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Lot 10: Portrait of Benjamin Franklin After Joseph Duplessis (1725-1802)

Est: $2,500 USD - $7,500 USDPassed
Worthington GalleriesGallatin, TN, USOctober 21, 2017

Item Overview

Description

Portrait Painting of Ben Franklin After Joseph Duplessis (1725-1802) | In the manner of Adriaen Hanneman | Previously attributed by Sotheby’s to follower of Adriaen Hanneman (See Sotheby’s Label on Verso) | Oil on Canvas | Provenance: Newman Galleries, Walnut St, Philadelphia | Housed in a gold gilt frame | Dimensions: 36 x 30.5 Framed: 42.5 x 36 | Professionally Repair in upper left | Provenance: From the estate of Jay Yamner in Park Slope, Brooklyn, NY; Previously Newman Galleries, Philadelphia. About Joseph-Siffred Duplessis (22 September 1725 – 1 April 1802) was a French painter, known for the clarity and immediacy of his portraits. He was born in Carpentras, near Avignon, into a family with an artistic bent and received his first training from his father, a surgeon and talented amateur. He subsequently studied with Joseph-Gabriel Imbert (1666–1749), who had been a pupil of Charles Le Brun. From 1744–47 or later he worked in Rome, in the atelier of Pierre Subleyras (1699–1749), who was also from the south of France. In Italy Duplessis became fast friends with Joseph Vernet, another Occitan. He returned to Carpentras, spent a brief time in Lyon then arrived about 1752 in Paris, where he was accepted into the Académie de Saint-Luc and exhibited some portraits, which were now his specialty, in 1764, but did not achieve much notice until his exhibition of ten paintings at the Paris salon of 1769, very well received and selected for special notice by Denis Diderot; the Académie de peinture et de sculpture accepted him in the category of portraitist, considered a lesser category at the time. He continued to exhibit at the Paris salons, both finished paintings and sketches, until 1791, and once more, in 1801. His portrait of the Dauphine in 1771 and his appointment as a peintre du Roi assured his success: most of his surviving portraits date from the 1770s and 1780s. He received privileged lodgings in the Galeries du Louvre. In the Revolution, he withdrew to safe obscurity at Carpentras during the Reign of Terror. Afterwards, from 1796, he served as curator at the newly founded museum formed at Versailles, so recently emptied of its furnishings at the Revolutionary sales. His uncompromising self-portrait at this time of his life is at Versailles, where he died. He would adjust his style to the social condition of his sitter: his portrait of Charles-Claude, comte d’Angiviller, director of the Bâtiments du Roi, is as distant and conventional as his state portrait of Louis XVI in coronation robes (1776), while his realistic and intimate portrait of the opera composer Christoph Willibald Gluck (Kunsthistorisches Museum, Vienna) catches the composer at the keyboard in a moment of inspiration and his penetrating portrait of the sculptor Christophe Gabriel Allegrain (Louvre Museum, illustration) shows him having just laid down his chisel: this was the morceau de reception that gained him admittance to the Académie. His portrait of Benjamin Franklin (circa 1785), more than any other, has fixed the image of Franklin for posterity since it is reproduced on the U.S. hundred dollar bill. About Adriaen Hanneman: Born in The Hague, Adriaen Hanneman trained under the portrait painters Anthony van Ravesteyn (1580-1669) and his brother Jan (1572-1657). Following the example of many other Dutch and Flemish artists he came to London circa 1626 in search of the rich patronage to be found at the hands of the English nobility and the Caroline court, and in 1630 he married an English girl, Elizabeth Wilson. The heavy influence of Van Dyck on his work from this period suggests that he was probably involved in that master’s studio in Blackfriars. Hanneman remained in England for over a decade. His name appears in the Lord Mayor’s survey of foreigners resident in London in 1635, living in Holborn, and he only returned to The Hague between 1638 and 1640, just before the outbreak of the Civil War. Despite his extended stay very few of Hanneman’s English portraits survive. On his return to Holland Hanneman’s elegant and accomplished style, which he had learned in England, proved immensely popular among Dutch patrons, and his success did much to spread the influence of Van Dyck’s style throughout the Netherlands. In 1640 he was elected to the painters’ guild in The Hague and married his second wife, Maria, the daughter of Jan van Ravesteyn. From the late 1640s onwards Hanneman’s English connections proved particularly useful as increasing numbers of dispossessed and exiled Royalists began to settle in the Netherlands after the establishment of the Commonwealth in England. He painted many of the key Royalist figures, including Charles, Prince of Wales, later King Charles II (now lost), his brother Henry, Duke of Gloucester (National Gallery of Art, Washington) and Edward Hyde, 1st Earl of Clarendon (Private Collection). These portraits retain much of the influence of Van Dyck, but have a distinctive character of their own and display a masterful characterization that is evident in all of the artist’s best work. Hanneman also found favor at the Dutch court in the 1650s and painted many portraits of the Royal Family, including William of Orange, later the Stadholder King and William III of England (1650-1702), when a child holding an orange with a small dog (Rijksmuseum, Amsterdam).

Dimensions

42.5" x 36"

Medium

oil on canvas

Condition Report

Professionally repaired in upper left

Provenance

Newman Galleries, Walnut St, Philadelphia From the estate of Jay Yamner in Park Slope, Brooklyn, NY

Payment & Shipping

Payment

Accepted forms of payment: American Express, Discover, MasterCard, Money Order / Cashiers Check, Other, Paypal, Visa, Wire Transfer

Shipping

Worthington Galleries provides in-house shipping at additional costs. We will separately invoice all winning bidders for packing, shipping, handling, and insurance costs. Please contact us to make shipping arrangements. If for whatever reason a winning bidder chooses not to use our in-house shipping, we will be happy to provide names of carriers and shippers. Should Purchaser choose to use a third-party shipper, Purchaser agrees that packing and shipping is done solely at the purchaser's risk and that the Purchaser will pay for all packing expenses, materials, carrier fees and insurance charges. Worthington Galleries will have no liability for any loss or damage to shipped items. Items must be paid for in full before they will be shipped. Any shipping estimates given are only estimates and cannot be construed as the final shipping cost. All property should be removed from the auction site premises at the auction's conclusion unless prior arrangements have been made with Worthington Galleries. Purchased items not picked up or shipped within ten business days of the auction will be assessed a storage fee of $10.00 per day. If the purchaser fails to have their item(s) removed from the Auction Site 30 days after the auction, Worthington Galleries reserves the right to take possession of the item(s) and dispose of them at their discretion to recoup storage costs.

Auction Details

Civil War & Militaria Spectacular

by
Worthington Galleries
October 21, 2017, 11:00 AM CST

112 Public Square, Gallatin, TN, 37066, US

Terms

Live bidding may start higher or lower

Buyer's Premium

$0 - 500:20.0%
$501+:23.0%

Bidding Increments

From:To:Increment:
$0$99$10
$100$499$25
$500$999$50
$1,000$2,999$100
$3,000$9,999$200
$10,000$19,999$500
$20,000$499,999$1,000
$500,000+$5,000

Extended Bidding

5 minutes/bid

Terms & Conditions

Payment: All Sales Are Final. We accept the following forms of payment: Cash (In House Only), American Express, Discover, MasterCard, Money Order / Cashier's Check, Visa, and Wire Transfer. All winning bids must be settled by the end of sale. If we do not hear from you within 5 business days from the auction date, a credit card may be charged through invaluable. Purchaser is responsible for all bank fees incurred for wire transactions. Payment may be made by cash (In House Only), wire transfer, certified funds, credit card or other form approved by Worthington Holdings, LLC ("Worthington Galleries") in writing. We reserve the right to require payment by wire transfer or certified funds. Payments from outside the United States and Canada should be made by wire transfer. Credit cards will not be accepted for international transactions. Checks may take up to three weeks to clear and be verified. Buyers not known to us presenting a check must provide a "letter of guarantee" from a bank officer on original stationery to Worthington Galleries. This letter should state an exact amount of funds guaranteed and should be presented to the cashier at time of registration. Credit arrangements must be made by the Friday prior to the day of auction so bank statements or letters of guarantee can be verified. We reserve the right to not issue a bidder number or to withhold merchandise if appropriate credit has not been established. Worthington Galleries reserves the right to hold all merchandise until receipt of funds is verified. A $50.00 service charge will be assessed when a check fails to clear the purchaser's bank. In addition to this returned check administrative fee, late payment fees may be assessed. We require cash, cashier's check or wire transfer to replace the returned check and any service fees.

Shipping: Worthington Galleries provides in-house shipping at additional costs. We will separately invoice all winning bidders for packing, shipping, handling, and insurance costs. Please contact us to make shipping arrangements. If for whatever reason a winning bidder chooses not to use our in-house shipping, we will be happy to provide names of carriers and shippers. Should Purchaser choose to use a third-party shipper, Purchaser agrees that packing and shipping is done solely at the purchaser's risk and that the Purchaser will pay for all packing expenses, materials, carrier fees and insurance charges. Worthington Galleries will have no liability for any loss or damage to shipped items. Items must be paid for in full before they will be shipped. Any shipping estimates given are only estimates and cannot be construed as the final shipping cost. All property should be removed from the auction site premises at the auction's conclusion unless prior arrangements have been made with Worthington Galleries. Purchased items not picked up or shipped within ten business days of the auction will be assessed a storage fee of $10.00 per day. If the purchaser fails to have their item(s) removed from the Auction Site 30 days after the auction, Worthington Galleries reserves the right to take possession of the item(s) and dispose of them at their discretion to recoup storage costs.
Buyer's Premium: A buyer's premium will be applied to the purchase price of all items as listed below. (The "Sales Price" is the hammer price plus the buyer's premium, plus applicable convenience payment fees, plus applicable taxes). All bidding at auction and all purchases will be in U.S. Dollars. 

Condition and Descriptions: Worthington Holdings, LLC ("Worthington") has endeavored to accurately describe all items being sold. All items are sold as is, where is, with all faults. There are no warranties or representations of merchantability, of fitness, nor of any other kind, express or implied. All items are available for your examination prior to bidding. Your bidding will signify that you have examined the items as fully as desired, or that you have chosen not to examine them. Please note that photographs may have had size modifications for display purposes, or been trimmed to exclude framing, matting, and wide blank margins. Also, imperfections from the photography process can include reflections and variations in color due to digital processing. Worthington shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear, imperfections or aging. Any condition statement, written or verbal, is given as a courtesy to the client, and is only an opinion. It should not be treated as a statement of fact. Written and oral descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, materials or any other feature of items being sold. Our goal is to provide prospective bidders with accurate and detailed information. We recommend prospective bidders examine all items in which they have an interest. If you require absolute certainty in all areas of authenticity, and the results of your evaluation leave uncertainty in your mind, we recommend you not bid on the item in question. Estimates provided are our opinion of the price that a willing buyer would pay for the property at auction. These estimates are neither a representation nor a prediction of the actual selling price that will be realized at auction. All sales are final. No statement written or oral made by the auctioneer or a representative of Worthington shall be deemed a warranty or assumption of liability by Worthington or by any seller represented by Worthington. Worthington reserves the right to withdraw any property before the sale. The preview for the sale will be one day before the sale, or by appointment.

Your bid is a contract: In bidding on any lot offered, the bidder indicates acceptance of these Terms and Conditions of Sale. Title of each lot passes when the auctioneer says, "Sold". The bidder is responsible for knowing on which item(s) he or she is bidding. If unsure, the bidder should inquire, or not bid. When becoming the winning bidder at auction, you have affected a contract and will be expected to pay for items in which you were evidenced to be the successful bidder. After the item is sold, any loss by fire, theft, breakage, or any other cause is the sole responsibility of the purchaser. Merchandise must be packed and transported by the purchaser at his own risk and expense.

Taxes: Purchases may be subject to 9.25% Tennessee sales tax unless the Tennessee Department of Revenue Blanket Certificate of Resale form is completed and provided, along with a copy of the resale certificate from your state and received prior to time of purchase. International buyers are responsible for tariffs, taxes, or assessments of shipped items to the buyer's country.

Shipping

Worthington Galleries provides in-house shipping at additional costs. We will separately invoice all winning bidders for packing, shipping, handling, and insurance costs. Please contact us to make shipping arrangements. If for whatever reason a winning bidder chooses not to use our in-house shipping, we will be happy to provide names of carriers and shippers. Should Purchaser choose to use a third-party shipper, Purchaser agrees that packing and shipping is done solely at the purchaser's risk and that the Purchaser will pay for all packing expenses, materials, carrier fees and insurance charges. Worthington Galleries will have no liability for any loss or damage to shipped items. Items must be paid for in full before they will be shipped. Any shipping estimates given are only estimates and cannot be construed as the final shipping cost. All property should be removed from the auction site premises at the auction's conclusion unless prior arrangements have been made with Worthington Galleries. Purchased items not picked up or shipped within ten business days of the auction will be assessed a storage fee of $10.00 per day. If the purchaser fails to have their item(s) removed from the Auction Site 30 days after the auction, Worthington Galleries reserves the right to take possession of the item(s) and dispose of them at their discretion to recoup storage costs.