Ensemble de neuf ouvrages : BAUMGARTEN, LOTHAR (1944) *Makuna.ma. (avec Alejo Carpentier : Los Advertidos) New York : Marian Goodman Gallery, 1987. Broché. 31,5 x 25,5 cm. Édition originale de 950 exemplaires. Livre d'artiste. *America Invention. New York : Solomon R. Guggenheim, 1993. Broché. 34,5 x 27 cm. 109 p. Édition originale. Petits défauts et petites tâches coin bas gauche. DEPARDON, RAYMOND (1942) *Le d.sert am.ricain. Paris : Éditions de l'étoile, 1983. Broché avec couverture illustréee. 21 x 18 cm. 142 p. Édition originale. Petit défauts avec une décoloration de la couverture, et pages se détachent. Ouvrage publié dans la collection « Ecrits sur l'image » Texte de Serge Toubiana. Ce livre a été façonné à l'envers lors de son impression. *En Afrique. Paris : Seuil, 1996. Broché. 21 x 15 cm. 160 p. Édition originale. Les photographies de Raymond Depardon « montrent l'Afrique qu'il aime, telle qu'il la voit, souffrante parfois, mais aussi proche et chaleureuse. Le texte très personnel qu'il a rédigé pour les accompagner n'est pas d'un sociologue, d'un politologue ou d'un journaliste. C'est celui d'un familier qui, au-delà des difficultés et des violences qui accablent tous ces pays, du Sud au Nord du continent, est sensible aux vertus de cette vieille terre de paysans ». *Voyages. Paris : Hazan, 1998. Broché, sous jaquette illustrée. 19,5 x 14,5 cm. 606 p. Édition originale. Minimes défauts. Texte en français et anglais de Raymond Depardon. *Errance. Paris : Seuil, 2000. Broché, 24,5 x 16,5 cm. Édition originale. Couverture avec de minimes défauts. *Donner la parole. Hear Them Speak. Paris / Göttingen : Fondation Cartier / Steidl, 2008. Relié. 21,5 x 16,5 cm. Édition originale. Textes de Raymond Depardon en français, anglais et chilien. MICHALS, DUANE (1932) *Merveilles d'Egypte Paris : Filipacchi-Denoël, 1978. Relié. 24 x 21 cm. 107 p. Édition originale. Petits défauts. Préface de Pierre de Fenoyl Textes de Duane Michals. SIGNER, ROMAN (1933) *Travel Photos Göttingen : Steidl, 2006. Broché. 16,5 x 23 cm. 224 p. Édition originale.
LE VOYAGE...A LA RENCONTRE DE L'AUTRE, JUST « TRAVELLING ».
Duane Michals (pronounced /'ma?k?ls/, born February 18, 1932) is an American photographer.[1] Michals' work makes innovative use of photo-sequences, often incorporating text to examine emotion and philosophy.
Michals' interest in art "began at age 14 while attending watercolor classes at the Carnegie Institute [Carnegie Museum of Art] in Pittsburgh."[3] In 1953 he received a B.A. from the University of Denver.[4] After two years in the Army, in 1956 he went on to study at the Parsons School of Design with a plan to becoming a graphic designer; however, he did not complete his studies.[3] He describes his photographic skills as "completely self-taught."[2] In 1958 while on a holiday in the USSR he discovered an interest in photography.[4] The photographs he made during this trip became his first exhibition held in 1963 at the Underground Gallery in New York City. For a number of years, Michals was a commercial photographer, working for Esquire and Mademoiselle, and he covered the filming of The Great Gatsby for Vogue (1974).[5] He did not have a studio. Instead, he took portraits of people in their environment, which was a contrast to the method of other photographers at the time, such as Avedon and Irving Penn. Michals was hired by the government of Mexico to photograph the 1968 Summer Olympics.[5] In 1970 his works were shown at the Museum of Modern Art in New York.[6] The portraits he took between 1958 and 1988 would later become the basis of his book, Album. In 1976 Michals received a grant from the National Endowment for the Arts. Michals also produced the art for the album Synchronicity (by The Police) in 1983,[3][5] and Richard Barone's Clouds Over Eden album in 1993.
Though he has not been involved in gay civil rights, his photography has addressed gay themes.[8][9] Michals cites Balthus, William Blake, Lewis Carroll, Thomas Eakins, René Magritte, and Walt Whitman as influences on his art.[2] In turn, he has influenced photographers such as David Levinthal and Francesca Woodman.[10][11] He is noted for two innovations in artistic photography developed in the 1960s and 1970s. First, he "[told] a story through a series of photos"[5] as in his 1970 book Sequences. Second, he handwrote text near his photographs, thereby giving information that the image itself could not convey.
Raymond Depardon (b. 6 July 1942, Villefranche-sur-Saône, France) is a French photographer, photojournalist and documentary filmmaker. In 1966, Depardon co-founded the photojournalism agency Gamma, and he became its director in 1974. He became an associate of Magnum Photos in 1978 and has been a full member since 1979. Depardon is also the author of several documentary shorts and feature films notably including 1974, une partie de campagne, on the 1974 presidential campaign of Valéry Giscard d'Estaing, Reporters (1981) and New York, N.Y. (1986), both winners of the César Award for best short documentary, La captive du désert (1990), nominated for the Palme d'Or at the 1990 Cannes Film Festival[1] and Délits flagrants (1994) which won awards for best feature documentary at the César Awards, the International Documentary Film Festival Amsterdam (Joris Ivens award) and the Vancouver International Film Festival. At the 2000 Kraków Film Festival, Depardon received the Dragon of Dragons, a lifetime achievement award. Depardon's approach as a director is influenced by cinéma vérité and direct cinema. Depardon is for the most part a self-taught photographer, as he began taking pictures on his family's farm when he was 12. He apprenticed with a photographer-optician in Villefranche-sur-Saône before he moved to Paris in 1958.[2] He began his career as a photojournalist in the early 1960s. He travelled to conflict zones including Algeria, Vietnam, Biafra and Chad. He covered the Prague Spring and directed his first short film Jan Palach (1969) about Jan Palach, a Czech student who self-immolated in protest of Soviet occupation.
Lothar Baumgarten (born 1944) is a German conceptual artist, based in New York and Düsseldorf. His work includes installation and film.
Between 1977 and 1986 Baumgarten visited Brazil and Venezuela,[1] and these visits resulted in works such as Terra Incognita, a three-dimensional diagram of the frontier between the two countries.[2] He represented Germany at the 1984 Venice Biennale, where his work consisted of the names Amazonian peoples engraved on a marble floor and filled with resin.[2] A ceiling piece made for the Carnegie Museum of Art in 1988 featured hand-painted letters from the Cherokee alphabet.[1] For his 1993 solo exhibition at the Guggenheim he printed the names of indigenous North American peoples on the inner curves of the rotunda.[3] His works are held in numerous museum collections, including the Tate.[4]
Payment & Shipping
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Auction House does NOT shi, BUT will help arrange shipment, at buyer's expense. PLEASE CONTACT THE AUCTION HOUSE FIRST.
All formalities concerning transport are the exclusive responsibility of the buyer. In case of exporting outside the European Union, the buyer is committedto accept the financial consequences to Pierre Bergé & Associés (Belgium) - Salle des Beaux-Arts for that exportation.
The buyer is also committed to use either a carrier approved by Pierre Bergé & Associés (Belgium) - Salle des Beaux-Arts, or to deposit a cheque covering the eventual VAT costs which may demanded of Pierre Bergé & Associés (Belgium) - Salle des Beaux-Arts in the case of the export documents not being supplied by the buyer.
The buyer must take delivery of the lot within three working days after the auction. After that delay, Pierre Bergé & Associés (Belgium) - Salle des Beaux-Arts reserve the right, without prior notice, to transfer paid-for lots that have not collected to storage at the cost, risk and perils of the buyer.
After 3 months, these lots may be sold without prior notice in order to write off the costs that the buyer is responsible for. In this case, the resale price will be deposited at a deposit and consignment office in the name of the buyer, after deductions for buyer's costs, reselling costs, and the difference in price.
CONDITIONS OF SALES
The auction will be conducted in Euros (e). No delay will be allowed concerning payment. As well as the hammer price, buyers will pay the following
premium up to 500 000 e, 24% (1) inclusive of tax, above 500 000 e, 19% (1) inclusive of tax. This calculation will be applied to each lot separately. Payments
and taxes may be paid in Euros (e) at : Pierre Bergé & associés (Belgique). Banque : I.N.G.-Rue du Trône, 1-B-1 000 Bruxelles-N° compte : 310 - 0503145 - 92
IBAN : BE12 3100 5031 4592-SWIFT?: BBRU BE BB
For works to which Artist's Resale Rights are applicable, the successful bidder will pay a 4 percent supplement to total sale price and legal costs.
For all information concerning which works are subject to Artist's Resale Rights, potential buyers may contact Pierre Bergé & Associés before the auction.
For lots whose seller is a non-resident (lots signalled by a ), the successful bidder will pay VAT of 6% on top of the total sale price, plus legal costs.
This VAT will be reimbursed upon presentation of proof of export outside the EU , within a maximum delay of one month.
For lots sold by non-resident (lots marked by a or a or a ) the buyer will pay a 21% VAT (lot marked by a ) or a 6% VAT (lot marked by a )
on the hammer price plus the premium. The buyer will be refunded of this VAT when he will be presenting our cashier with proof of export out of EE C.
The 21 % VAT on lots marked by a will be reimbursed, for persons liable for VAT and for purchases to be exported, upon presentation of proof of export.
AREA OF APPLICATION
The present general conditions apply to all sales organised by Pierre Bergé & Associés (Belgium) - Salle des Beaux-Arts. Participation in the sale implies
the acceptance of these conditions.
BIDS
Bidding order will be in accordance with the lot numbers of the catalogue. Pierre Bergé & Associés (Belgium) - Salle des Beaux-Arts reserve the right
to set the order of the progression of the lots, and bidders are required to conform to this. The highest and last bid shall be the buyer. In case of dispute
or mistake over highest bid, the lot shall be put up for sale again. The auctioneer and huissier judiciaire have the right to make the final decision concerning
all difficulty arising during bidding at the auction.
WRITT EN BIDS AND TELEPHONE BIDS
Anyone wishing to make a bid in writing or a telephone bid should use the form included at the end of the catalogue. This should be received by
Pierre Bergé & Associés (Belgium) - Salle des Beaux-Arts no later than two days before the auction accompanied by the bidder's bank details. Telephone
bidding is a free service designed for clients who are unable to be present at the auction. Pierre Bergé & Associés (Belgium) - Salle des Beaux-Arts cannot
be held responsible for any problem due to technical difficulties.
RISKS AND OWNERSHIP
Responsibilities pass to the buyer as soon as the bid is successful. In case of payment by cheque or money transfer, lots may not be withdrawn until the
totality of the money has been received on the account, the buyer only becoming owner when this has happened. Pierre Bergé & Associés (Belgium) -
Salle des Beaux-Arts decline all responsibility for any damage to the object after the sale has been made.
Collection OF PURCHASES
All formalities concerning transport are the exclusive responsibility of the buyer. In case of exporting outside the European Union, the buyer is committed
to accept the financial consequences to Pierre Bergé & Associés (Belgium) - Salle des Beaux-Arts for that exportation. The buyer is also committed to use
either a carrier approved by Pierre Bergé & Associés (Belgium) - Salle des Beaux-Arts, or to deposit a cheque covering the eventual VAT costs which may
demanded of Pierre Bergé & Associés (Belgium) - Salle des Beaux-Arts in the case of the export documents not being supplied by the buyer. The buyer must
take delivery of the lot within three working days after the auction. After that delay, Pierre Bergé & Associés (Belgium) - Salle des Beaux-Arts reserve the
right, without prior notice, to transfer paid-for lots that have not collected to storage at the cost, risk and perils of the buyer. After 3 months, these lots may
be sold without prior notice in order to write off the costs that the buyer is responsible for. In this case, the resale price will be deposited at a deposit and
consignment office in the name of the buyer, after deductions for buyer's costs, reselling costs, and the difference in price.
DELAY IN PAYMENT
All sums not paid 30 days after the auction will be subject to charge without prior notice of 1% per month. Furthermore, in the case of non-payment at
settling date, the amount due will be increased in full right by 15%. Without prejudice to proceedings for payment at the charge of the buyer, lots unpaid
after 3 working days may be put into auction again without reserve without prior notice; in which case, the defaulting buyer will be held responsible for
paying the difference between the new price, as well as all costs and outlays relative to having to put the lot back into auction, and cannot claim any excess
if there is any.
RESPONSIBILITY
The indications appearing on the catalogues, advertisements, brochures and any other written material produced by Pierre Bergé & Associés (Belgium)
- Salle des Beaux-Arts should be considered as simple indications, and are not binding in any case. They do not guarantee the exactitude of a declaration
relative to the author, origin, date, age, attribution, provenance, weight or material state of the lot. No employee is authorised to give such guarantees.
Consequently buyers must verify for themselves the nature and material state of the lots. Detailed information on the condition of the lots described by the
experts and the auction house is available to buyers who request it. The working condition of the pendulums and the condition of the mechanisms is not guaranteed.
DISPUTES
Any disputes must reach Pierre Bergé & associés (Belgium) - Salle des Beaux-Arts by recorded delivery not later than 10 days after the retrieval of the object,
or cannot be considered. In any case, for sales subject to article 1649 quater of the Belgian Code Civil, the seller answers to the consumer for any fault
of conformity that exists when the good is delivered or which appears within a delay of one year of this date; the buyer must inform the seller of the
existence of a fault of conformity within a delay of two months of noticing the fault.
JURISDICTION AND LAW
The auctions, including the auctioning process, are subject to Belgian law. All dispute concerning their validity, their interpretation, their execution
or their dissolution will be the exclusive competence of the courts of Brussels.
(1) The global amount to be paid has to be considered as an amount inclusive of tax.
Contract
Purchased lots will become available only after payment in full has been made.
The sale will be conducted in Euros. In addition to the hammer price, the buyer agrees to pay us the buyer's premium together with any applicable value added tax.
The hammer stroke will mark the acceptance of the highest bid and the pronouncing of the word "adjugé" or any equivalent will amount to the conclusion of the purchase contract between the seller and the last bidder taken in consideration.
The present general conditions apply to all sales organised by Pierre Bergé & Associés (Belgium) - Salle des Beaux-Arts. Participation in the sale implies
the acceptance of these conditions.
The internet bid live constitutes a bidding contract between the bidder and Pierre Bergé et Associés.
Bidding order will be in accordance with the lot numbers of the catalogue. Pierre Bergé & Associés (Belgium) - Salle des Beaux-Arts reserve the right
to set the order of the progression of the lots, and bidders are required to conform to this. The highest and last bid shall be the buyer. In case of dispute or mistake over highest bid, the lot shall be put up for sale again.
The auctioneer and huissier judiciaire have the right to make the final decision concerning all difficulty arising during bidding at the auction.
Delay in Payment
All sums not paid 30 days after the auction will be subject to charge without prior notice of 1% per month.
Furthermore, in the case of non-payment at settling date, the amount due will be increased in full right by 15%.
Without prejudice to proceedings for payment at the charge of the buyer, lots unpaid after 3 working days may be put into auction again without reserve without prior notice; in which case, the defaulting buyer will be held responsible for paying the difference between the new price, as well as all costs and outlays relative to having to put the lot back into auction, and cannot claim any excess if there is any.
Shipping
Auction House does NOT shi, BUT will help arrange shipment, at buyer's expense. PLEASE CONTACT THE AUCTION HOUSE FIRST.
All formalities concerning transport are the exclusive responsibility of the buyer. In case of exporting outside the European Union, the buyer is committedto accept the financial consequences to Pierre Bergé & Associés (Belgium) - Salle des Beaux-Arts for that exportation.
The buyer is also committed to use either a carrier approved by Pierre Bergé & Associés (Belgium) - Salle des Beaux-Arts, or to deposit a cheque covering the eventual VAT costs which may demanded of Pierre Bergé & Associés (Belgium) - Salle des Beaux-Arts in the case of the export documents not being supplied by the buyer.
The buyer must take delivery of the lot within three working days after the auction. After that delay, Pierre Bergé & Associés (Belgium) - Salle des Beaux-Arts reserve the right, without prior notice, to transfer paid-for lots that have not collected to storage at the cost, risk and perils of the buyer.
After 3 months, these lots may be sold without prior notice in order to write off the costs that the buyer is responsible for. In this case, the resale price will be deposited at a deposit and consignment office in the name of the buyer, after deductions for buyer's costs, reselling costs, and the difference in price.
Premium
The auction will be conducted in Euros (€).
No delay will be allowed concerning payment.
As well as the hammer price, buyers will pay the following premium
up to 500 000 Euros, 24% (1) inclusive of tax,
above 500 000 Euros, 19% (1) inclusive of tax.
This calculation will be applied to each lot separately. Payments and taxes may be paid in Euros (e) at : Pierre Bergé & associés (Belgique). Banque : I.N.G.-Rue du Trône, 1-B-1 000 Bruxelles-N° compte : 310 - 0503145 - 92 IBAN : BE12 3100 5031 4592-SWIFT? : BBRU BE BB
(1) The global amount to be paid has to be considered as an amount inclusive of tax.
Taxes and VAT
For works to which Artist's Resale Rights are applicable, the successful bidder will pay a 4 percent supplement to total sale price and legal costs.
For all information concerning which works are subject to Artist's Resale Rights, potential buyers may contact Pierre Bergé & Associés before the auction.
For lots whose seller is a non-resident (lots signalled by a black square), the successful bidder will pay VAT of 6% on top of the total sale price, plus legal costs.
This VAT will be reimbursed upon presentation of proof of export outside the EU , within a maximum delay of one month.
For lots sold by non-resident (lots marked by a black square or a red square) the buyer will pay a 21% VAT (lot marked by a black square) or a 6% VAT (lot marked by a red square) on the hammer price plus the premium.
The buyer will be refunded of this VAT when he will be presenting our cashier with proof of export out of EE C.
The 21 % VAT on lots marked by a green triangle will be reimbursed, for persons liable for VAT and for purchases to be exported, upon presentation of proof of export.
Responsibility
Pierre Bergé et Associés is happy to provide condition reports for individual lots upon request (PLEASE NOTE THAT WE DO NOT SEND CONDITION REPORT FOR THE LOT UNDER THE ESTIMATE OF 500 euros).
The indications appearing on the catalogues, advertisements, brochures and any other written material produced by Pierre Bergé & Associés (Belgium)- Salle des Beaux-Arts should be considered as simple indications, and are not binding in any case. They do not guarantee the exactitude of a declaration relative to the author, origin, date, age, attribution, provenance, weight or material state of the lot. No employee is authorised to give such guarantees.
Consequently buyers must verify for themselves the nature and material state of the lots. <br>Detailed information on the condition of the lots described by the experts and the auction house is available to buyers who request it.
The working condition of the pendulums and the condition of the mechanisms is not guaranteed.
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