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Lot 3200: Wolf, Caspar

Est: €0 EUR - €10,000 EURPassed
Zisska & LacherMunich, GermanyJuly 23, 2021

Item Overview

Description

(Muri 1735-1783 Heidelberg; Zuschreibung), Vorderaargletscher mit der Kristallhöhle am Zinggenstock. Gouache auf Papier. Nicht sign., numeriert "53", nicht dat. (um 1775). Sichtmaß mit schwarzer Rahmung: 10,7 x 15,3 cm. - Unter Glas in vg. Rahmen um 1820 (mit Altersspuren, ungeöffnet). • Von einem erhöhten Standort aus gleitet der Blick in ein weites Flußtal, das von hoch aufragenden Bergen begrenzt wird. Im rechten Vordergrund haben sich acht Männer zusammengefunden. Sie stehen am Eingang zu einer Höhle an einem Bachlauf, darüber stürzen vier schmale Wasserfälle über die Felsen herunter. Die Herren sind mit unterschiedlichen Tätigkeiten beschäftigt: sie inspizieren den Eingang, tragen Gerät, knien am Boden oder betrachten etwas in ihren Händen.Der Rahmen der Gouache ist auf der Rückseite mit einem französischen Manuskriptblatt verschlossen. Der Text mit der nur noch fragmentarisch erhaltenen Überschrift "Cristalliere du mont Zinkenberg" beschreibt, daß bei der Auffindung der Kristallhöhle im Zinggenstock im Jahr 1719 ein Bach und das herabstürzende Wasser den Eingang erschwerten. Derselbe Text findet sich in dem zuerst 1780-1782 erschienenen Mappenwerk "Vues remarquables des montagnes de la Suisse", in dem der Berner Verleger Abraham Wagner 24 Werke von Caspar Wolf publizierte. - Dieser Text barg für Thilo Arlt den Schlüssel zur Aufklärung eines Fehlers im Werkkatalog zu Caspar Wolf von Willi Raeber (1979). In seinem Artikel "Nach 300 Jahren wiederentdeckt: Die Kristallkluft von 1719 am Zinggenstock, Schweiz" (in: Lapis, Jg. 45, Nr. 6, Juni 2020), konnte Arlt darlegen, daß das Gemälde "Hochtal mit Blick gegen den Griessenfirn" (Raeber 223), das sich im Kunstmuseum in Bern befindet, die Kristallhöhle zeigt, nicht wie bislang angenommen die als Raeber 364 katalogisierte Höhlenansicht. Schließlich trug der Text zur Auffindung der Höhle im August 2019 bei.Zwischen dem ausgeführten Gemälde und unserer Gouache sind einige Unterschiede festzustellen. Der Höhleneingang ist näher an den Betrachter herangerückt und von schroffen Felsen ohne jegliches Grün umgeben. Auch zeigt das Gemälde fünf, die Gouache acht Personen. Diese Reduzierung der Komposition führt zu einer Beruhigung und Klärung der Szenerie. Die forschenden Kristallsucher sind deutlicher in den Blick gerückt. Aus unserer Sicht spricht dies dafür, daß das kleine Blatt vor dem Gemälde entstand, also wohl als Studie diente.

Artist or Maker

Condition Report

Mit leichten Altersspuren. • Vorderaar glacier with crystal cave at Zinggenstock; attributed to Caspar Wolf. Gouache on paper. Not signed, numbered "53", not dated (c. 1775). The frame of the gouache is closed on the reverse with a French manuscript sheet. The text with the fragmentary title "Cristallliere du mont Zinkenberg" describes that when the crystal cave in the Zinggenstock was discovered in 1719, a stream and the falling water made the entrance difficult. The same text appears in the portfolio "Vues remarquables des montagnes de la Suisse", first published in 1780-1782, in which the Bernese publisher Abraham Wagner published 24 works by Caspar Wolf. For Thilo Arlt, this text held the key to clarifying an error in the catalogue of Caspar Wolf's works by Willi Raeber (1979). In his article "Rediscovered after 300 years" (in: Lapis, issue 6, June 2020), Arlt was able to show that the painting "Hochtal mit Blick gegen den Griessenfirn" (Raeber 223), which is in the Kunstmuseum in Bern, shows the crystal cave, not the cave view catalogued as Raeber 364, as previously assumed. Finally, the text contributed to the finding of the cave in August 2019. • There are some differences between the executed painting and our gouache. The cave entrance is closer to the viewer and surrounded by jagged rocks without any green. This reduction of the composition leads to a calming and clarification of the scenery. The crystal seekers are more clearly in view. From our point of view, this suggests that the small sheet was created before the painting, i. e. it probably served as a study. With slight signs of age. Framed and glazed in a frame from around 1820 (traces of age; unopened). -premium 28% incl. VAT

Payment & Shipping

Payment

Accepted forms of payment: MasterCard, Visa, Wire Transfer

Shipping

14. Buyers shall take charge of their lots immediately after the auction.
Shipping instructions shall be given in writing. Shipping, if required,
will be effected at the sole expense and risk of the Buyer.
Prints will be shipped unmatted and unframed, unless specifically
requested by the Buyer immediately after purchasing.

Auction Details

Terms

Buyer's Premium

31.0%

Bidding Increments

From:To:Increment:
€0€199€10
€200€299€20
€300€399€30
€400€499€40
€500€999€50
€1,000€1,999€100
€2,000€2,999€200
€3,000€9,999€500
€10,000+€1,000

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who are entitled to deduct VAT on lots offered in the catalogue
may request that standard taxation is applied to their
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proof of export is received by the Auctioneer within a period
of four weeks. Dealers whose businesses are registered in the EU
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with 2 % of the hammer price as a contribution to federal resale
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arising from the method of payment chosen by them. Payments
by Buyers who have submitted absentee bids or who have bid by
telephone shall be due within 14 days of the date of the invoice.
13. In default of payment, the Auctioneer will charge interest on the
outstanding amount at the rate of 1% per month or part month.
Furthermore, if the Buyer defaults in payment, the Auctioneer
may, at his discretion, insist on performance of the contract or, if
the Buyer has not paid by the date set, claim damages for nonperformance;
in the latter case, the Auctioneer may claim the
damages by putting the lot or lots up again for auction and charging
the defaulting Buyer with the difference between the price
bid by him/her and the price realized on the resale, if this is
lower, plus the cost of the resale, including the Auctioneer's costs.
14. Buyers shall take charge of their lots immediately after the auction.
Shipping instructions shall be given in writing. Shipping, if required,
will be effected at the sole expense and risk of the Buyer.
Prints will be shipped unmatted and unframed, unless specifically
requested by the Buyer immediately after purchasing.
15. By placing a bid either in writing or in person, the Buyer agrees
to be bound by these Conditions of Sale. This shall also apply to
after-auction purchases.
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ings is Munich. German law applies exclusively; the UN-Treaty
(CISG) is explicitly excluded.
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shall not affect the validity of the remaining provisions.
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The German-language version shall without exception be the
authoritative version, in particular with regard to the interpretation
of statutory terms and catalogue descriptions.
Munich, 10/01/2017
ZISSKA & LACHER Buch- und Kunstauktionshaus GmbH & Co. KG

Premium

9. A buyer's premium of 28 % including statutory VAT is levied on
the hammer price (margin scheme), without separate indication
of the VAT amount. Where estimates of lots are preceded by *R,
a premium of 20 % is levied on the hammer price, plus statutory
VAT on the sum of the hammer price and the buyer's premium at
the lower rate of 7 %. Where estimates are marked ** the statutory
VAT is at the current rate of 19 %. Dealers tax-resident in Germany
who are entitled to deduct VAT on lots offered in the catalogue
may request that standard taxation is applied to their
auction purchases. Buyers resident in third (i.e. non-European
Union) countries are exempted from VAT if purchases are dispatched
by the auction house to their registered address or if official
proof of export is received by the Auctioneer within a period
of four weeks. Dealers whose businesses are registered in the EU
are exempted from VAT provided that they quote their verifiable
VAT Registration Number (BTW, IVA; TVA) when submitting
absentee or online bids, or when registering to bid. Payments in
foreign currency will be converted at the rate of exchange prevailing
on the day of payment. Costs of shipping, packing, insurance
and bank charges are at the Buyer's expense.
10. Buyers of original works of art and photographies will be charged
with 2 % of the hammer price as a contribution to federal resale
rights taxes (§26 UrHG).
11. Buyers pay the fees for hammer prices generated via internet
(Invaluable 3% at present).

Payment

12. Immediately upon purchase the Buyer shall pay the final price in
cash or by authorized bank cheque. Buyers bear all expenses
arising from the method of payment chosen by them. Payments
by Buyers who have submitted absentee bids or who have bid by
telephone shall be due within 14 days of the date of the invoice.
13. In default of payment, the Auctioneer will charge interest on the
outstanding amount at the rate of 1% per month or part month.
Furthermore, if the Buyer defaults in payment, the Auctioneer
may, at his discretion, insist on performance of the contract or, if
the Buyer has not paid by the date set, claim damages for nonperformance;
in the latter case, the Auctioneer may claim the
damages by putting the lot or lots up again for auction and charging
the defaulting Buyer with the difference between the price
bid by him/her and the price realized on the resale, if this is
lower, plus the cost of the resale, including the Auctioneer's costs.

Shipping Terms

14. Buyers shall take charge of their lots immediately after the auction.
Shipping instructions shall be given in writing. Shipping, if required,
will be effected at the sole expense and risk of the Buyer.
Prints will be shipped unmatted and unframed, unless specifically
requested by the Buyer immediately after purchasing.