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Japanese Prints

Japanese prints, particularly Japanese woodblock prints, have been highly coveted works of art since their creation. They are beloved for their use of the whole spectrum of colors and extraordinary detail on paper made from the inner wood of a mulberry tree.

The creation of Japanese woodblock prints is intriguing in that it requires four people. One artist renders the design of the image, one engraver carves the image into wood, a printer uses the woodblocks to stamp each individual color to compose the image, and a publisher oversees the initial idea of the image and then markets it. While a print may have its own individual differences, once an image is carved into a woodblock, it can be printed thousands of times.

Many painters found inspiration in the innovative stylization and use of space within Japanese prints. They exhibited significant influence in Western Impressionist and Modern art.


Quick Facts

  • Despite the level of skill of all members of the printmaking process, it is usually only the publisher’s name that appears on the print
  • Each color of a Japanese print needs to be carved on a different block of wood. This process of carving and stamping the image with exact precision requires tremendous skill, time, and patience
  • Japanese prints have not always been coveted collector’s items. They were once commonplace items and often overlooked; Impressionist painter Claude Monet, for example, first encountered a Japanese print when it was being used as wrapping paper

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Utagawa Kunisada (1786-1865) - Lot consisting of two woodcuts, Japan, Meiji period
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Utagawa Kunisada (1786-1865) - Lot consisting of two woodcuts, Japan, Meiji period
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Sellers Who Sell Japanese Prints


Eldred's

Eldred's

Theodore Bruce

Theodore Bruce

Grogan & Company

Grogan & Company

Abell Auction

Abell Auction