William (1767) Alexander Sold at Auction Prices

William Alexander, London (1767-1816), A View Near the City of Lin-Tsin on the Banks of the Grand Canal and "View of the Suburbs of a Chinese City," two works, two etchings with hand coloring

William Alexander London, (1767-1816) A View Near the City of Lin-Tsin on the Banks of the Grand Canal and "View of the Suburbs of a Chinese City," two works two etchings with hand coloring Printed inscription lower left: W. Alexander del., printed inscription lower center: London, Published April 12, 1796, by G. Nicol; The first: Printed inscription lower right: W. Byrne sculp.; The second: Printed inscription lower right: B.J. Pouncy sculp.

WILLIAM ALEXANDER THOMAS MEDLAND, BRITISH, 1767-1816 BRITISH, 1755-1822, TOMB OF COLONEL CATHCART IN THE FORT OF ANJERIE; ARCOS DE CARICO, OR GRAND AQUADUCT IN RIO DE JANEIRO; JAVANESE AND WOUNDED SHARK; VIEW OF SANTA CR

WILLIAM ALEXANDER THOMAS MEDLAND BRITISH, 1767-1816, BRITISH, 1755-1822 TOMB OF COLONEL CATHCART IN THE FORT OF ANJERIE; ARCOS DE CARICO, OR GRAND AQUADUCT IN RIO DE JANEIRO; JAVANESE AND WOUNDED SHARK; VIEW OF SANTA CRUZ and COCHIN CHINESE SHIPPING ON THE RIVER TAIFO Aquatint Published June 4, 1806, by Messrs.Cadell & Davies, Strand, London". John Barrow's voyage to southern Vietnam (Cochinchina) was undertaken as the preliminary to Lord Macartney's Embassy to China. Marcartney's miison replaced that of Charles Cathcart. John Barrow (1764-1848) was elected a Fellow of the Royal Society in 1805. (5)

AFTER WILLIAM ALEXANDER (BRITISH 1767-1816)

AFTER WILLIAM ALEXANDER (BRITISH 1767-1816) VIEW OF LAKE PAO-YNG etching with engraving by William & Elizabeth Ellis, published 1796 by G.Nicol 36.5 x 50.5cm 57 x 70.7cm (framed) Property from a London Collection A view of Lake Pao-Yng (possibly Gaoyou Lake or Shaobo Lake) and a southern section of the Grand Canal (or Jinghang Waterway), a vast man-made network of canals and rivers that run 2,000km from Beijing to the Zhejiang province. In Staunton's description of this plate he notes the extensive practice of fishing cormorant - the use of birds, in this case Pelicanus Sinensis, to catch fish. Literature Sir George Staunton, An authentic account of an embassy from the King of Great Britain to the Emperor of China, London 1797, p. xxvi, the scene described; pl. 36, illustrated offered for sale without reserve

AFTER WILLIAM ALEXANDER (BRITISH 1767-1816)

AFTER WILLIAM ALEXANDER (BRITISH 1767-1816) THE APPROACH OF THE EMPEROR OF CHINA TO HIS TENT IN TARTARY, TO RECEIVE THE BRITISH EMBASSADOR etching with engraving, by J.Fittler, published 1796 by G.Nicol 36.8 x 50.9cm 56.5 x 70.5cm (framed) Property from a London Collection A depiction of the Qianlong Emperor (Emperor Gaozong of Qing) and the British Ambassador Lord Macartney meeting on 14 September 1793 at the Wanshu Garden, also known as the Garden of Ten Thousand Tree. Now a UNESCO World Heritage site, Wanshu Garden is in the Chengde Mountain Resort. Literature Sir George Staunton An authentic account of an embassy from the King of Great Britain to the Emperor of China, London 1797, p. xxii, the scene described; pl. 25, illustrated offered for sale without reserve

AFTER WILLIAM ALEXANDER (BRITISH 1767-1816)

AFTER WILLIAM ALEXANDER (BRITISH 1767-1816) VIEW OF THE GREAT WALL OF CHINA etching with engraving, originally published 1796, by Medland 36.5 x 51cm; 14 1/4 x 20in 56.5 x 71cm; 22 1/2 x 27 1/4in (framed) Property from a London Collection A view of the Great Wall of China taken near the pass of Cou-Pe-Koo. The view features in Sir George Staunton's An authentic account of an embassy from the King of Great Britain to the Emperor of China (see note to previous lot). Literature Sir George Staunton, An authentic account of an embassy from the King of Great Britain to the Emperor of China, London, 1797, p. xxi, the scene described; pl. 24, illustrated offered for sale without reserve

AFTER WILLIAM ALEXANDER (BRITISH 1767-1816)

AFTER WILLIAM ALEXANDER (BRITISH 1767-1816) VIEW OF A PAI-LOO etching with engraving, by J.Chapman, published 1796, by G.Nicol 49.8 x 63.8cm 56.5 x 70.3cm (framed) Property from a London Collection Literature Sir George Staunton, An authentic account of an embassy from the King of Great Britain to the Emperor of China, London, 1797, p. xxix the scene described; pl. 31, illustrated A pai-loo, the central architectural feature of the present print is a Chinese triumphal arch; a tower or fortress is featured in the right foreground, and a place for performances on the left side as recounted by Sir George Staunton in An authentic account of an embassy from the King of Great Britain to the Emperor of China. The publication was the official report of the 1793 British Macartney Embassy mission, the first British diplomatic mission to China, led by Lord George Macartney. offered for sale without reserve

William Alexander, London (1767-1816), Chinese Barges of the Embassy Passing through a sluice on the Grand Canal; together with A Chinese Military Post, 1796; and View of one of the Wesern Gates of the City of Pekin, thr

William Alexander London, (1767-1816) Chinese Barges of the Embassy Passing through a sluice on the Grand Canal; together with A Chinese Military Post, 1796; and View of one of the Wesern Gates of the City of Pekin three hand colored engravings framed.

ALEXANDER, William (1767-1816) The costume of China illustrated with forty

ALEXANDER, William (1767-1816) The costume of China illustrated with forty-eight coloured engravings....

Pair Of Aquatints Of China By William Alexander (1767-1816)

Two framed Chinese related aquatint engravings byÊWilliam Alexander (1767-1816). One A QUAN or MANDARIN bearing a LETTER from the EMPEROR of CHINAÊ and the other A SCENE in an HISTORICAL PLAY exhibited on the CHINESE STAGE. Matted and framed under glass measuring overall 21.5" tall x 25" wide with frame. Light dust and normal wear as shown, see photos.

WILLIAM ALEXANDER,  BRITISH 1767-1816-  ROCHESTER CASTLE FROM THE RIVER;  PENCIL AND GREY WASH ON

William Alexander,  British 1767-1816-  Rochester Castle from the River;  pencil and grey wash on paper, inscribed on the reverse, 13.7 x 19.2 cm.  Provenance:  P.A. Hughes-Smith.  Anon sale, Christie's, London, 5 March 1974, lot 124.  Private Collection, UK.  Note:  The present work exhibits the clean lines and simple composition which characterise Alexander's work. Rochester Castle stands on the east bank of the River Medway in Rochester, Kent. The 12th-century keep or stone tower, which is the castle's most prominent feature, is one of the best preserved in England.

after William Alexander (British, 1767-1816)

after William Alexander (British, 1767-1816) 'The Fire-Backed Pheasant of Java', hand coloured copper engraving by William Skelton, pub. London, G. Nicol, 1796, 14½ x 12 3/8in. (36.8 x 31.5cm.), gilt framed. * Provenance: Old Maps & Prints Ltd, Bangkok, Thailand, c.1999

¤ WILLIAM ALEXANDER (1767 - 1816)

¤ WILLIAM ALEXANDER (1767 - 1816) VIEW OF A FARMHOUSE Monochrome washes on laid paper Image size: 19 x 25cm. (7½ x 10in.) Framed size: 39.5 x 44cm. (15½ x 17¼in.) Provenance: With Abbott & Holder, London; From where purchased by the previous owner, Oct. 2007

WILLIAM ALEXANDER (1767-1816)

A COUNTY STREET SCENE, POSSIBLY IN WALES. bears title to mount & bears inscription in another hand This artists [sic] drawings are much esteemed and are rare / From the collection of a G.Greg. Esq. pencil with monochrome washes on laid paper 22.5 x 28.5cm. / 9 x 11in.

William Alexander (British 1766-1816)

William Alexander (British 1766-1816) William Alexander (British 1766-1816) A Mother and Child in the Door Way of a Rustic Farm The first reputedly inscribed verso: At Edgeware, the second inscribed verso: In Binstead Church. / Isle of Wight Grey wash and watercolour over pencil, together with three further wash drawings by William Alexander, including a view of the interior of Binstead Church, Isle of Wight; a view of a church; and figures on the steps of a country cottage various sizes All unframed (4)

WILLIAM ALEXANDER (MAIDSTONE 1766-1816), Study of a Chinese man sailing a junk,

WILLIAM ALEXANDER (MAIDSTONE 1766-1816) Study of a Chinese man sailing a junk signed with initials and dated 'W.A. 95.' (lower right) and further signed 'Alexander' (lower left) pencil, pen and brown ink and watercolour 7 x 9 in. (17.8 x 22.8 cm.) ,

WILLIAM ALEXANDER (MAIDSTONE 1766-1816), Three Chinese studies: Two men panning in a river; A man carried in a sedan chair; and Crushing rice,

WILLIAM ALEXANDER (MAIDSTONE 1766-1816) Three Chinese studies: Two men panning in a river; A man carried in a sedan chair; and Crushing rice all signed with initials 'WA' (lower right) pencil, pen and ink and watercolour 4 3/8 x 4 7/8 in. (11.1 x 12.3 cm.), and slightly smaller ,

WILLIAM ALEXANDER (MAIDSTONE 1766-1816), Three Chinese studies: a Rowing barge; Three men working a drain sluice; and Fishing from a junk,

WILLIAM ALEXANDER (MAIDSTONE 1766-1816) Three Chinese studies: a Rowing barge; Three men working a drain sluice; and Fishing from a junk all signed with initials 'WA' (lower right) pencil, pen and ink and watercolour 5 1/4 x 4 5/8 in. (13.3 x 11.7 cm.), and slightly smaller ,

ALEXANDER PAINTING OF CHINESE JUNK

Antique gouache painting of a Chinese Junk signed W. ALEXANDER (William Alexander, UK and California artist 1761-1816). 7.5 x 9.5 inches, framed 14 x 16.

WILLIAM ALEXANDER (BRITISH 1767-1816)

WILLIAM ALEXANDER (BRITISH 1767-1816) A folio of twenty-four drawings of English topographical subjects: fourteen by William Alexander, three by Edward Hughes and seven by various English 19th century hands. Subjects include: Leeds Caste; Conway Castle; Dover Castle; Eltham Church, Kent; Dent-de-Lion Gatehouse, Margate; Chapel of Joseph of Arimathea, Glastonbury; Canterbury Castle variously signed, inscribed and dated various sizes, all unframed (24) Provenance: Edward Hughes (1823-1913), thence by descent Literature: Susan Legouix, Image of China: William Alexander, London, 1980 Edward Hughes' son Charles Hughes was married to Cordelia Alexander the daughter of Thomas Alexander and 1st cousin of William Alexander. In her monograph, Image of China: William Alexander, London, 1980, Susan Legouix writes, 'When Alexander died in 1816 he was staying with his uncle, Thomas Alexander, and it was Thomas's grandson Edward Hughes who was responsible for keeping together a number of drawings and papers connected with the artist and who safely deposited in the British Museum his manuscript account of the embassy to China and his self portrait. In more recent times Gerald Hughes of York, a nephew of Edward, actively collected drawings by Alexander which he bequeathed to Maidstone Muesum.' A number of the English drawings are reproduced in Legouix's book including the Dent-de-Lion Gatehouse near Margate in the present lot.

William Alexander (1767-1816) - Chow-Ta-Zhin in his dress of ceremony

William Alexander (1767-1816) Chow-Ta-Zhin in his dress of ceremony pencil on paper 9 ¾ x 8in. (24.8 x 20.4cm.)

William Alexander (1767-1816) - Walls enclosing a city or town called Pou-een-gin, November 3rd 1793

William Alexander (1767-1816) Walls enclosing a city or town called Pou-een-gin, November 3rd 1793 pencil and watercolour on paper laid down on card oval 11 7/8 x 15 ½in. (30.3 x 39.4cm.)

William Alexander, (1767-1816 United Kingdom), "A View Near the City of Lin-Tsin on the Banks of the Grand Canal" and "View of the Subu

William Alexander (1767-1816 United Kingdom) "A View Near the City of Lin-Tsin on the Banks of the Grand Canal" and "View of the Suburbs of a Chinese City," two works Etchings on paper under glass Each: Printed inscription lower left: W. Alexander del., printed inscription lower center: London, Published April 12, 1796, by G. Nicol; The first: Printed inscription lower right: W. Byrne sculp.; The second: Printed inscription lower right: B.J. Pouncy sculp. Image of largest: 11.5" H x 17.75" W

Two William Alexander "Chinese Military" Etchings

William Alexander (American / English, 1776-1816) A group of two colored etching of Chinese military including "Chinese Military Post" and Chinese Military drawn out in complement of British Embassador" Unsigned Approx. 21.25"24.5" (framed), 11.75" x 15.25"

WILLIAM ALEXANDER (1767-1816) The Chinese Bookseller, watercolour, 15 x 1

WILLIAM ALEXANDER (1767-1816) The Chinese Bookseller, watercolour, 15 x 19cm Prov. With John Baskett Ltd, 173 New Bond Street, London Ex. Colln Earl of Derby Iolo A. Williams

WILLIAM ALEXANDER 1767-1816

Picturesque representations of the dress and manners of the Russians, illustrated in 64 co- loured engravings with descriptions. London: Printed for Thomas M’Lean by Howlett and Brimmer s.d. 1 vol. in-4° demi- rel. de l’époque. 64 planches enlumimées. ВИЛЬЯМ, АЛЕКСАНДР (1767-1816) [Живописное представление о костюмах и обычаях русских людей в 64 раскрашенных гравюрах, с описаниями]. London: Printed for Thomas M’Lean by Howlett and Brimmer [1803?]. - VI, [2], [128] с., 64 л. ил.; 25 см. - Издание на англ. яз. c 64 картинками, выполненными в технике акватинты и раскрашенные от руки, с изображением народных костюмов Государства Российского. В издательском полукожаном переплете с зол.тиснением и бинтами на корешке. Solovieff, Katalog № 43, 2004.

ALEXANDER, William (1767-1816).æ Picturesque Representations of the Dress and Manners of the Chinese. London: Thomas McLean, [1814]. 4to. 50 hand-coloured aquatintæplates including coloured frontispiece. (Occasional light spotting). 19th-century red half calf (joints cracking, extremities rubbed). First Edition(?).

ALEXANDER, William (1767-1816).æ Picturesque Representations of the Dress and Manners of the Chinese. London: Thomas McLean, [1814]. 4to. 50 hand-coloured aquatintæplates including coloured frontispiece. (Occasional light spotting). 19th-century red half calf (joints cracking, extremities rubbed). First Edition(?).

Wm. Alexander, (3) color engravings China

After William Alexander (British, 1767-1817), Chinese Military Uniforms from "The Costumes of China", c. 1805, 8"h x 5.75"w (sight), 14.5"h x 27.5"w (frame size), matted and framed under glass

Wm. Alexander, colored engraving China

After William Alexander (British, 1767-1816), "View of the Lake Pao-Ying where it is separated from the Grand Canal by an embankment of Earth", 13.5"h x 19.5"w (sight), 19.5"h x 25.5"w (frame size), matted and framed under glass

WILLIAM ALEXANDER (1767-1816). 'Feet of a Chinese Lady' fine watercolour with pencil  monogrammed lower right  10.4cm x 12cm. mounted and framed Provenance: With Thomas Agnew & Sons. Exhibited at the 100th Annual Exhibition of Watercolours and Drawings 1973. With labels verso, and title in the artist's hand

WILLIAM ALEXANDER (1767-1816). 'Feet of a Chinese Lady' fine watercolour with pencil  monogrammed lower right  10.4cm x 12cm. mounted and framed Provenance: With Thomas Agnew & Sons. Exhibited at the 100th Annual Exhibition of Watercolours and Drawings 1973. With labels verso, and title in the artist's hand

ALEXANDER. STUDIES OF THREE FIGURES [CHINA, 1793]

Watercolour over pencil on two joined sheets of paper, (image size 112 x 172mm.), signed with initials “W.A.”, lower left and lower right, mounted on card, framed and glazed

William Alexander. Imperial Garden of Pekin print

(English, 1767-1816) "A View in the Gardens of the Imperial Palace of Pekin," hand colored print, dated 1796, 11 1/2 in. x 15 1/2 in., framed

William Alexander, British 1767-1816- ''View at Cliffe in Kent'', 1795; bru

William Alexander, British 1767-1816- ''View at Cliffe in Kent'', 1795; brush and grey ink and watercolour, bears inscription on the mount, 14x19cm

William Alexander (1767-1816) - Aquatint - "This R

William Alexander (1767-1816) - Aquatint - "This Representation of the Dinner given by His Lordship to the Kentish Volunteers, in the presence of Their Majesties and the Royal Family", 15.25ins x 22.5ins, published March 1st 1800 by Messrs Simmons & Co, Canterbury, Mr J. Blake, Maidstone and by William Alexander, Poland Street, and five other engravings, various, all framed and glazed Note : Five thousand three hundred and nineteen Volunteers dined outside at tables after having been reviewed by George III on 1st August 1799 at Mote Park (Lord Romney's Seat) Maidstone, Kent

WILLIAM ALEXANDER

WILLIAM ALEXANDER (1767 - 1816) English painter, illustrator and engraver. He accompanied Lord Macartney to China (1792), and made drawings of the scenery and life there. L.S.,1p. 4to., London, Apr. 23, 1814, to James Christie, Esq, Pall Mall, a petition to make a change in the Artists Benevolent Fund. In part: "…We the undersigned Subscribers to the Artists Benevolent Fund to solicit your assistance in rescuing this Fund from its present administration and to restore it to the general purpose which induced us to give it our support; and we particularly request that you will attend the general meeting…at the Freemasons Tavern…" Also signed by five other artists, including JOHN LANDSEER (1769-1852), and EDWARD BLORE (1787-1879).

A Chinese soldier with his matchlock, with a faint subsidiary sketch of his head

William Alexander (Maidstone 1767-1816) A Chinese soldier with his matchlock, with a faint subsidiary sketch of his head indistinctly inscribed (upper right) and numbered ‘13’ (upper centre) pencil and watercolour 8 x 5 ¾ in. (20.4 x 14.5 cm.)

William Alexander (1766-1816) Barges preparing to enter the Hwang-ho water

William Alexander (1766-1816) Barges preparing to enter the Hwang-ho watercolour on paper 12 x 18 3/8in. (30.4 x 46.7cm.)

William Alexander

William Alexander, British 1767-1816- View at Cliffe in Kent, 1795; brush and grey ink and watercolour, bears inscription on the mount, 14x19cm

ALEXANDER, William (1767-1816).Picturesque Representation of the Dress and Manners of the Chinese. London: W. Bulmer for John Murray, 1814.

ALEXANDER, William (1767-1816). Picturesque Representation of the Dress and Manners of the Chinese. London: W. Bulmer for John Murray, 1814. 4° (335 x 276 mm). 50 hand-colored engraved plates after Alexander. (Frontispiece slightly shorter, mounted on stub; some pale spotting or offsetting.) Modern quarter morocco, edges gilt. FIRST EDITION. “Alexander is best remembered for his work on China in a period in which the Chinese style greatly influenced the decorative arts in Britain” (DNB). Colas 75.

ALEXANDER, William (1767-1816).The Costume of China. London: William Miller, 1805.

ALEXANDER, William (1767-1816). The Costume of China. London: William Miller, 1805. 4° (329 x 246mm). 48 hand-colored aquatint plates after Alexander. (Lacking half-title as often, occasional spotting, some offsetting onto text leaves.) Contemporary morocco, covers paneled in gilt and blind, spine in 6 compartments with 5 raised bands gilt (some wear to extremities, joints starting). Provenance: Richard Jones Higgins (gift inscription on pastedown). FIRST EDITION with the plates in the colored state. Abbey calls for plates 6-9 in the first state before letters; in this copy, they are in the second state with letters. Alexander travelled to China as draughtsman with Lord Macartney's Embassy to the Emperor in 1792-4. Abbey Travel, 534; Colas 74.

Alexander, William (1767-1816) Picturesque Representations of the Dress and Manners of the Russians. London: for M'Lean by Howellt & B

Alexander, William (1767-1816) Picturesque Representations of the Dress and Manners of the Russians. London: for M'Lean by Howellt & Brimmer, [n.d. text watermarked 1825, plates 1823, guard leaves 1821]. Quarto, illustrated with sixty-four hand-colored plates after William Alexander, bound in contemporary marbled paper boards, rebacked in red morocco, gilt spine, publisher's printed label on front board, 9 1/2 x 7 in.

Alexander, William (1767-1816) Picturesque Representations of the Dress and Manners of the English. London: for M'Lean by Howellt & Br

Alexander, William (1767-1816) Picturesque Representations of the Dress and Manners of the English. London: for M'Lean by Howellt & Brimmer, [n.d. text watermarked 1825, plates 1823, guard leaves 1821]. Quarto, illustrated with fifty hand-colored aquatint plates; contemporary marbled boards with printer's label on front board, rebacked with red morocco, spine gilt, 9 1/2 x 7 in.

Alexander, William (1767-1816) Picturesque Representations of the Dress and Manner of the Austrians. London: for Murray by Bulmer, 1814

Alexander, William (1767-1816) Picturesque Representations of the Dress and Manner of the Austrians. London: for Murray by Bulmer, 1814 [plates watermarked 1811]. Quarto, illustrated with fifty hand-colored plates by Alexander; older boards rebacked with new straight-grain morocco spine and corners, spine gilt lettered, 9 1/4 x 6 1/4 in. Examples of regional, generally peasant, dress from Hungary, Scavonia, Bohemia, Transylvania, Croatia, Moravia, and other neighboring countries is also included.

William Alexander watercolor

William Alexander (American 1767-1816)- Sailing Vessel- watercolor on paper, ca. 1797, signed W. Alexander lower right

Pair Chinese nautical engravings after William Alexander (2pcs)

Pair Chinese nautical engravings after William Alexander (California, 1767-1816) handcolored engravings, framed as a pair framed H16 3/4" W14 3/4" (2pcs) Provenance: Columbia, South Carolina private collection

WILLIAM ALEXANDER ENGRAVING ON PAPER - "The Rock of Quang-Yin, with Excavation Near its Base, Serving as a Temple and Dwelling for S...

WILLIAM ALEXANDER ENGRAVING ON PAPER - "The Rock of Quang-Yin, with Excavation Near its Base, Serving as a Temple and Dwelling for Several Priests of Fo." Condition good; minor soiling. Plate dated 1796. 17.75" x 18.75" framed.

William Alexander (British, 1767-1816)

William Alexander (British, 1767-1816), "A Castle Near Oswestry", watercolor on paper, sight 8-3/4" x 7". Attractively matted, glazed and framed.

WILLIAM ALEXANDER

MAIDSTONE,  KENT  1767  -  1816 THREE  CHINESE  FIGURES  SMOKING,  THE  BRIDGE  PAGODA,  SHANGHAI  BEYOND Watercolour  over  pencil,  heightened  with  pen  and  grey  ink; signed  lower  left:  W.  Alexander  /  1793 150  by  205  mm

WILLIAM ALEXANDER (1767-1816) The Costume of China. London: William Miller, 1805 [watermarked 1794-1802]. 4° (327 x 265mm). 48 hand-coloured aquatint plates after Alexander. (Without half-title or dedication as often, occasional spotting, some offsetting onto text leaves, one plate with short marginal tear.) Modern buckram preserving an earlier morocco spine label. FIRST EDITION. Alexander travelled to China as draughtsman with Lord Macartney's Embassy to the Emperor in 1792-4. 'Alexander is best remembered for his work on China in a period in which the Chinese style greatly influenced the decorative arts in Britain' (ODNB). Cordier Sinica, 1858; Abbey Travel, 534; Colas 74.