Thomas Flatman Sold at Auction Prices

Coleridge family poetry.- Flatman (Thomas) Poems and songs, second edition, Printed by S[arah]. and B[ennet]. G[riffin]. for Benjamin Took, 1676.

Coleridge family poetry.- Flatman (Thomas) Poems and songs, second edition, final f. blank, lacking portrait, some worming, mostly in upper corners, affecting some pagination, water-stained, marginal fraying, just touching 1 letter on final f., later sheep, spine faded, corners worn, rubbed and scuffed, [Wing F1152], 8vo, Printed by S[arah]. and B[ennet]. G[riffin]. for Benjamin Took, 1676. ⁂ Provenance: John Taylor Coleridge (The poet Samuel Taylor Coleridge's nephew), Hadlow Street, 1824; John Duke Coleridge (great-nephew of the poet), Eton College, 1834; Bernard Coleridge (son of J.T. Coleridge) (ink inscriptions and a bookplate to front free endpapers).

A portrait miniature, 'Man, possibly Thomas Flatman (1637 - 1688)', unsigned, copper. H. 6 cm. W. 5 cm. Around 1650. Condition report available on request.

A portrait miniature, 'Man, possibly Thomas Flatman (1637 - 1688)', unsigned, copper. H. 6 cm. W. 5 cm. Around 1650. Condition report available on request.

THOMAS FLATMAN | Portrait of a gentleman, circa 1665

Watercolour and bodycolour on vellum, silver frame; signed with the artist's monogram centre left: TF

English School, 17th Century A pair of silver-cased portraits of a Royalist gentleman and a lady (stamped with a single unidentifia...

English School, 17th Century A pair of silver-cased portraits of a Royalist gentleman and a lady (stamped with a single unidentifiable mark), the cases of oval form, flat based with friction fitting somewhat domed covers decorated with an oval wreath of repoussé foliage around central cartouche, each engraved with a personal Coat of Arms oil on copper, a pair (2) h:9 w:7 d:2 cm Provenance: The Hall family of Yorkshire and by descent, possibly through the Dutch Loudon family Other Notes: The coats-of-arms on the silver cases cannot be positively identified. The engravers failed to show shading that would have indicated the tinctures. An attribution to Thomas Flatman (British, 1637-1688) has been suggested.

Thomas Flatman (British, 1635-1688)

THOMAS FLATMAN (BRITISH, 1635-1688) A gentleman in black gown and white lawn collar Signed with monogram ‘TF’ (mid-left) On vellum Oval, 71 mm. high, gilt-metal frame with spiral cresting

THOMAS FLATMAN | A miniature self-portrait

in contemporary gold frame with early 19th century monogram MAB, signed with monogram TF and dated 1678, watercolor on vellum

Circle of Thomas Flatman (British, 1637-1688)

A Gentleman, wearing black doublet and white lawn collar edged with lace, his natural hair falling to his shoulders. Ebonised and turned wood frame. Oval, 41mm (1 5/8in) high

Thomas Flatman (British, 1637-1688)

A Gentleman, wearing black cloak and white lawn collar drawn with tassels, his natural dark hair falling before his shoulders. Watercolour on card, silver frame with pierced spiral cresting. Oval, 63mm (2 1/2in) high

Follower of Thomas Flatman, British 1637-1688-

Follower of Thomas Flatman, British 1637-1688- Portrait of a man wearing a red jacket; a portrait miniature, oval, in an ebonised and gilt oval frame, 7x5.6cm

Thomas Flatman (British, 1637-1688) A Gentleman, wearing a black robe over a grey chemise, his brown hair worn long

A Gentleman, wearing a black robe over a grey chemise, his brown hair worn long. Watercolour on vellum, silver filigree frame. Oval, 63mm (2 1/2in) high Provenance: Bonhams, 19 February 2008, lot 71

Attributed to Thomas Flatman (British, 1637-1688) A Gentleman, wearing black cloak and white lace jabot, natural hair

A Gentleman, wearing black cloak and white lace jabot, natural hair. Watercolour on vellum, gilt-metal frame. Oval, 48mm (1 7/8in) high Provenance: Phillips, 9 November 1999, lot 228

Thomas Flatman (British, 1637-1688) A Gentleman, wearing black doublet and cross-belt, his white cravat tied with black ribbon, his hair worn long

A Gentleman, wearing black doublet and cross-belt, his white cravat tied with black ribbon, his hair worn long. Watercolour on vellum, silver frame with pierced spiral cresting. Oval, 56mm (2 3/16in) high

A young gentleman, in gold-bordered pale blue coat, gold-bordered black cloak draped over his right shoulder, white lawn collar with tassel, long brown hair falling to his shoulders

THOMAS FLATMAN (BRITISH, 1635-1688) A young gentleman, in gold-bordered pale blue coat, gold-bordered black cloak draped over his right shoulder, white lawn collar with tassel, long brown hair falling to his shoulders on vellum laid down on card oval, 1 15/16 in. (49 mm.) high, gilt-metal mount within rectangular wood frame

Thomas Flatman (British, 1635-1688)

A pair of portraits of a Gentleman and Lady; he wears black scholar's robes and a white lawn collar, his shoulder length brown hair curled, landscape background; she wears white dress with blue cloak, pearls at her neck watercolour on vellum put down on pasteboard, both signed on obverse with gold monogram, he indistinctly inscribed on reverse, probably with sitter's details and with date 1685 Oval, 54mm. (2 1/8ins.) high (2)

FLATMAN, THOMAS.

Four works:

FLATMAN, THOMAS.

Two issues of his ode on the death of George, Duke of Albemarle:

Thomas Flatman (British, 1637-1688)

A Gentleman, wearing black cloak and grey cravat watercolour on vellum, original silver filigree frame of flower and scroll form, surmounted by a crown, unglazed Oval, 64mm. (2 1/2ins.) high

Thomas Flatman (British, 1635-1688) : Jasper Churchill, wearing full-bottomed wig, black robes and white lace jabot

FLATMAN, Thomas (1637-1688). Poems and Songs. London: Benjamin Tooke, 1686.

8 o (183 x 113 mm). Collation : A 8 (a)-(b) 8 B-S 8 T 4. Engraved portrait frontispiece by R. White after J. Hayls. (Dedication leaf with repaired tear, A8 with tear crossing text, small burn hole on H8 touching a few letters, without blank A1.) Contemporary panelled and sprinkled calf, red sprinkled edges (joints splitting slightly at head). Provenance : Thomas Belayse, Viscount Fauconberg (armorial bookplate) -- John Hayward, sold Sotheby's, London, 14 March 1966, lot 162, to F. Hollings -- purchased from Seven Gables Bookshop, New York, 17 April 1969. Exhibited : National Book League, London, Hayward's Descriptive Catalogue, 1947, no. 131. Fourth edition. Scholar of Winchester, and scholar and fellow of New College, Thomas Flatman has been long esteemed as a miniature painter, but he was also a poet. This is the most complete edition of the Poems and Songs, which were first collected in 1674. Only the third and fourth editions contain the frontispiece. Grolier Wither to Prior 359 (wrongly calling for 8 rather than 4 leaves in the final quire T); Wing F1154.