broward Auction Gallery LLC
Jun. 05, 2019
Llyn Foulkes (née en 1934) With Love huile sur photographie noire et blanc sur panneau 18 x 13 cm.
Est: €10,000 - €15,000
Llyn Foulkes (née en 1934) With Love titré et daté '"With Love '75"' (en bas au centre); signé et titré 'With Love Llyn Foulkes' (au dos) huile sur photographie noire et blanc sur panneau 18 x 13 cm. Peint en 1975. titled and dated '"With Love" '75' (lower center); signed and titled 'With Love Llyn Foulkes' (on the reverse) oil on black & white photograph on panel 7 x 5 1/8 in. Painted in 1975.
Christie's
Oct. 24, 2018
Llyn Foulkes (B. 1934) Untitled (Mary Louise Chapman, Age 4), 1975
Est: $3,000 - $5,000
Llyn Foulkes (B. 1934) Untitled (Mary Louise Chapman, Age 4), 1975 titled 'Mary Louise Chapman age 4' (upper center); signed and dated 'Llyn Foulkes 1975' (lower right)oil, printed photograph, metal, masking tape and paper collage on paper board construction in artist's frameFramed dimensions: 7 1/4 x 5 1/4 in.18.4 x 13.3 cm
Bonhams
Oct. 24, 2018
Llyn Foulkes (B. 1934) To Mr. Nuhu, 1975
Est: $4,000 - $6,000
Llyn Foulkes (B. 1934) To Mr. Nuhu, 1975 signed and titled 'TO MR. NUHU LLYN FOULKES' (on artist's label on the reverse)oil and paper collage on board in artist's frameFramed dimensions: 10 1/4 x 8 1/4 in.26 x 21 cm
Bonhams
Oct. 24, 2018
Llyn Foulkes (B. 1934) Untitled, 1979
Est: $6,000 - $8,000
Llyn Foulkes (B. 1934) Untitled, 1979oil, ink, and paper collage on board in artist's frameFramed dimensions: 20 1/2 x 16 1/2 in.52.1 x 41.9 cm
Bonhams
May. 02, 2018
Llyn Foulkes (B. 1934) Untitled, 1969
Est: $3,000 - $5,000
Llyn Foulkes (B. 1934) Untitled, 1969 signed and dated 'Llyn Foulkes 1969' (right center)oil, acrylic, graphite and colored pencil on panel25 1/4 x 32 1/2 in.64.1 x 82.6 cm
Bonhams
Nov. 17, 2017
LLYN FOULKES | Carte Postale
Est: $80,000 - $120,000
acrylic and collage on board
Sotheby's
Jul. 06, 2017
LLyn Foulkes (né en 1934) Death Valley Postcard, 1974
Est: €2,000 - €3,000
LLyn Foulkes (né en 1934) Death Valley Postcard, 1974 Technique mixte sur panneau Dédicacée, datée et signée en bas Mixed media on board; dedicated, dated and signed at the bottom 25 x 30 cm - 9 7/8 x 11 3/4 in.
Tajan
Mar. 26, 2017
Llyn Foulkes, Artist Proof
Est: $300 - $500
Llyn Foulkes (American, 1934-), artist proof, untitled, signed and dated 1974 in pencil lower right, 22" sq (view), 23" sq (frame). Provenance: From a Los Angeles, California estate.
Kaminski Auctions
Mar. 03, 2017
Llyn Foulkes (B. 1934) - Untitled
Est: $10,000 - $15,000
Llyn Foulkes (B. 1934) Untitled oil and paper collage on board in artist's frame 6 3/8 x 4 1/2 in. (16.2 x 11.4 cm.)
Christie's
May. 01, 2016
LLYN FOULKES, (AMERICAN, B. 1934), "THAT'S MY BOY"
Est: $6,000 - $10,000
LLYN FOULKES (american, b. 1934) "THAT'S MY BOY" Signed, titled and dated 1977 verso, acrylic on panel with photo and metal collage elements. 18 1/4 x 17 1/2 in. (46.4 x 44.5cm) provenance: Gruenebaum Gallery, Ltd., New York, New York. Sotheby's, New York, "Modern and Contemporary Paintings, Drawings and Sculpture," October 6, 1987, lot 292. Christie's, New York, "Contemporary Drawings, Watercolors and Collages," May 8, 1990, lot 174. Corporate Collection, Philadelphia, Pennsylvania. exhibited: "Llyn Foulkes: New Works 1976-1977," Gruenebaum Gallery Ltd., New York, New York, 1977 (illustrated in exhibition catalogue).
Freeman's | Hindman