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Lot 143: Raden SALEH Semarang, vers 1811 - Bogor, 1880 Portrait de Matthijs Eliza Verstege (1763-1847) Huile sur panneau de chêne

Est: €150,000 EUR - €200,000 EURPassed
ArtcurialParis, FranceNovember 13, 2019

Item Overview

Description

Raden SALEH Semarang, vers 1811 - Bogor, 1880
Portrait de Matthijs Eliza Verstege (1763-1847)
Huile sur panneau de chêne
Signé et daté 'R:Saleh f 1835' en haut à droite

Portrait of Matthijs Eliza Verstege, oil on oak panel, signed and dated, by R. Saleh
h: 36,50 w: 31 cm

Provenance : Collection Clémence-Henriette-Marie de La Fosse, au XXe siècle ;
Puis par descendance ;
Collection particulière de l'Ouest de la France

Commentaire : [Le peintre et son modèle]
Peu de temps après son installation à La Haye en 1830, Raden Saleh est admis dans l'atelier de Cornelis Kruseman (1797-1857), un des peintres néerlandais les plus célèbres de son temps (fig. 1). Peintre de scènes de genre profanes et religieuses, de compositions historiques qui s'inscrivent dans la tradition néoclassique, il est également un portraitiste très apprécié tant à la ville qu'à la cour royale. On le compare parfois à Ary Scheffer (1795-1858), son contemporain et compatriote installé à Paris depuis 1811 avec lequel il a travaillé lors de son séjour parisien en 1821. Raden Saleh le comptera plus tard, ainsi que son jeune frère Henry également peintre, parmi ses relations parisiennes dans le monde artistique.
Élève et émule assidu, Raden Saleh adopte tout naturellement le style néoclassique et académique de son maître et se révèle rapidement un portraitiste habile qui maîtrise parfaitement la technique de la peinture à l'huile sur toile et sur panneau de chêne, dès 1832 à juger par les tableaux datés qui nous sont parvenus.
Notre portrait, qui date de 1835, figure Matthijs Eliza Verstege, un natif du Brabant septentrional où il a fait carrière dans l'administration des douanes et accises. Pensionné en 1819 avec le grade d'inspecteur provincial, il réside à Rotterdam lorsque son épouse, née Catharina Ecoma, décède en 1832. Veuf, et de plus privé de la compagnie de son unique fils militaire en poste aux Indes orientales néerlandaises et de ses petits-enfants, il choisit de finir sa vie à La Haye. Si les raisons qui l'on conduit à prendre cette décision nous échappent, on ne peut que s'en féliciter. En effet, une amitié à priori des plus improbables va naître entre ce petit bourgeois septuagénaire, pieux protestant, et le jeune aristocrate Javanais, non moins pieux musulman, au point que Raden Saleh peint un premier portrait de Verstege en 1834 " en signe de gratitude " pour les ouvrages d'un grand théologien néerlandais que son ami lui a offerts. On ne peut ignorer ce grand portrait (fig. 2, 120 x 100 cm) qui forme un contraste saisissant avec notre tableau, d'autant moins qu'un témoin contemporain qui connaissait les deux hommes nous apprend que c'est précisément " le portrait de Verstege, conseiller et guide de Raden Saleh, qui fut exposé au Salon d'Amsterdam en 1834 ", première participation de l'artiste à une exposition nationale.
Notre petit panneau représente le vieil homme posant de trois quarts dans un intérieur d'une grande sobriété. Pas de mise en scène suggérée par une tenture drapée rouge et une colonne monumentale fermant une partie du fond du décor pour distraire le regard du spectateur comme sur le portrait de Verstege de 1834 mais un mur sombre sur lequel se détache le modèle, tout particulièrement son visage éclairé par la lumière du jour diffusée par une fenêtre que l'on imagine hors du cadre de la composition. Un détail que l'on distingue à peine rompt cependant la surface plane du mur du fond. Sur le côté droit du tableau, à demi caché par le dos de la chaise, on devine plus qu'on ne voit un meuble en bois foncé sur lequel est posé un verre à pied. Un minuscule rayon de lumière s'y reflète. Verstege est assis sur une chaise droite tapissée de rouge, son bras droit touchant presque une petite table placée contre l'embrasure de la fenêtre. Il tient une petite tabatière argentée rectangulaire dans les deux mains, le couvercle ouvert maintenu entre le majeur et l'index tandis qu'il tient une pincée de tabac à priser entre le pouce et l'index. Un livre ouvert aux pages écornées est posé sur la table recouverte d'un tapis de Smyrne. C'est justement ce tapis au motif oriental (à l'époque de manufacture néerlandaise) recouvrant la table qui trahit l'intérieur hollandais. On ne peut manquer d'associer cet usage -qui perdure jusqu'à nos jours- aux scènes d'intérieur des grands maîtres de la peinture de genre du Siècle d'Or hollandais tels Jan Steen, Gerard Terborch ou Pieter de Hooch. De ce dernier, on pense notamment au tableau intitulé 'Joueurs de cartes dans un riche intérieur' (ca. 1663?1665) du Musée du Louvre.
L'homme est vêtu à la mode de l'époque. Il porte une longue veste en drap de laine noir au col de velours bleu-vert foncé, un pantalon également noir, un gilet bleu canard sur une chemise en batiste blanc ornée d'un large jabot plissé. Sa tenue est complétée par une cravate blanche passée autour du col relevé de la chemise et nouée sous son menton. Le contraste entre sa tenue de ville des plus correctes et son apparence physique est surprenant. Il est vrai que Verstege est rasé de près mais la chevelure hirsute, les sourcils broussailleux, la bouche entrouverte et la lippe pendante, le laisser-aller de sa posture assise - il est comme avachi sur sa chaise - nous renvoient l'image du vieil homme au quotidien partageant un moment d'intimité avec son jeune ami peintre. Dans ce portrait d'un réalisme attachant on a presque peine à reconnaître le même homme qui, digne et très soigné de sa personne, a posé en 1834 pour le portrait " officiel " qu'il destinait à son fils. On note que Raden Saleh a peint en 1837, également sur un petit panneau, le portrait de ce dernier alors en congé à la Haye (fig. 3).
On ne possède aucun croquis, aucun dessin datant des années que Raden Saleh a passées à La Haye, qu'il quitte en mai 1839, susceptible nous renseigner sur sa manière de travailler avant qu'il ne se mette à l'ouvrage pour peindre un tableau, en l'occurrence un portrait. Notre petit portrait est le résultat d'un travail dont on ignore les étapes préparatoires. De l'étude attentive de cette œuvre finie on garde l'impression d'un instantané, comme si le modèle pris au dépourvu s'était prêté de bonne grâce à un exercice que lui imposait l'artiste. Du fait de leur intimité, Raden Saleh pouvait se permettre d'étudier ses traits sans condescendance et représenter son ami sans le flatter. On ne peut dévisager cet homme dont le regard clair fixe son interlocuteur sans avoir à l'esprit la phrase dont Verstege est l'auteur: " S'il l'estimait indispensable afin de pouvoir observer les traits d'un mourant condamné à mort avec cruauté, il [Raden Saleh] n'hésiterait pas à me clouer sur la croix, moi, son meilleur ami ". Cette citation est empruntée à une lettre datant de 1837 dans laquelle son auteur donne de précieux renseignements sur le travail de Raden Saleh. Il cache mal son indignation devant l'artiste obsédé par ses études, mu par une ambition de progresser sans bornes qui l'amène à commettre de fâcheux faux-pas.
A la fois scène de genre par sa composition qui nous renvoie une image de la vie quotidienne et portrait dont on connaît l'identité du modèle, notre petit tableau n'est pas anodin. Dans sa simplicité et nonobstant le talent de Raden Saleh qui est loin d'avoir atteint les sommets dont on le sait capable, il est remarquable. Non pas en tant qu'œuvre d'art mais pour la manière dont Raden Saleh a traité le sujet. En effet, parmi la vingtaine de portraits connus qu'il a peints à La Haye au cours des années 1830, aucun ne peut être comparé à celui de Verstege de 1835. Tous répondent au même critère: " bien paraître ".
Pour conclure on voudrait revenir sur la posture de Verstege, assis les jambes écartées. Dans le contexte d'une société ultra-conservatrice, en large majorité protestante et puritaine, ce laisser-aller représenté dans un portrait est choquant. On ne parle ni de croquis exécutés sur le vif, ni de caricatures. Parmi les innombrables portraits de personnages assis peints au cours de la première moitié du XIXe siècle par des peintres néerlandais dont on connaît les images, ou que l'on peut voir, on cherche en vain une posture semblable à celle de Verstege. Portons alors nos regards vers Paris puisque notre tableau y est proposé et où Raden Saleh a vécu de 1845 à 1850. Bien que le rapprochement soit osé, voire téméraire, on pense immédiatement au portrait du directeur du 'Journal des débats' assis jambes écartées que Jean Auguste Dominique Ingres (1780?1867) a exposé au Salon de 1833: le devenu célèbre 'Portrait de monsieur Bertin' (1832) du Musée du Louvre, considéré comme l'archétype du portrait bourgeois.

Marie-Odette Scalliet


Légendes des visuels :
Fig. 1. A.J. Ehnle. 'Portrait de Cornelis Kruseman (1797-1857)'
Lithographie C.W. Mieling
©Stadsarchief, Amsterdam, coll. Atlas Dreesman.
Fig. 2. R. Saleh. 'Portrait de Matthijs Eliza Verstege (1763-1847)'
Huile sur toile, 120 x 100 cm, signée et datée 1834
©Rotterdam, Belasting & Douane Museum.
Fig. 3 R. Saleh. 'Portrait de Johannes Jacobus Verstege (1799-1859)'
Huile sur panneau de chêne, 37 x 30,5 cm, signé et daté 1837
©Collection Nationaal Museum van Wereldculturen
Fig. 4. R. Saleh. 'Paysage hollandais idéalisé'
Huile sur panneau, 30,50 x 37 cm, signé et daté 1834.
Van Ham Kunstauktionen, Cologne. Cliché ©Sasa Fuis.
Fig. 5. R Saleh. 'Portrait d'Antoine Auguste Joseph Payen (1792-1853)'
Huile sur toile, 73 x 61 cm, signée et datée 1847.
©Collection Nationaal Museum van Wereldculturen.

Estimation 150 000 - 200 000 €


Payment & Shipping

Payment

Accepted forms of payment: American Express, MasterCard, Visa, Wire Transfer

Shipping

A lot will be handed to its bidder once Artcurial has received full payment of its invoice. Lots which are not withdrawn within seven days after a sale (including Saturdays-Sundays and Bank holidays) will be stored at the buyer's expenses, in our storage located outside Paris.

Each client has to provide his shipping instructions at the account department with his payment.

Artcurial's shipping department can provide shipping fares wich include softpacking and express courriers.

For any heavy or fragile item, we can recommend the shipping companies which are more likely to provide the best service according to the country where you live.

For bidder living outside the EEC, the shipping and delivery expenses depend from the customs regulations of the country of residence. Each bidder has to pay local taxes, on top of the shipping costs. The importation of certain goods depends from on the customs regulations of the country of residence.
For less than 10 bottles, Artcurial's shipping department can provide shipping fares which include softpacking and express couriers.
Otherwise, Artcurial can advise appropriate clearing agent and shippers. Please notice that shipping wines towards some specific countries as USA is very difficult (various constraints related to customs regulation) or impossible.

Contact : département Transport- par email :
shipping@artcurial.com +33 1 42 99 16 57

Auction Details

Old Master & 19th Century Art

by
Artcurial
November 13, 2019, 06:00 PM CET

7 rond-point des Champs Elysées, Paris, 75008, FR

Terms

Live bidding may start higher or lower

Buyer's Premium

€1 - 150,000:30.0%
€150,001 - 2,000,000:24.0%
€2,000,001+:14.4%

Bidding Increments

From:To:Increment:
€0€99€10
€100€499€50
€500€999€100
€1,000€3,999€200
€4,000€19,999€500
€20,000€49,999€1,000
€50,000+€5,000

Conditions of Purchase

Artcurial SAS
is an operator of voluntary auction sales regulated by the law articles L321-4 and following of the Code de Commerce. In such capacity Artcurial SAS acts as the agent of the seller who contracts with the buyer. The relationships between Artcurial SAS and the buyer are subject to the present general conditions of purchase which can be modified by saleroom notices or oral indications before the sale, which will be recorded in the official sale record.

1. GOODS FOR AUCTION
a) The prospective buyers are invited to examine any goods in which they may be interested, before the auction takes place, and notably during the exhibitions. Artcurial SAS is at disposal of the prospective buyers to provide them with reports about the conditions of lots.
b) Description of the lots resulting from the catalogue, the reports, the labels and the verbal statements or announcements are only the expression by Artcurial SAS of their perception of the lot, but cannot constitute the proof of a fact.
c) The statements by made Artcurial SAS about any restoration, mishap or harm arisen concerning the lot are only made to facilitate the inspection thereof by the prospective buyer and remain subject to his own or to his expert's appreciation. The absence of statements Artcurial SAS by relating to a restoration, mishap or harm, whether made in the catalogue, condition reports, on labels or orally, does not imply that the item is exempt from any current, past or repaired defect. Inversely, the indication of any defect whatsoever does not imply the absence of any other defects.
d) Estimates are provided for guidance only and cannot be considered as implying the certainty that the item will be sold for the estimated price or even within the bracket of estimates. Estimates cannot constitute any warranty assurance whatsoever. The estimations can be provided in several currencies; the conversions may, in this case or, be rounded off differently than the legal rounding

2 . THE SALE
a) In order to assure the proper organisation of the sales, prospective buyers are invited to make themselves known to Artcurial SAS before the sale, so as to have their personal identity data recorded. Artcurial SAS reserves the right to ask any prospective buyer to justify his identity as well as his bank references and to request a deposit. Artcurial SAS reserves the right to refuse admission to the auction sales premises to any prospective buyer for legitimate reasons.
b) Any person who is a bidder undertakes to pay personally and immediately the hammer price increased by the costs to be born by the buyer and any and all taxes or fees/expenses which could be due. Any bidder is deemed acting on his own behalf except when prior notification, accepted by Artcurial SAS, is given that he acts as an agent on behalf of a third party.
c) The usual way to bid consists in attending the sale on the premises. However, Artcurial SAS may graciously accept to receive some bids by telephone from a prospective buyer who has expressed such a request before the sale. Artcurial SAS will bear no liability / responsability whatsoever, notably if the telephone contact is not made, or if it is made too late, or in case of mistakes or omissions relating to the reception of the telephone. For variety of purposes, Artcurial SAS reserves its right to record all the telephone communications during the auction. Such records shall be kept until the complete payment of the auction price, except claims.
d) Artcurial SAS may accept to execute orders to bid which will have been submitted before the sale and by Artcurial SAS which have been deemed acceptable. Artcurial SAS is entitled to request a deposit which will be refunded within 48hours after the sale if the lot id not sold to this buyer. Should Artcurial SAS receive several instructions to bid for the same amounts, it is the instruction to bid first received which will be given preference. Artcurial SAS will bear no liability/responsibility in case of mistakes or omission of performance of the written order.
e) In the event where a reserve price has been stipulated by the seller, Artcurial SAS reserves the right to bid on behalf of the seller until the reserve price is reached. The seller will not be admitted to bid himself directly or through an agent. The reserve price may not be higher than the low estimate for the lot printed in or publicly modified before the sale.
f) Artcurial SAS will conduct auction sales at their discretion, ensuring freedom auction and equality among all bidders, in accordance with established practices. Artcurial SAS reserves the right to refuse any bid, to organise the bidding in such manner as may be the most appropriate, to move some lots in the course of the sale, to withdraw any lot in the course of the sale, to combine or to divide some lots in the course of the sale. In case of challenge or dispute, Artcurial SAS reserves the right to designate the successful bidder, to continue the bidding or to cancel it, or to put the lot back up for bidding.
g) Subject to the decision of the person conducting the bidding for Artcurial SAS, the successful bidder will be the bidder would will have made the highest bid provided the final bid is equal to or higher than the reserve price if such a reserve price has been stipulated. The hammer stroke will mark the acceptance of the highest bid and the pronouncing of the word "adjugé" or any equivalent will amount to the conclusion of the purchase contract between the seller and the last bidder taken in consideration. No lot will be delivered to the buyer until full payment has been made.In case of payment by an ordinary draft/check, payment will be deemed made only when the check will have been cashed. h) So as to facilitate the price calculation for prospective buyers, a currency converter may be operated by Artcurial SAS as guidance. Nevertheless, the bidding cannot be made in foreign currency and Artcurial SAS will not be liable for errors of conversion.

3 . THE PERFORMANCE OF THE SALE
a) In addition of the lot's hammer price, the buyer must pay the different stages of following costs and fees/taxes:
1) Lots from the EU :
• From 1 to 150 000 euros: 25% + current VAT.
• From 150 001 to 1 800 000 euros: 20% + current VAT.
• Over 1 800 001 euros: 12% + current VAT.
2) Lots from outside the EU: (identified by an ¤ on the website).In addition to the commissions and taxes indicated above, an additional import fees will be charged (5,5% of the hammer price, 20% for jewelry and watches, motorcars, wines and spirits and multiples).
3) VAT on commissions and import fees can be retroceded to the purchaser on presentation of written proof of exportation outside the EU. An EU purchaser who will submit his intra-community VAT number and a proof of shipment of his purchase to his EU country home address will be refunded of VAT on buyer's premium. The payment of the lot will be made cash, for the whole of the price, costs and taxes, even when an export licence is required. The purchaser will be authorized to pay by the following means:
- In cash : up to 1 000 euros, costs and taxes included, for French citizens and people acting on behalf of a company, up to 15 000 euros, costs and taxes included, for foreign citizens on presentation of their identity papers;
- By cheque drawn on a French bank on presentation of identity papers and for any company, a KBis dated less than 3 months (cheques drawn on a foreign bank are not accepted);
- By bank transfer;
- By credit card : VISA, MASTERCARD or AMEX (in case of payment by AMEX, a 1,85% additional commission corresponding to cashing costs will be collected).
b) Artcurial SAS will be authorized to reproduce in the official sale record and on the bid summary the information that the buyer will have provided before the sale. The buyer will be responsible for any false information given. Should the buyer have neglected to give his personal information before the sale, he will have to give the necessary information as soon as the sale of the lot has taken place. Any person having been recorded by Artcurial SAS has a right of access and of rectification to the nominative data provided to Artcurial SAS pursuant to the provisions of Law of the 6 July 1978.
c) The lot must to be insured by the buyer immediately after the purchase. The buyer will have no recourse against Artcurial SAS, in the event where, due to a theft, a loss or a deterioration of his lot after the purchase, the compensation he will receive from the insurer of Artcurial SAS would prove unsufficient.
d) The lot will be delivered to the buyer only after the entire payment of the price, costs and taxes. If payment is made by cheque, the lot will be delivered after cashing, eight working days after the cheque deposit. In the meantime Artcurial SAS may invoice to the buyer the costs of storage of the lot, and if applicable the costs of handling and transport. Should the buyer fail to pay the amount due, and after notice to pay has been given by Artcurial SAS to the buyer without success, at the seller's request, the lot is re-offered for sale, under the French procedure known as "procédure de folle enchère". If the seller does not make this request within three months from the date of the sale, the sale will be automatically cancelled, without prejudice to any damages owed by the defaulting buyer. In addition, Artcurial SAS reserves the right to claim against the defaulting buyer, at their option: - interest at the legal rate increased by five points,
- the reimbursement of additional costs gene- rated by the buyer's default,
- the payment of the difference between the initial hammer price and the price of sale after "procédure de folle enchère" if it is inferior as well as the costs generated by the new auction. Artcurial SAS also reserves the right to set off any amount Artcurial SAS may owe the defaulting buyer with the amounts to be paid by the defaulting buyer. Artcurial SAS reserves the right to exclude from any future auction, any bidder who has been a defaulting buyer or who has not fulfil- led these general conditions of purchase.
e) For items purchased which are not collected within seven days from after the sale (Saturdays, Sundays and public holidays included), Artcurial SAS will be authorized to move them into a storage place at the de- faulting buyer's expense, and to release them to same after payment of corresponding costs, in addition to the price, costs and taxes.
f) The buyer can obtain upon request a certificate of sale which will be invoiced € 60.

4. THE INCIDENTS OF THE SALE
In case of dispute, Artcurial SAS reserves the right to designate the successful bidder, to continue the sale or to cancel it or to put the lot up for sale.
a) In case two bidders have bidden vocally, by mean of gesture or by telephone for the same amount and both claim title to the lot, after the bidding the lot, will immediately be offered again for sale at the previous last bid, and all those attending will be entitled to bid again.
b) So as to facilitate the presentation of the items during the sales, Artcurial SAS will be able to use video technology. Should any error occur in operation of such, which may lead to show an item during the bidding which is not the one on which the bids have been made, Artcurial SAS shall bear no liability/responsibility whatsoever, and will have sole discretion to decide whether or not the bidding will take place again.

5 . PRE-EMPTION OF THE FRENCH STATE
The French state in entitled to use a right of pre-emption on works of art, pursuant to the rules of law in force. The use of this right comes immediately after the hammer stroke, the representative of the French state expressing then the intention of the State to substitute for the last bidder, provided he confirms the pre-emption decision within fifteen days. Artcurial SAS will not bear any liability/ responsibility for the conditions of the pre-emption by the French State.

6 . INTELLECTUAL PROPERTY RIGHT - COPYRIGHT
The copyright in any and all parts of the catalogue is the property of Artcurial SAS. Any reproduction thereof is forbidden and will be considered as counterfeiting to their detriment. Furthermore, Artcurial SAS benefits from a legal exception allowing them to reproduce the lots for auction sale in their catalogue, even though the copyright protection on an item has not lapsed. Any reproduction of Artcurial SAS catalogue may therefore constitute an illegal reproduction of a work which may lead its perpetrator to be prosecuted for counterfeiting by the holder of copyright on the work.The sale of a work of art does not transfer to its buyer any reproduction or representation rights thereof.

7 . ITEMS FALLING WITHIN THE SCOPE OF SPECIFIC RULES
The International regulation dated March 3rd 1973, protects endangered species and specimen. Each country has its own lawmaking about it. Any potential buyer must check before bidding, if he is entitled to import this lot within his country of residence. Any lot which includes one element in ivory, rosewood…cannot be imported in the United States as its legislation bans its trade whatever its dating may be. It is indicated by a (?).

8. REMOVAL OF PURCHASES
The buyer has to insure its purchase, and Artcurial SAS assumes no liability for any damage items which may occur after the sale. All transportation arrangements are the sole responsibility of the buyer.

9. SEVERABILITY
The clauses of these general conditions of purchase are independent from each other. Should a clause whatsoever be found null and void, the others shall remain valid and applicable.

10. LAW AND JURISDICTION
In accordance with the law, it is added that all actions in public liability instituted on the occasion of valuation and of voluntary and court-ordered auction sales are barred at the end of five years from the hammer price or valuation. These Conditions of purchase are governed by French law exclusively. Any dispute relating to their existence, their validity and their binding effect on any bidder or buyer shall be submitted to the exclusive jurisdiction of the Courts of France.

PROTECTION OF CULTURAL PROPERTY
Artcurial SAS applies a policy to prevent the sale of looted or stolen cultural property.

Contract

The hammer stroke will mark the acceptance of the highest bid and the pronouncing of the word "adjugé" or any equivalent will amount to the conclusion of the purchase contract between the seller and the last bidder taken in consideration.

The internet bid live constitutes a bidding contract between the bidder and Artcurial.

Artcurial Live Bid Online Terms of Use
Execution of online internet bids is a free service undertaken subject to other commitments at the time of the sale and Artcurial Live Bid does not accept liability for failing to execute an online internet bid or for errors or omissions in connection with this activity, including, without limitation, errors or failures caused by:
- a loss of connection on Artcurial's or your end
- a breakdown or problems with the online bidding software and/or
- a breakdown or problems with a client's internet connection, computer or system.


Internet Fee:
Please note that the Internet fee is included in our premium. There are no additional Internet charges.

Payment

No lot will be transferred to the purchaser before it has been paid for in full.

The purchaser will be authorized to pay by the following means:
- In cash : up to 1 000 euros, costs and taxes included, for French citizens and people acting on behalf of a company, up to 15 000 euros, costs and taxes included, for foreign citizens on presentation of their identity papers;
- By cheque drawn on a French bank on presentation of identity papers and for any company, a KBis dated less than 3 months (cheques drawn on a foreign bank are not accepted);
- By bank transfer;
- By credit card : VISA, MASTERCARD or AMEX (in case of payment by AMEX, a 1,85% additional commission corresponding to cashing costs will be collected).

Shipping

A lot will be handed to its bidder once Artcurial has received full payment of its invoice. Lots which are not withdrawn within seven days after a sale (including Saturdays-Sundays and Bank holidays) will be stored at the buyer's expenses, in our storage located outside Paris.

Each client has to provide his shipping instructions at the account department with his payment.

Artcurial's shipping department can provide shipping fares wich include softpacking and express courriers.

For any heavy or fragile item, we can recommend the shipping companies which are more likely to provide the best service according to the country where you live.

For bidder living outside the EEC, the shipping and delivery expenses depend from the customs regulations of the country of residence. Each bidder has to pay local taxes, on top of the shipping costs. The importation of certain goods depends from on the customs regulations of the country of residence.
For less than 10 bottles, Artcurial's shipping department can provide shipping fares which include softpacking and express couriers.
Otherwise, Artcurial can advise appropriate clearing agent and shippers. Please notice that shipping wines towards some specific countries as USA is very difficult (various constraints related to customs regulation) or impossible.

Contact : département Transport- par email :
shipping@artcurial.com +33 1 42 99 16 57

Premium

From €1 to €150,000: 25%
From €150,001 to €2,000 000: 20%
Over 2,000,001: 12%

Internet Fee:
Please note that the Internet fee is included in our premium. There are no additional Internet charges.

Taxes and VAT

In addition of the lot's hammer price, the buyer must pay the different stages of following costs and fees/taxes:
1) Lots from the EU :
• From 1 to 150 000 euros: 25% + current VAT.
• From 150 001 to 2 000 000 euros: 20% + current VAT.
• Over 2 000 001 euros: 12% + current VAT.
2) Lots from outside the EU: (identified by an ¤ on the website).In addition to the commissions and taxes indicated above, an additional import fees will be charged (5,5% of the hammer price, 20% for jewelry and watches, motorcars, wines and spirits and multiples).
3) VAT on commissions and import fees can be retroceded to the purchaser on presentation of written proof of exportation outside the EU. An EU purchaser who will submit his intra-community VAT number and a proof of shipment of his purchase to his EU country home address will be refunded of VAT on buyer's premium. The payment of the lot will be made cash, for the whole of the price, costs and taxes, even when an export licence is required. The purchaser will be authorized to pay by the following means:
- In cash : up to 1 000 euros, costs and taxes included, for French citizens and people acting on behalf of a company, up to 15 000 euros, costs and taxes included, for foreign citizens on presentation of their identity papers;
- By cheque drawn on a French bank on presentation of identity papers and for any company, a KBis dated less than 3 months (cheques drawn on a foreign bank are not accepted);
- By bank transfer;
- By credit card : VISA, MASTERCARD or AMEX (in case of payment by AMEX, a 1,85% additional commission corresponding to cashing costs will be collected).

Condition Reports

Artcurial is happy to provide condition reports for individual lots upon request (PLEASE NOTE THAT WE DO NOT SEND CONDITION REPORT FOR THE LOT UNDER THE ESTIMATE OF 500 euros).

In accordance with the French law, Artcurial is responsible for the information provided in his catalogues and not liable for the English translation, a courtesy to his English speaking clients. We recommended to our clients to see the objects during the sale's exhibition. A preliminary exposure making it possible to the purchasers to realize the state of the objects put on sale.