Eugenio Caxes Sold at Auction Prices

Painter, b. 1575 - d. 1634

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    • EUGENIO CAJES (Madrid, 1575 - 1534). "Presentation of Mary in the Temple", 1630. Tempera on board. Signed and dated in the lower right corner. It needs restoration.
      Jul. 28, 2022

      EUGENIO CAJES (Madrid, 1575 - 1534). "Presentation of Mary in the Temple", 1630. Tempera on board. Signed and dated in the lower right corner. It needs restoration.

      Est: €3,500 - €4,500

      EUGENIO CAJÉS (Madrid, 1575 - 1534). "Pesentation of Mary in the Temple, 1630. Tempera on panel. Signed and dated in the lower right corner. In need of restoration. Measurements: 81.5 x 49 cm, 97.5 x 65 cm (frame). This panel depicts one of the main scenes in Mary's life, which took place in her childhood: her presentation in the Temple. The scene is arranged in two planes, in the foreground certain figures looking at the girl, and in the background Mary is shown on the stairs, depicted as a young girl, with her hands joined and looking directly at the priest, who raises his right hand to bless her. According to the promise made by her parents, Mary was brought to the Temple at the age of three, accompanied by a large number of Hebrew girls carrying lighted torches and amidst the singing of angels. To go up to the Temple there were fifteen steps, which Mary ran up alone, despite her young age, throwing herself into the arms of Zechariah, who was waiting for her in the courtyard in the company of other Elders. Zechariah blessed her, with words alluding to her future divine motherhood, and, unheard of, led the child into the sanctum sanctorum, where only the High Priest could enter once a year, on the feast of the Atonement. He seated the child on the third tier of the altar and God then descended his graces upon her, whereupon Mary got up and began to dance for joy. Eugenio Cajés de Fuentes was one of the most characteristic painters of the first third of the 17th century in Spain and one of the mainstays of Madrid naturalism. Eugenio Caxés probably took his first steps in painting with his father, Patricio Caxés, a painter at El Escorial, where he acquired a certain Italian influence. This was accentuated after his stay in Rome, the Eternal City, from which he derived his fondness for foreshortenings and the illumination of his breaks. He was also a painter who was always interested in Correggio, from whom he borrowed the soft chiaroscuro of his works. His use of colour and combination of strange harmonies shows his knowledge of Venetian painting. He was appointed painter to the king on the death of his father, and was considered the best court artist until the arrival of Velázquez.

      Setdart Auction House
    • EUGENIO CAJÉS Madrid 1577 - 1642 Holy Family Oil on copper Signed and dated
      Mar. 23, 2021

      EUGENIO CAJÉS Madrid 1577 - 1642 Holy Family Oil on copper Signed and dated

      Est: -

      EUGENIO CAJÉS Madrid 1577 - 1642 Holy Family Oil on copper Signed and dated: Eugenius Cagesius / Catholici Regis Philippi ... / Pictor fe ... 1619 Size 43.5 x 31 cm This is the only autograph work by Eugenio Cajés made on a copper support. In the Prado Museum the preparatory drawing for the figure of Saint Joseph is preserved. Provenance: - Possibly one of the works brought by Fréderic Quilliet from the Monastery of El Escorial during his tenure as curator of Fine Arts (1809-1814) during the reign of José I Bonaparte. - F. W. Van West Collection, Los Angeles, California. - Marvin H. Newsman Auctioneers, Los Angeles, January 26, 1972, lot 407. - Private collection, Madrid. Bibliography: - Soria, M. S. and Kubler, G., Art and Architecture in Spain and Portugal and their American Domains: 1500-1800, pp. 63-71. - Angulo Íñiguez, D. and Pérez Sánchez., Madrid painting. First third of the 17th century, Madrid, 1969, p. 240, No. 140.

      Subastas Segre
    • ATRIBUIDO A EUGENIO CAJÉS (Madrid, 1575 - 1634) Anunciación
      May. 08, 2018

      ATRIBUIDO A EUGENIO CAJÉS (Madrid, 1575 - 1634) Anunciación

      Est: -

      ATTRIBUTED TO EUGENIO CAJÉS (Madrid, 1575 - 1634) Anunciación This canvas should be placed in relation with the Annunciation painted in 1620 by Eugenio Cajés for the church of Santo Domingo el Antiguo de Toledo, of which there is a preparatory drawing today. preserved in the Museo del Prado from the royal collection, with inventory number D000027 (Pérez Sánchez, AE, Catalog of drawings I. Spanish drawings of the XV-XVI-XVII centuries, Museo del Prado, 1972, p.37) . In this drawing the composition appears inverted: to the left the Virgin, unlike the one we present here in which on the left is the figure of the angel Saint Gabriel. However, the disposition and attitude of the figures is practically identical: both characters kneel with their hands crossed on their chests and Maria on a kneeler that in the drawing partly covers a mantle and to which an open book is added on the canvas. It is characteristic of the painter the elongated canon of the figures, still Mannerist, as well as the soft and slender hands; the morbid softness with which it molds its figures, the milky tone of the faces with a self-absorbed look. The landscape that shows us in the background through an open window reminds us of those of Corregio, an artist for whom he must have felt great admiration. Oil on canvas 150 x 112 cm Antique painting and 19th C.

      Isbilya Subastas
    • School of Madrid, first third of the 17th Century The Adoration of the Shepherds
      Dec. 19, 2017

      School of Madrid, first third of the 17th Century The Adoration of the Shepherds

      Est: €2,000 - €2,750

      Oil on canvas An attribution has been suggested to Eugenio Cajés (1575 - 1634) or to his workshop 107x86 cm

      Balclis
    • EUGENIO CAJES | The Crucifixion of a male Saint, possibly St. Philip
      Apr. 29, 2015

      EUGENIO CAJES | The Crucifixion of a male Saint, possibly St. Philip

      Est: £8,000 - £12,000

      oil on canvas, unlined

      Sotheby's
    • Follower of Eugenio Cajes, Spanish 1575-1634-
      Mar. 15, 2011

      Follower of Eugenio Cajes, Spanish 1575-1634-

      Est: £400 - £600

      Follower of Eugenio Cajes, Spanish 1575-1634- "Charitas"; oil on cradled panel, 38x27.5cm Subject to VAT

      Roseberys
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