Joseph Siffred Duplessis Paintings & Artwork for Sale | Joseph Siffred Duplessis Art Value Price Guide

Sep. 19, 2024
Attributed to Joseph-Siffred Duplessis (1725 - 1802), Portrait of a gentleman in Garde du Corps du Roi dress
Est: £3,000 - £5,000
Attributed to Joseph-Siffred Duplessis (1725 - 1802) Portrait of a gentleman in Garde du Corps du Roi dress Oil on canvas Sticker verso, inscribed 'EARL. ARRAN - APRIL 16 1885' Provenance: Possibly Philip Yorke Gore, 4th Earl of Arran; Chiswick Auctions, 31 October 2018, Lot 140. Dimensions: (Frame) 33 in. (H) x 29 in. (W) (Canvas) 25 in. (H) x 21 in. (W)
Sloane Street Auctions
Jan. 27, 2024
JOSEPH DUPLESSIS OIL PORTRAIT OF GEORGES LOUIS LECLERC, COMTE DE BUFFON
Est: $10,000 - $15,000
DUPLESSIS, Joseph S. (1725-1802), circle of. Portrait of Georges Louis Leclerc, Comte de Buffon. Oil on canvas. 21 1/4" x 17 3/4" canvas, 30" x 26" framed. Provenance: Private Collection Virginia; Sotheby's New York, March 13, 1985; Doyle New York, May 18 2016 - $3,125. Joseph-Siffred Duplessis was a French painter known for the clarity and immediacy of his portraits. Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) was a French naturalist, mathematician, and cosmologist. He held the position of intendant (director) at the Jardin du Roi, now called the Jardin des plantes. Buffon's works influenced the next two generations of naturalists, including two prominent French scientists Jean-Baptiste Lamarck and Georges Cuvier. Buffon published thirty-six quarto volumes of his Histoire Naturelle during his lifetime, with additional volumes based on his notes and further research being published in the two decades following his death.
Arader Galleries
Sep. 28, 2022
Attributed to Joesph Duplessis (1725-1802), A Portrait of the Marquise de Lambert
Est: £2,000 - £3,000
Attributed to Joesph Duplessis (1725-1802) A Portrait of Anne-ThÃ©rÃ¨se de Marguenat de Courcelles, Marquise de Lambert (b. 1647, d. 1733) Oil on canvas, oval In an ornate carved and gilded frame Dimensions: (Framed) 33.75 (H) x 30 in. (W) (Canvas) 25.5 (H) x 21.5 (W)
Sloane Street Auctions
Feb. 15, 2022
Joseph-Siffred DUPLESSIS Carpentras, 1725 - Versailles, 1802 Portrait de Louis-Stanislas-Xavier de France (1755 -1824), comte de Pro...
Est: €20,000 - €30,000
Joseph-Siffred DUPLESSIS Carpentras, 1725 - Versailles, 1802 Portrait de Louis-Stanislas-Xavier de France (1755 -1824), comte de Provence, surnommé " Monsieur " Huile sur toile, de forme ovale Deux anciennes étiquettes numérotées '211' et '3048' et deux cachets de cire noire sur le châssis au verso Portrait of Louis Stanislas Xavier of France, Count of Provence, oil on canvas, by J. S. Duplessis h: 58 w: 47,50 cm Provenance : Probablement collection Delassue, Paris ; Sa vente, Paris, Hôtel Drouot, Mes Chevallier et Brodu, 22 décembre 1905, n° 34 (adj. 100 francs) ; Vente anonyme ; Reims, Me Dapsens, 15 décembre 1991, s. n. (comme attribué à Duplessis) ; Collection particulière, Paris Expositions : 'Cent portraits pour un siècle. De la cour à la ville sous les règnes de Louis XV et Louis XVI', Versailles, musée Lambinet, 6 novembre 2019 - 1er mars 2020 et Nice, palais Lascaris, 19 mai - 22 novembre 2021, catalogue par X. Salmon, p. 42-44, n° 14 Bibliographie : Gérard Fabre (dir.), 'Joseph Boze 1745-1826. Portraitiste de l'Ancien Régime à la Restauration', cat. exp. Martigues, musée Ziem, 2004, p. 106, et p. 108, fig. 33, mentionné et repr. dans la notice des n° 26 et 27 Commentaire : Au Salon de 1779, Duplessis expose un portrait du comte de Provence à mi-corps, vêtu d'un habit de soie gris clair richement brodé, qui est sans doute l'exemplaire aujourd'hui conservé dans les collections du musée Condé de Chantilly (fig. 1). D'un format plus modeste, avec un cadrage resserré sur le haut du buste et le visage du modèle, le portrait que nous présentons fut certainement exécuté à l'occasion d'une séance de pose accordée par le prince au portraitiste qui s'est attardé sur les chairs et leur modelé en laissant la perruque et l'arrière-plan plus esquissés. Le visage du comte de Provence brossé ici est le même que celui qui apparaît dans le portrait du Salon du 1779 et dans une troisième version où le modèle est vêtu d'un habit rouge1, indiquant que le peintre a réutilisé la même étude d'après nature. Né en 1755 à Versailles, Louis Stanislas Xavier de France était le quatrième fils du dauphin et le frère cadet de Louis XVI. Il accèdera au trône après la Révolution pendant les Cent Jours puis à la Restauration sous le nom de Louis XVIII. 1. Vente anonyme ; Paris, Hôtel Drouot, Me Fraysse, 27 mars 2013, n° 12, cité par X. Salmon, in cat. exp. Versailles, 2019, p. 44. Estimation 20 000 - 30 000 €
Artcurial
Jul. 27, 2019
Large Portrait Oil Painting of Benjamin Franklin by Follower of Adriaen Hanneman After Joseph Duplessis
Est: $6,000 - $9,000
A Remarkable Portrait Oil Painting of Benjamin Franklin attributed to a follower of Adriaen Hanneman (1601 - 1671), after Joseph Duplessis (1725-1802) | Previously attributed by Sotheby’s to follower of Adriaen Hanneman (See Sotheby’s Label on Verso) | Oil on Canvas | Housed in a more contemporary gold gilt wood frame | Dimensions: Image: 36" H x 30.5" W Framed: 42.5" H x 36" W | In very good condition | Provenance: From the estate of Jay Yamner in Park Slope, Brooklyn, NY; Previously Newman Galleries, Walnut St, Philadelphia.
Worthington Galleries
Oct. 31, 2018
ATTRIBUTED TO JOSEPH-SIFFRED DUPLESSIS (CARPENTRAS 1725-1802 VERSAILLES)
Est: £4,000 - £6,000
ATTRIBUTED TO JOSEPH-SIFFRED DUPLESSIS (CARPENTRAS 1725-1802 VERSAILLES) Portrait of a gentleman in uniform of the Garde du Corps du Roi oil on canvas 25 1/2 x 21 1/4 in. (64.2 x 54 cm.) PROVENANCE: (possibly) Philip Yorke Gore, 4th Earl of Arran.
Chiswick Auctions
Oct. 31, 2017
Joseph-Siffred Duplessis (Carpentras - Portrait of the Architect Louis-François Petit Radel (1740-1818), half-length
Est: $40,000 - $60,000
Joseph-Siffred Duplessis (Carpentras Portrait of the Architect Louis-François Petit Radel (1740-1818), half-length oil on canvas 25 ¼ x 21 in. (64.1 x 53.1 cm.)
Christie's
Oct. 21, 2017
Portrait of Benjamin Franklin After Joseph Duplessis (1725-1802)
Est: $2,500 - $7,500
Portrait Painting of Ben Franklin After Joseph Duplessis (1725-1802) | In the manner of Adriaen Hanneman | Previously attributed by Sotheby’s to follower of Adriaen Hanneman (See Sotheby’s Label on Verso) | Oil on Canvas | Provenance: Newman Galleries, Walnut St, Philadelphia | Housed in a gold gilt frame | Dimensions: 36 x 30.5 Framed: 42.5 x 36 | Professionally Repair in upper left | Provenance: From the estate of Jay Yamner in Park Slope, Brooklyn, NY; Previously Newman Galleries, Philadelphia. About Joseph-Siffred Duplessis (22 September 1725 – 1 April 1802) was a French painter, known for the clarity and immediacy of his portraits. He was born in Carpentras, near Avignon, into a family with an artistic bent and received his first training from his father, a surgeon and talented amateur. He subsequently studied with Joseph-Gabriel Imbert (1666–1749), who had been a pupil of Charles Le Brun. From 1744–47 or later he worked in Rome, in the atelier of Pierre Subleyras (1699–1749), who was also from the south of France. In Italy Duplessis became fast friends with Joseph Vernet, another Occitan. He returned to Carpentras, spent a brief time in Lyon then arrived about 1752 in Paris, where he was accepted into the Académie de Saint-Luc and exhibited some portraits, which were now his specialty, in 1764, but did not achieve much notice until his exhibition of ten paintings at the Paris salon of 1769, very well received and selected for special notice by Denis Diderot; the Académie de peinture et de sculpture accepted him in the category of portraitist, considered a lesser category at the time. He continued to exhibit at the Paris salons, both finished paintings and sketches, until 1791, and once more, in 1801. His portrait of the Dauphine in 1771 and his appointment as a peintre du Roi assured his success: most of his surviving portraits date from the 1770s and 1780s. He received privileged lodgings in the Galeries du Louvre. In the Revolution, he withdrew to safe obscurity at Carpentras during the Reign of Terror. Afterwards, from 1796, he served as curator at the newly founded museum formed at Versailles, so recently emptied of its furnishings at the Revolutionary sales. His uncompromising self-portrait at this time of his life is at Versailles, where he died. He would adjust his style to the social condition of his sitter: his portrait of Charles-Claude, comte d’Angiviller, director of the Bâtiments du Roi, is as distant and conventional as his state portrait of Louis XVI in coronation robes (1776), while his realistic and intimate portrait of the opera composer Christoph Willibald Gluck (Kunsthistorisches Museum, Vienna) catches the composer at the keyboard in a moment of inspiration and his penetrating portrait of the sculptor Christophe Gabriel Allegrain (Louvre Museum, illustration) shows him having just laid down his chisel: this was the morceau de reception that gained him admittance to the Académie. His portrait of Benjamin Franklin (circa 1785), more than any other, has fixed the image of Franklin for posterity since it is reproduced on the U.S. hundred dollar bill. About Adriaen Hanneman: Born in The Hague, Adriaen Hanneman trained under the portrait painters Anthony van Ravesteyn (1580-1669) and his brother Jan (1572-1657). Following the example of many other Dutch and Flemish artists he came to London circa 1626 in search of the rich patronage to be found at the hands of the English nobility and the Caroline court, and in 1630 he married an English girl, Elizabeth Wilson. The heavy influence of Van Dyck on his work from this period suggests that he was probably involved in that master’s studio in Blackfriars. Hanneman remained in England for over a decade. His name appears in the Lord Mayor’s survey of foreigners resident in London in 1635, living in Holborn, and he only returned to The Hague between 1638 and 1640, just before the outbreak of the Civil War. Despite his extended stay very few of Hanneman’s English portraits survive. On his return to Holland Hanneman’s elegant and accomplished style, which he had learned in England, proved immensely popular among Dutch patrons, and his success did much to spread the influence of Van Dyck’s style throughout the Netherlands. In 1640 he was elected to the painters’ guild in The Hague and married his second wife, Maria, the daughter of Jan van Ravesteyn. From the late 1640s onwards Hanneman’s English connections proved particularly useful as increasing numbers of dispossessed and exiled Royalists began to settle in the Netherlands after the establishment of the Commonwealth in England. He painted many of the key Royalist figures, including Charles, Prince of Wales, later King Charles II (now lost), his brother Henry, Duke of Gloucester (National Gallery of Art, Washington) and Edward Hyde, 1st Earl of Clarendon (Private Collection). These portraits retain much of the influence of Van Dyck, but have a distinctive character of their own and display a masterful characterization that is evident in all of the artist’s best work. Hanneman also found favor at the Dutch court in the 1650s and painted many portraits of the Royal Family, including William of Orange, later the Stadholder King and William III of England (1650-1702), when a child holding an orange with a small dog (Rijksmuseum, Amsterdam).
Worthington Galleries
Oct. 18, 2017
JOSEPH-SIFFRED DUPLESSIS (FRENCH 1725-1802)
Est: $15,000 - $20,000
JOSEPH-SIFFRED DUPLESSIS (FRENCH 1725-1802) Self-Portrait, circa 1780 oil on canvas 58.4 x 48.3 cm (23 x 19 in.) inscribed left center G.B. Greuze PROVENANCE Possibly Louis-Bertin Parant (1768-1851), Paris Thomas Jefferson Bryan (1802-1870) Given to the New York Historical Society in 1867 by Thomas Jefferson Bryan (Inventory 1867.262) Sold by the Historical Society at Sotheby`s in December, 1997, Sale No. 1562, lot 54 Sands & Company, New York (purchased at the above auction) Private Collection, USA LITERATURE Bryan Catalogue, 1853, p.15, no. 209 (as Greuze and of the Duc de Choiseul) Bryan Companion Catalogue, 1853, pp 118-19, no. 209 Catalogue, 1915, p. 88, no. B-262 LOT NOTES Originally owned by Thomas Jefferson Bryan, one of the first major collectors of old masters in New York City history, who bequeathed his collection to the New York Historical Society in 1867, the current portrait is a strikingly well executed verion of Duplessis`s Self-Portrait in the Musee Comtadin et Musee Duplessis in Carpentras. Known to many Americans for his portrait of Benjamin Franklin, which is reproduced on the US hundred dollar bill, Duplessis was the pre-eminent portrait painter of his generation. After his portrait of the Dauphine in 1771, Duplessis was appointed peintre du Roi, and apart from his portrait of Louis XVI, sitters for his works including such illustrious figures as Jacques Necker, Christophe Willibald Gluck, and Josep-Marie Vien, amongst others. He generally painted his portraits, including this self-portrait in duplicate versions. The clarity, vibrancy, and emotiveness of the present self-portrait are hallmarks of Duplessis`s portraiture.
Shapiro Auctions LLC
Jun. 17, 2015
JOSEPH-SIFFRED DUPLESSIS | Portrait de Christoph Willibald Ritter von Gluck
Est: €80,000 - €120,000
Huile sur toile
Sotheby's
Mar. 27, 2015
Joseph-Siffred Duplessis Carpentras, 1725 - Versailles, 1802 Portrait d'un gentilhomme à la veste verte Huile sur toile de forme ova..
Est: €15,000 - €20,000
Joseph-Siffred Duplessis Carpentras, 1725 - Versailles, 1802 Portrait d'un gentilhomme à la veste verte Huile sur toile de forme ovale Signée et datée 'J.S. Duplessis / pinx. 1773' à gauche 'PORTRAIT OF A GENTLEMAN', OIL ON CANVAS, OVAL SHAPED, SIGNED AND DATED, BY J.-S. DUPLESSIS h: 63,50 w: 53,50 cm Provenance : Dans la famille des actuels propriétaires au château de Vachères dans la Drôme depuis le XVIIIe siècle Commentaire : Propriété de la famille Gramont depuis le XVe siècle, la seigneurie de Vachères devenue marquisat fut cédée à Pierre-Esprit La Bretonnière en mai 1790 et resta la propriété de cette famille jusqu'à nos jours. Notre portrait d'homme n'a jamais quitté les murs de ce château situé au cœur de la Provence natale de Duplessis.
Artcurial
Dec. 12, 2012
Attribué à Joseph Siffred DUPLESSIS (1725-1802) Portrait de femme tenant un livre Toile 73,5 x 60 cm Au dos, une étiquette ancienne ...
Est: €12,000 - €15,000
Attribué à Joseph Siffred DUPLESSIS (1725-1802) Portrait de femme tenant un livre Toile 73,5 x 60 cm Au dos, une étiquette ancienne avec le n°107
Tajan
Nov. 16, 2012
Joseph Siffred DUPLESSIS (1725-1802) Portrait de
Est: €20,000 - €30,000
Joseph Siffred DUPLESSIS (1725-1802) Portrait de la duchesse de Maillé Toile ovale. 79 x 62 cm Étiquettes au dos. (restaurations anciennes). Cadre en bois sculpté et doré d'époque Louis XVI. Madeleine...
Brissonneau
Jun. 29, 2012
Attribué à Joseph Siffred DUPLESSIS (1725-1802) Portrait d'officier avec l'ordre de Saint-Louis Toile ovale 65 x 53 cm
Est: €800 - €1,200
Attribué à Joseph Siffred DUPLESSIS (1725-1802) Portrait d'officier avec l'ordre de Saint-Louis Toile ovale 65 x 53 cm
Piasa
Jul. 01, 2011
Louis-Joseph DUPLESSIS (atelier de) (Carpentras
Est: €800 - €1,000
Louis-Joseph DUPLESSIS (atelier de) (Carpentras 1725 - Versailles 1802) Portrait présumé de Parfaite Thaïs de Mailly Princesse de Montbarrey St Maurice en buste Huile sur toile d'origine "59,3 x 49 cm Madame Rachel Dudouit qui a examiné de près notre portrait de la Princesse de Montbarrey considère que c'est une aeuvre originale de l'artiste, réalisée dans son atelier. Parfaite Thaïs de Mailly, petite cousine des célèbres saeurs de Mailly-Nesle qui furent intimes de Louis XV, avait épousé le comte de Montbarrey-Saint-Maurice prince du Saint-Empire et ministre de la Guerre sous Louis XVI, disgrâcié après un scandale. La version en pied est conservée au Metropolitan Museum New York."
Boisgirard-Antonini
Apr. 13, 2011
After Joseph S. Duplessis (French, 1725-1802), portrait of benjamin franklin, Oil on canvas, framed.
Est: $6,000 - $8,000
After Joseph S. Duplessis (French, 1725-1802) portrait of benjamin franklin Oil on canvas, framed. 27 in. x 22 1/4 in. (sight) PROVENANCE: Collection of Stuart E. Karu Christie's, New York, Jan. 12, 1999, lot 29. A portrait of Franklin by Duplessis is in the collection of the Metropolitan Museum of Art.
Freeman's | Hindman
Jun. 24, 2009
- Joseph-Siffred Duplessis , Carpentras 1725 - 1802 Versailles Portrait de Louis XVI en buste Joseph-Siffred Duplessis ; Portrait of Louis XVI bust-length ; oil on canvas Huile sur toile
Est: €100,000 - €120,000
Huile sur toile
Sotheby's
Nov. 06, 2008
Joseph-Siffred Duplessis (Carpentras 1725-1802 Versailles)
Est: £15,000 - £20,000
Joseph-Siffred Duplessis (Carpentras 1725-1802 Versailles) Portrait of Comtesse de Provence (1753-1810), half-length, in a turquoise dress with white lace trim and ribbon oil on canvas, oval 31¾ x 25¼ in. (80.6 x 64.2 cm.) in a Louis XVI carved and gilded frame
Christie's
Jun. 18, 2008
Joseph Siffred DUPLESSIS (Carpentras 1725 -
Est: €80,000 - €100,000
Joseph Siffred DUPLESSIS (Carpentras 1725 - Versailles 1802) Portrait de Monsieur de Buissy Toile 116 x 88,5 cm Porte au dos du châssis une ancienne inscription Peint par Duplessis et M de Buissy Provenance : Toujours resté dans la famille du modèle. Pierre de Buissy (1743-1787), seigneur de Longpré, fut officier au régiment des Gardes françaises. Il occupa ensuite la charge de Capitaine des chasses du comte d'Artois. Il épousa Anne Elizabeth de Gaudin. Une seule fille, Anne Charlotte Elisabeth, devait naître de cette union. Il fut longtemps propriétaire du château de Long, fief familial, qui avait été construit par son père, Honoré à Charles, en 1733. Appelé également La folie de Long, ce château, célèbre à l'époque, contribua vraisemblablement à ruiner les finances de la famille. Pierre de Buissy dut démembrer une partie de la propriété en 1773. Duplessis représenta Pierre de Buissy vêtu de l'habit rouge porté par la haute aristocratie de province. Une couleur qui ne leur était pas autorisée à la Cour. Il est décoré de la cocarde de l'ordre de Saint Louis. Probablement un de ses plus beaux tableaux par son harmonie de rouge et de blanc, il doit être situé vers 1785 peu après le portrait de Vien du Louvre qui a la même position que celle de notre modèle. Rachel Dudouit inclura notre tableau dans le catalogue raisonné de l'artiste qu'elle prépare actuellement.
Millon & Associes
Apr. 25, 2007
Circle of Joseph-Siffred Duplessis (Carpentras 1725-1802 Versailles)
Est: £1,200 - £2,700
Portrait of a gentleman, bust-length, in a green coat and white lace cravat bears signature, 'Chardin' (centre left) oil on canvas, an oval 56 x 46.5 cm. (22 x 18 in.)
Bonhams
Jan. 22, 2006
After Joseph Siffred Duplessis, (French, 1725-1802), Portrait of Benjamin Franklin
Est: $500 - $700
After Joseph Siffred Duplessis (French, 1725-1802) Portrait of Benjamin Franklin oil on canvas 22 x 18 inches.
Hindman

Lots Per Page:

Joseph Siffred Duplessis Sold at Auction Prices

Painter, b. 1725 - d. 1802

Upcoming Lots

Past Lots

0 Lots

Auction Date

Seller

Seller Location

Price Range

Attributed to Joseph-Siffred Duplessis (1725 - 1802), Portrait of a gentleman in Garde du Corps du Roi dress

JOSEPH DUPLESSIS OIL PORTRAIT OF GEORGES LOUIS LECLERC, COMTE DE BUFFON

Attributed to Joesph Duplessis (1725-1802), A Portrait of the Marquise de Lambert

Joseph-Siffred DUPLESSIS Carpentras, 1725 - Versailles, 1802 Portrait de Louis-Stanislas-Xavier de France (1755 -1824), comte de Pro...

Large Portrait Oil Painting of Benjamin Franklin by Follower of Adriaen Hanneman After Joseph Duplessis

ATTRIBUTED TO JOSEPH-SIFFRED DUPLESSIS (CARPENTRAS 1725-1802 VERSAILLES)

Joseph-Siffred Duplessis (Carpentras - Portrait of the Architect Louis-François Petit Radel (1740-1818), half-length

Portrait of Benjamin Franklin After Joseph Duplessis (1725-1802)

JOSEPH-SIFFRED DUPLESSIS (FRENCH 1725-1802)

JOSEPH-SIFFRED DUPLESSIS | Portrait de Christoph Willibald Ritter von Gluck

Joseph-Siffred Duplessis Carpentras, 1725 - Versailles, 1802 Portrait d'un gentilhomme à la veste verte Huile sur toile de forme ova..

Attribué à Joseph Siffred DUPLESSIS (1725-1802) Portrait de femme tenant un livre Toile 73,5 x 60 cm Au dos, une étiquette ancienne ...

Joseph Siffred DUPLESSIS (1725-1802) Portrait de

Attribué à Joseph Siffred DUPLESSIS (1725-1802) Portrait d'officier avec l'ordre de Saint-Louis Toile ovale 65 x 53 cm

Louis-Joseph DUPLESSIS (atelier de) (Carpentras

After Joseph S. Duplessis (French, 1725-1802), portrait of benjamin franklin, Oil on canvas, framed.

- Joseph-Siffred Duplessis , Carpentras 1725 - 1802 Versailles Portrait de Louis XVI en buste Joseph-Siffred Duplessis ; Portrait of Louis XVI bust-length ; oil on canvas Huile sur toile

Joseph-Siffred Duplessis (Carpentras 1725-1802 Versailles)

Joseph Siffred DUPLESSIS (Carpentras 1725 -

Circle of Joseph-Siffred Duplessis (Carpentras 1725-1802 Versailles)

After Joseph Siffred Duplessis, (French, 1725-1802), Portrait of Benjamin Franklin

Popular Artists

Bid On-the-Go!

Joseph Siffred Duplessis Sold at Auction Prices

Painter, b. 1725 - d. 1802

Upcoming Lots

Past Lots

0 Lots

Categories

Auction Date

Seller

Seller Location

Price Range

Popular Artists

Get Invaluable on Your Phone

Bid On-the-Go!