Giovanni Battista Cimaroli Paintings & Artwork for Sale | Giovanni Battista Cimaroli Art Value Price Guide

Dec. 03, 2024
GIOVANNI BATTISTA CIMAROLI (SALÒ 1687 - VENEZIA 1771) ATTRIBUITO
Est: €6,000 - €9,000
Giovanni Battista Cimaroli (Salò 1687 - Venezia 1771) attribuito Paesaggio fluviale Olio su tela 88 x 119 cm Dopo un primo apprendistato con Antonio Calza, si recò a Venezia, dove con il Canaletto, il Pittoni, il Piazzetta e il Balestra, collaborò alla realizzazione dei paesaggi di fondo per dei Tombeaux des Princes commissionate nel 1725 da Owen McSwiny, in cui si glorificavano alcuni personaggi della storia britannica. Dello stesso periodo sono i Paesaggi conservati a Buckingham Palace, dove l'artista mostra l'influenza del paesaggio barocco di Marco Ricci e Alessandro Magnasco. In seguito Cimaroli si affiancò all'arte del Canaletto sviluppando una importante serie di vedute veneziane e vedute dell'entroterra veneto, soprattutto lungo il pacifico corso del Brenta tra Venezia e Padova ove la nobiltà aveva fatto erigere le sfarzose ville. Visse e operò in Inghilterra acclamato dalla nobiltà per le sue vedute campestri e veneziane. Al pari di Giuseppe Zais e Francesco Zuccarelli è ritenuto uno dei massimi esempi di paesaggio arcadico di scuola veneta. Giovanni Battista Cimaroli (Salò 1687 - Venice 1771) attributed River Landscape Oil on canvas 88 x 119 cm
Lucas Aste
Dec. 03, 2024
GIOVANNI BATTISTA CIMAROLI (SALÒ 1687 - VENEZIA 1771)
Est: €4,000 - €6,000
Giovanni Battista Cimaroli (Salò 1687 - Venezia 1771) Paesaggio arcadico Olio su tela 42 x 60 cm Dopo un primo apprendistato con Antonio Calza, si recò a Venezia, dove con il Canaletto, il Pittoni, il Piazzetta e il Balestra, collaborò alla realizzazione dei paesaggi di fondo per dei Tombeaux des Princes commissionate nel 1725 da Owen McSwiny, in cui si glorificavano alcuni personaggi della storia britannica. Dello stesso periodo sono i Paesaggi conservati a Buckingham Palace, dove l'artista mostra l'influenza del paesaggio barocco di Marco Ricci e Alessandro Magnasco. In seguito Cimaroli si affiancò all'arte del Canaletto sviluppando una importante serie di vedute veneziane e vedute dell'entroterra veneto, soprattutto lungo il pacifico corso del Brenta tra Venezia e Padova ove la nobiltà aveva fatto erigere le sfarzose ville. Visse e operò in Inghilterra acclamato dalla nobiltà per le sue vedute campestri e veneziane. Al pari di Giuseppe Zais e Francesco Zuccarelli è ritenuto uno dei massimi esempi di paesaggio arcadico di scuola veneta. Giovanni Battista Cimaroli (Salò 1687 - Venice 1771) Arcadian Landscape Oil on canvas 42 x 60 cm
Lucas Aste
Jul. 03, 2024
GIOVANNI BATTISTA CIMAROLI (SALÒ 1687-1771 VENICE). An Italianate lake land
Est: £18,000 - £25,000
GIOVANNI BATTISTA CIMAROLI (SALÒ 1687-1771 VENICE). An Italianate lake landscape with travellers crossing a bridge, a lakeside town.... oil on canvas the first, 21 7⁄8 x 28 1⁄8 in. (55.5 x 71.4 cm); the second, 22 1⁄8 x 28 3⁄8 in. (56.3 x 72 cm.).
Christie's
Jul. 03, 2024
GIOVANNI BATTISTA CIMAROLI (SALÒ 1687-1771 VENICE). An Italianate landscape
Est: £18,000 - £25,000
GIOVANNI BATTISTA CIMAROLI (SALÒ 1687-1771 VENICE). An Italianate landscape with a view of Lake Garda and Salo in the distance,.... oil on canvas the first, 22 7⁄8 x 29 1⁄8 in. (57.9 x 73.8 cm.); the second, 22 7⁄8 x 29 3⁄8 in. (58 x 74.3 cm.).
Christie's
Jun. 27, 2024
Giovanni Battista Cimaroli, um 1687 Saló – um 1753 Venedig
Est: €80,000 - €120,000
DIE MÜNDUNG DES CANNAREGIO IN DEN CANAL GRANDE Öl auf Leinwand. Doubliert. 134,5 x 125,7 cm. In vergoldetem, plastisch ornamental verzierten Rahmen. Wir danken Herrn Dario Succi, Gorizia, für die Bestätigung der Zuschreibung. Darstellung des Cannaregio mit der Ponte delle Guglie. An der Stelle, an welcher der Cannaregio in den Canal Grande übergeht, steht die Kirche San Geremia. Eine erste Kirche wurde im 11. Jahrhundert von Mauro Tosello und seinem Sohn gegründet, welche einen Arm des Heiligen Bartholomäus darin aufbewahrten, den sie 1043 aus Apulien mitbrachten. Das Bauwerk, welches wir heute vom Canal Grande aussehen, ist jedoch jüngeren Datums, nämlich von 1753 – ein Entwurf von Carlo Corbellini. Und die Fassade, welche wir heute vom Cannaregio aus sehen, wurde erst 1861 fertiggestellt. Also lange nachdem das hier angebotene Gemälde geschaffen wurde. Der Campanile hingegen ist eines der ältesten Gebäude in Venedig und ist ein Relikt des ursprünglichen Gebäudekomplexes aus dem 12. Jahrhundert, welcher auf dem vorliegenden Gemälde zu sehen ist, wenngleich der achteckige Aufsatz unbedeutend jünger ist – jedenfalls ist auch dieser vor 1500 zu datieren. Provenienz: Sir Hugo Fitzherbert. Sir William Fitzherbert, Tissington Hall, Derbyshire. Sotheby‘s London, 8. Juli 1981, Lot 74 (als Canaletto). Literatur: William George Constable, Canaletto, Giovanni Antonio Canal, Oxford 1976, S. 314 - 315, Nr. 254. Vgl. William Constable und Joseph Gluckstein Links, Canaletto. Giovanni Antonio Canal 1697-1798, Oxford 1989. Vgl. Vittorio Moschini (Hrsg.), Canaletto, Athenäum, Bonn 1955. Ausstellungen: London, Burlington, Fine Art Club, Venetian Paintings of the 18th Century, 1911, Nr. 49.(1370851) (13) Giovanni Battista Cimaroli, ca. 1687 Saló – ca. 1753 Venice THE CONFLUENCE OF CANNAREGIO AND THE GRAND CANAL Oil on canvas. Relined. 134.5 x 125.7 cm. We would like to thank Dario Succi, Gorizia, for confirming the attribution. Provenance: Sir Hugo Fitzherbert. Sir William Fitzherbert, Tissington Hall, Derbyshire. Sotheby‘s London, 8 July 1981, lot 74 as Canaletto. Exhibitions: London, Burlington, Fine Art Club, Venetian Paintings of the 18th Century, 1911, no. 49.
Hampel Fine Art Auctions
Jun. 13, 2024
Giovan Battista Cimaroli 1687 Salò -1753 Venezia Paesaggi fluviali con figure e villaggi sullo sfondo
Est: €5,000 - €6,000
coppia di dipinti
Cambi Casa d'Aste
Dec. 07, 2023
Giovanni Battista Cimaroli, um 1687 Saló – um 1753 Venedig
Est: €15,000 - €20,000
FLUSSLANDSCHAFT MIT SCHLAFENDER FRAU UND SCHAFHERDE Öl auf Leinwand. 74,5 x 92 cm. Um 1760. In vergoldetem Zierrahmen. Beigegeben ein Gutachten von Dr. Federica Spadotto, Padua, 27. Juni 2022, in Kopie. Ein von links vorn diagonal in das Bildgeschehen hineinführender Fluss wird von einer dichten Ufervegetation begleitet und zeigt in jeder Kurve einen sanften Wassersturz. Schafe laben sich an dem Wasser, eine Frau liegt rechts vorn offensichtlich von dem sanft plätschernden Geräusch des Wassers übermannt, während Hirten sich den Schafen widmen. Literatur: Das hier angebotene Gemälde ist mit Farbabb. aufgeführt in: Federica Spadotto (Hrsg.), All‘ombra di Canaletto. Paesaggi e „capricciose invenzioni“ del Settecento veneziano, Padua 2023, S. 106, Abb. 64, mit Provenienz: Privatsammlung. Vgl. Antonio Morassi, Saggio su Giambattista Cimaroli collaboratore del Canalett, in: Arte Veneta, XXVI, 1972, S. 155-188. Vgl. Federica Spadotto, Un artista dimenticato: Giovan Battista Cimaroli, in: Saggi e memorie di Storia dell‘Arte, 1999, Nr. 23, S. 129-187. Vgl. Federica Spadotto, Giovan Battista Cimaroli, Rovigo 2011. (1380621) (13) Giovanni Battista Cimaroli, ca. 1687 Saló – ca. 1753 Venice RIVERSCAPE WITH SLEEPING WOMAN AND FLOCK OF SHEEP Oil on canvas. 74.5 x 92 cm. Accompanied by an expert’s report by Dr Federica Spadotto, Padua, 27 June 2022, in copy. Literature: The painting on offer for sale in this lot is listed with a colour illustration in: All’ombra di Canaletto. Paesaggi e “capricciose invenzioni” del Settecento veneziano, Padua, 2023, p. 106, ill. 64, with provenance: Private collection.
Hampel Fine Art Auctions
Dec. 05, 2023
GIOVANNI BATTISTA CIMAROLI (SALÒ 1687 - VENEZIA 1771)
Est: €14,000 - €20,000
Giovanni Battista Cimaroli (Salò 1687 - Venezia 1771) Veduta animata lungo la Brenta Olio su tela 38 x 46 cm L'opera, con leggerissime varianti, è identica alla tela passata in asta il 05/12/2017 da Sotheby's a Londra. Quest'ultima è stata pubblicata in pendant con altra veduta della Brenta sia da Filippo Pedrocco, catalogo della mostra Le immagini della Brenta (pag. 115 fig. 8) sia da Federica Spadotto nella monografia dedicata al pittore (pag. 295 fig. 107a); la studiosa indica l'esistenza di una terza versione conservata presso il Museo Civico di Bassano del Grappa. Dopo un primo apprendistato con Antonio Calza, si recò a Venezia, dove con il Canaletto, il Pittoni, il Piazzetta e il Balestra, collaborò alla realizzazione dei paesaggi di fondo per dei Tombeaux des Princes commissionate nel 1725 da Owen McSwiny, in cui si glorificavano alcuni personaggi della storia britannica. Dello stesso periodo sono i Paesaggi conservati a Buckingham Palace, dove l'artista mostra l'influenza del paesaggio barocco di Marco Ricci e Alessandro Magnasco. In seguito Cimaroli si affiancò all'arte del Canaletto sviluppando una importante serie di vedute veneziane e vedute dell'entroterra veneto, soprattutto lungo il pacifico corso del Brenta tra Venezia e Padova ove la nobiltà aveva fatto erigere le sfarzose ville. Visse e operò in Inghilterra acclamato dalla nobiltà per le sue vedute campestri e veneziane. Al pari di Giuseppe Zais e Francesco Zuccarelli è ritenuto uno dei massimi esempi di paesaggio arcadico di scuola veneta. Giovanni Battista Cimaroli (Salò 1687 - Venice 1771) Animated View Along the Brenta Oil on canvas 38 x 46 cm The artwork, with very slight variations, is identical to the canvas auctioned on 05/12/2017 at Sotheby's in London. The latter was published in conjunction with another view of the Brenta both by Filippo Pedrocco, catalog of the exhibition Le immagini della Brenta (page 115 fig. 8) and by Federica Spadotto in the monograph dedicated to the painter (page 295 fig. 107a); the scholar indicates the existence of a third version preserved in the Civic Museum of Bassano del Grappa.
Lucas Aste
Sep. 28, 2023
Giovanni Battista Cimaroli, um 1687 – 1753
Est: €120,000 - €150,000
DIE MÜNDUNG DES CANNAREGIO IN DEN CANAL GRANDE Öl auf Leinwand. Doubliert. 134,5 x 125,7 cm. In vergoldetem plastisch ornamental verziertem Rahmen. Wir danken Herrn Dario Succi, Gorizia, für die Bestätigung der Zuschreibung. Darstellung des Cannaregio mit der Ponte delle Guglie. An der Stelle, an welcher der Cannaregio in den Canal Grande übergeht, steht die Kirche San Geremia. Eine erste Kirche wurde im 11. Jahrhundert von Mauro Tosello und seinem Sohn gegründet, welche einen Arm des Heiligen Bartholomäus darin aufbewahrten, den sie 1043 aus Apulien mitbrachten. Das Bauwerk, welches wir heute vom Canal Grande aussehen, ist jedoch jüngeren Datums, nämlich von 1753 – ein Entwurf von Carlo Corbellini. Und die Fassade, welche wir heute vom Cannaregio aussehen, wurde erst 1861 fertig gestellt. Also lange nachdem das hier angebotene Gemälde geschaffen wurde. Der Campanile hingegen ist eines der ältesten Gebäude in Venedig und ist ein Relikt des ursprünglichen Gebäudekomplexes aus dem 12. Jahrhundert, welcher auf unserem Gemälde zu sehen ist, wenngleich der achteckige Aufsatz unbedeutend jünger ist - jedenfalls ist auch dieser vor 1500 zu datieren. Provenienz: Sir Hugo Fitzherbert. Sir William Fitzherbert, Tissington Hall, Derbyshire. Sotheby‘s London, 8. Juli 1981, Lot 74 (als Canaletto). Literatur: W. G. Constable, Canaletto, Giovanni Antonio Canal, Oxford 1976, S. 314 - 315, Nr. 254. Vgl. W. G. Constable und J. G. Links, Canaletto. Giovanni Antonio Canal 1697-1798, Oxford 1989. Vgl. Vittorio Moschini (Hrsg.), Canaletto, Athenäum, Bonn 1955. Ausstellungen: London, Burlington, Fine Art Club, Venetian Paintings of the 18th Century, 1911, Nr. 49. (1370851) (13) Giovanni Battista Cimaroli, ca.1687 – 1753 THE CONFLUENCE OF CANNAREGIO AND THE GRAND CANAL Oil on canvas. Relined. 134.5 x 125.7 cm. We would like to thank Dario Succi, Gorizia, for confirming the attribution. Provenance: Sir Hugo Fitzherbert. Sir William Fitzherbert, Tissington Hall, Derbyshire. Sotheby’s London, 8 July 1981, lot 74 as Canaletto. Exhibitions: London, Burlington, Fine Art Club, Venetian Paintings of the 18th Century, 1911, no. 49.
Hampel Fine Art Auctions
Jun. 28, 2023
GIOVANNI BATTISTA CIMAROLI (attr. a)
Est: €1,000 - €2,000
(Salò, 1687 ; Venezia, 1771) Paesaggio con ponte Olio su tela, cm 90X140 Allievo a Brescia di Antonio Aureggio e di Antonio Calza a Bologna (1711 ; 1713), Giovanni Battista Cimaroli si trasferì a Venezia e ivi sposò Caterina Pachman, poco nota pittrice di genere. Nel 1726 l'artista doveva essere già affermato, poiché era chiamato a collaborare alla nota serie di quadri raffiguranti le tombe allegoriche d'illustri personaggi britannici commissionati da Owen McSwiny. Documentato nella fraglia dei pittori veneziani dal 1726 al 1737, le sue opere trovavano 'grandissima stimassima in Inghilterra'. Il suo stile richiama l'arcadia 'zuccarelliana', ma altrettanto vitale è l'influenza di Marco Ricci, sia pur piegata alle esigenze descrittive e una rappresentazione paesistica di tenue gusto rococò. Il dipinto qui presentato già attribuito a scuola romana, è stato ricondotto al pittore, per l'eleganza delle figurette e l'analoga ripresa degli elementi naturali di sfondo.
Wannenes Art Auctions
Mar. 22, 2023
Giovanni Battista Cimaroli, 1687–1753, zugeschrieben
Est: CHF2,000 - CHF3,000
Giovanni Battista Cimaroli, 1687–1753, zugeschrieben Landschaft in Venetien mit einem Wasserfall Öl auf Leinwand 67 x 92 cm
Artcurial Beurret Bailly Widmer
Dec. 14, 2022
Cimaroli Giovan Battista, Paesaggio con figure e cascata
Est: €2,000 - €3,000
olio su tavola, W. 46 - H. 35 Cm
Cambi Casa d'Aste
Dec. 14, 2022
Cimaroli Giovan Battista, Paesaggio con figure e cascata
Est: €2,000 - €3,000
olio su tavola, W. 46 - H. 35 Cm
Cambi Casa d'Aste
Sep. 22, 2022
Giovanni Battista Cimaroli, 1687 Salò – um 1753 Venedig, zugeschrieben
Est: €24,000 - €30,000
ARKADISCHE LANDSCHAFT MIT OBELISKEN Öl auf Leinwand. Doubliert. 69,6 x 109 cm. In vergoldetem Prunkrahmen. Beigegeben Expertise von Prof. Giancarlo Sestieri vom 04. Februar 2019, Rom, in Kopie. Im Zentrum der Komposition ein kleiner Obelisk, der von rechts stehenden Bäumen teils verschattet wird. Vor diesem Denkmal ein kleines Gewässer. Auf der linken Seite, vor einer Mauer mit einem Pilaster, hinter der sich diverse Bäume verbergen, eine junge Frau in rotem Kleid mit weißer Schürze, einen Mann, der auf einem Esel sitzt begleitend. Vor beiden ein kleiner Hund. Im Vordergrund auf der rechten Seite ein weiteres Paar mit zwei Ziegen und einem Rucksack. Im Hintergrund eine ummauerte weitläufige Gebäudeanlage und auf einem hohen Felsen eine Festungsanlage mit Rundturm. Harmonische Landschaftswiedergabe in differenzierten Farbtönen. Der hohe blaue Himmel mit den weißen Wolken und die gelungene Lichtführung mit Schattenwurf erinnern an einen herrlichen Sommertag. (13306220) (10) Giovanni Battista Cimaroli, 1687 Salò – ca. 1753 Venice, attributed ARCADIAN LANDSAPE WITH OBELISKS Oil on canvas. Relined. 69.6 x 109 cm. In magnificent gilt frame. Accompanied by an expert’s report by Professor Giancarlo Sestieri dated 4 February 2019, Rome, in copy.
Hampel Fine Art Auctions
Jun. 30, 2022
Giovanni Battista Cimaroli, um 1687 Saló – um 1753 Venedig, zugeschrieben
Est: €75,000 - €100,000
ANSICHT VON DOLO AM BRENTA Öl auf Leinwand. 39,4 x 56,2 cm. Dieses reizvolle Gemälde ist ein exquisites Beispiel für Cimarolis von Zuccarelli inspirierte fantasievolle Lagunenlandschaften. Es zeigt eine eindrucksvolle Ansicht des Flusses Brenta auf der Höhe des Städtchens Dolo, einer lieblichen Stadt am Kanal Brenta auf halbem Weg zwischen Padua und Venedig, damals einer der wichtigsten Anlaufhäfen für den Handel, aber auch ein wichtiges landwirtschaftliches Zentrum, auch ein wichtiger Ort für Reisende. Der Kanal wird aus einem ungewöhnlichen Blickwinkel gezeigt, nämlich mit Blick auf die große Pfarrkirche San Rocco von 1570, die sich über das Wasser erhebt und sich in ebendiesem spiegelt. In den von Cimaroli und anderen Vedutisten gemalten Ansichten von Dolo erscheint die Kirche gemeinhin (Andria Derstine, Views of Dolo by Canaletto, Bellotto, Cimaroli and Guardi, in: The Burlington Magazine, CXLVI, 1219, 2004, S. 675-682). Das Werk gehört zu Cimarolis reifem Schaffen zwischen den 1750er-Jahren und dem Beginn des folgenden Jahrzehnts, als sich der Maler der Darstellung von Orten an dem Brenta widmete (Federica Spadotto, Un artista dimenticato. Giovan Battista Cimaroli, in: Saggi e Memorie di Storia dell'Arte, Bd. 23, 1999, S. 131-187). Kritiker haben es nun geschafft, die Figur dieses Malers zu isolieren und ihn von Canaletto und seiner Schule abzugrenzen, sodass im Kontext der venezianischen Kunstszene des 18. Jahrhunderts seine verdiente Rolle als „Maler von Uferszenen an der Brenta par excellence“ unterstrichen werden kann (Bonzena Anna Kowalczyk, in: Bernardo Bellotto and the capitals of Europe, Ausstellungskatalog, hrsg. Edgar Peters Bowron, New Haven 2001, S. 80). Der Stil von Cimaroli ist in diesem Gemälde klar definiert, auch wenn der starke Einfluss von Canaletto offensichtlich ist. Er ist erkennbar an der fröhlichen, leuchtenden Farbgebung, den virtuosen Drehungen und Wendungen des Himmels, der getreuen Wiedergabe jedes Details, entsprechend der beschreibenden Haltung, die seine Kunst auszeichnet, der subtilen, akribischen Linie, mit der die Bäume definiert werden, der Prägnanz der architektonischen Profile, der abgerundeten Typologie der Figuren und der diffusen Leuchtkraft, die die Szene durchdringt. (†) Literatur: Consuelo Lollobrigida und Marzia Moschetta, Tesori di pittura italiana del XVII e XVIII secolo, Rom 2008, S. 30. (1320123) (13) Giovanni Battista Cimaroli, ca. 1687 Saló – after 1753 Venice, attributed VIEW OF DOLO ON THE BRENTA Oil on canvas. 39.4 x 56.2 cm. This delightful painting is an exquisite example of Cimaroli’s imaginative lagoon landscapes inspired by Zuccarelli. It depicts an evocative view of the Brenta River from Dolo, a lovely town on the Brenta Canal halfway between Padua and Venice. At the time it was one of the most important commercial ports of call, an important agricultural centre as well as being popular with travellers. The canal is shown from an unusual angle, with a view of the large parish church of San Rocco dating to 1570, rising high above the water and reflecting in it. The church commonly appears in views of Dolo painted by Cimaroli and other veduta painters (Andria Derstine, Views of Dolo by Canaletto, Bellotto, Cimaroli and Guardi, in: The Burlington Magazine, CXLIV, 1219, 2004, pp. 675-682). The painting can be regarded as Cimaroli's late work, created in the 1750s and the beginning of the following decade, when the painter devoted himself to depicting places on the Brenta (Frederica Spadotto, Un artista dimenticato: Giovan Battista Cimaroli, in: Saggi e Memorie di Storia dell'Arte, vol. 23, 1999, pp. 131-187). Critics have now succeeded in isolating this painter and distinguishing him from Canaletto and his school. In the context of the 18th century Venetian art scene his deserved title as “painter of Brenta riverside scenes par excellence” can thus be emphasized (Bonzena Anna Kowalczyk, in: Bernardo Bellotto and the capitals of Europe, exhibition catalogue, edited by Edgar Peters Bowron, New Haven-London, ed. Milan 2001, p. 80). Cimaroli's own style is clearly defined in this painting, although the strong influence of Canaletto is evident. He is recognizable by the bright, luminous colouration, the masterly twists and turns of the sky, the accurate rendition of every detail corresponding with the descriptive approach typical for his art, the subtle and meticulous line used to define the trees, the conciseness of the architectural profiles, the rounded typology of the figures and the diffuse luminosity that permeates the scene. (†) Literature: Consuelo Lollobrigida and Maria Moschetta, Tesori di pittura italiana del XVII e XVIII secolo, Rome 2008, p. 30.
Hampel Fine Art Auctions
Dec. 14, 2021
Giovanni Battista Cimaroli ( 1687-1771)-circle
Est: €500 - €1,000
Giovanni Battista Cimaroli ( 1687-1771)-circle, Landscape with peasants, oil on canvas, framed. 40X50cm
Deutsch Auktionen
Jun. 16, 2021
Giovan Battista Cimaroli (Salò 1687 - Venezia 1753), Paesaggio lacustre con pescatori
Est: €8,000 - €12,000
olio su tela, cm 69,5x100, Expertise del Prof. Egidio Martini
Cambi Casa d'Aste
Mar. 17, 2021
Giovan Battista Cimaroli (Salò 1687 - Venezia 1753), attribuito a, Paesaggio con contadini e viandanti in riva al fiume
Est: €3,000 - €5,000
olio su tela, cm 70x92
Cambi Casa d'Aste
Mar. 17, 2021
Giovan Battista Cimaroli (Salò 1687 - Venezia 1753), attribuito a, Paesaggio con contadini e viandanti in riva al fiume
Est: €3,000 - €5,000
olio su tela, cm 70x92
Cambi Casa d'Aste
Dec. 10, 2020
Giovanni Battista Cimaroli (Italian, 1687-1771) Landscape along the Brenta with a stone bridge, shepherds and herds, early 1740s
Est: $10,000 - $20,000
Giovanni Battista Cimaroli (Italian, 1687-1771) Landscape along the Brenta with a stone bridge, shepherds and herds, early 1740s oil on canvas 22 ½ x 28 ½ inches. We are grateful to Dott.ssa Federica Spadotto for endorsing the attribution to Cimaroli on the basis of photographs, and proposing a date of execution in the early 1740s. Provenance:James Kinnaird, EsquireHenry Graves, LondonThe Honorable G.F. Wynn, purchased from the estate sale of the above, 1893Lieutenant Honorable Lord Newborough, Glynllifon, Wales, EnglandM. Knoedler & Co., New York, by 1940 Exhibited:Great Chitral Fair (no date), no. 805New Haven, Connecticut, Yale University, Gallery of Fine Arts, Eighteenth Century Italian Landscape Painting and its Influence in England, January 18 - February 25, 1940, no. 33, illus. (as River Scene and attributed to Francesco Zuccarelli (Italian, 1702-1788))Houston, Texas, Museum of Fine Arts, Houston, Historic and Modern Examples of "Cattle in Art," February 2 - 16, 1941 (as View on the Piave; River Scene and Cattle and attributed to Francesco Zuccarelli (Italian, 1702-1788))San Francisco, California, California Palace of the Legion of Honor, Exhibition of Italian Baroque Painting, 17th and 18th Centuries, May 16 - June 15, 1941, no. 115 (as attributed to Francesco Zuccarelli (Italian, 1702-1788)) This evocative landscape was executed at the height of Giovanni Battista Cimaroli's career, when the Lombard master, known for his views closely related to those of Canaletto (Italian, 1697-1768) found his locus between the banks of the Brenta river. The muted palette, along with the precise pictorial handwriting, is evidence that the artwork was painted in the early 1740s and is of a purely Lombard brand. During the early 18th century, Grand Tour travelers, privileged patrons of the Italian landscape, turned their attention to the riviera that connects Venice and Padua. This idyllic Eden was celebrated in a volume of engravings by Gian Francesco Costa with the suggestive title "Of the delicacies of the Brenta river" (1750) and was enjoyed by Venetian nobles and foreign gentlemen alike. Occasionally, these grandees allowed themselves to be immortalized among the villages and villains. Cimaroli even painted himself as a knight in the foreground of one painting. (F. Spadotto, Giovan Battista Cimaroli, catalogo ragionato dei dipinti, Minelliana, Rovigo, 2011, no.101). In this painting, behind Cimaroli unravels the town of Dolo, faithfully following a perspective technique begun by Canaletto. (W.G. Constable, Canaletto. Giovanni Antonio Canal 1697-1768, Oxford, 1962, 2 vol.). Several times Canaletto himself attempted to transpose the rural villages onto canvas, and he devoted some important engravings to these views, which are included in "Vedute prese dai luoghi ed altre ideate..." (1744 - c. 1752). All this testifies to the multiple appealing elements enjoyed by the riveria, ranging from the villas that dotted it to the picturesque rustic buildings populated by communities of simple and happy people. Life seemed to flow as in the verses of the Virgilian Bucolics, in which the hard life of the fields was ignored in favor of a nature ready to bestow the dolorous warmth of the midday sun that caresses luxuriant plants and placid streams in an eternal spring. The present canvas falls within this idyllic landscape genre, depicting in the foreground a stone bridge crossed by grazing cows, sheep, and goats. Cimaroli masterfully transfers the smallest details of the composition with extreme verisimilitude. His hand is communicated in the leaves of the unmistakable, large tree that dominates the composition and in the animals in the foreground, which recur in numerous works by the artist. The fading horizon, which the gaze reaches after resting on the stone arch and on the rustic buildings scattered about the pleasant countryside, carries the painting from tale to idyll; from the recording of the visual data to the sweet memory, where reality takes on the characteristics of a dream. The adopted Venetian artist managed, perhaps better than any other master in the Lagoon, to recreate a piece of the countryside through the vibrations of the soul, with the discreet elegance of a craftsman who becomes a poet. The branches of the large tree bear witness to this, reproduced in every detail, as well as the precision with which the artist transfers buildings to the canvas. However, any glimpse of a landscape that resembles the true Venetian countryside is purely accidental. In fact, in no corner of the Venetian hinterland will be found the same trees, or the course of the river in that shape; and it will not be because of the passage of time. For Cimaroli's clients, objectivity represented a completely unknown concept. The artist was not asked to fix the image of a place, but to evoke its atmosphere, to remember as it is on the canvas, and to be relived on cold winter days, in distant homes, often immersed in the mist of the Channel. Although typical of the inventio genre, the extraordinary expressive quality of this composition makes it a fundamental addition to the corpus of the Lombard master in his best creative period. Federica Spadotto, Padua, September 8, 2020
Hindman
Nov. 17, 2020
Giovanni Battista Cimaroli (1687-1771) (attribué à / toegeschreven aan) - Entrée de ville avec personnages sur le premier plan City entrance with bridge and figures on the foreground
Est: €2,000 - €3,000
Détrempe sur toile. Tempera on canvas. Giovanni Battista Cimaroli (1687-1771) (attribué à / toegeschreven aan)
Brussels Art Auctions
Oct. 20, 2020
GIOVANNI BATTISTA CIMAROLI (SALÒ 1687-1771 VENICE),
Est: $100,000 - $150,000
GIOVANNI BATTISTA CIMAROLI (SALÒ 1687-1771 VENICE) The courtyard of the Doge's Palace behind the Scala dei Giganti, Venice oil on canvas 34 1/4 x 53 1/8 in. (87 x 134.8 cm.) ,
Christie's
Oct. 07, 2020
GIOVANNI BATTISTA CIMAROLI (SALÒ 1687-1771 VENICE) - A river landscape with travellers on a path
Est: £20,000 - £30,000
GIOVANNI BATTISTA CIMAROLI (SALÒ 1687-1771 VENICE) A river landscape with travellers on a path oil on canvas 18 1/8 x 22 in. (46.2 x 55.8 cm.)
Christie's
Mar. 27, 2020
Cimaroli, Giovanni Battista - Umkreis — Der goldene Esel nach Apuleius
Est: -
Cimaroli, Giovanni Battista - Circle of — The Golden Donkey to Apuleius (Salò before 1687-after 1753 active in Bologna and Venice) Oil on canvas. 48 x 158 cm. - Lit. Thieme/Becker 6, Saur AKL 19.
Kunstauktionshaus Schlosser
Oct. 29, 2019
Giovanni Battista Cimaroli (Saló 1687-after 1753 Venice) - Four river landscapes with huntsmen, sportsmen and elegant ladies
Est: $50,000 - $70,000
Giovanni Battista Cimaroli (Saló 1687-after 1753 Venice) Four river landscapes with huntsmen, sportsmen and elegant ladies oil on canvas 10 7/8 x 16 ¼ in. (27.6 x 41.2 cm.)
Christie's
Mar. 10, 2019
Giovanni Battista Cimaroli (ambito)
Est: €1,000 - €1,500
A scene from the Asinus Aureus by Apuleius oil on canvas, 46by158cm.
Bolli & Romiti s.r.l
Apr. 30, 2018
Giovanni Battista Cimaroli (16871771)-circle
Est: €1,500 - €2,500
Giovanni Battista Cimaroli (16871771)-circle, landscape with travellers by a river, oil on canvas, framed.
Deutsch Auktionen
Apr. 30, 2018
Giovanni Battista Cimaroli (1687-1771)-attributed
Est: €200 - €400
Giovanni Battista Cimaroli (1687-1771)-attributed landscape with horse Rider and couple by a village, oil on wooden panel, on the reverse old description and wax seal, in original carved and gilted frame
Deutsch Auktionen
Dec. 05, 2017
GIOVANNI BATTISTA CIMAROLI | Village scenes on the Brenta Canal
Est: £30,000 - £50,000
a pair, both oil on canvas
Sotheby's
Dec. 04, 2017
CIMAROLI GIOVANNI BATTISTA
Est: €10,500 - €12,000
CIMAROLI GIOVANNI BATTISTA (1687-1771) 'Scena galnte con fontana' olio pubblicato su 'G.B.Cimaroli di F.Spadotto Rovigo 2011 pag.212 e a colori a pag.47' cm. 110x140
Aste Boetto SRL
Nov. 15, 2017
Giovan Battista Cimaroli (Salò 1687 - Venezia 1753), Paesaggio con figure
Est: €8,000 - €10,000
olio su tela, cm 78x110
Cambi Casa d'Aste
Jun. 16, 2016
Circle of Cimaroli Giovanni Battista Cimaroli - (Italian, 1687-1753) - A couple fording a stream in an Arcadian landsca
Est: £2,500 - £3,500
Circle of Giovanni Battista Cimaroli (Italian, 1687-1753) A couple fording a stream in an Arcadian landscape with cattle oil on canvas h:94 w: 139 cm
Cheffins
Oct. 17, 2015
Ecole VENITIENNE vers 1750, entourage de Giovanni Battista Cimaroli Paysage animé au bord d'une rivière
Est: €1,800 - €2,500
Ecole VENITIENNE vers 1750, entourage de Giovanni Battista Cimaroli Paysage animé au bord d'une rivière Huile sur toile 75,5 x 55 cm
HVMC - Hôtel des Ventes de Monte-Carlo
Nov. 28, 2014
Cimaroli, Giovanni Battista - Umkreis: 18. Jh. Der Palazzo Lezze mit der Scuola Grande di Santa Maria della Misericordia in Venedig
Est: €6,800 - €7,500
Umkreis. Der Palazzo Lezze mit der Scuola Grande di Santa Maria della Misericordia in Venedig. Öl auf Leinwand. 76 x 161 cm.
Bassenge Auctions
Oct. 30, 2013
Circle of Giovanni Battista Cimaroli (Salò 1687-after 1753 Venice)
Est: £1,200 - £1,800
An Italianate landscape with figures conversing before a river, a fortified village in the distance oil on canvas 34.5 x 53.6cm (13 9/16 x 21 1/8in).
Bonhams
Jul. 04, 2013
GIOVANNI BATTISTA CIMAROLI
Est: £12,000 - £18,000
THE PROPERTY OF SIR PETER MOORES, CBE, DL, REMOVED FROM PARBOLD HALL SAL’, NEAR BRESCIA 1687-1771 VENICE A LANDSCAPE AT THE OUTSKIRTS OF A TOWN WITH A PEASANT DRIVING HIS CATTLE ALONG A RIVER BANK oil on canvas 38 by 46 cm.; 15 by 18 1/8 in.
Sotheby's
Jul. 03, 2013
Circle of Giovanni Battista Cimaroli (Salò 1687-after 1753 Venice)
Est: £40,000 - £60,000
A view of Mira on the Brenta; and A view of Dolo on the Brenta a pair, oil on canvas 115 x 150cm (45 1/4 x 59 1/16in). (2)
Bonhams
Dec. 05, 2012
Giovanni Battista Cimaroli (Salò 1687-after 1753 Venice) The Piazza San Marco, Venice
Est: £80,000 - £120,000
The Piazza San Marco, Venice oil on canvas 89 x 137.5cm (35 1/16 x 54 1/8in).
Bonhams
May. 02, 2012
Circle of Giovanni Battista Cimaroli (Salò 1687-1753 Venice)
Est: £15,000 - £20,000
A village scene on the Brenta oil on canvas 64 x 102.5cm (25 3/16 x 40 3/8in).
Bonhams
Mar. 28, 2012
Circle of CIGNAROLI, GIOVANNI BATTISTA (Salo
Est: CHF4,000 - CHF6,000
Circle of CIGNAROLI, GIOVANNI BATTISTA (Salo before 1687 - after 1753 Venice ) Sacro Cingolo and Saint Thomas. Oil on copper. 53.5 x 27.5 cm. CIGNAROLI, GIOVANNI BATTISTA (UMKREIS) (Salo vor 1687 - nach 1753 Venedig) Sacro Cingolo und Heiliger Thomas. Öl auf Kupfer. 53,5 x 27,5 cm.
Koller Auctions
Mar. 17, 2012
Cimaroli, Giovanni Battista - Umkreis des
Est: - €3,500
Cimaroli, Giovanni Battista - Umkreis des Flusslandschaft (Salò vor 1687-nach 1753, tätig in Bologna und Venedig) Südliche Hügellandschaft mit Architektur, auf dem Fluss ein Boot, im Vordergrund an Land kommende Fischer, eine Person in eine Schlucht weisend. Öl/Lwd. 66 x 88,5 cm.
Kunstauktionshaus Schlosser
Jan. 26, 2012
GIOVANNI BATTISTA CIMAROLI
Est: $500,000 - $700,000
SALÒ, NEAR BRESCIA 1687-1771 VENICE VENICE A VIEW FROM THE PIAZZETTA, LOOKING WEST TOWARDS THE DOGANA AND SANTA MARIA DELLA SALUTE, WITH THE ZECCA, BIBLIOTECA SANSOVINIANA AND COLUMN OF ST. THEODORE; VENICE, A VIEW OF THE MOLO FROM THE PIAZZETTA, LOOKING SOUTH TO SAN GIORGIO MAGGIORE, WITH THE COLUMNS OF ST. MARK AND ST. THEODORE AND THE BIBLIOTECA SANSOVINIANA Quantity: 2 a pair, both oil on canvas each: 24 1/2 by 33 7/8 in. 62 by 86 cm.
Sotheby's
Oct. 26, 2011
Follower of Giovanni Battista Cimaroli (Salò 1687- after 1753 Venice) Elegant figures on a shore before the Ponte Rotto on the Tiber
Est: £1,500 - £2,500
Elegant figures on a shore before the Ponte Rotto on the Tiber oil on canvas 63 x 100cm (24 13/16 x 39 3/8in).
Bonhams
Jun. 14, 2011
GIOVANNI BATTISTA CIMAROLI
Est: €4,000 - €6,000
GIOVANNI BATTISTA CIMAROLI SALÒ 1687 - 1771 VENEZIA PAESAGGIO FLUVIALE CON FIGURE olio su tela 36 x 47.5 cm
Sotheby's
Apr. 13, 2011
Circle of Giovanni Battista Cimaroli (Salò 1687- after 1753 Venice) Figures resting before classical ruins in an open landscape
Est: £1,000 - £1,500
Figures resting before classical ruins in an open landscape oil on canvas 54.6 x 42cm (21 1/2 x 16 9/16in).
Bonhams
Nov. 24, 2010
Giovanni Battista Cimaroli (Salò, 1687-Venezia 1771)
Est: €40,000 - €60,000
Giovanni Battista Cimaroli (Salò, 1687-Venezia 1771) Paesaggio del Brenta alla chiusa di Dolo olio su tela 127x88 cm.
Christie's
Jul. 09, 2010
Circle of Giovanni Battista Cimaroli (Salò 1687-after 1753 Venice)
Est: £2,500 - £3,500
Circle of Giovanni Battista Cimaroli (Salò 1687-after 1753 Venice) A wooded landscape with travellers conversing on a path oil on canvas 25 x 29¾ in. (63.5 x 75.6 cm.)
Christie's
Oct. 28, 2009
Follower of Giovanni Battista Cimaroli (Salò 1687- after 1753 Venice) The Piazza di San Marco, Venice
Est: £10,000 - £15,000
The Piazza di San Marco, Venice oil on canvas 79.5 x 110cm (31 5/16 x 43 5/16in).
Bonhams