Description
The Rickshaw Boy or Camel Xiangzi, (1936-1937) by Lao She (1899-1966), printed in Hong Kong, in traditional Chinese characters. An important book, written by famous Chinese writer Lao She, published in Honk Kong in 1936-1937. Shu Qingchun (3 February 1899 – 24 August 1966), courtesy name Sheyu, best known by his pen name Lao She, was a Chinese novelist and dramatist. He was one of the most significant figures of 20th-century Chinese literature, and best known for his novel Rickshaw Boy and the play Teahouse (茶館). He was of Manchu ethnicity, and his works are known especially for their vivid use of the Beijing dialect. Rickshaw Boy or Camel Xiangzi (Chinese: 骆驼祥子; pinyin: Luòtuo Xiángzi; literally: 'Camel Auspicious Lad') is a novel by the Chinese author Lao She about the life of a fictional Beijing rickshaw man. It is considered a classic of 20th-century Chinese literature.[1 Plot Set in the 1920s, the novel's protagonist is an orphan peasant who leaves for Beijing to earn a living. Xiangzi is a young, hardworking, well-built rickshaw puller who dreams of owning his own rickshaw. Just when he has earned enough to buy one, it is confiscated by warlord soldiers. As he leaves, he spots some camels captured by the soldiers. He takes the camels and escapes and later sells them, earning the nickname Camel. However, the cash Xiangzi obtains from this is not enough for him to buy another new rickshaw - providence decrees that he must toil once more. A police secret agent later extorts him into paying him his savings, leaving Xiangzi impoverished again. Left with no choice, Xiangzi returns to work for Old Master Liu, the boss of a thriving rickshaw rental company. Although he tries to be honest and down to earth, Xiangzi finds himself entangled between Old Master Liu and his stout, manipulative daughter Tiger Girl, ten years his senior. Tiger Girl, who is carrying a torch for him, insists on marrying Xiangzi after pretending to be made pregnant by him. Her father disowns her and the couple live together, progressively made poor by her spendthrift ways. Later, Tiger Girl becomes pregnant by Xiangzi and grows even fatter as she awaits her delivery due her laziness and greediness for food. When Tiger Girl dies during childbirth and Xiangzi's infant child is stillborn, Xiangzi is distraught. He later finds meaning in life again in a female neighbour, the meek and long-suffering Little Fuzi, who is forced into prostitution by her idle father. When Xiangzi has earned enough to redeem her from the brothel, he is devastated to find she has committed suicide. The harsh realities of life taught Xiangzi that decency and hard work have little meaning in this pragmatic, dog-eat-dog world. He becomes a lazy, degenerate and unscrupulous good-for-nothing, no different from those he looked down on early in his life, spending his days gambling, cheating and whoring. Subject matter and themes The major subject matter of Rickshaw Boy is the way in which the hero makes his living pulling a rickshaw, the options he faces and choices he makes, and especially the fundamental issues of whether to work independently or as a servant to a family, and whether to rent or own a rickshaw. Additionally, the novel describes a series of adventures he has and his interactions with a number of other characters. Beijing -- "filthy, beautiful, decadent, bustling, chaotic, idle, lovable"[3]:240—is important as a backdrop for the book. "The only friend he had was this ancient city." (p. 31) The book explores the intimate relationship between man and machine (the rickshaw), and the evolution of that relationship. The relationship is both financial—requiring months and years of calculation to graduate from being a renter to being an owner—and physical. "His strength seemed to permeate every part of the rickshaw. . . . he was energetic, smooth in his motions, precise. He didn't appear to be in any hurry and yet he ran very fast . . . . " [3]:7 An important theme of the book is the economic precariousness of the hero's life. "No matter how hard you work or how ambitious you are, you must not start a family, you must not get sick, and you must not make a single mistake!" [3]:185 "If you avoid dying of starvation when young, good for you. But it was almost impossible to avoid dying of starvation when old." [3]:95 Further, the book explores personality characteristics and their relationship to economic existence, especially tolerance for risk, tolerance for hard work, and assertiveness, and personal standards of human dignity. "He had a strong body, a patient disposition, ambition, yet he allowed people to treat him like a pig or a dog and he couldn't keep a job." [3]:48 Isolation and individualism are important themes in the book. "His life might well be ruined by his own hands but he wasn't about to sacrifice anything for anybody. He who works for himself knows how to destroy himself. These are the two starting points of Individualism." [3]:237 Historical significance The characterization or point of view in Rickshaw Boy reflects the influence of Russian literature in China in general, and particularly on the way that influence was transferred to China by Lu Xun in stories such as The True Story of Ah Q and "Diary of a Madman". The subject matter of Rickshaw Boy aligned with concerns of Chinese leftists and the Chinese Communist Party. For instance, the final sentences read, "Handsome, ambitious, dreamer of fine dreams, selfish, individualistic sturdy, great Hsiang Tzu. No one knows how many funerals he marched in, and no one knows when or where he was able to get himself buried, that degenerate, selfish, unlucky offspring of society's diseased womb, a ghost caught in Individualism's blind alley." [3]:249 Lao She went on to play a leading role in literary associations endorsed by the government, such as the All-China Federation of Literature and Art. According to the introductory section of the Foreign Languages Press (Beijing) English translation, "Before Liberation [Lao She] wrote many works of literature, including his best novel Camel Xiangzi (or Rickshaw Boy) to expose and denounce the old society. While he now enjoys prestige in China and was named a "People's Artist" and "Great Master of Language", at the beginning of the Cultural Revolution he was severely persecuted. The Red Guards paraded him through the streets and beat him in public. Being humiliated both mentally and physically, he, according to the official record, committed suicide by drowning himself in Beijing's Taiping Lake in 1966.
