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Lot 22: Max Ernst, Mer agitée, soleil, nuage et maître Corbeau avec son fils, 1953

Est: €500,000 EUR - €700,000 EURSold:
Kunsthaus Lempertz KGKöln, GermanyJune 17, 2021

Item Overview

Description

Signed and dated 'max ernst/53' in grey lower right as well as verso signed, dated, and titled 'mer agitée, soleil, nuage et maître corbeau avec son fils max ernst /53'. “1906. The Vogelobre Hornebom. A friend by the name of Hornebom, a clever and loyal bird with bright spots dies in the night; a child, the sixth in order, enters life in the same night, chaos in the brain of the otherwise so healthy boy. A kind of interpretive mania, as if the innocence just born, sister Loni, had appropriated the vital fluids of the dear bird in her lust for life. This crisis is soon withstood. However, a voluntarily irrational ideational amalgamation of people with birds and other creatures remains in the boy's fantasy, and this is reflected once more in the emblems of his art,” writes Max Ernst in his biographical notes (cited in: Exh. cat. Max Ernst, Wallraf-Richartz-Museum Cologne/Kunsthaus Zurich 1962/1963, p. 23). This museum-quality painting created by Max Ernst in 1953 is formally consistent with his sea-star pictures. However, in its surreal qualities, it goes far beyond their modes of representation. In 1931 the artist had already recurred back to the medium of collage in his landscapes by arranging (sometimes painted) fragments of old wallpaper and providing his pictures with a plausible or fantastic title. This is also the case in our picture: in the oscillation between immobility and movement, viewers can recognise surging waves in the two strips of wallpaper. A cool freshness is suggested by the glittering sea, with its linearly organic acanthus ornamentation consisting of somewhat obliquely collaged pieces of wallpaper and a clear triad of blue, light blue and white. The sun, which dominates the sky and is not entirely painted in at one point, is covered by a smaller, three-dimensional-looking “cloud”. For this element of the composition, Max Ernst has used a collaged circle cut from a patterned wallpaper that permits associations with a cloud. According to the title, it is “Master Crow with his son” who float in the sky. The heads of the birds were created with the help of drawing stencils. In Ernst's vision, these already had the shape of a bird's head. He positioned them in the picture, traced around them and completed two birds' heads with a white and a black dot. Also a master of his picture's titles, the artist indirectly alludes to Jean de La Fontaine's fable “Le Corbeau et le renard” here, thus expanding the complex materiality of collage through a poetic dimension. Nature, cosmos, stars, birds, forests and the sea are central themes that also remained present in Max Ernst's work after he returned to France. Initial depictions of the landscape, horizon and sun can be found in the mid-1920s, where they are identifiable leitmotifs in the form of romantic and easily recognised pictorial motifs between more enigmatic compositions. Ernst's central phase of work in France began after his return from the US. In 1953 he created art historically important works that are remarkable and diverse in terms of technique, including “Vater Rhein” (Spies/Metken 3007), “Heuschreckenlied an den Mond” (Spies/Metken 3029) and the present work (Spies/Metken 3025). From 1953, after the artist had been able to purchase a bundle of old wallpapers from a defunct department store, he once again dedicated his attention to the sea-star collages, continuously elaborating upon the technique of collage and oil painting on canvas that he had initiated in the 1930s. With his early collage novels and the collage pictures mentioned here, Ernst created pioneering works that were seminal for the art of the 20th century, and they continued to influence central positions in postwar art, such as pop art. “Mer agitée, soleil, nuage et maître Corbeau avec son fils” was created immediately after Max Ernst returned to France. Recurring back to the 1930s, it embodies the defining aspect of linking together his artistic leitmotifs on many different levels. This picture's laconic allusion to Jean de La Fontaine's fable “Le Corbeau et le renard”, through which the artist surrealistically and ironically deals with the theme of fathers and sons, is characteristic and typical. The appearance of Ernst's emblematic alter ego of the anthropomorphic avian creature - “Vogelobrer Hornebom”, “Schnabelmax” and “Loplop” - allows us to recognise a complex, self-reflexive aspect and is not without humour. Within this context, the picture points not just to the transcendental dimensions of nature and the cosmos, but also to that enigmatic amalgam of intellect, mythology and personal biography which makes Max Ernst one of the most multifaceted fine artists who shaped the 20th century. The fact that, throughout his life, the artist retained this work within the immediate surroundings in which he lived speaks for itself. Afterwards it was donated by his widow Dorothea Tanning to a family member.

Dimensions

92 x 73 cm

Artist or Maker

Medium

Collage and oil on canvas Framed

Date

1953

Condition Report

In fine condition.

Exhibited

Stockholm 1969 (Moderna Museet), Max Ernst, cat. no. 79, with illus. p. 61; Amsterdam 1969/70 (Stedelijk Museum), Max Ernst, cat. no. 75; Stuttgart 1970 (Württembergischer Kunstverein), Max Ernst, cat. no. 89, with illus. p. 142 (exhibition label verso); Max Ernst Museum, Brühl (permanent loan from the Ernst family 2007-2021)

Literature

Werner Spies (ed.), Max Ernst, Leben und Werk. Dokumentarband zu "Max Ernst. Oeuvre-Katalog", Cologne 2005, with. colour illus. p. 255

Provenance

Artist's estate, in family possession since

Notes

Droit de suite according to conditions of sale

Payment & Shipping

Payment

Accepted forms of payment: American Express, MasterCard, Visa, Wire Transfer

Shipping

Anyone who fails to complete any transaction associated with any bids placed with All American Auction will be sued for "breach of contract". PLEASE NOTE, ONLINE BIDDERS WHO DO NOT PAY FOR THEIR INVOICE WITHIN 4 DAYS OF RECEIVING THEIR INVOICE WILL HAVE THEIR CREDIT CARD ON FILE FROM WEPAY AUCTIONZIP AND INVALUABLE AUTOMATICALLY CHARGED FOR THE COST OF THE WINNING ITEMS AS WELL AS ALL APPLICABLE FEES AND TAXES. ALL INTERNET BIDDERS AGREE TO SAID CREDIT CARD CHARGES PER THESE TERMS. iF YOU DO NOT AGREE DO NOT BID! All online bids will incur a 15% buyer's premium. Declined credit cards will result in legal actions being taken. All legal fees are the sole responsibility of the bidder. Any legal action arising from transactions, either being conducted online or live at our auction hall or any other location represented by All American Auction, will be conducted in Falls County, Texas, USA and under the current laws of the State of Texas, USA. All operations for this auction company are based in Texas and operated under the current laws of Texas, regardless of user or operator computer location.

Auction Details

Evening Sale - Modern and Contemporary Art

by
Kunsthaus Lempertz KG
June 17, 2021, 06:00 PM CET

Neumarkt 3, Köln, 50667, DE

Terms

Live bidding may start higher or lower

Buyer's Premium

€0 - 400,000:36.32%
€400,001+:30.37%

Bidding Increments

From:To:Increment:
€0€999€50
€1,000€1,999€100
€2,000€3,999€200
€4,000€5,499€300
€5,500€14,999€500
€15,000€29,999€1,000
€30,000€49,999€2,000
€50,000€64,999€3,000
€65,000+€50,000

Terms and Conditions

Conditions of sale
1. The art auction house, Kunsthaus Lempertz KG (henceforth referred to as Lempertz),
conducts public auctions in terms of § 383 paragraph 3 sentence 1 of the
Commercial Code as commissioning agent on behalf of the accounts of submitters,
who remain anonymous. With regard to its auctioneering terms and conditions
drawn up in other languages, the German version remains the official one.
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has special reason to do so, to offer any lot for sale in an order different from that
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catalogue specifications and related specifications appearing on the internet, which
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The same applies to any reports on an item's condition or any other information,
either in oral or written form. Certificates or certifications from artists, their estates
or experts relevant to each case only form a contractual part of the agreement if they
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agreement on quality. All items are used goods.
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which result in negation or substantial diminution of value or suitability,
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no higher bid ensues, then the ticket becomes the deciding factor. The auctioneer
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The premium will be reduced to 20 % (plus VAT) on any amount surpassing
€ 400,000 (margin scheme).
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On lots which are characterized by an R, the buyer shall pay the statutory VAT of
16 % on the hammer price and the buyer's premium (regular scheme).
Exports to third (i.e. non-EU) countries will be exempt from VAT, and so will be exports
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the VAT will be refunded, as soon as Lempertz receives the export and import
papers. All invoices issued on the day of auction or soon after remain under provision.
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however reserves the right to refuse such a request if it is deemed appropriate. The
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the person to whom the invoice is transferred. Invoices will only be issued to those
persons actually responsible for settling the invoices.
11. In the case of payment default, Lempertz will charge 1% interest on the outstanding
amount of the gross price per month.. If the buyer defaults in payment,
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after allowing a period of grace, claim damages instead of performance. In the latter
case, Lempertz may determine the amount of the damages by putting the lot or lots
up for auction again, in which case the defaulting buyer will bear the amount of any
reduction in the proceeds compared with the earlier auction, plus the cost of resale,
including the premium.
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the provisions of the United Nations Convention on Contracts for the International
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or partially ineffective, this will not affect the validity of the remaining provisions.
Regarding the treatment of personal data, we would like to point out the data protection
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Henrik Hanstein, sworn public auctioneer.

Shipping Terms

Anyone who fails to complete any transaction associated with any bids placed with All American Auction will be sued for "breach of contract". PLEASE NOTE, ONLINE BIDDERS WHO DO NOT PAY FOR THEIR INVOICE WITHIN 4 DAYS OF RECEIVING THEIR INVOICE WILL HAVE THEIR CREDIT CARD ON FILE FROM WEPAY AUCTIONZIP AND INVALUABLE AUTOMATICALLY CHARGED FOR THE COST OF THE WINNING ITEMS AS WELL AS ALL APPLICABLE FEES AND TAXES. ALL INTERNET BIDDERS AGREE TO SAID CREDIT CARD CHARGES PER THESE TERMS. iF YOU DO NOT AGREE DO NOT BID! All online bids will incur a 15% buyer's premium. Declined credit cards will result in legal actions being taken. All legal fees are the sole responsibility of the bidder. Any legal action arising from transactions, either being conducted online or live at our auction hall or any other location represented by All American Auction, will be conducted in Falls County, Texas, USA and under the current laws of the State of Texas, USA. All operations for this auction company are based in Texas and operated under the current laws of Texas, regardless of user or operator computer location.

Bidder registration

In order to participate in our auction you need to register 24 hours before the sale. Please be aware; we reserve the right to ask bidders for a deposit prior to the sale.

Buyers Premium

A premium of 28 % calculated (25% + 3% live bidding fee) on the hammer price plus 16 % value added tax calculated on the surcharge only is levied (margin scheme). On the lots which are characterized by an *, the buyer shall pay a premium of 23% (20% + 3% live bidding fee) on the hammer price; onto this (hammer price and premium) the statutory VAT of 16% will be added. (Regelbesteuerung = regular scheme). For original works of art and photographies whose author died after 31.12.1947, a charge of 1.8% on the hammer price will be levied fort he droit de suite.