Loading Spinner
Don’t miss out on items like this!

Sign up to get notified when similar items are available.

Lot 112: Skunkdog   Inkhead party (2012).   Acrylique sur toile.   Signée au dos.   120 x 120 cm.

Est: €1,200 EUR - €1,500 EURSold:
Leclere - Maison de ventesMarseille, FranceJune 30, 2012

Item Overview

Description

Skunkdog
Inkhead party (2012).
Acrylique sur toile.
Signée au dos.
120 x 120 cm.

Artist or Maker

Notes

Street art is art, specifically visual art, developed in public spaces - that is, "in the streets" - though the term usually refers to unsanctioned art, as opposed to government sponsored initiatives. The term can include traditional graffiti artwork, sculpture, stencil graffiti, sticker art, wheatpasting and street poster art, video projection, art intervention, guerrilla art, and street installations. Typically, the term street art or the more specific post-graffiti is used to distinguish contemporary public-space artwork from territorial graffiti, vandalism, and corporate art.

Artists have challenged art by situating it in non-art contexts. 'Street' artists do not aspire to change the definition of an artwork, but rather to question the existing environment with its own language. They attempt to have their work communicate with everyday people about socially relevant themes in ways that are informed by esthetic values without being imprisoned by them.[1] John Fekner defines street art as "all art on the street that's not graffiti."

Whereas traditional graffiti artists have primarily used free-hand aerosol paints to produce their works,[3] "street art" encompasses many other media and techniques, including: LED art, mosaic tiling, murals, stencil art, sticker art, street installations, wheatpasting, woodblocking, video projection, and yarn bombing.

Traditional graffiti also has increasingly been adopted as a method for advertising; its trajectory has even in some cases led its artists to work on contract as graphic artists for corporations.[4] Nevertheless, street art is a label often adopted by artists who wish to keep their work unaffiliated and strongly political. Street artists are those whose work is still largely done without official approval in public areas.

For these reasons street art is sometimes considered "post-graffiti" and sometimes even "neo-graffiti."[5] Street art can be found around the world and street artists often travel to other countries foreign to them so they can spread their designs.

The motivations and objectives that drive street artists are as varied as the artists themselves. There is a strong current of activism and subversion in urban art. Street art can be a powerful platform for reaching the public, and frequent themes include adbusting, subvertising and other culture jamming, the abolishment of private property and reclaiming the streets. Some street artists use "smart vandalism" as a way to raise awareness of social and political issues.[6] Other street artists simply see urban space as an untapped format for personal artwork, while others may appreciate the challenges and risks that are associated with installing illicit artwork in public places. However the universal theme in most, if not all street art, is that adapting visual artwork into a format which utilizes public space, allows artists who may otherwise feel disenfranchised, to reach a much broader audience than traditional artwork and galleries normally allow.

Many street artist have earned international attention for their work and have shown their works in museums or galleries as well as on the street. It is also not uncommon for street artists to achieve commercial success doing graphics for other companies or starting their own merchandising lines. Other street artists have transitioned away from street art to traditional gallery and museum exhibitions.

In 1981, Washington Project for the Arts held an exhibition entitled Street Works, which included John Fekner, Fab Five Freddy and Lee Quinones working directly on the streets.[7] Fekner, a pioneer in urban art, is included in Cedar Lewisohn's book Street Art: The Graffiti Revolution, which accompanied the 2008 Street Art exhibition at the Tate Modern in England, of which Lewisohn was the curator.

The 1990 book Soho Walls - Beyond Graffiti by David Robinson[8] documents the paradigm shift in New York from the text-based precedents established by graffiti artists toward art in the streets such as the shadow figures by Richard Hambleton and the group of five young New York artists working collectively under the moniker AVANT.

While practically all large cities in the world, and some of the larger regional towns, host some form of urban art or graffiti, there are a few locations that are considered to harbour forerunners of particular mediums or foster a pioneering street art culture in general. Such locations often attract internationally known artists who travel to these locations to exhibit their works. The following is a partial list of the most notable locations.

While practically all large cities in the world, and some of the larger regional towns, host some form of urban art or graffiti, there are a few locations that are considered to harbour forerunners of particular mediums or foster a pioneering street art culture in general. Such locations often attract internationally known artists who travel to these locations to exhibit their works. The following is a partial list of the most notable locations.
Europe
Bulgaria: Sofia - In the night between the 17th and the 18th of June 2011 the monument of the Soviet Army in Sofia was painted by anonymous street artists. The Soviet soldiers depicted in the monument for a few days turned into Superman, Ronald McDonald, Santa Claus and others. It was a controversial subject and there were many supporters of the monument staying painted and many against it. In the early morning of June 21, 2011 the monument was cleaned.
Germany, Berlin: Street art on the Berlin Wall was famous during the time the city was divided; since reunification Berlin has become of Europe's street art strongholds. Bizarre post-communist locations, cheap rents and ramshackle buildings gave rise to a vibrant street art scene. Hotspots include Mitte, Prenzlauer Berg, Kreuzberg and Friedrichshain.
Greece: Athens - The street art scene in Greece has been active since the late 80's but had a tremendous boost in Athens right before the beginning of the financial crisis with a number of artists raising voices of resistance, making social commentaries and allegorical works in the historical center and the Exarhia district. On 14 October 2011, the New York Times published an extensive story about the crisis in relation to art and especially street art.[10] Some of the well known artists are Alexandros Vasmoulakis,Woozy and more related to artivism Bleeps.gr, Absent etc
Finland: Helsinki - The street art scene in Finland had its growth spurt from the eighties onwards, until in 1998 the city of Helsinki began a ten year zero tolerance policy which made all forms of street art illegal, punished with high fines and enforced through private security contractors. The policy ended in 2008, after which legal walls and art collectives have been established.
Italy: The country has been very active in street art since the end of the 90's; some of the most famous street artists include BLU, 108, and Sten Lex.
France: Paris is also a very active street art scene with artists such as Space Invader, Zevs, Mosko et Associés, Mesnager, Zoo Project.[11] It started with the Lettrism and then with a Situationist slogan painted on a wall in Paris.[12] The nouveau realist, including Jacques Villeglé, Yves Klein and Arman interact with public space but stay, like Pop Art in a classic studio/gallery relation. On 1962, The Rideau de Fer (Iron Curtain) By Christo and Jeanne-Claude is an example of early uncommissioned art. The Same year sees the first can spray work by pioneer Gérard Zlotykamien. After the "chienlit" (expression coined by General De Gaulle to qualify the May 1968 mini-revolution, Paris, like New-York has major city works but no Factory as important as Warhol's. In the 1970s, the work of Daniel Buren appeared in the Paris subway. Blek le Rat and the Figuration Libre (including Claude Closky and Pierre Huyghe) became active in the 1980s.
Norway: Stavanger is host to the annual Nuart Festival, one of Europe's leading events dedicated to promoting street art.
Poland: Łódź in September 2011, under the patronage of Mayor Hanna Zdanowska, a permanent city exhibition was financed called Urban Forms Gallery.[13] The exhibition included work from some of Poland's elite street artists as well as some more globally known artists.
Since the 1990s street art has been prevalent in Poland, which is most likely related to the collapse of communism in 1989. Street art is largely, though not exclusively, inspired by the hip-hop music scene. It is mostly accepted by the public, with the authorities occasionally giving licence to artists to decorate public spots. Despite this, public property is still illegally targeted in some cases. Warsaw and Gdansk are among some of the other Polish cities with a vibrant street art culture.[14][15]
Russia: Moscow, in 2010 the New York Times reported that the city was increasingly becoming a stage for local and international graffiti artists. The Street Kit Gallery, opened in 2008 is dedicated to street art organizes nomadic events in galleries, pop-up spaces and streets all over Moscow. The 2009 Moscow International Biennale for Young Art included a section for street art. Active artists include Make, RUS, and Kiev-based Interesni Kazki (also active in Miami and Los Angeles).[16]
Spain: Major Spanish coastal cities such as Barcelona, Valencia and Zaragoza have a vibrant street art scene.[17]
UK:
Bristol is part of a street art scene, due in part to the success of Banksy.[18]
London has become one of the most pro-graffiti cities in the world. Although officially condemned and heavily enforced, street art has a huge following and in many ways is embraced by the public, for example, Stik's stick figures.

Middle EastEgypt: Cairo has emerged as the street art capital of the Middle East in 2011, according to the New York Times. The scene began with slogans calling for the overthrow of the Mubarak regime and has evolved into aesthetic and politically provocative motifs.[20]Street art from Tunisia, Yemen, Egypt, and Libya has gained notoriety since the Arab Spring, including a 2012 exhibition in Madrid' s Casa Árabe[21][edit]North America[edit]CanadaToronto has a significant graffiti scene

United States

Atlanta: (see Street art in Atlanta) small but growing street art scene in the Krog Street Tunnel, Old Fourth Ward and Reynoldstown neighborhoods, and along the 22-mile BeltLine path which circles the inner city along industrial and residential spaces. Host of the Living Walls street art conference. However, in May 2011 Atlanta established a Graffiti Task Force. In October 2011 the police arrested 7 persons that they designated as vandals and some regard as artists. However, city officials assert that they have no intention of stifling the street art scene. The city selected 29 murals which would not be painted over including those commissioned as part of the BeltLine and works created during the Living Walls conferences. But the list did not include the most famous street art space in the city, the Krog Street Tunnel. Many street artists and members of the arts community interviewed by Creative Loafing believe the city's efforts are misdirected or futile.

Los Angeles: influential art and intriguing graffiti pieces throughout the city. Key locations include Sunset Boulevard, La Brea, Beverly Boulevard, La Cienega, Melrose Avenue, and Hollywood to name a few. On May 13, 2011, LAB ART Los Angeles opened on La Brea Avenue, the world's largest art gallery dedicated to street art. Spanning 6,500 square feet (600 m2) of space, it features over 300 works of art and installation from over 30 street artists including Alec Monopoly, Thank You X and Smear.

Miami's Wynwood is home to Wynwood Walls, an outdoor mural permanent exhibit featuring some of the world's most renowned street artists. Additionally there are hundreds of other street art and graffiti murals around the district curated yearly by Primary Flight, making it one of the biggest street art districts in in the world.

New York City's street art scene has its origins in the subway graffiti scene of the 1960s and 1970s, and New York continues to be a street art mecca in the U.S.[26] Areas rich in street art include Chelsea, SoHo and the Lower East Side in Manhattan, and Williamsburg and Dumbo - especially near the waterfront - in Brooklyn.

Philadelphia's Mural Arts Program is the largest street art program in the United States. I began in 1984 as an effort spearheaded by then Mayor Wilson Goode to eradicate the graffiti crisis plaguing the city. Muralist Jane Golden was hired to reach out to graffiti writers and to redirect their energies from destructive graffiti writing to constructive mural painting. Today, over 3,000 murals painted by local artists and artists from all over the world can be found throughout Philadelphia. The award-winning program has earned Philadelphia international praise as the "City of Murals".

Pittsburgh's murals funded by The Sprout Fund were named the "Best Public Art" by the Pittsburgh City Paper in 2006.

San Francisco's Mission District is renowned for its densely packed street art[30] along Mission Street, and all along both Clarion Alley and Balmy Alley. By 2010 street art was also being created in Hayes Valley, SoMa, Bayview-Hunters Point and the Tenderloin.[31]

South America

Argentina: Buenos Aires has an active street art scene throughout the city. Ever is a Buenos Aires artist whose work has gained an international recognition, including at the Living Walls conference.

Brazil: São Paulo has an internationally recognized street art scene in addition to pichação, rune-like black graffiti which many creators say expresses feelings of class conflict.



Asia-Pacific

Australia:

Melbourne (see Street art in Melbourne) is home to one of the world's most active and diverse street art cultures and is home to pioneers in the stencil medium. Street artists such as Blek le Rat and Banksy often exhibited works on Melbourne's streets in the 2000s. Works are supported and preserved by local councils. Key locations within the city include Brunswick, Carlton, Fitzroy, Northcote, and the city centre including the famous Hosier Lane.

Perth also has a small street art scene

Sydney's street art scene includes Newtown area graffiti and street art

New Zealand: Auckland street artin 2009, decorated corners of the city far and wide with sophisticated graphic imagery. Formats and themes include stencil drawings of aerosol-can characters, sharks, and angels; murals of muscle men to intergalactic space settings; and "throw-ups" of artists' signatures in elaborate, bubble-shaped characters. Auckland's city council permitted electrical boxes to be used as canvases for street art. Local crew TMD (The Most Def) won the "Write For Gold" international competition in Germany two years in a row. Surplus Bargains is another local collective.

Payment & Shipping

Payment

Accepted forms of payment: MasterCard, Paypal, Personal Check, Visa, Wire Transfer

Shipping

We ship items either via our services or via shipping companies. Winning Bidders are responsible for arranging shipment after payment is made in full.

It is advised to purchasers to carry out the removal of their lots as soon as possible in order to avoid storage and handling charges.

Storage is not of the responsibility of the auctioneer.

Due to increases in security in many countries International Shipping can now take up to 6 weeks

Auction Details

Street Art

by
Leclere - Maison de ventes
June 30, 2012, 02:30 PM CET

5 rue Vincent Courdouan, Marseille, 13006, FR

Terms

Buyer's Premium

26.92%

Bidding Increments

From:To:Increment:
€0€99€10
€100€499€20
€500€999€50
€1,000€4,999€100
€5,000€9,999€200
€10,000€49,999€500
€50,000€99,999€1,000
€100,000+€2,000

Conditions of sale

LECLERE maison de ventes est une société de ventes volontaires de meubles aux enchères publiques régie par la loi du 10 juillet 2000.
En cette qualité LECLERE maison de ventes agit comme mandataire du vendeur qui contracte avec l'acquéreur.
Les rapports entre LECLERE maison de ventes et l'acquéreur sont soumis aux présentes conditions générales :

La vente se fera expressément au comptant.
Le plus offrant et le dernier enchérisseur sera l'adjudicataire et aura l'obligation de payer comptant.
Les acquéreurs paieront en sus des enchères les frais suivants par lot : 23.92%TTC.

CONSEILS AUX ACHETEURS
Attribué à : signifie que l'oeuvre a été exécutée pendant la période de production de l'artiste mentionné et que des présomptions désignent celui-ci comme l'auteur vraisemblable ou possible sans certitude.
Entourage de : le tableau est l'oeuvre d'un artiste contemporain du peintre mentionné qui s'est montré très influencé par l'oeuvre du maître.
Atelier de : sorti de l'atelier de l'artiste, mais réalisé par des élèves sous sa direction.
Dans le goût de : l'oeuvre n'est plus d'époque

Les indications données par LECLERE maison de ventes sur l'existence d'une restauration ou d'un accident affectant le lot, sont exprimées pour faciliter son inspection par l'acquéreur potentiel et restent soumises à son appréciation personnelle.

L'absence d'indication d'une restauration d'un accident dans le catalogue, les rapports ou verbalement, n'implique nullement qu'un bien soit exempt de tout défaut présent, passé ou réparé.

Inversement la mention de quelque défaut n'implique pas l'absence de tous autres défauts.
Les dimensions ne sont données qu'à titre indicatif.

Une exposition ayant lieu au préalable, permettant aux acquéreurs de se rendre compte de l'état des biens mis en vente, il ne sera admis aucune réclamation une fois l'adjudication prononcée.

Les éventuelles modifications au catalogue seront annoncées verbalement pendant la vente et notées sur le procès verbal.

ORDRE D'ACHAT
Pour les personnes ne pouvant assister à la vente, un formulaire d'ordre d'achat inclus dans le catalogue est à remplir. LECLERE maison de ventes agira pour le compte de l'enchérisseur, selon les instructions contenues dans le formulaire d'ordre d'achat..

Les ordres d'achat sont une facilité pour les clients, LECLERE maison de ventes n'est pas responsable d'avoir manqué d'exécuter un ordre par erreur ou pour tout autre cause.

REGLEMENT
- en espèces : jusqu'à 3 000 euros frais et taxes compris pour les ressortissants français, jusqu'à 7 600 euros frais et taxes compris pour les ressortissants étrangers sur présentation de leurs papiers d'identité.

- par chèque ou virement bancaire.

Les chèques tirés sur une banque étrangère ne seront autorisés qu'après l'accord préalable de LECLERE maison de ventes. Il est conseillé aux acheteurs de fournir une lettre accréditive de leur banque pour une valeur avoisinant leur intention d'achat.

Les frais bancaires seront à la charge de l'acquéreur.

DEFAUT DE PAIEMENT
Conformément à l'article 14 de la loi n°2000-642 du 10 juillet 2000,
à défaut de paiement par l'adjudicataire, après mise en demeure restée infructueuse, le bien est remis en vente à la demande du vendeur sur folle enchère de l'adjudicataire défaillant ; si le vendeur ne formule pas cette demande dans un délai d'un mois à compter de l'adjudication, la vente est résolue de plein droit, sans préjudice de dommages et intérêts dus par l'adjudicataire défaillant.

RETRAIT DES ACHATS
Les objets ne pourront être délivrés qu'après paiement intégral du prix de l'adjudication frais compris.

Dès l'adjudication les achats seront sous l'entière responsabilité de l'adjudicataire.

L'acquéreur sera lui-même chargé de faire assurer ses acquisitions, et LECLERE maison de ventes décline toute responsabilité quant aux dommages que l'objet pourrait encourir et ceci dès l'adjudication prononcée.

Les achats qui n'auront pas été retirés dans les dix jours de la vente pourront être transportés dans un lieu de conservation aux frais de l'adjudicataire.

Contract

The highest and final bidder is deemed to be the purchaser.

Your Internet bid is a binding and legally enforceable contract.

Payment

No lot will be transferred to the purchaser before it has been paid for in full.

The purchaser will be authorized to pay by the following means :

-in cash: up to €3,000, costs and taxes included, for French citizen, up to €7,600, costs and taxes included, for foreign citizen on presentation of their identity papers.

-payment by check,

-by paypal,

-by transfer

Shipping

We ship items either via our services or via shipping companies. Winning Bidders are responsible for arranging shipment after payment is made in full.

It is advised to purchasers to carry out the removal of their lots as soon as possible in order to avoid storage and handling charges.

Storage is not of the responsibility of the auctioneer.

Due to increases in security in many countries International Shipping can now take up to 6 weeks

Premium

23.92 % inc. tax (19,6% VAT) + 3% Internet Fee

Condition Reports

LECLERE - Maison de ventes is happy to provide condition reports for individual lots upon request.

In accordance with the law, the auctioneer is responsible for the information provided by his catalogues. A preliminary exposure making it possible to the purchasers to realize the state of the objects put on sale, no complaint will be allowed once the price is pronounced.

The auctioneer is only responsible for the French information provided by this catalogue. The English translation is courtesy to the English speakers.