Sodoma Sold at Auction Prices

Painter, b. 1477 - d. 1549

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    • Giovanni Antonio Bazzi, genannt „Sodoma“, 1477 – 1549, Kreis des
      Jun. 27, 2024

      Giovanni Antonio Bazzi, genannt „Sodoma“, 1477 – 1549, Kreis des

      Est: €22,000 - €25,000

      PREDELLA-GEMÄLDE MIT DARSTELLUNG DER HEILIGEN KLARA, SEITLICH SEBASTIAN UND MARTIN Öl auf Pappelholz. 28,5 x 47 cm. Wohl Predella eines kleinen Hausaltars, auf massiver Pappelholztafel, nicht beschnitten, die Malrändchen sämtlich erhalten. Die längliche Bildtafel kompositorisch dreifach gegliedert: Das Dreiviertelbildnis der Heiligen Klara von Assisi, mit Lilie als Attribut, ist durch eine gemalte Rahmung in rosafarbenem Stein, aber auch durch den dominierenden schwarzen Hintergrund zentral hervorgehoben. Den seitlich flankierenden Figuren ist ein rundbogiger Goldgrund hinterlegt. Sebastian im Kontrapost stehend, mit Lendentuch sowie Pfeilen in seiner Linken, richtet das Gesicht nach oben. Martin steht dagegen breitbeinig in Rüstung, mit Schild und Lanze. Sein auffallend roter Umhang weist auf die Mantellegende. Holz leicht gewölbt. (14008958) (11) Giovanni Antonio Bazzi, also known as “Sodoma”, 1477 – 1549, circle of PREDELLA PAINTING WITH DEPICTION OF SAINT CLARE, FLANKED BY SAINT SEBASTIAN AND SAINT MARTIN Oil on poplar panel. 28.5 x 47 cm.

      Hampel Fine Art Auctions
    • Sodoma (eigtl. Giovanni Antonio Bazzi) - Umkreis, Das Martyrium des heiligen Sebastian
      Mar. 31, 2023

      Sodoma (eigtl. Giovanni Antonio Bazzi) - Umkreis, Das Martyrium des heiligen Sebastian

      Est: -

      Sodoma (eigtl. Giovanni Antonio Bazzi) - Circle of — The Martyrdom of Saint Sebastian (Vercelli 1477-1549 Siena) In a landscape with a wide view the saint is tied to a tree and pierced by arrows, above him an angel is hovering. Ink brush drawing, heightened with red. 21,8 x 12,8 cm; framed under glass. - The painting executed by Il Sodoma in 1525 is in the Palazzo Pitti in Florence. The present sheet is either a sketch or an imitation. // Sodoma (eigtl. Giovanni Antonio Bazzi) - Umkreis — Das Martyrium des heiligen Sebastian — (Vercelli 1477-1549 Siena) In einer Landschaft mit weitem Ausblick der an einen Baum gefesselte und von Pfeilen durchbohrte Heilige, über ihm schwebt ein Engel. Tuschpinselzeichnung, rot gehöht. 21,8 x 12,8 cm; unter Glas ger. - Das 1525 von Il Sodoma ausgeführte Gemälde befindet sich im Palazzo Pitti in Florenz. Das vorliegende Blatt ist entweder eine Entwurfszeichnung oder eine Nachahmung.

      Kunstauktionshaus Schlosser
    • GIOVANNI ANTONIO BAZZI, CALLED SODOMA (VERCELLI 1477-1549 SIENA) The Penite
      Jun. 09, 2022

      GIOVANNI ANTONIO BAZZI, CALLED SODOMA (VERCELLI 1477-1549 SIENA) The Penite

      Est: $200,000 - $300,000

      GIOVANNI ANTONIO BAZZI, CALLED SODOMA (VERCELLI 1477-1549 SIENA) The Penitent Magdalene oil on canvas 34 1/4 x 28 5/8 in. (87 x 72.7 cm.)

      Christie's
    • GIROLAMO MAGAGNI (attr. a)
      Jun. 09, 2022

      GIROLAMO MAGAGNI (attr. a)

      Est: €4,000 - €7,000

      (Siena, 1507 - 1562) Sant'Antonio da Padova Santa Chiara Olio su tavola, cm 53,5X29 (2) Partecipi di un polittico le tavole recano un attribuzione collezionistica a Girolamo Magagni, allievo e collaboratore di Giovanni Antonio Bazzi (Vercelli, 1477 - Siena, 1549). L'artista svolse la sua attività prevalentemente a Siena dove si conservano sue opere alla Pinacoteca, la pala raffigurante la Vergine e il Bambino, con San Pietro, una santa, San Romualdo e San Mustiola conservata nel monastero camaldolese di Santa Mustiola e le due tavole con San Rocco e Santa Caterina poste ai lati della Madonna di Coppo di Marcovaldo nella chiesa dei Servi di Siena (Sricchia Santoro, 1988, p. 142). Queste opere mostrano incertezze nella resa anatomica e uno stile fortemente condizionato dal maestro, con una evidente semplificazione pittorica e scenica, altresì influenze raffaellesche e fiorentine. Bibliografia di riferimento: Da Sodoma a Marco Pino. Pittori a Siena nella prima metà del Cinquecento, catalogo della mostra a cura di F. Sricchia Santoro, Firenze, 1988, pp. 142-146 P. Torriti, La Pinacoteca nazionale di Siena. I dipinti, Genova, 1990, pp. 568-570 Da Sodoma a Marco Pino. Addenda, a cura di F. Sricchia Santoro, Firenze, 1991, pp. 22, 72

      Wannenes Art Auctions
    • SODOMA (1477-1549), attributed to
      May. 28, 2022

      SODOMA (1477-1549), attributed to

      Est: CHF3,000 - CHF6,000

      SODOMA (1477-1549), attributed to Maria Lactans Oil on panel, inscribed on the reverse: Giov. Ant. Bazzi det. Sodoma da Vercelli 1537 60 x 39.5 cm, frame: 83.5 x 63 cm

      Galerie Moenius
    • ATTRIBUTED TO GIOVANNI ANTONIO BAZZI, CALLED IL SODOMA (VERCELLI 1477-1549 SIENA) A v
      Jul. 03, 2018

      ATTRIBUTED TO GIOVANNI ANTONIO BAZZI, CALLED IL SODOMA (VERCELLI 1477-1549 SIENA) A v

      Est: £4,000 - £6,000

      ATTRIBUTED TO GIOVANNI ANTONIO BAZZI, CALLED IL SODOMA (VERCELLI 1477-1549 SIENA) A veiled woman looking to the left with number ‘24’ black chalk with stumping, on faded blue paper, indented with the stylus, upper right corner made up 10 5/8 x 8 3/8 in. (27 x 21.1 cm)

      Christie's
    • * Carlo Caruson, (Italian, fl. 1876), Portrait of Holy Family, 1884 (After Giovanni Antonio Bazzi, Italian 1477-1549)
      Jun. 09, 2016

      * Carlo Caruson, (Italian, fl. 1876), Portrait of Holy Family, 1884 (After Giovanni Antonio Bazzi, Italian 1477-1549)

      Est: $500 - $700

      Carlo Caruson (Italian, fl. 1876) Portrait of Holy Family, 1884 (After Giovanni Antonio Bazzi, Italian 1477-1549) oil signed Cl. Caruson and dated (lower right) 9 1/2 x 7 inches.

      Hindman
    • Escuela lombarda, Italia, de los siglo XV-XVI. Círculo de Giovanni Antonio Bazzi "Sodoma"
      Jul. 09, 2011

      Escuela lombarda, Italia, de los siglo XV-XVI. Círculo de Giovanni Antonio Bazzi "Sodoma"

      Est: -

      Escuela lombarda, Italia, de los siglo XV-XVI. Círculo de Giovanni Antonio Bazzi "Sodoma" (Vercelli, Italia, 1477 - Siena, 1549) "San Juan Bautista" Témpera sobre madera de castaño. 123 x 88 cm. Starting price: 12.000 € euros

      La Suite Subastas
    • GIOVANNI ANTONIO BAZZI, CALLED SODOMA
      Jan. 27, 2011

      GIOVANNI ANTONIO BAZZI, CALLED SODOMA

      Est: $600,000 - $800,000

      GIOVANNI ANTONIO BAZZI, CALLED SODOMA VERCELLI 1477 - 1549 SIENA THE HOLY FAMILY WITH THE INFANT BAPTIST IN A LANDSCAPE tondo, tempera and oil on panel diameter: 30 in.; 76.2 cm.

      Sotheby's
    • Giovanni Antonio Bazzi, il Sodoma (Vercelli 1477-1549 Siena)
      Jan. 25, 2007

      Giovanni Antonio Bazzi, il Sodoma (Vercelli 1477-1549 Siena)

      Est: $80,000 - $120,000

      St. Jerome in the Wilderness (recto); Study of rocks and trees (verso) black chalk, pen and brown ink (recto); black chalk (verso) 8 1/8 x 11 1/8 in. (208 x 282 mm.)

      Christie's
    • * GIOVANNI ANTONIO BAZZI, CALLED SODOMA VERCELLI 1477 - 1549 SIENA
      Jan. 25, 2006

      * GIOVANNI ANTONIO BAZZI, CALLED SODOMA VERCELLI 1477 - 1549 SIENA

      Est: $80,000 - $120,000

      ST JEROME KNEELING IN FRONT OF A CRUCIFIX, A ROCKY ARCH BEHIND HIM AND A LANDSCAPE WITH A LAKE IN THE BACKGROUND measurements note 190 by 250mm; 7 1/2 by 9 13/16 in bears old attribution in pen and brown ink: del Sodoma and numbering in red chalk on the verso: 6603 pen and brown ink and point of the brush and gray wash PROVENANCE Ludwig Pollak (L.788b) NOTE In this rare and extraordinary drawing St Jerome is depicted near a rocky arch, holding a large stone with both hands, kneeling in front of a crucifix which appears to be almost sheltered by a draped cloth. In the background is a mountainous landscape surrounding a lake. The attribution to Sodoma, inscribed in pen and ink at the bottom of the sheet, is most probably in a 16th century hand. The drawing does not seem to relate to any known composition by Sodoma, but the execution is quite typical of his style. Although all the contours are characterized by the subtle and lively use of pen and brown ink which already confers a certain personality on the work, most of the shadowing and building up of shapes and volumes is done with the point of the brush and thin lines of gray ink, used in the same way that the artist would use black chalk. The landscape in the background is built up with the same use of the brush, delicate and subtle, and creating a contrast with the strong use of gray wash which defines the rocky arch, making it a substantial divider between the foreground with the devotional image of St Jerome praying, and the background with its serene and peaceful outlook. The strong, structural, use of wash is something that is found in quite a number of Sodoma's drawings, including The resurrection of Christ in the Uffizi (inv. no. 567E, Inventario 1. Disegni di Figure, Verona 1986, reproduced). A black chalk drawing by the artist of St. Jerome Kneeling, seen from the front, in the Uffizi, is also in many ways comparable with the present work (photo Gernsheim).

      Sotheby's
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