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  • ARTISTA CENTROITALIANO DEL XVI SECOLO - The deposition of Christ
    Apr. 16, 2025

    ARTISTA CENTROITALIANO DEL XVI SECOLO - The deposition of Christ

    Est: €15,000 - €25,000

    ARTISTA CENTROITALIANO DEL XVI SECOLO. The deposition of Christ . Inscription in the lower right:* “VERE LANGUORES NOSTROS IPSE TULIT”. Reference literature: V. Fortunati, in La pittura in Emilia e Romagna, Il Cinquecento, I, Milano 1995, pp. 225-228; G. Daniele, Prospero Fontana ‘pictor bononiensis’ (1509-1597): catalogo ragionato dei dipinti, Roma 2022, tav. 63, p. 148. The work depicts the episode of the Entombment in a grand compositional setting, with Christ placed at the center of the scene, supported by mourners in a tightly woven arrangement brimming with emotional intensity. The pallor of his body contrasts with the vibrant, saturated colors of the surrounding figures' garments, such as deep reds and greens, lending depth and relief to the entire representation. The style, arrangement, and treatment of the figures, along with clear references to antiquity, evoke the rich cultural atmosphere of Central Italian Mannerism and may suggest an influence from Prospero Fontana or one of his followers. Fontana, a renowned painter of the Emilian school active in the 16th century, was a master of a Mannerism that emphasized pathos and psychological complexity, especially in sacred scenes. This is evident in works like the Burial of Christ, now housed in the Pinacoteca Nazionale di Bologna (inv. 539). In this painting, we find some of the characteristic elements of his style: from the use of vivid, vibrant colors to the masterful chiaroscuro that shapes the figures, and the expressively incisive portrayal of faces, revealing a wide range of emotions and making the collective grief palpable. In particular, the figure in red on the right, probably Joseph of Arimathea, recalls typical models of Fontana and seems to direct the viewer’s gaze toward the physical and emotional center of the scene, the body of Christ.. 150 x 170 cm.

    Capitolium Art
  • ARTISTA CENTROITALIANO DEL XVI SECOLO - The deposition of Christ
    Dec. 10, 2024

    ARTISTA CENTROITALIANO DEL XVI SECOLO - The deposition of Christ

    Est: €15,000 - €25,000

    ARTISTA CENTROITALIANO DEL XVI SECOLO. The deposition of Christ . Inscription in the lower right:* “VERE LANGUORES NOSTROS IPSE TULIT”. Reference literature: V. Fortunati, in La pittura in Emilia e Romagna, Il Cinquecento, I, Milano 1995, pp. 225-228; G. Daniele, Prospero Fontana ‘pictor bononiensis’ (1509-1597): catalogo ragionato dei dipinti, Roma 2022, tav. 63, p. 148. The work depicts the episode of the Entombment in a grand compositional setting, with Christ placed at the center of the scene, supported by mourners in a tightly woven arrangement brimming with emotional intensity. The pallor of his body contrasts with the vibrant, saturated colors of the surrounding figures' garments, such as deep reds and greens, lending depth and relief to the entire representation. The style, arrangement, and treatment of the figures, along with clear references to antiquity, evoke the rich cultural atmosphere of Central Italian Mannerism and may suggest an influence from Prospero Fontana or one of his followers. Fontana, a renowned painter of the Emilian school active in the 16th century, was a master of a Mannerism that emphasized pathos and psychological complexity, especially in sacred scenes. This is evident in works like the Burial of Christ, now housed in the Pinacoteca Nazionale di Bologna (inv. 539). In this painting, we find some of the characteristic elements of his style: from the use of vivid, vibrant colors to the masterful chiaroscuro that shapes the figures, and the expressively incisive portrayal of faces, revealing a wide range of emotions and making the collective grief palpable. In particular, the figure in red on the right, probably Joseph of Arimathea, recalls typical models of Fontana and seems to direct the viewer’s gaze toward the physical and emotional center of the scene, the body of Christ.. 150 x 170 cm.

    Capitolium Art
  • DANIELE BUETTI - Looking for love
    Feb. 07, 2023

    DANIELE BUETTI - Looking for love

    Est: -

    DANIELE BUETTI Switzerland 1955 Looking for love. 1997-2001 Collage of intervened photographs and drawings Back side titled and dated on artist label Back side signed and titled Measurements 125 x 150 cm Gallery Certificate EspaiLucas, Valencia PROVENANCE (stamp on back) EspaiLucas Gallery, Valencia Private collection

    Subastas Segre
  • DANIELE BUETTI-Prada. Loking for love
    Dec. 13, 2022

    DANIELE BUETTI-Prada. Loking for love

    Est: -

    DANIELE BUETTI Switzerland 1955 Prada. Loking for love. 1996-2004 Color photograph Back signed, titled and dated 1996-2004 Measurements 50 x 70 cm ORIGIN (label on back) Espai Lucas Art Gallery, Valencia Private collection

    Subastas Segre
  • BRUNO PEDROSA (BRAZILIAN, B. 1950)
    Oct. 01, 2022

    BRUNO PEDROSA (BRAZILIAN, B. 1950)

    Est: $400 - $800

    Bruno Pedrosa Brazilian, b. 1950 Untitled Art glass Signed and dated 1998 along side. Abstract, thin oval form with primary color designs throughout, additional, likely studio mark to underside. Provenance: Purchased by Kenneth Langsdorf in 1998 through the Galleria Daniele Luchetta in Venice, Italy.

    Selkirk Auctioneers & Appraisers
  • Josef Hoffmann 2 Sessel
    Jul. 06, 2021

    Josef Hoffmann 2 Sessel

    Est: €6,000 - €10,000

    Josef Hoffmann 2 Chairs wood, ebonized; new covers; minor signs of usage h. 96 cm; seat height 47 cm Archiv, MAK Vienna: inv.-no. KI 7835-30 (contemporary photograph); Daniele Baroni/Antonio D'Auria, Josef Hoffmann e la Wiener Werkstätte, Milano 1981, p. 125, ill. 309

    Im Kinsky
  • Mario Daniele (1950) - Inverno #17, 2012-2015
    May. 06, 2021

    Mario Daniele (1950) - Inverno #17, 2012-2015

    Est: €600 - €800

    Inkjet print on cotton paper Edition 3 of 7 Titled, dated, numbered and signed in pencil on the verso This lot is subject to Artists Resale Rights

    Finarte
  • DANIÈLE BORDET (XXE)
    Jun. 01, 2017

    DANIÈLE BORDET (XXE)

    Est: €600 - €800

    DANIÈLE BORDET (XXE) Coupe à fruit circulaire en plexiglas, 1998, socle en bronze à patine verte figurant une frise de personnages. A plexiglas bowl, 1998, green patina bronze base. H 14,5 x D 44,5 cm • H 5 3/4 x Diam. 17 1/2 in.

    Tajan
  • Buetti, Daniele
    Dec. 07, 2016

    Buetti, Daniele

    Est: €5,000 - €7,000

    'Nike'', 1996-2001 C-Print mounted on aluminium On the reverse on an exhibition label signed, dated, titled and annotated ''Aus der Werkgruppe Good Fellow'' Lettered E.A. Buetti, Daniele 1955 Fribourg/Schweiz - lebt in Zürich und Münster "Nike". 1996-2001 C-Print auf Aluminium montiert 75 x 100 cm Verso auf einem Ausstellungsetikett signiert, datiert und betitelt sowie bezeichnet "Aus der Werkgruppe Good Fellow". Verso auf einem weiteren Ausstellungsetikett typografisch betitelt und bezeichnet. Exemplar E.A.. Provenienz: Privatsammlung Süddeutschland Ausstellung: Galerie Ars Futura Zürich, Inv. Nr. 805 (Klebeetikett verso) Der Schweizer Künstler und Professor an der Kunstakademie Münster bearbeitet die Abbildungen von Gesichtern schöner Models aus Modezeitungen und Lifestyle-Magazinen mit Kugelschreiber. Er drückt den Körpern Werbemarken auf, die wie Tattoos oder Stempel wirken, welche die Frauen zu Konsumobjekten degradieren. Das dekorative Ornament entpuppt sich als eine aggressive Verletzung der Haut, als entstellende Narbe, die den auratischen Schein stören und die Vermarktung als vergötterte Mode-Ikone unterbinden soll.

    Neumeister
  • EROTICA -
    Dec. 03, 2016

    EROTICA -

    Est: CHF1,800 - CHF2,400

    EROTICA - BUETTI, DANIELE (1955) "Arabeske auf Brust # 15". Aus der Serie "Looking for Love" 1996. Original-Photographie. C-Print auf Photopapier. Späterer Abzug, dat. 2006. Bildmass 75 x 50 cm, Blattgrösse 85 x 60 cm. Verso auf Rahmen, mont. Photographen-Etikett, darauf signiert und hs. num. 1/3. Aus einer Auflage von 3 + 1 Artist Proof. - Provenienz: Germann, Auktion 28. Mai 2009 Lot 706.

    Koller Auctions
  • 2x Cycling history books to incl “La Fabuleuse Histoire du Cyclisme” by Pierre Chany 1st ed 1980 and
    Sep. 21, 2016

    2x Cycling history books to incl “La Fabuleuse Histoire du Cyclisme” by Pierre Chany 1st ed 1980 and

    Est: £10 - £15

    2x Cycling history books to incl “La Fabuleuse Histoire du Cyclisme” by Pierre Chany 1st ed 1980 and “Bianchi – Una bicicletta sola al commando” by Daniele Marchesini – 1st ed 2007

    Mullocks Specialist Auctioneers
  • Christy Turlington
    Jun. 13, 2013

    Christy Turlington

    Est: CHF300 - CHF500

    DANIELE BUETTI Christy Turlington Geb. 1955 in Fribourg Rückseitig auf dem Passepartout signiert "A. Buetti" und datiert "1996". Auf dem Deckkarton signiert "A. Buetti" datiert "1996" und nummeriert "I/III". Farbfotografie in Passepartout 7 3 x 4 6 cm gerahmt

    Galerie Fischer Auktionen AG
  • Daniele Ranzoni (Intra, Novara 1843 - 1889)
    May. 23, 2013

    Daniele Ranzoni (Intra, Novara 1843 - 1889)

    Est: €3,500 - €4,500

    Daniele Ranzoni (Intra, Novara 1843 - 1889) SCHIZZO PER RITRATTO DI GIOVANE olio su tavola, cm 19,5x11,5 Bibliografia Annie-Paule Quinsac, Daniele Ranzoni. Catalogo Ragionato dei dipinti e dei disegni, Milano 1997, tav. 133, p.112 "La tavoletta, curiosamente descritta da Giolli come dipinto "su una tavolozza" e dallo stesso datata al 1888, sembra uno studio per il dipinto precedente (cfr. Il cappello di paglia): identici, infatti, appaiono i caratteri somatici del viso, i capelli e il berretto. Rari e di fondamentale importanza sono gli "schizzi" che, come questo, riflettono le fasi iniziali dell'approccio ranzoniano alla rappresentazione di un volto. L'opera è dunque testimonianza pressoché unica e insostituibile sul metodo seguito dall'artista per impadronirsi del personaggio da ritrarre. La gestualità con cui il colore è buttato sulla tavola, con la spatola, con le dita, con le pennellate nervosamente vibrate e poi raschiate, rivela quella potenza espressionistica e quella passione a stento controllata che sottende la ritrattistica ranzoniana e che, spesso purtroppo, l'opera finita non possiede più. Di difficile datazione, proprio per la sua unicità (l'incuria deve aver distrutto altri simili esempi), lo "schizzo" va riferito al biennio 1872-73, per il citato collegarsi del dipinto precedente (cfr. Il cappello di paglia)." Cit. da A.P. Quinsac, Daniele Ranzoni. Catalogo Ragionato dei dipinti e dei disegni, op. cit., p. 112

    Pandolfini Casa d'Aste
  • Edoardo Daniele Villa Throne
    Nov. 12, 2012

    Edoardo Daniele Villa Throne

    Est: R40,000 - R60,000

    Edoardo Daniele Villa Throne signed and dated 1981 painted steel

    Strauss & Co
  • DANIELE BUETTI
    May. 30, 2011

    DANIELE BUETTI

    Est: CHF6,000 - CHF8,000

    DANIELE BUETTI 1956 LOOKING FOR LOVE, 1996-2000 LOOKING FOR LOVE, 1996-2000 Rückseitig signiert, datiert, betitelt und nummeriert 3/3 C-Print Auflage 3/3 68 x 49,5 cm (lichtmass)

    Sotheby's
  • Contemporary Art: DANIELE BUETTI Fribourg 1956
    Dec. 05, 2008

    Contemporary Art: DANIELE BUETTI Fribourg 1956

    Est: €2,000 - €3,000

    Contemporary Art: DANIELE BUETTI Fribourg 1956 CHANEL (FROM THE SERIES: LOOKING FOR LOVE) 1996-2002

    Kunsthaus Lempertz KG
  • Daniele Buetti (B. 1956)
    Sep. 11, 2008

    Daniele Buetti (B. 1956)

    Est: £800 - £1,200

    Daniele Buetti (B. 1956) Benetton offset lithograph in colours, 1998-2004, on smooth wove paper, signed in black ink on the reverse, numbered 24/40 (there were also 2 artist's proofs), with margins, some scuffing to the left half of image, otherwise generally in good condition, framed P. 428 x 320 mm., S. 482 x 330 mm.

    Christie's
  • Looking for love, 1997/99
    Jun. 16, 2008

    Looking for love, 1997/99

    Est: CHF10,000 - CHF15,000

    DANIELE BUETTI (1955) Looking for love, 1997/99 rückseitig signiert, datiert, nummeriert und bezeichnet 'D. Buetti "Looking for love" 1997/1999 1/1' C-Print 152 x 103 cm

    Christie's
  • JOSEF HOFFMANN
    Dec. 15, 2006

    JOSEF HOFFMANN

    Est: $7,000 - $9,000

    TABLE, MODEL NO. 728/T measurements note 29 in. (73.6 cm) high 29 1/2 in. (75 cm) diameter manufactured by J. & J. Kohn, Vienna ca. 1905 beechwood, brass and glass LITERATURE Jacob & Josef Kohn: Bent-Wood Furniture, cat., 1916, reprinted Munich, 1980, p. 37 Daniele Baroni and Antonio D'Auria, Josef Hoffmann e la Wiener Werkstätte, Milan, 1981, p. 112 Derek E. Ostergard, Bentwood and Metal Furniture: 1850-1946, New York, 1987, p. 261

    Sotheby's
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