Quiringh Van Brekelenkam Sold at Auction Prices

b. 1668 -

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    • Quiringh van Brekelenkam (1622/30-1669/79), An elderly couple having dinner by the fireplace
      May. 24, 2023

      Quiringh van Brekelenkam (1622/30-1669/79), An elderly couple having dinner by the fireplace

      Est: €3,000 - €5,000

      Quiringh van Brekelenkam (1622/30-1669/79), An elderly couple having dinner by the fireplace, signed with monogram 'QB' (underneath the tablecloth), oil on panel, 46,5x62,5 cm, Literature:-Angelika Lasius, ‘Quiringh Gerritsz. van Brekelenkam’, Göttingen 1987, pp. 360-361, no. 161, with statement of provenance.-Angelika Lasius, ‘Quiringh van Brekelenkam’, Doornspijk 1992, p. 126, cat. no. 161, with statement of provenance, and ill. no. 46.Provenance:-Possibly auction, Van der Schley, Amsterdam, 31 March-3 April 1788, lot 47.-Possibly auction, Fievez, Brussels, 18 February 1921, lot 8. -With Kunsthandel P. de Boer, Amsterdam, Spring 1970, inv. no. 1585.-Acquired from the above by the family of the present owner. , The present lot will be accompanied by the book: Angelika Lasius, ‘Quiringh van Brekelenkam’, Doornspijk 1992.

      Venduehuis der Notarissen
    • QUIRINGH VAN BREKELENKAM (ZWAMMERDAM 1648-LEYDE 1667)
      Oct. 25, 2018

      QUIRINGH VAN BREKELENKAM (ZWAMMERDAM 1648-LEYDE 1667)

      Est: €4,000 - €5,000

      QUIRINGH VAN BREKELENKAM (ZWAMMERDAM 1648-LEYDE 1667) ERMITE Panneau de chêne, deux planches, non parqueté Restaurations anciennes 56,5 X 41,5 CM €4,000-5,000 Provenance Brekelenkam a représenté à diverses reprises un ermite dans une grotte, assis avec une nature morte de vanité à sa gauche, avec variantes (en prière, daté 1660, Saint-Pétersbourg, Hermitage), et tenant un livre comme dans notre version et avec un crucifix -absent ici - (ca.1650, vente anonyme, Londres, 11 décembre 2003 (Sotheby's), n° 137 ; 1655, vente anonyme, Londres, 14 avril 2011 (Christie's), n°10), tous dans des dimensions à peu près similaires au nôtre.

      Tajan
    • Quiringh van Brekelenkam, The shoemaker and his wife
      Jul. 03, 2015

      Quiringh van Brekelenkam, The shoemaker and his wife

      Est: €6,000 - €8,000

      Quiringh van Brekelenkam, The shoemaker and his wife, Oil on oak, Circa 1664, In the centre inscribed on the barrel: QvB... (indistinctly) / on the reverse in blue grease pencil: 7470, 21 1/2 x 27 7/8 in., On the panel a narrow strip of canvas

      Grisebach
    • Quiringh Gerritsz. van Brekelenkam (after 1620-c. 1668)
      May. 14, 2002

      Quiringh Gerritsz. van Brekelenkam (after 1620-c. 1668)

      Est: $4,600 - $6,440

      The interior of a cobbler's workshop, with a cobbler at work and a woman peeling onions signed with initials 'QB' (strengthened?, lower left) oil on panel 43.2 x 59.8 cm. PROVENANCE (Possibly) Seger Tierens; sale, The Hague, 23 July 1743, lot 221. (Possibly) Anon. Sale, P. van der Schley, etc., Amsterdam, 5 December 1785, lot 21 (fl. 10 to Touquet). Anon. Sale, Lepke, Berlin, 4 June 1912, lot 54. Anon. Sale, Frederik Muller, Amsterdam, 25 November 1913, lot 237. Anon. Sale, Frederik Muller, Amsterdam, 5 June 1917, lot 1. LITERATURE (Possibly) G. Hoet, Catalogus of naamlijst van schilders met derzelven prijzen, etc., 1752, II, p. 96, fig. 221. A. Lasius, Quiringh van Brekelenkam, 1992, p. 91, no. 39, where dated to circa 1660. NOTES A. Lasius, op. cit., dates the present lot to circa 1660. She points out that a comparable interior is to be found in the picture, signed and dated 1653, that was with Slatter, London, in circa 1944-5 ( ibid., pp. 89-90, no. 33).

      Christie's
    • Quirin Gerritsz. van Brekelenkam (? Zwammerdam, nr. Leiden after 1622-1668 Leiden)
      Apr. 11, 2002

      Quirin Gerritsz. van Brekelenkam (? Zwammerdam, nr. Leiden after 1622-1668 Leiden)

      Est: $10,010 - $14,300

      Portrait of a boy, holding a slice of bread, in a feigned oval oil on panel 8 5/8 x 71/4 in. (22 x 18.5 cm.) PROVENANCE B.J. Blijdenstein; Sotheby's, London, 11 July 1973, lot 54, as signed with initials and dated 1644, lower right (to Dreesmann). Dr Anton C.R. Dreesmann (inventory no. A-7). LITERATURE A. Lasius, Quiringh van Brekelenkam, Doornspijk, 1992, pp. 146-7, no. 234. NOTES As noted by Lasius, loc. cit., the old dating to 1644 can be ruled out on stylistic grounds; she instead suggests a date of circa 1660. Brekelenkam's earliest dated painting is of 1648 ( Domestic Cares ; Leiden, Stedelijk Museum 'De Lakenthal', inv. no. 47), which shows a much stronger debt to Dou than is apparent in the present picture; other paintings with earlier dates have been attributed to Brekelenkam in the past, but are no longer regarded as autograph ( ibid., p. 8, note 3). Little is known of Brekelenkam's career, which seems to have been for the most part spent in relative poverty. The first mention of him is by Jacob Weyerman ( De Levens-beschryvingen der Nederlandsche Konstschilders en Konst-schilderessen, 2, The Hague, 1729), which related that 'Jan Steen opened up an inn or rather a little pub... He had plenty of business but his customers seldom paid up promptly, as most were penniless painters. Frans van Mieris, Ary de Vois, Quiring Breekelekamp [ sic ] and Jan Lievens were his daily customers and came at all hours of the day and night...' Similarly, an unknown author reviewing Gerard Hoet's 1752 Catalogus of naamlyst van schilderyen (quoted by Lasius, op. cit., p. 11): 'The painters of his time, who called him simply Quiringh, often sought his company, as he was very witty and funny, having as well the gift of being able to imitate everyone's speech and mannerisms. He was a little man, had many children and domestic cares and very little means...' The present work is a particularly charming example of Brekelenkam's style - painted with typically broad and fluent brushstrokes, in brownish tones, depicting a single figure - perhaps a young apprentice - with a degree of warmth and feeling often lacking in the works of his Leiden contemporaries. Comparable works include pictures such as The fisherman (Cologne, Wallraf-Richartz-Museum) and an Old woman selling vegetables (Barnard Castle, County Durham, Bowes Museum), both of circa 1660-5.

      Christie's
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